Being a traditional animator, I really want this film to succeed, and fortunately after a sneak preview yesterday, I can honestly say that it's a really great film. I highly recommend it. The review from my blog: The story is simple (which does not mean "bad"): a curious monkey who gets into trouble in the jungle of Africa meets up with a man in a yellow hat (who, by the way is tricked into getting such a silly costume and ridiculed by his shipmates) who is exploring the jungle looking for an ancient idol. Ted (the man in the yellow hat) is a museum guide who is searching for the idol to bring back to the museum because they are bad off financially and hope that the idol (that is supposed to be huge) will bring them the notoriety to stay open. The museum owner sends Ted on the expedition, but his son, Jr. is jealous of Ted and sabotages the exploration by changing the map. In the jungle Ted finds what he thinks is the idol but really . . . something more. Suffice it to say that it looks just like the idol, but in miniature form. in a hilarious joke that I don't want to ruin, the museum owner gets word that the idol Ted has found is enormous and starts a huge press conference and ad campaign. As Ted is getting ready to leave the jungle his hat is snatched by the little monkey who believes it first to be a banana, then a hiding place. Ted plays with the monkey a bit, but has to leave back home to break the bad news. The monkey (who has not yet been named) is not done playing, however, and he follows Ted to the ship (complete with appropriate product placement) and thusly to New York where Ted lives. Fun adventures ensue while the fun story of misunderstandings between the museum continue. There's even some romance for Ted thrown in for good measure. Ted learns about friendship from the little guy that he eventually names George, and it's not such an easy path to a happy ending as you might think The films has some of the best animation seen in years. And this comes as no surprise considering the talent one finds in the credits. Dave Brewster, from Dreamworks (Young Moses and Older Ramases in "Prince of Egypt"), Disney, Turner Animation, and just about every other animation company in America (and Canada) leads the animation of George. The style is not quite that from the books, but close enough, and Brewster brings the strong poses he brought to Danny in "Cats Don't Dance" to the picture. John Pomeroy (Mrs. Brisby from "Secret of NIMH" and John Smith from Pocahontas) animates Maggie (Ted's love interest) with all the graceful dimensionality one can expect. The lead animator of Ted (who I think was also David Brewster, but I will check on) never lets him turn into a 2 dimensional character which comes naturally when he spends a lot of time chasing George.
When I heard Will Ferrell was in this, I was not impressed. I was afraid the movie would become "The Man With the Yellow Hat: the Movie." And being the only one of the duo that speaks, Ferrell does have a lot of screen time and voice work, but he is fun and surprisingly, not nearly as over the top as he is in his live action films. Drew Barrymore is as good as she ever is in animated films- which is great! I think Drew has a very good voice for animation and is a good actress and voice-actress. She makes Maggie sweet and kind- she also is kinda the voice of reason for Ted. The real star of this film however, is Frank Welker who provides George's squeaks and grunts. This may seem easy, but that's only because Frank "Man of 1000 voices" Welker makes it look easy. He brings such warmth and depth to George in the same way he did with Abu in Aladdin or any other of his animal voices in the over 500 titles that have his name to them. (Ironically, as of this writing, Welker is NOT listed on the IMDb page or the film, even though he is the first credited in the end titles).
George's silence (or, only monkey voices) was a stipulation of the estate of the creators (not that giving him a speaking voice would have made the film any better). So to fill time the creators did what many American animation producers do. They brought in a musician. In this case, unlike "Toy Story" it works. Jack Johnson provides tunes to collaborate with George's on screen antics. Like any good song writer, Johnson has created songs that are totally serviceable to the film, but "liftable" to be played outside the film's content, which means that hopefully these songs will also be on the radio to help promote the film. They'll certainly be in my CD player as soon as the soundtrack is released on Tuesday.
Beautiful looking, fun story and great songs make up a film that is a fantastic testament to what traditional animation can and should do for film. Let's hope audiences agree and Hollywood gets the message.