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  • First let's get a couple of things straight. This movie is dark, unsweetened European chocolate for the mind, pure and simple. It makes about as much sense as a Jerry Bruckheimer film. Or maybe the average John Woo movie. Which is to say, it only makes sense as entertainment--the purest form of escapist entertainment. Now that we have that out in the open ....

    This lengthy film is handsomely mounted and well-executed. High production values in evidence throughout. It is well-written and well-acted. It is visually attractive and atmospheric. It is absorbing and there is not a dull moment in it.

    The plot is a mix of serial killer movie, extreme political thriller, crazed Nazi doctor movie, secret "anti-terrorist" police movie, medical science fiction and old cop/young cop partner movie. But they mix all this stuff up together quite enjoyably. Like Jerry Bruckheimer, Tony Scott and John Woo films, it really shouldn't work, but it really does.

    Reno is great as a dangerous, rather brutal and grizzled rogue cop gotten out of "retirement" by an obsessed young cop to solve a series of grisly murders. The actor playing the young cop acquits himself well. The cast of villains and victims is convincing and compelling. The dialogue is good quality and there are twists and turns aplenty. Keeps you guessing until the last scene.

    We are taken on a wild and dark and violent ride through the grim underworld of human traffickers in the Turkish slums of Paris (at least I think it was Paris).

    Anyway, whoever made this movie really set out to entertain an audience. I think they succeeded admirably.

    Turn on the movie, turn off your mind and enjoy yourself.
  • I keep finding myself liking French action movies more than Hollywood films. Not that I hate Hollywood action films. This particular movie is good at one thing. Escapism. Pure escapism. The plot is so so, but the movie is such that almost 2 hours go by and I've hardly noticed.

    This movie is much better than The Crimson Rivers 2. Although I love the character in that movie. Jean Reno's beard in this one is a lil off putting. But still great acting nonetheless. Empire of the Wolves (as is the name on the disk.. if you entered that in search in IMDb you'd come up empty handed. ) has great similarities to the first Crimson Rivers. Although there, the camera work was so superiour that there's no comparison. Crimson Rivers 2 is not based on a novel of the first movie. This one is. The score is pretty good. And the female lead did a darn good job with what she was given. I'm not entirely sure why some didn't like the movie, maybe they were expecting Delicatessen or some masterpiece. But hey, up against most of the Hollywood fare, this one trounces them.

    7/10

    Quality: 4/10 (confusing storyline) Entertainment: 10/10 Replayable: 10/10
  • stormruston19 April 2006
    Not a bad action/thriller.

    A bit slow for a action movie, and not quite thrilling enough for a thriller. Still the action sequences were well done and some of the fighting sequences verged on excellent.

    The story was slightly far fetched and tho the writers tried for twists it was really very straight forward.

    Jean Reno was good as always and I thought Jocelyn Quivrin was excellent.

    This movie was like a cross between "the borne identity", "seven" and 100 average cop movies.

    Worth a watch id you like Jean Reno.
  • I thoroughly enjoyed this film. I was slightly worried at first that subtitles were a bit ambitious for hungover Sunday viewing but it was fairly easy to keep up.

    The two plot lines seem completely separate at first and they are nicely tied together later in the film. This works very well at giving two sides of an event without resorting to flashbacks or spoon-feeding the viewer.

    You do have to think and pay attention to this film but it is not overly cryptic - I think I understood everything I needed to at the end. Some minor details might be a little blurry but these are not integral to the plot.

    Some racial stereotypes aside this is a very well thought out and captivating film.
  • This moving thriller displays drama , action-packed , thrills , and wild fighting images . It is an action-filled and violent film , being utterly filmed in France and Turkey . Set initially in Paris , there appears several stabbed and bruised victims . A tough and young but experienced detective called Paul Nerteaux (Jocelyn Quivrin) carries out the hard investigation . The corpses belong to women illegal Turkish immigrants . Paul then decides to ask for help an old detective , Jean-Louis Schiffer (Jean Reno) , and as he join forces with the retired police inspector with very sharp skills to pursue the serial killer . Both of whom infiltrate in the Turkish immigration mafia attempting to resolve the heinous killings . Meantime , a woman named Anna Heymes (Arly Jovert) undergoing an illness treatment and has confuse vision and rare breakdowns , as well surprising outbreaks . She is helped by an obstinate psychiatrist called Mathilde Urano (Laura Morante) . At the end , Paul discovers the nasty Turkish organization "The Wolves" , led by an ominous mobster called Kudseyi (Vernon Dobtcheff) , is behind the weird crimes and after that , he goes to Turkey .

    ¨L'Empire Des Loups" or "Empire of the Wolves" contains sinister mysteries , emotional thrills , action and suspense . This is a highly mysterious and cerebral thriller , filled with plot twists , including a spectacular denouement in its final part . The main premise is the following : various slashed female corpse of immigrants show up and two detectives to investigate it and to chase a serial murderer . This original as well entertaining premise is overspread across the movie adding some brief conventional pitfalls . Along with the astonishing crimes is developed an intrigue about women exploitation , illegal immigration and drug smuggling . The picture is full of tumultuous sequences with frenetic action , surprises , fierce combats , shootouts , and groundbreaking struggles . ¨Seven¨ atmosphere and style psychological mystery , being decently directed , though hard to follow . The only scenes that used CGI are when Jean Reno falls down spiral ladder at the graveyard with CG stairs , bricks , rocks surrounding him . The cast is frankly fine , such as Jean Reno who gives a good acting as a dark retired Police Inspector Jean-Louis Schiffer . This one belongs to the last period in his long career playing strong cops or mobsters as ¨Antigang¨, ¨22 bullets¨, ¨Armored¨, ¨wasabi¨ and especially ¨Crimson Rivers¨ and "Crimson Rivers 2: Angels of the Apocalypse" and TV series ¨Jo¨. And nice Jocelyn Quivrin as two-fisted young detective as well as Arly Jover as unsettling girl who suffers severe headaches and glimpses of records . Special mention for Laura Morante as a cunning psychiatrist . The picture is pretty well , though sometimes complex ,and it has a lot of turns . However , being entertaining for its continuous suspense .

    Dark and rainy cinematography in ¨Seven¨ style by Michel Abramowicz . Strange and moving musical score fitting to action , including oriental sounds from Turkey . Amid the glamour and grandeur of the scenarios , including Paris , Istanbul , Uchisar, and especially Cappadoccia, Turkey . This stirring film was lavishly co-produced by producers Andrew Colton , Patrice Ledoux , Francesco Pamphili and professionally realized by Chris Nahon , though it has some flaws and gaps . Filmmaker Nahon establishes his signature style of kinetically-paced story-telling through sumptuous imagery , leading to international critical acclaim . Chris Nahon was born in France , he is a good director and writer, known for Empire of the wolves (2005) , Blood: the last vampire (2009) and Kiss of the dragon (2001) . Rating : 6/10 , passable and acceptable . Worthwhile watching .
  • ... are not enough to satisfy the/a sophisticated viewer! A movie that begins as fine as this, more in the vain of a thriller and clearly reminding people of films as "Fifth Element", and has horror elements woven into the plot, should deserve a better rating. I was amazed by the beginning and was really anxious to know what was happening. Throw in Jean Reno, always on top of his game and nothing can go wrong ... or can it?

    Well it seems it can! And this movie is an example of why, you should know where you're heading as a director, making a movie. Also one of those movies who try to mix up genres just like that ... Doesn't work that easy though. And although the beginning was suspenseful and good, you will notice the point where the movie breaks ... where it won't only get ridiculous, but the movie also falls to pieces. And even the not badly photographed action sequences at the end can' save that, as well as Reno can't! The question that remains is, did the script writer(s) mess this up, or did the director go another way and made many script "corrections" (they've gone all wrong then)? I'll never know, but I also don't care!
  • When the young detective Paul Nerteaux (Jocelyn Quivrin) finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective Jean-Louis Schiffer (Jean Reno) to chase the serial killer. Together, they infiltrate in the Turkish mafia trying to find the answer to the crimes. Meanwhile, the worker Anna Heymes (Arly Jover) is being submitted to a brain treatment and has severe headaches and glimpses of memories and visions. When these two parallel events collide, disclose that the Turkish organization "The Wolves" is behind them.

    "L'Empire des Loups" seems to be a good story, but with a very confused and flawed screenplay. I have never read the book, where probably I would find the explanations for many situations, but watching the way I did, in a DVD spoken in French with English subtitles, I found lack of explanation for many points. I repeated some scenes, trying to see what I could have missed, but I believe the plot is really flawed. For example, Schiffer wears a necklace identical to the criminals, but it is never clear if he is a dirty cop or if he also belongs to or worked undercover in the organization. What are the reasons for the brainwash of Sema, and her visions of monsters and reference to the Four Moons? Was she a mule of the Wolves? Why waste such a woman as a mule and as a subject of an experiment? A simpler screenplay with fewer subplots would work better and better in a movie. My vote is six.

    Title (Brazil): "O Império dos Lobos" ("The Empire of the Wolves")
  • dogan-28 January 2006
    Well, imagine, there is one girl who lost her memory, they try to understand using "scientific methods" what she might be doing in he previous life. The "scientist" finds a trace of henna in her finger nails, and he concludes that she is a Turk, because that particular henna is grown in Anatolia. Come on, if I go and they test me they may conclude that I am Chinese, as almost everything we use nowadays are made in china. CRAP BIG TIME

    There are many other problems in the plot. The way Turks are portrayed is offensive, and although "wolves" exist as a right wing fraction in Turkey, they have nothing to do with the stuff they are associated with in this movie.
  • L'EMPIRE DES LOUPS is another intelligent, intense and very explosive thriller from the author Jean-Christophe Grangé who wrote also the first CRIMSON RIVERS. It kept me all the time guessing what came next and there were many puzzles to solve. Director Nahon made a great job and all the actors delivered a very solid performance. I hope there will be soon another one. I don't know why this movie is underrated on IMDb with actual 5.4 but I give with my wife a solid 7.5/10. If I compare the quality of this film with similar Hollywood thrillers then it's no doubt one of the best and a must see for all fans of this genre. I am a little disappointed why this excellent thriller didn't get enough attention at the theaters and even me discovered it accidentally in the film dates of Jean Reno.
  • garageolympo10 June 2006
    Unfortunately as a Jean Reno fan, I am very disappointed with this movie. The movie has just created an imaginary world especially while describing the Turks. The mafia of extreme rightists in Turkey never live in kappadochia caves, etc, they might live in Bosphorus in big and modern houses :)). They don't wear such silly ninja like dresses or don't live in Arabic environments as seen at the end of the movie. The backgrounds that were chosen in Turkey, better suit to one of the Star Wars episodes :)) We (me and my wife) have just watched the movie with a wide but annoyed smile on our faces.

    I am not in favor of rightists :)) But the scenario and the content were so ridiculous that, this movie must be watched only as a comedy. The players' Turkish was also so funny that I had considerable difficulty in understanding what they were speaking. The story as an action-thriller movie (besides the Turk theme) was also unbelievable :)) How can Turkish mafia know very good french and know little Turkish? Sorry for all people who gave their energy for such a bad movie. The silly big head sculpture was another flaw in film. What was that? :))) Something seem to be mixed with Congo movie, or king Kong?? :)) Just awful work. Sorry. :)
  • Stylish and compelling mystery thriller along the lines of the CRIMSON RIVERS series, staring the consistently likable Jean Reno as a retired detective recruited back to assist a young Captain who is investigating a series of cruel murders of female Turkish immigrants which are suspected to involve a cadre of Turkish terrorists known as the Gray Wolves; meanwhile Arty Jover very well portrays a young amnesiac woman married to another police investigator who learns disturbing truths about her past – with both stories eventually merging in a thrilling climax that works despite some inherent preposterousness. Film is very well directed by Chris Nahon who lends a great deal of visual stylization to the storytelling; the storyline is somewhat convoluted but nonetheless becomes quite engrossing that the film works as an interesting and entertaining thriller, enhanced by impressive effects and an atmospheric musical sound design (five composers are credited). A winning example of style over substance, film is very enjoyable for the undiscriminating.
  • The French noticed that Jean Reno + interesting/shocking plot and lots of high budget action make money. The still hold on to the plot thing, but I think they are going in the same direction as Hollywood movies.

    In this one you have army experiments, terrorism, violent police behaviour and corrupt police (always a success in France) mixed with fast paced action and plot twists. It's not that the movie is bad, it's that is not good that bothers me. OK, it was supposed to be an action thriller and in this direction it was not bad at all, but with a little more work, the idea of the movie could have been a lot more captivating.

    Conclusion, the first hour of the movie is not as intense as the last. The film looses tension as it unravels and somewhere on the middle it gets boring as the investigative characters catch up with what is rather obvious to the viewers. The ending is not surprising, but satisfactory. As an action film is OK, but do search a good translation.
  • When I went to watch „Crimson Rivers", another movie based on one of Grange's novels, I was really amazed by the atmosphere, but rather disappointed by the ending of the plot which I found to be rather overdone. With "Empire of the Wolves" I expected the same. However, it turns out to be one of the least convincing movies of this year, at least according to my taste. There are flaws virtually everywhere. When Nerteaux, one of the cops, asks his buddy Schiffer during one of the many unmotivated fights of the movie: "Could you explain this chaos to me?" members of the audience will nod in agreement as that is what you want to ask the makers of this movie from the first minute on. The various pieces of the plot don't fit together, the soundtrack does not at all contribute to the suspense the movie should produce. Last not least, in order to symbolize "criminalism" and "brutality" and for the deflection of sympathy the movie uses Turkish people and Turkish nationalism. I do not want to discuss in how far the portrayal of the Grey Wolves is in any case realistic. What I find immoral is that the movie uses the fear of Arabs or Arabic looking people which is generated by 9/11 and terroristic assaults to tell its tale. By doing this the movies supports prejudices that should not be supported at all - even if it is only a thriller.
  • I was pleasantly surprised by this film and have also wondered about the negative reviews. The movie has two problems 1) a problem of perception: it starts off looking like a fairly routine mystery / police procedural, but elements of other kinds of movies begin to trickle in as the plot reveals itself -- which may have confused some reviewers wanting a pure genre piece, 2) the plot IS a little hard to follow in places and depends on one important coincidence in particular. However, the overall story makes sense in a "gestalty" kind of way and I don't think it's a killer issue. Oh, and 3) the English dub (which I turned on a couple of times) should be confiscated and burned. It's a fairly good dub in syncing the lips, but the voicing is as inappropriate as any bad dub of a Japanese film. For Pete's sake, hire a mimic next time you dub an actor as well-known as Reno.

    But I take real issue with the critics who labeled as "ridiculous" this or that aspect of the film. People have given high marks to James Bond films that stretched belief far more painfully. The real issue is that the French filmmakers aren't telegraphing the genre to the viewers. Good for them.

    Offsetting any problems is the wonderfully mysterious setup that ends in a real surprise about 40 minutes into the picture. That's the point when the picture shifts gears and we start seeing the "action/adventure" film which is quite well done.
  • It was a very "difficult" movie.

    No, I don't talk about a sophisticated script, filming or acting. It was a boring and -hard to understand- mixture of a bad scenario, bad acting and bad directing.

    I think that nobody in the film stuff believed to this chaotic story.

    Normally, Turkey and the Turks present better locations and stories for action movies or thrillers. But, in my opinion, this movie wasted a great chance on the screen.

    Remember "From Russia with Love" and its locations in Turkey. This movie is still marvelous and a masterpiece.

    And another famous movie, "Topkapi"... Director Jules Dassin also used Turkey as an exciting location in 1963.

    Even Jackie Chan shot a better thriller in Turkey in 2002, "The Accidental Spy".

    Don't spend your time with this fully "tired" film.
  • Made of clichés and borrowings from the best pieces of modern American and French action/thriller movie-making, EDL, nevertheless, does the job. It's a solid action experience with mood, political edge and stylish imagery.

    What really spoils it is that it doesn't offer anything new, so if you've seen Leon, 5th element, Crimson rivers, Wasabi, and/or Vidocq you may skip this one having lost almost nothing.

    I only hope that some sunny day French directors will stop reproducing old tricks, creatively mimicking Hollywood, and find their own path again. No doubt, they can do much better than this.
  • Warning: Spoilers
    I completely understand the plot it goes like this :

    • Girl without memory has face changed for some reason - The police changed her memory - She changed her face because she did a drug rip-deal - Here brother likes to kill people who look like her - Actually she is a Turkish terrorist - Jean reno is involved in something - The turks kill another group of turks in a bath filled with mint


    Then it gets better :

    • The girl is a ninja - The drugs are in an enormous cave filled with death people - The case collapses and Reno is death - No he is not death


    Never mind all that the end is amazing :

    • Reno, the cop, the girl, the brother all end up in Turkey - At the same time of course, the whole France police force is also there - The girl kills here father - The cop, reno and the police kill everyone else in the village - The serial killer brother tries to serial kill the girl


    The best thing about this movie however is the final end :

    • Switch of DVD player, throw disk in bin, and sue the french for wasting your time.


    Movie seem to be made by a bunch of spaced out french with a high budget. Awful just awful, worst waste of time and money ever (well, there's french cars which are a step below that...)
  • cdnbatman24 September 2006
    Although this movie is in French and dubbed in English, the most important thing required to enjoy this movie is using the English subtitles even though the speech is in English...the voice over seems to be competing with the background movie sound (rain, music) so it is difficult to make out the conversations without it.

    The movie is a bit difficult to follow during the first portion of the movie, but that alone is usually a positive for me as this isn't a movie whose plot is known 10 minutes into the movie. The movie takes place predominantly in France, so the scenery is pleasant. Due to the voice over, the dialog is sub par but the pace and mystery of the movie is very good and the story line isn't bad for a thriller type movie.

    The biggest disappointment for me was not having Jean Reno dub his own voice, but other than that, I did enjoy the movie.
  • This is basically on the same lines as the two CRIMON RIVERS thrillers, also starring Jean Reno; the muddled narrative involves two separate plot lines (a young cop on the trail of a serial killer and the tribulations of a woman apparently suffering from memory loss) which gradually intermingle. The title necessitates a few misleading 'horror' images relating to the girl's disorientation (especially since it all boils down to revolve around a drug-trafficking organization, with Paris and Istanbul for backdrops!); Reno is an iconoclastic ex-cop to whom the rookie turns for advice, but who is driven to distraction by his violent ways! Though action-packed, the film is more intriguing for its thematic pretensions: the heroine discovers that she has had her features altered, eventually reverting from bourgeois housewife to her true self – a Turkish immigrant with connections to the underworld, finding herself therefore suddenly resourceful enough to outwit or otherwise deal with her pursuers! Her 'husband' is revealed to be among them, but also Reno (actually a double agent), as well as a man she seemed to be familiar with but could not quite place; the latter, in fact, turns out to be the serial killer eluding the Police, driven towards recreating the anguished expression of a statue through his crimes (and with the woman herself being next in line)! A mildly interesting and enjoyable film, then, especially during its first half (if not especially memorable or rewarding) but, apart from feeling decidedly overlong at 128 minutes, its latter stages unfortunately turn into just another action movie.
  • I'm starting to like French action movies. This one reminded me a little bit in its feel of Kiss of the Dragon, minus the kung-fu.

    The colouring and mood of the film are dark and edgy, as are its characters. Jean Reno delivers a good time, as per usual.

    I will say that the plot twists to the point of nonsense, but it's still a good ride.

    The film also has a hint of an Islamophobic air, given the current geopolitical climate, but not to the point of being overt.

    In all, one of the best action films I've seen in a while, highly recommended within its genre.
  • dmuel25 December 2005
    It sounds interesting but don't bother. Jean Reno plays a French investigator of unusual, you can say illegal, methods who teams up with a younger, better looking cop to track down a terrorist gang. The gang is referred to as the "wolves" and they are skilled assassins who seemingly best every opponent they face. Dead bodies are turning up everywhere and the police are stymied. There is a convoluted plot with people being brainwashed and having their identities stolen, all to provide cover for the wolves. The latter are trained, it seems, in the Mideast. Reno, now a baguette-bellied and aging actor, seems unconvincing in this role. He plays a wine swilling, street/terror-wise, hard-nosed crime fighter. But his age and girth don't suggest an agile pugilist...oh well, it's a movie. They spent a little money making this flick, but ultimately it doesn't quite pass the test, even for a standard thriller. I can only recommend to the bored and hard-core Reno fans.
  • Well, I am certainly getting more and more impressed with the acting skills of Jean Reno, that's for sure! He shifts so easily between hero and villain. In this movie one never quite figured which one he was. At least I didn't. And the other actors, whom i am sad to say I don't know, did their part almost as good. All in all it was top notch acting all around, and that is seldom to see in an action/thriller. Usually it is the lead man or woman that carries the movie on his/her shoulder.

    And the story went in so many different directions that I was kept on the tip of my toes for all of the movie.

    The script was very tightly written, the pace never dulled, and the foreboding atmosphere brought forth by magnificent use of camera and lighting, went as a red thread through it all. It made me believe this was something it was not.

    The reason I am giving Empire of The Wolves a strong 8, instead of a pure 10, is because of the scientific mumbo jumbo. It was the only part that seemed a little off. It was just a bit too much science fiction like. Now i love a good science fiction flick as much as the other guy, but it did not quite fit in here, i feel. They should have come up with something a bit more realistic. It isn't that easy to mess with memories.

    And yes, i know that it probably were made that way on purpose, to throw the watcher off the scent, as was certain other unrealistic elements in the movie, that I won't go further into. But i feel they fit better with the mood of the movie.

    Anyway, if you haven't seen Empire of The Wolves, do it as soon as you can. Because this is still a seriously well made movie. It is a shame it has such relatively low rating on the IMDb. It deserves better.

    Paladin Steelbreaker
  • In my experience fellow user-reviews like on IMDb can be, but don't have to be of course, very helpful. Either in deciding whether to watch a movie, or for the purpose of getting a better understanding of it afterwards. So I am always grateful when a reviewer took his time, and actually helped me along in a good way. That said, 'L'empire des loups'by director Chris Nahon is a case in point. The cinematography is ambitious, and it's not just l'art pour l'art, it works in enhancing our viewing experience, at the same time keeping up with the several plot twists this movie abounds, or drowns, in. The musical scores aren't some ready-made products but try to punctuate the action,sometimes successfully, sometimes less so; but always staying high enough above average to strengthen their scenes. The lead actors are engaged, and deliver mostly believable performances of the characters they are given. Especially Arly Jover as „Anna", anyway Jean Reno as the shady and brutal ex-cop Schiffer, but also Jocelyn Quivrin as the not too stereotypical younger homicide cop Nerteaux. The occurring shortcomings seemed to me to be not their fault but clearly the director's. Watch 'L'empire des loups' in the French original by the way, with your preferred subtitles as I did (German), to make the most of the cast's efforts. But these caveats concerning the actors' performances – 'the characters they are given' and so on – lead me to the main problem of this on a superficial level entertaining, partly also quite captivating movie. On the one hand it contains rather a few plot twists. Some generally foreseeable, others considerably unbelievable. And although I'm unable to come up with any better alternatives for the script writers to get out of the - in the structure of this plot inevitable, I guess – dead ends, they still should have made a better effort. On the other hand, and that brings me back to my introduction, beyond just plot twists and the like this movie simply degrades the further it progresses. This process works just as fellow IMDb reviewer „kosmasp" has already shown in a rather moody review in 2007. He writes „… you will notice the point where the movie breaks ... where it won't only get ridiculous, but the movie also falls to pieces." And he's right. I noticed this - in a way, to be honest - while watching it, and could see it clearly in retrospect after reading his review. In fact, this movie is a textbook example of the Hegelian notion that merely quantitative changes beyond a certain point pass into qualitative differences – Marx's words, not mine. Anyhow, thank you, kosmasp, though I don't follow in your harsher rating of only four stars, because I still think that 'L'empire des loups' displays many positive facets that I enjoyed on a lazy Sunday afternoon. Four stars I assign to the many, sometimes seemingly unavoidable, movies much worse than this one. It deserves a five, I gave the lead actors a six. But maybe that's being a bit too friendly?
  • The movie was not successful in adaptation from Jean Christophe Grange's novel into the scene. There are some points, which were not clear, in the scenario. On the whole, they make the movie incomprehensible and difficult to be understood. It seems that Jean Reno has moved fast along the time. Wrinkledness on his face shows his age. Comparing with Leon, action movies may not be possible for him in the near future. (Sorry, Mr. Reno, my aim is not to behave rudely) There are murders connected with an organization called "Bozkurt" in Paris in Turkish district. Clues were pure and there was no way to follow up them without commit a crime. Former and recent police officers worked together and solved the murders just barely.

    Some part of the movie was made in Turkey. Scenery was extra ordinary. Thanks for choosing Turkey.

    Finally, please do no get sadness, if you could not watch the movie. Wait for TV show.
  • My husband, who's french, commented at the end of the movie: "Of all the things I don't get about about this film, the biggest one is why Jean Reno signed on to do it." It's entertaining enough if you compare it to other sub-grade action flicks. What it's not is a Fifth Element, Mission Impossible, The Professional, Face-Off, Bourne Anything, Heat, or anything remotely decent in between, altho it aspires to be all... but falls short of not-even-close. So if you're looking to be wowed in the french-movie-action sense, skip it. Best time to put it on? Muted during a party when everyone else is busy doing something else... the gunshooting and flashbacks make for good lighting.
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