After witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends... Read allAfter witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends to destroy the city.After witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends to destroy the city.
- Nominated for 1 Oscar
- 15 wins & 79 nominations total
Summary
Featured reviews
A word on Christopher Nolan first, I am a huge fan, I think of Inception, Dunkirk and Interstellar, but his magical trio of Batman movies began here, a movie that put the franchise back on top.
I'm not always sold on origins movies, there have been several misfires, this is one of, if not the best, it feels very organic, at no point does it try too hard, or overdo it, the balance between story, introduction, action and character, pretty much perfect.
The Cinematography is incredible almost twenty years on, the choreography, fight scenes look terrific, made at a time where the purpose of the music was to assist the film and not to drown it out, it is also excellent.
Christian Bale was perfect casting, one of the best actors in the business, he is first rate, the balance between Bruce Wayne and Batman is spot on, what a skilled actor he is.
An incredible supporting cast, Cillian Murphy is equally as good as Bale, putting in a fiendishly creepy and sinister performance as Crane, Freeman, Caine, Neeson, Oldman, I don't think it could have gotten any better than this.
Fantastic, 10/10.
One of the more interesting aspects here is how it shows Bruce's father, Thomas Wayne (Linus Roache), and how he molded Bruce's life and instilled good judgment within him, a point which is misunderstood about him by most people he comes in contact with. Thomas, too, teaches Bruce valuable lesson, such as "We fall so we can learn to pick ourselves up". This is pretty close to the theme of the movie or motto Bruce Wayne lives by. The resemblance of the father & son is pretty good, too.
I also thoroughly enjoyed the training Bruce Wayne endured becoming "invincible". Bruce is trained by Ducard (Liam Neeson) in many ways like a ninja (The concept of Batman IS similar to a ninja). He is taught many valuable lessons in this temple and is shown no mercy. Eventually, we even see his first real enemy as a superhero/vigilante.
Although I am not positive as to how true to the comic book this movie is, I am sure it took a few liberties, as did Spider-Man. Most of the small examples I have noticed are for the better and make for a good story. The Batmobile is more believable as an expensive armored vehicle that the military would not spend the money on than a juiced up Corvette (or whatever that was). Same with the Batsuit.
Katie Holmes is excellent as Rachel Dawes, a D.A. who is not afraid to go after the big villains in court. Also worthy of mentioning is Michael Caine as Alfred the butler. I do not believe they could have found a better man for that role, although I could not get the image of Caine as Austin Powers' dad out of my head when he was on screen.
Finally, in my opinion, Christian Bale makes a much better Batman than the three recent previous ones in Michael Keaton, Val Kilmer and George Clooney. Something about him makes Batman darker and more mysterious. Hopefully, DC Comics and movies have learned from their mistakes and we will not have to worry about Batman picking up a sidekick in this newest installment of the Batman series. 9/10
Enter Christopher Nolan, the mastermind behind 2000's 'Momento', widely praised as one of the most innovative films of the decade. As director/co- screenwriter, Nolan creates a richly dark, atmospheric world for Batman to inhabit, similar to that of the Burton films, but less cartoony. The film's screenplay, written by Nolan and David S. Goyer is quality stuff, it's true that some of the dialog exchanges can seem kind of contrived, particularly between Wayne and Liam Neeson's character, Ducard, but it sounds so classy you tend not to care.
Nolan also puts a lot of trust in his audiences to stay put while the first hour of the film comprehensively explores Bruce Wayne's backstory, with no cape donning and few fight sequences. Nevertheless, the pace never slows, and the story is so unexpected and fascinating (who would have expected a Batman film to begin in a prison in Tibet? only Nolan could pull it off!) there's little chance of us losing interest. And this way, we really get a sense of who Bruce Wayne is, a trait none of the past movies were able to capture, including the Burton films. We see what drives him, what leads him to become this iconic crime fighter, and the reasoning behind the mask.
Of course, to help the audience get under Bruce Wayne's skin, it doesn't hurt to have such a talented lead as Christian Bale. Bale has been emerging as one of the most talented actors of his generation, and he brings that talent to a peak here, playing the darkest of all superheroes. If you were to break down the role of Batman/Bruce Wayne, you would find that it is essentially three characters: Wayne as Batman, behind the mask; Wayne's public facade as the billionaire playboy; and the real, brooding Bruce Wayne. Bale plays all three of the characters to absolute perfection, and molds them together well enough to make it clear to show they are still the same person. He has been given tons of accolades for his performance already, and needless to say, he deserves every one.
And the sheer quality of the supporting cast is mind-boggling, if for the number of big names only. It's very hard to find a weak spot in the incredibly strong array of performances here, but if one had to be found, it would have to be Katie Holmes. It's not that she gives a bad performance, on the contrary, but just she seems too young to be convincing as a district attorney. For me, Michael Gough will always be the definitive Alfred, but Michael Caine does an excellent job of taking over the role, giving a very strong (and often funny) performance. Liam Neeson is sheer class as Ducard, Wayne's mysterious mentor, as is Morgan Freeman as Lucius Fox, Wayne's arms manufacturer and provider of the Batman gear. It's wonderful to see the incredibly talented and much underrated Gary Oldman as Sgt. Gordon, the only decent cop in Gotham, and he truly makes the role his own. Even cult favorite Rutger Hauer makes an appearance as Richard Earle, the ambitious head of Wayne Enterprises. And (surprise surprise!) the villains are also actually menacing for once, as opposed to cartoony and corny. Cillian Murphy just about walks away with the show as the truly chilling Scarecrow (the sequences involving his 'fear gas' are surprisingly frightening) Ken Watanabe is mysterious and creepy as guild leader Ra's Al Ghul and Tom Wilkinson is very convincing as Carmine Falcone, head of the Gotham city mob.
Nolan's knack for realism also comes as a breath of fresh air in this age of CGI bloated blockbusters - there are next to no computer generated shots in the movie, even a sequence with Batman standing on top of a high building staring down at the city was filmed with a stuntman. And it really works, the Batmobile actually interacts with it's environment, and looks so much better real than computer generated. But don't think that the film will come across as too serious and stuffy because of Nolan's realism - true, Gotham seems too dark and dirty to come across as a fantasy world, but Batman Begins retains that unmistakable sense of fun that seems to only be present in comic book movies. We jeer and fear the villains, and cheer the hero as he lays his life on the line to vanquish evil and save the city. And that is how it should be. There's even a surprising twist near the end, which is doubly surprising because it actually comes as a shock. What's not to love here?
(and, further cudos to director Nolan for finally managing to make a swarm of bats actually frightening for once)
Overall, I'd have to label Batman Begins 'The must see movie of the summer' - it's a well written, authoritatively directed, impeccably acted (especially by Bale's powerhouse lead performance and Cillian Murphy's sickly menacing Scarecrow) and very high quality production. Indeed, most other summer blockbusters could learn a thing or two from Batman Begins. If the Batman franchise died under it's own gaudiness years ago, let us rejoice this glorious rebirth - Batman truly does begin here.
-10/10
I heard Batman Begins, and I thought great, this was called "Batman" in 1989, selfishly I said, "I want something new!".
But, of course being a big Batman fan, I went opening night to Begings. 2 and half hours later, like the rest of the audience was completely blown away. It was the only movie I had ever been to (and yes I have been to some great ones) where the crowd claps and the end. This was not just golf claps for a popcorn clip, this was a standing ovation for 10:30 pm show in a crowded theater in Austin, Texas.
I never would have thought this would have worked, even with Nolan directing. But I was wrong, so wrong. After seeing the X-Mens and Spidermans, I clearly thought Marvel had the upperhand and DC was just simply trying to keep up, again, so wrong.
Nolan gave us a dark, gritty, and pleasantly realistic, view of Batman. Bale gives a tremendous performance as both Batman and Bruce Wayne. Michael Caine was a fabulous Alfred, and Morgan Freeman almost stole the show as Luscious Fox.
Even though X-Men and Spiderman(all of them) are wonderful superhero movies, Batman Begins, is just a good, no, great movie. And I think that is what blew people away, that it wasn't just some superhero, special effect, hero gets girl, good guy wins movie, it was a truly dark and well crafted movie, and it maybe stupid to say, but it didn't even feel like you were watching a superhero movie.
I don't even think Burton, and his animated style(which works), could have revived this troubled series, that Schumaker wrecked, because like Fantastic Four and Daredevil, tried over do it and give us the latter part of things.
So, here is to you Chris Nolan. You saved a franchise. You made an unforgettable movie, that will be remembered as the best superhero movie of all time, but just an all around great and unforgettable movie classic.
Storyline
Did you know
- TriviaAlthough Christian Bale performed many of his own stunts, he wasn't allowed anywhere near the Batmobile.
- GoofsSearchlights like the one Falcone is tied to are incredibly hot. Anyone held against one like that would be horribly burned.
- Quotes
Henri Ducard: But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just... poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.
- Crazy creditsThis is the first DC Comics film to have a DC Comics logo on it. This logo was in fact a new one, that was designed the same year the film came out.
- ConnectionsEdited into Tankman Begins (2005)
- SoundtracksFolletto!...Folletto!
from "Mefistofele"
Written by Arrigo Boito
Performed by Norman Treigle, The Ambrosian Singers, and London Symphony Orchestra (as London Symphony Orchestra)
Conducted by Julius Rudel
Courtesy of EMI Classics
Under License from EMI Film & Television Music
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Batman inicia
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $206,863,479
- Opening weekend US & Canada
- $48,745,440
- Jun 19, 2005
- Gross worldwide
- $375,406,308
- Runtime2 hours 20 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1