Level-headed son Michael Bluth takes over family affairs after his father is imprisoned. But the rest of his spoiled, dysfunctional family are making his job unbearable.Level-headed son Michael Bluth takes over family affairs after his father is imprisoned. But the rest of his spoiled, dysfunctional family are making his job unbearable.Level-headed son Michael Bluth takes over family affairs after his father is imprisoned. But the rest of his spoiled, dysfunctional family are making his job unbearable.
- Won 6 Primetime Emmys
- 61 wins & 123 nominations total
Summary
Featured reviews
I don't know what happened with season 4, but the end result was a season with some big issues and lacking the clever comedy of the first 3 seasons. Season 5 was released nearly 5 years later that unfortunately was also very disappointing. I suspect a key person or people were not involved in season 4 and 5 (like Larry David was not involved in the last few seasons of Seinfeld, though the drop in quality wasn't as severe) or Netflix people butted in too much thinking they knew better.
Again, the first 3 seasons are excellent and up there with other top sitcoms. Several of those sitcoms also had disappointing seasons towards the end, just most had made it at least 5 seasons before the quality started to decline. Arrested Development most likely would have been similar had Fox not canceled it after season 3.
It's a sit-com made with very high standards, it's a career revival for Ron Howard, Henry Winkler and Liza Minelli, and it's a show that puts Fox's profile into HBO territory. "It's Arrested Development"
"In fact...", a Ron Howard quote that has become a cliché around our house, in fact, it's all those things and more. The writing is as good as everyone says it is, the cast is on par with that of Seinfeld or Roseanne. (Say what you will about her, that was a dream cast) Whenever new characters appear, they are inevitably played by people familiar to fans of edgy, intelligent humor. People like Jeffrey Tambor and Jason Bateman are dependably good, Michael Cera is a standout, and David Cross is finally being seen for the talent that he is.
The strongest thing I can say about this is that I find myself repeating various running gags, things that, like "In fact...", have become clichés. "I've made a huge mistake." "I'm having the time of my LIFE in here!" "surprisingly cat-like" "Take a powder, willya fellas?"
This last one, uttered by Liza Minelli as Lucille Austero, sticks with me especially, and I hope that Liza stays with the show longer. As good as the principles are, she manages to outclass even them. The same with Henry Winkler, whose Barry Zuckercorn is the sort of lawyer television's been dying for. Among those main players, Lindsay and Tobias are pretty strange characters to begin with, but when you consider that they are an old married couple, that crosses the line into the bizarre. This show is full of people and situations you just won't see anywhere else, at least until other derivative shows start appearing.
Watch carefully, as there are many bit and pieces lingering in the background that you might miss. Recently, George Michael was dumped by his girlfriend. As he trudged home in a state of misery, you could hear sad Charlie Brown music. In the background, you could see a real - but bright red - dog house, with a real dog lying on top of it. It's things like these that tell me that the creators are just pleased to be doing this show for it's own sake, and that kind of love of the work shows through in the end.
Who knows if this show will last? There's an audience out there for this sort of thing, but they've generally settled into the Sunday night HBO schedule. Hopefully the Emmys, the word of mouth, and the critical raves will draw attention to this show. If not, we'll just have our A.D. dvds to keep us warm, and thank God for 'em!
this show deserved all of the awards it won plus a few more just to make sure it gets noticed. its been voted TV-lands "future classic" after only a single season if thats any clue to those who haven't seen it yet. the dry acting of jason bateman and the voice over by ron howard are both stellar and add greatly to the shows overall style.
watch this show as soon as it begins again (nov 7, 2004 after the simpsons) you wont be sorry.
Which Actors Were Left Out of the Bluth Family
Which Actors Were Left Out of the Bluth Family
Storyline
Did you know
- TriviaRon Howard's role as the narrator was accidental. He was merely filling in on the pilot, but his voice just "worked."
- GoofsIn several episodes, you can see flowers and trees outside the doors and windows of the model home; but in the shots of the exterior of the home, it is on a dirt plot, surrounded by nothing.
- Quotes
Narrator: Tobias listens to a day's worth of his own words, to see what Michael was referring to...
Tobias Fünke: [on tape] ... even if it means me taking a chubby, I will suck it up.
Tobias Fünke: Nothing wrong with that.
Tobias Fünke: [on tape] Oh, I've been in the film business for a while, but I just can't seem to get one in the can.
Tobias Fünke: It's out of context.
Tobias Fünke: [on tape] I wouldn't mind kissing that man between the cheeks.
Narrator: ...and he realized there is something distinct about the way he speaks.
Tobias Fünke: Tobias, you blowhard.
[chuckles]
- ConnectionsFeatured in The 61st Annual Golden Globe Awards (2004)
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- Season 4 Remix: Fateful Consequences
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