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  • The four-hour miniseries is, when well executed, one of the most entertaining forms of modern drama. "Prime Suspect 6" is a vivid demonstration of how a well-crafted script put in the hands of a competent director and a dedicated cast and crew can provide cliff-hanging suspense and emotional excursions for viewers of a wide range of ages and backgrounds.

    Helen Mirren is possibly at her best in "6" as the ageing senior detective, constantly battling the establishment as she tries to manage a big caseload when a particularly brutal murder opens a Pandora's box of leads, lies and loose ends.

    My prize, however, goes to Peter Berry for his writing. The story lets us slowly explore the minds, motivations and especially the passions of all the main characters and makes good use of historical events and present-day tensions to construct a drama of the highest quality. His story has strong Hollywood elements, and for this style of drama, that's precisely what's needed.

    If you missed it this time, don't miss the repeat or definitely rent the DVD when it's out.
  • The only remark I wish to add to the other reviews is that the music accompanying this particular mini-series of the "Prime Suspect" series was particularly appealing, I think.

    So often, the music is an irritant or a distraction, whereas in this thriller, I felt it enhanced the filmed drama greatly. The soundtrack employs much East European singing, as well as Eastern-looking music from the Moslem cultures of the Adriatic provinces, and used this to help make the victims of the crimes presented more sympathetic to us.

    I found the spirited dance music, with a heavily middle-eastern, percussion-and-plectra sound, employed during the exciting chase scenes, especially effective.

    It's a sad story, and a police-thriller, and while I wouldn't say it transcends its genre completely, it does manage to provoke a little thought about principles, about honor, about cruelty, and about integrity and behaving justly.

    Very enjoyable when you're in the mood for a thriller!
  • Jane Tennison gets caught up in a Bosnian massacre in "Prime Suspect 6." In this episode of the powerful series, two sisters are murdered and Jane, who promised the second sister that she would be safe, is determined to bring the killer to justice. She believes that a man now living in London was responsible for a massacre in Bosnia and was recognized by one of the sisters, whom he raped when she was 12. Thinking they were dead, he tortured her for information about the whereabouts of the second sister. It turns out that what Jane knows and what she can prove are two different things, and her hands are tied all the way.

    Jane is her usual self - tough, controlled, and with a terrifying vulnerability underneath. Refusing retirement, she bucks the system blatantly, and if the subject matter weren't so serious, some of her actions would be funny. And who better to play this complicated woman than one of the greatest actresses of our century, Helen Mirren. With one look, she tells the viewer that no, she is not going to be able to stay alone in her Bosnian hotel room. Listening to her father talk about liberating the Belsen concentration camp, her emotion is palpable but she cannot take his hand. That scene, by the way, is probably the best in this episode.

    "Prime Suspect 6" is of the same high quality as all the other "Prime Suspect" episodes and will not disappoint.
  • Prime Suspect 6 is right up there with the rest of the series. Tennison doesn't even bother with what people think of her anymore and doesn't even care about whether they respect her or not. She blasts them for even suggesting retirement. After that, it only gets better....for those of us interested in the character development of Tennison, all of the stories are good. We care more about how she evolves as a human woman. Boy, has she evolved! She's as hard as nails on the surface and as crumpled up as ever on the inside. I kept waiting for her to weep for all the stuff she's holding in. But, true to form, she holds on and even her letting go is so controlled that you want to scream for her.

    Nobody can do this stuff like Helen Mirren. She deserves an Oscar and I hope America finds a way to honor her with one. AND SOON!!!
  • Warning: Spoilers
    Spoilers all the way through.

    If you're like me, you read the reviews only after seeing the movie or program. If I really enjoyed it, I then check the reaction of others - a sharing of the exhilaration. The other reviews here are excellent and reflect my own views.

    This is a role in which Helen Mirren has done consummate justice (yeah, yeah, the wordplay is intentional…): as 'nancinger' aptly says in her review, 'she's as hard as nails on the surface and as crumpled up as ever on the inside.' And tougher than Dirty Harry.

    The suspense is palpable. The race against time in the hospital against a murderer, and we really don't know how it will turn out, keeps us on the edge of our seats. But there's suspense in the interrogations, too. Do you, as I do, try to anticipate the questions, try to out-cool the 'interrogatee'? When I'm stumped, Tennison comes through, though not without a sideways glance, a bit of a pause to think. There's suspense in the politics, in how Tennison has to negotiate the labyrinthine obstacles her own department puts in her way, how she has to guess at her own people's agendas, how she has to manage them, offend them yet keep their loyalties, there's suspense as to who will stab her in the back and who will pull through for her.

    Some of the devices are obvious, some less so, but they're effective. We see cleaning women often enough to think 'enough, already, I get the point!!!', Tennison reaching out for her father, then pulling her hand back, but most effective is the light shining through a bullet hole onto her eye at the scene of the massacre, recalling her earlier eye exam from its perpetrator – very effective indeed. (And I must give kudos to Oleg Menshikov for his outstanding performance as a charismatic psychopath.)

    When Tennison first visited her father, I was worried it would be filler, but it turned out to be essential. A later visit was a wonderful paean to this great TV detective, a rousing peroration that explains, by one who should know, what makes Tennison tick and what she should do. Mix in the hesitation with the hand and we see the twin manifestations of her hardness and her 'crumpledness' in the same scene.

    It is inevitable that when I pop in the DVD to watch a new Prime Suspect series, I will watch it through in one sitting, three hours, four hours be damned... A superlative show.
  • I've watched (and was hooked) the entire series from Day 1...I only wish there were 10 more episodes to look forward to....This series, and this particular episode, set the standard for all TV detective series....I don't like to go into the story line for a couple of reasons...One is to let a new viewer have the full experience without prejudice (I envy you), and two, by not revealing the smallest detail, I add my tiny part of suspense and drama to the work....so no details here....Jane Tennyson and company are superb actors...My coda........Here is quality, intense television melodrama at its best....
  • The first three 'Prime Suspect' series were absolutely brilliant. 'Prime Suspect IV' changed the format from two episodes compromising of one case for each of the previous three series to three different cases and actually did it very well.

    'Prime Suspect V: Errors of Judgement' was wonderful, but 'Prime Suspect VI: The Last Witness', having watched all the series over-time since reviewing the first series in 2016, ties with it as the best 'Prime Suspect' series since 'Prime Suspect III'. 'The Last Witness' is to me the darkest and grittiest since 'Prime Suspect III', and is one of the more suspenseful ones of all the series put together. Also with one of the more satisfying endings, not rushed, not too crammed, too convoluted or too pat, instead making one bite nails and may induce a few tears.

    As is the case with all the 'Prime Suspect' series, 'The Last Witness' is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is very gritty, dark and effectively claustrophobic. It is very hard to forget the music score too, plus mood-wise and with some exotic moments in the mix it's one of the more action and atmosphere-enhancing music scores of all the 'Prime Suspect' series. The scripting, like its predecessor, is some of the best there is of any mystery/detective drama, being superbly constructed and intelligent, plus it is hard to not be impressed by the cunning subtlety of the conflicts.

    Story-telling is very compelling and twisty, with an atmosphere that is gritty and harrowing but also intricate and honest. It is a complex story that keeps one guessing right up to the end while also being easy to follow. Plus the suspense of a lot of it is nerve-shredding. The deliberate pacing did not harm it at all, in fact it was executed incredibly well and was necessary considering the amount going on.

    Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel. There is the sense too that the character has evolved significantly, a feeling that one didn't get before.

    Helen Mirren gives a typically magnificent performance in the lead. Frank Finley's performance is deeply felt and one wishes agreed that there was more of him.

    Overall, just wonderful in every sense. 10/10 Bethany Cox
  • The Prime Suspect plays and mini-series have provided benchmarks for TV drama for a decade. The latest, Prime Suspect 6, raises the bar again. This two-part series is far more than a crime drama. Helen Mirren gives a complete performance, clever, vulnerable, confused, determined in turn. It is a magnificent sustained piece of top-quality acting.

    The supporting actors are equally strong, from Frank Finlay as Mirren's elderly father to the Bosnian victims and villains, whose tortured history DS Tennison (Mirren) unearths. They are helped by the quality of Peter Berry's script and Tom Hooper's direction. The story line is more complex even than previous Prime Suspects, involving Mirren in a terrifying visit to Bosnia in a search for the truth that neither the British nor the Bosnians want uncovered.

    In short, four hours of gripping, unmissable drama.
  • The more I watch Dame Helen Mirren, the more I want to see her reprise the role of DCI Jane Tennison, the no nonsense British detective, who rose the ranks in a man's world by working hard, sacrificing a personal life, etc. In this episode, Jane is determined to solve the crime of two Bosnian Muslim female immigrants and sisters in London. At first, it all seems locked up by the actual murderer. Tennison's hunches are often key in understanding that there is more than meets the eye. The murderer was a soldier and was taking orders but from whom and why? It's a suspenseful episode with great supporting performances by Clare HOlman, Frank Finlay, and Phoebe Nicholls. Finlay's performance as Jane's father is poignant as he recalls liberating a death camp during World War II.
  • AnnieLola27 November 2021
    Our Jane is in top form here, zeroing in on a really slippery Prime Suspect. What's the truth? And how can she prove it? It's really creepy seeing Tennison get an eye exam from a man she is becoming increasingly convinced is a monster. Not so much of the recurring theme of friction from her higher-ups in this one, though once she's starting to hit a nerve there's the familiar shutout-- which she turns to good purpose. Very satisfying conclusion.
  • =G=21 June 2004
    "Prime Suspect 4" continues the exploits of the inscrutable and dogged seeker of truth and justice, Detective Superintendent Jane Tennison; the first of three miniseries (PS4, PS5, & PS6) with the notable absence of founding writer Lynda La Plante from the credits. Imbued with the same gritty reality of the first three series, the second three series pit Tennison against the forces of evil while coping with middle age, loneliness, indiscretions, a host of personal and professional problems, and resolutions which are sometimes less than ideal. PS4 conjures two stories while PS5 & PS6 are single stories which find Tennison seeking justice on behalf of the brutally wronged while waging war against institutions which are willing to sacrifice the interests of her victims for those of a greater good. In other words, to prevail, Tennison must overcome both evil and good forces, something which makes the always gray scenarios of the PS series yet grayer and the Tennison wars as much a matter of principle as of finding murderers. Very good stuff which only gets better from series to series. For reasons of continuity, watch in chronological order. (B+)
  • I'm at a loss to understand why this episode scores so highly. To my eye this is an astoundingly dull entry in the series. Most of the episodes suffer to some extent by being overly lengthy but this one in particular is stretched beyond the bounds of reason. It might have made a decent 90 minute programme but three hours is an insane length for this material. Every point in the procedure is dragged out to such an extent that it doesn't matter if you fall asleep at any point because the plot will not have advanced when you wake up half an hour later. I'm a big fan of Prime Suspect but lets not pretend it is without faults. This has hardly any of the characters we have seen before and the new team Tennyson manages are exceptionally dull. Even the sub-plot of how she is oppressed, this time by being too old, has worn thin. The premise is a good one but the direction is pedestrian and the script is poor. This is the only Prime Suspect episode that should be avoided.
  • Just finished watching #6 which was screened in two parts this week on SVT1. Was on the edge of my seat for both episodes.

    Mirren is, as always, a joy to watch.

    This riveting story is blessed with a great ending. It felt really good after this one. Quite a lot of thriller/police dramas end without one feeling that justice has been meted out. Here, the main antagonists get their just desserts. And I mean everybody. Especially the woman from the secret service. That look she gives her man at the end is priceless.

    Beautifully shot and nicely scored. A great bit of telly to be sure.

    Top marks here!
  • Doing a Prime Suspect marathon and you can tell how production values have been raised in this later instalment. It is typical Prime Suspect material, very well done - there are some twists and turns but it seems to be the premise of the show that they reveal who the culprits are fairly early on and the plot is all about finding ways to prove it in order to arrest and convict. Mirren is, as always, excellent and this was a thoroughly enjoyable watch.

    I do shrug when they make the story international and include trips abroad to make the story feel more epic. They've done it quite a few times in Silent Witness (most episodes were average) and they did it at the second season of the Danish The Killing. Here it seems to have been handled quite well though. Travelling to Bosnia makes you wonder how they justify their expenses...

    There are some clumsy moments - the hospital scene at the end of the first part was silly, all those police officers trying to find the cleaner when they could have used CCTV camera? As they did in the beginning of the second part? I wish we'd also see the repercussions on Tennison for her disregard of very senior government officials.....
  • SnoopyStyle26 November 2016
    Det. Supt. Jane Tennison (Helen Mirren) is 54 and being pushed to retire. A woman is found tortured and killed in a basement. Tennison pushes aside subordinate DCI Simon Finch to head the investigation. With former flame Robert West's help, she dives into the murky history of the Balkan war. The victim and her sister Jasmina Belkic are illegal Bosnian Muslim immigrants. Finch suspects Jasmina's petty criminal Kasim and his connections in the underworld. Tennison zeroes in on Serb security guard Duscan Zigic as the prime suspect. His lawyer brings in Milan Lukic to translate. Jasmina reveals a connection a decade earlier during the war.

    It's seven years since series five. This one is a three hour two-parter. The production is one step up from the earlier series. Even the autopsy looks better. Helen Mirren continues to shine as Tennison. The story is able to take a couple of turns in the second part to keep the interest. They're not shocking or out of left field but they are interesting. This is one of the better procedurals in the Prime Suspect franchise.
  • ikanboy2 December 2023
    Warning: Spoilers
    Jane back to her role as the tough, insensitive, cold detective we all know and love/dislike. A Bosnian war criminal, guilty of raping and killing many Muslims is on the loose and Jane keeps running into the deep state trying to shut her down. "You're off the case Inspector Tennison" rings out again for the umpteenth time, but Jane plows ahead and finds the suspect only to be slapped on the wrist and told the murderer is useful to the Crown.

    Her ex boyfriend finds a way of going around M. I.5. By letting the victims family and fellow Muslims take care of him. That's when the show jumps the shark. Instead of letting him be dragged back to Bosnia for a proper Muslim justice, she drags him back for British Justice, and the M. I.5 calmly backs down?

    The cop out (forgive pun) is hollow and self righteous.
  • This programme just aired in the UK and it is of the highest quality. Prime Suspect has been a consistently good TV drama and although it's been 6 years since PS5 (probably the weakest) this new outing for Jane Tennison is thoroughly gripping and moving. Helen Mirren is typically first rate, excellent support from Robert Pugh, Mark Strong and Frank Finlay. Peter Berry and Tom Hooper have crafted a complicated, emotional rollercoaster that had me glued to the TV for the duration. Highlights are the ending of part one and the scenes between Tennison and her father. Even the music is good. Do not miss.
  • Warning: Spoilers
    Helen Mirren is back as Superintendent Jane Tennison, and she's back in London. We don't know how she transferred back, after her previous stint in Manchester, but seven years have gone by. Now, Tennison has reached the 30 year mark in her career and is facing retirement. Her superiors would like nothing better if she did and her subordinates are itching to move ahead. Some, like Chief Superintendent Larry Hall, last seen as DI Larry Hall in Prime Suspect 3, have passed her by. Tennison is feeling a bit insecure and takes over an investigation from a subordinate to prove to herself that she's still got the touch.

    Spoilers: The case Tennison commandeers involves the brutal torture and murder of a young Bosnian immigrant. She narrows down the suspects to a Serbian security guard, thanks to input form the dead woman's sister. It seems they were witnesses to a massacre during the war, 10 years before, and this man let them escape alive. However, he has alibis that prove true.

    Tennison begins looking elsewhere and discovers that the interpreter brought in to help the suspect and police seems to have a connection to the suspect, aside from their nationality. In the interim, the sister is executed by the recently released suspect. Thanks to a tip off, the police capture him alive. He admits to both murders, even though evidence proves he couldn't have murdered the first woman.

    Tennison defies her superiors and travels to Bosnia to uncover the truth about the past massacre and the true identity of the interpreter. She returns to London, ready to arrest the man, when the government comes calling. It seems that this man is a mole, infiltrating the Serbian community to expose bigger war criminals. The government is aware of his past and is covering for him. Tennison is threatened with serious repercussions if she pursues the case, using the information the government reveals.

    Tennison confides in her estranged father, who tells her that, although he hasn't seen eye-to-eye with her, he's always been proud that she has had convictions and knows she will do what is right. He proceeds to relate a tale to her, about his time as an ambulance driver in WWII and his introduction to Belsen Concentration Camp. Tennison resolves to bring this murderer to justice.

    Risking all, Tennison brings down the interpreter, exposing his true nature to his wife, the government agent, and to himself. If she's going to end her career, Tennison is going out fighting for what she believes in.

    Mirren is fantastic as ever. Tennison is filled with character flaws and Mirren seems to take pleasure in them. Tennison has championed women in the police force, but she shows resentment to a young officer who wants both a career and a family. Tennison had to scarifice family for the sake of her career. She is uncomfortable around her own father. She has to wear reading glasses, but doesn't want to update the prescription. She is still fighting the tobacco demon. Her relationships still end badly. However, her sense of justice is as strong as ever.

    Frank Finlay has a small, but pivotal role as Tennison's father. He can see the discomfort in his daughter and still can't relate to her. However, he is able to inspire her with his tale of horror from his youth. After coming face-to-face with the Holocaust, he never wanted to be involved in anything big again. He hid in his small world of job and family. But, her recognizes his daughter is different; she has to confront the evils of society. She won't hide. It would have been nice to see more of Finlay, but he makes the most of his small moments.

    All of the actor are first rate and the characters come alive. Even London is presented as a character in this piece. If there is a flaw, it's that little time is spent on Tennison's journey from the last series to this one. We never find out what happened after she uncovered her boss' complicity with the activities of "the Street." How did she get a posting back in London, after making enemies in very high places? It doesn't affect the story, but, for long-time viewers, it does hover in the back of your mind. Also, it seems a bit unlikely that Larry Hall would jump 3 grades in rank in 10 years. I'm no expert, but it would seem that there would be a minimum time in rank before an officer would be eligible for promotion. Hall could have had connections, but they weren't evident in the third series. Again, it is a minor point.

    Catch this one; you'll be glad you did.
  • I saw the 2nd part of this on Masterpiece Theater, and it's definitely the best of all 6. In this latest Prime Suspect Helen Mirren uncovers the murderer of 2 Bosnian refugees. The suspect turns out to be a Bosnia Serb war criminal, but is protected by the British government a la Szell in Marathon Man. Jane Tennison is older and wiser as she goes against orders to bring the mass killer turned smooth London professional to justice. The script writing is superior, even to the earlier episodes, as we get this psychological cat and mouse between Jane and the suspect, his wife, and his underling. And as part of the investigation Jane even travels to Bosnia and has the inevitable affair with her assistant. This shows the Bosnian war should not be forgotten and we've got to bring Mladic, Karadic, and the others to justice.
  • I have been following the investigations of Jane Tennison since my partner sent me a bad VHS recording of Prime Suspect 1 while I was serving with the USMC in the Persian Gulf. Amid my own warfare, my own self doubts and fears, I found inspiration in DCI Tennison's struggles. I have been in love ever since. Some tales are better than others, but all are good. My personal favorites: PS1, PS3, PS5 and now, topping the list, is Prime Suspect:6. Not since listening to the young actor respond to Tennison's questions in PS5 - "What do you want out of life?" ...Response: "Law and Order", have I teared up watching a TV show. PS6 hits home on many levels. From cinematography to storytelling to acting the whole thing is brilliant on all levels. Helen Mirren, one of the most underrated talents in the acting profession - seeing her silently curse in her car after her encounter with her immediate superior evoked a moment all of us in the working world can relate to.

    At the risk of sounding like I'm gushing, I can't recommend enough this latest installment. It is was television drama can and should be.
  • UACW7 June 2006
    Is this the best of the lot? Those who've seen all of them talk a lot about 1 and 2. I haven't seen them yet. I'm tempted to order all seven on DVD.

    This is a new format this time. Some things have changed but some things stayed the same. Again it's an intriguing case woven expertly in the lay-up by the writer and the filming team. And in this one perhaps more than in the others I've seen the cinematography is fantastic. Angles as if they're coming out of a Kubrick classic. There is much eye candy in here.

    So Jane Tennison is back - and she's battling the same bad guys as ever. This time she's surrounded on all sides by the same type of motley crew: the ambitious career types, the slacker types, the mens club types - you know the drill.

    But the lady's acting never gets boring. Mirren brings something special, something extra to whatever she's in.

    This one will take you on an exotic journey. And it's not a walk in the park either. If 5 was one of the most intense (of those I've seen) then 6 can't be far behind.

    As always, on top of all the other excellent work done on this series, you have the star. She's inimitable.
  • With this sixth season, PBS promoted the "Prime Suspect" movie series from its "Mystery!" block to the "Masterpiece Theatre" one. This would suggest it's some sort of highbrow program, but no. How the mighty have fallen. PBS has come a long way from David Suchet as Hercule Poirot and the earlier seasons of Jeremy Brett as Sherlock Holmes. A long way down. It was bad enough back in 2002 with the sensationalized adaptation of "The Hound of the Baskervilles" with Richard Roxburgh as Holmes. That production gave us lovingly lingering shots of Holmes taking drugs during his case, a police officer slowly sinking to his death in quicksand, and quick cuts of a corpse on a morgue table post-autopsy, with a terrified expression frozen on its face and big stitches running across its body (none of these things were in the book, a telling sign of how PBS decided to sensationalize the story). Then there was the Inspector Lynley mystery whose first scene showed the bloodied corpses of a dog and a decapitated man, both killed with an axe. I quit those "films" after a little while, not wanting to waste any more time. I did the same with "Prime Suspect 6." The critics who are too kind to this series on account of Queen Helen Mirren needn't bother with their paeans. Maybe Mirren really is a great actress. Maybe Denzel Washington is too, but that doesn't mean we have to praise "John Q." As for "Prime Suspect 6," it would seem that PBS has now gone all the way and started putting exploitation flicks on their channel.

    I didn't catch this show when it premiered on TV, but recently borrowed it on DVD. Things started off poorly enough with the usual cop drama clichés. Someone discovers a corpse brutalized in the fashion of the series, which leads to police procedural scenes that manage to be both busy and boring – lots of trucks, barricades, and investigators in blue scrubs. We also get the burnt-out cops, office politics, "naturalistic" acting, comic relief supporting characters, camaraderie among the lower ranks, and a world-weary coroner who provides further wry humor.

    Even worse, the show doesn't just want to be an entertaining mystery story; it wants to Make a Point. Not that this is a new thing with "Prime Suspect," which in the past has looked at racism, corruption, etc. This year's themes are war crimes, refugees, and the suffering of the underclass (mostly immigrant racial/ethnic minorities) who provide cheap labor in thankless jobs. We watch a stuffy English politician lecture about illegal immigrant criminals "swamping" England and its undermanned police force. There's a tour of the upstairs-downstairs world of a hotel where the white, suited manager works on the posh first floor, but the basement is full of ethnic types stuck with the real dirty work. A black man who works in said basement reports how the Bosnian murder victim worked 12-hour shifts 6 days a week. We are also told this woman was tortured with ritual cigarette burns many years ago, just as she was right before she died.

    The film pays lip service to the dignity of the victim when a detective lectures his subordinate not to degrade the corpse with jokes. The filmmakers are such hypocrites, for they have no qualms about filming a later scene of this woman's autopsy featuring right-up-in-front shots of the corpse's torso and throat skin peeled wide open to reveal the insides in great detail. Showing a stitched-up corpse like in "Baskervilles" wasn't enough. The woman is made into a grotesquerie show, and the viewers are invited to gape at the lurid spectacle of her cut-up body.

    This is what really finished it for me. First we're looking at a mundane scene somewhere else, and suddenly the camera jump cuts to the autopsy. The filmmakers were obviously going for shock effect. They should know better; this sort of grotesque imagery is not something that should casually show up on TV, and can deeply disturb people, myself included. The above-mentioned "John Q" used the exact same sort of crotch-grabbing when it made a jump cut to a heart transplant surgery, followed by close-ups of the chest cavity.

    How to stick with the movie after this insult? How absurd it would be for the viewers to remain at their schooldesks like good children and keep listening to the "serious" social commentary (let alone the mystery, which to the filmmakers is secondary) when it comes alongside gore effects in cheapie horror flick tradition.

    Shame on director Tom Hooper, producers David Boulter and Rebecca Eaton, writer Peter Berry, and the other filmmakers, and shame on PBS and WGBH.