Sleep Always is certainly an admirable achievement for anyone who has an idea about the super-8 format and the difficulties its usage entails. To the eye, super-8 may first appear to many as an objectionable choice to employ for any film project. But, when used in the correct way, for the proper narrative, just as Mr. Palidwor and Mr. Perkins have done, the results are not only remarkable but (super-8) may very well be the only format existing today that has its very own look. If anyone were to stop and view the growing integrity of HD they would agree with me. Everyone is scrambling today to make everything match 35mm as closely as they can, be it super-16, HD or DV, when these two men have rightfully become the leaders of not only revitalizing a format that is being largely overlooked by a community dying of video overuse (abuse) because it is easy or cheap or whatever, but have done so in a feature film with plenty of style and individuality (not to mention the supreme innovation of the widened gate that I'm already seeing mimicked). Rick and Mitch, God bless you both from all of us shooting super-8. You've given us a leg to stand on.