An FBI profiler is called in by French Canadian police to catch a serial killer who takes on the identity of each new victim.An FBI profiler is called in by French Canadian police to catch a serial killer who takes on the identity of each new victim.An FBI profiler is called in by French Canadian police to catch a serial killer who takes on the identity of each new victim.
- Awards
- 4 nominations
Storyline
Did you know
- TriviaA scene was shot in which Illeana drives back to her house with the old pick-up and a branch from a tree falls and breaks the windshield. It took several takes to get the shot, and apparently destroyed the last remaining windshields for the pick-up available anywhere in North America at the time. The scene was not used.
- GoofsThe three lead police investigators all speak with Parisian French accents. Quebec French is as distinct from Parisian French as British English is distinct from North American English.
- Quotes
Martin Asher: That guy was nothing, alright? I didn't take his life, I lived it. I was the best thing that ever happened to that guy. You looked at him, and you saw me, and I looked at you, and I saw you, and we are the same.
- Alternate versionsAvailable in both its R-rated theatrical version (103 min.) and in an unrated director's cut (109 min.).
Featured review
undistinguished thriller
"Taking Lives" is a standard-issue, run-of-the-mill thriller about a serial killer and the FBI agent determined to capture him. When bodies start piling up in the Montreal area, the agent - an expert in serial killer profiling - is brought in to assist the local authorities in finding the culprit. The perpetrator's modus operandi is to target men roughly his own age and build, murder them in cold blood, then assume their identities. Once he grows tired of living their lives, he proceeds to his next victim. Ethan Hawke plays a man who's witnessed the most recent of the killings and who may now be next in line on the man's hit list.
"Taking Lives" sticks pretty much within the confines of its overworked genre. We have the disgruntled local cop who resents interference from a hotshot outsider; the prime suspect who turns out to be just another of the killer's many victims; and the double twist resolution which really isn't all that hard to see coming twenty minutes or so into the movie. Jolie gives her usual wooden performance as the FBI agent, barely managing to register a single convincing emotion throughout the course of the film. Hawke does his best with the material, though there really isn't much he can do with it apart from going through the motions, which he does reasonably well. Gena Rowlands and Keefer Sutherland are also on hand to lend their talents, but since their roles are fairly miniscule, they don't have much of a chance to display their wares as actors.
Although watchable, "Taking Lives" feels like a weak-spined, half-hearted effort in an already played-out genre. It is an instantly forgettable film.
"Taking Lives" sticks pretty much within the confines of its overworked genre. We have the disgruntled local cop who resents interference from a hotshot outsider; the prime suspect who turns out to be just another of the killer's many victims; and the double twist resolution which really isn't all that hard to see coming twenty minutes or so into the movie. Jolie gives her usual wooden performance as the FBI agent, barely managing to register a single convincing emotion throughout the course of the film. Hawke does his best with the material, though there really isn't much he can do with it apart from going through the motions, which he does reasonably well. Gena Rowlands and Keefer Sutherland are also on hand to lend their talents, but since their roles are fairly miniscule, they don't have much of a chance to display their wares as actors.
Although watchable, "Taking Lives" feels like a weak-spined, half-hearted effort in an already played-out genre. It is an instantly forgettable film.
helpful•14268
- Buddy-51
- Jan 9, 2005
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Đoạt Mạng
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $32,682,342
- Opening weekend US & Canada
- $11,458,465
- Mar 21, 2004
- Gross worldwide
- $65,470,529
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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