Raising Helen

I loved Kate Hudson in Almost Famous, and a few people told me this film was good, so we rented it.

We did enjoy it. It had some very funny moments, and some very tender moments. Kate Hudson was good, but don't expect "Almost Famous" style brilliance out of her in this one. The rest of the cast performs about the same -- good performances, nothing stellar. Except perhaps Joan Cusack; her performance was very good.

If you have kids, say, about ten years old and older this is a good film to watch together with them -- it introduces them to a few teen and adult issues (dating, death, etc.) and shows the sorts of tough decisions that parents sometimes have to make. And you'll have lots of fun laughing together too.

Uneven comedy drama about a fast living fashion designer assistant, Helen Harris (Kate Hudson), and her journey of self discovery. She has two older sisters, the oldest one being Lindsay (Felicity Huffman) and the 2nd oldest being Jenny (Joan Cusack) with Helen being the baby of the 3. Though they all love each other dearly, Helen and Lindsay seem to have the strongest bond while poor Jenny is the odd girl out, even though she raised Helen mostly by herself after their mom died and Lindsay was in New York trying to make it as a dancer. Lindsay and Jenny are both married and have kids, while Helen is not but Lindsay's kids, especially 15 year old Audrey (Hayden Panettiere), think she's the coolest aunt in the world.

Then Lindsay and her husband die in a car accident and guess who Lindsay chose to raise the kids? Helen! Even though Jenny is clearly more qualified thanks to her lifetime of motherhood, Lindsay decided to fork the kids over to Helen who not only smokes but has no idea of how to raise kids. Predictably, this throws Helen's life all out of whack as she is forced to move and find a new job and finds herself in an awkward relationship with the principal of the kids new school, Lutheran man Pastor Dan (John Corbett reprising his nice guy persona from "My Big Fat Greek Wedding"). Well, 6 or 7 year old Sarah has trouble grasping the concept of death and 10 year old Henry (Spencer Breslin) is in a depression while the hormonal and rather horny Audrey thinks that having Helen for a guardian means that Helen will indulge all the teen girl desires that her mother would never have allowed her to indulge. Audrey is quite surprised when Helen calls on their aluminum baseball bat wielding Indian neighbor Nilma to get rid of a bunch of hoodlum punks she has made friends with and brought up to Helen's apartment. "What's the matter with you?!" the obnoxious 15 year old screams. "Don't you remember what it's like to be young?!" Helen replies to Audrey's cliché insult "Yeah, it was last Wednesday!" Later on, Audrey almost ruins her life when she ditches a prom she was attending to go off with her hoodlum "DJ" boyfriend to a motel intending to have sex, only to be rescued/thwarted by Aunt Jenny the supermom and Helen. In a scene both funny and dramatic, Jenny uses her pregnant belly as a form of terror and metaphor for teen parenthood against the boyfriend. In the end, Helen finally finds the strength to be a parental figure and all is relatively right with the world.

Kate Hudson is cute and has some comedic ability, but her mother, actress Goldie Hawn, was even cuter and funnier when she was the same age Kate is now and still is. Kate works hard to make you like Helen but this is the kind of character (and scenario) her mother would have pulled off without breaking a sweat. Maybe Kate should give up comedy and focus on becoming a dramatic actress. Either way though, Kate is easily out-acted by co-star Joan Cusack, a tall, gangly woman who's wasp like face can be made to look a lot better or a lot worse; Joan makes you feel more for Jenny than Helen, which is not the right effect I think. John Corbett also overshadows Kate in this film. Helen Mirren makes the most of her role as Helen's ice like boss. I wasn't a big fan of the kids. The worst offender though was Audrey; Hollywood is really starting to scare me with their idolizing teen girls. That and the fact that Audrey, even by growing pain standards, is a bitch to deal with, a 39 year old whore trapped in a 15 year old girl's body. Are 15 year old girls REALLY this horny in real life? And do they really get THIS sucked up with bad boys? I kept waiting for someone to smack her. Personally they should have let her ruin her life by having sex, it would have served her right the bitch. You hang out with trash like this "DJ" as she calls him then you're asking for it.

Garry Marshall has this thing about doing variations on the Cinderella concept. For example, "Pretty Woman" was about a downtrodden woman who got elevated into a better life. Here, he reverses things so that the woman already has it all and learns that the smaller way of life is good too. Too bad it wasn't a better film.

New Yorkers that happen not to live in the island of Manhattan are seen as "Bridge and tunnel", a derisive term used by residents of the island to indicate their superiority to their less sophisticated, or perhaps less affluent neighbors. Never mind that most Manhattanites are transplants from other places themselves!

Imagine Helen Harris' reaction when she is given custody of her three nephews and has to give up her Village apartment because it's too small and has to relocate to Astoria! Garry Marshall, a director with a lot of films under him, is at the helm of this comedy that follows the adventures of a woman trying to cope with what destiny had in store for her, even though she never set out to be in the position she has to face. The screen play is by Jack Amiel and Michael Begler, two men that has dealt in cuteness in previous works.

Helen, who works for a modeling agency in Manhattan, finds herself in a predicament when her sister Lindsay and her husband die tragically. She has been picked to raise two girls and a boy and she is ill prepared to deal with the situation. Instead of naming the more domestic sister, Jenny, as the guardian, Lindsay knew something that the other two siblings didn't know in trusting her three children to Helen.

"Raising Helen" deals with the trials and tribulations of Helen as she comes to terms with her new situation. She must give up her fabulous job, with all its perks, and seek employment in a "previously owned" car lot where she is able to prove her worth. At the same time, she has to deal with her new family in ways she didn't expect. She also finds a good man in the Lutheran pastor who falls in love with her from the moment she enrolls the kids in his school.

Kate Hudson is a beautiful woman with an angelic face that keeps the viewer recalling her mother, Goldie Hawn. She is as good a comedienne, as her mother was in her prime. The best thing in the film, or in any other film where she is cast, is Joan Cusack. She steals the film with her Jenny, a well meaning person who feels bypassed for a role she was meant to play all along. Ms. Cusack is a treasure in this movie. John Corbett, is the hunky Lutheran pastor who falls in love with Helen. Helen Mirren and Felicity Huffman has small roles as Helen's boss Dominique and her sister Lindsay.

"Raising Helen" while predictable was targeted for a certain viewer who loves this type of comedy. Under the sure hand of Garry Marshall it makes for a pleasant time at the movies.

"Raising Helen" is a formulaic romantic comedy that makes you wonder when Kate Hudson will again find a role that will actually allow her to stretch herself as an actress, fulfilling the promise she made half a decade ago in "Almost Famous." Since then it's been mostly downhill for Hudson, and the ironically titled "Raising Helen" does nothing to help arrest or reverse that slide.

Hudson plays Helen Harris, a young woman whose budding career in the fashion industry is suddenly cut short when her sister and brother-in-law are killed in a car accident, leaving Helen to raise their three children. Things go from bad to worse, as the once carefree Helen struggles with the trials and tribulations and life-changing vicissitudes of unplanned motherhood.

This is a typical Garry Marshall film in that, even when it tries to deal with "real world" issues such as death, loss, grief, sibling rivalry, teenage angst etc., it does so in only the most superficial, glossy and unconvincing of terms. Heck, there's even a hunky, hockey-playing Lutheran minister on hand - the kind one can only find in movies - to provide spiritual as well as romantic comfort for those times when the going gets to be just a bit too tough for the harried guardian.

The performances are uniformly uninteresting, but I choose to blame the shallow writing rather than the actors in this case. It's particularly painful to see actresses of the caliber of Felicity Huffman and Joan Cusack cast adrift in this sea of "chick flick" platitudes and feel-good movie clichés - but everyone in this film suffers a similar fate.

When I first saw the trailers for this movie, I thought it might be cute, but I had reservations because everything I've seen Kate Hudson in since "Almost Famous" has been quite disappointing. This one, she finally picked a winner. It didn't hurt that her costar is John Corbett. The two of them actually have pretty good chemistry, and the three kids are cute without being annoying. There were lots of tears in this one...more tears than laughs, maybe. It is a great "chick flick". I will have to wait for the DVD to see the end credits because the theater flubbed up and cut off the film right after the final music crescendoed and you could tell the credits were coming. How annoying. Anyway, I digress. Not sure why this is rated PG13, because I don't remember anything blatantly offensive. Again, I wonder why filmmakers can't just be a little more "delicate" and get those PG ratings. There are so few movies we can enjoy as a family...this one I will probably allow my 9 year old to see. Many people won't because of the rating. Too bad. I recommend this one.