Last Days (2005)

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Last Days (2005) Poster

A Seattle musician's life and career are reminiscent to those of Kurt Cobain.

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5.8/10
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  • Michael Pitt in Last Days (2005)
  • Dany Wolf at an event for Last Days (2005)
  • Last Days (2005)
  • Lukas Haas at an event for Last Days (2005)
  • Lukas Haas and Dany Wolf at an event for Last Days (2005)
  • Lukas Haas at an event for Last Days (2005)

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Director:

Gus Van Sant

Writer:

Gus Van Sant

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7 November 2006 | bob the moo
Silent and surprisingly dull
Nirvana were big around about the time I was in my teens so I do have a certain amount of cultural involvement in his suicide. By this I'm not claiming anything special, just saying that it was an event I remember from the time rather than since. As such I was quite interested in seeing this film although I did think it would be detailed than it was. Instead it is literally "Blake's" last days in a remote house with a group of friends. We see him in a state of isolation, falling deeper into whatever it is that is eating at him from the inside out. Van Sant has drawn this fall out over 90 minutes where, lets be honest, not a great deal actually happens.

To some viewers this has given the film a tragic and haunting quality that has produced a lot of insight into the man Blake. I am not one of those viewers. It wasn't that I was waiting for the film to do a lot of work for me or spoon-feed me emotions, but I did need more than what was delivered and I confess that the film bored me intensely at some points. Van Sant has written these last days and based them on Kurt Cobain but I would have liked him to have imagined a bit more detail in his character and perhaps done more than delivered some stroppy teenager silently moping around the place until the inevitable happens (and even that is done in a very low key way). It is hard to fault the intimate nature of Van Sant's filming but this is very different from getting into the character and actually benefiting from this degree of perceived intimacy.

Pitt does as he is told and spends most of the film looking through his hair in a sort of creative and tragic way. Without any dialogue to speak of (sorry) this is all he can really do and I found it totally unconvincing and uninteresting – which is a pretty big failing given that he is supposed to be the heart of the film and the reason we have all come along. The rest of the cast are fairly unimportant and it says a lot that the only one that held my interest was Ricky Jay – but that was only because he was Ricky Jay.

Perhaps this will really touch major fans of Cobain but it did nothing for me at all. Silent and surprisingly dull, this badly needed depth and insight as well as a serious and respectful tone.

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