Marilyn Hotchkiss' Ballroom Dancing & Charm School
Provided by Metacritic.com
This film does other power-of-dance movies one better by downplaying the dancing and underscoring what its brethren often lack: a compelling, wrenching and wonderfully inspiring story.
TV Guide Magazine
Expanded by writer-director Randall Miller from a nostalgic half-hour short he made while a student at AFI, this well-intentioned film about loss, grief and new beginnings gets bogged down in syrupy cliches and blunt self-help dialogue.
The Hollywood Reporter
The film is an elegiac journey to a sweeter, more civilized place in the heart. Predictable and decidedly old-fashioned in its sensibility, the film is likely to win over audiences if not critics.
New York Post
Overall it's got two left feet - and charm is in dangerously short supply.
New York Daily News
The movie delivers the promised ballroom action, but not the charm. And if you think the title is endless, wait till you see Goodman's death scene.
The New York Times
Despite a gloriously baroque performance from Mr. Wahlberg - attempting moves certified only for Antonio Banderas - Marilyn Hotchkiss Ballroom Dancing and Charm School remains irredeemably soggy.
Amounts to Chicken Soup for the Soul-style torture -- unless you like that kind of thing.
This flat-footed male weepie musters an insurance ad's worth of clichés about the importance of busting a move in middle age-and it strains so hard to do so that it's almost perversely compelling.
It's all a treacly, shoddily assembled, underwritten mess.
Juggles three separate time periods -- and is completely formulaic in each one.
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