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  • Paul Gross stars in this self-styled Canadian political thriller which aired on CBC over the past few nights. The two-part series originally aired last fall but I forgot to catch it, and heard little in its aftermath. It's a rare thing - a Canadian political thriller... I'd describe it as vaguely similar to House of Cards (the exceptional 1990 British political black comedy), with hints of the ridiculousness of Canadian Bacon and even X-Files.

    Upon the death of his father, the Prime Minister in a suspicious canoeing accident, Tom McLaughlin-- a seemingly decent chap-- outwits rival and unlikeable snorer Marc Lavigne (right away, that name stuck out as bit too much like mass-murderer Marc Lepine) to become Canada's new PM. Backed by a media baron-- part of a trio of corporate bigwigs with mischievous smiles-- McLaughlin rides a wave of popularity to start hatching a subversive scheme. It becomes apparent McLaughlin is about to sell Canada down the river by exporting water through a far-fetched (or is it?) water pipeline from Northern Quebec. It's necessary, he claims, or else the increasingly parched United States will end up taking it anyway. But it turns out McLaughlin has a gun to his head, and is a mere puppet for a pseudo-Bilderberg all-powerful group of old men who control the world.

    Strangely this group seems to only have the resources for one secret agent: the elusive Daniel Holt, who is everywhere and nowhere. He knocks off cops who get too close to the truth, wiretaps the Solicitor General (Lavigne), tortures wrongfully imprisoned muslims, and recruits Cree youth in Northern Quebec for devious plots.

    Meanwhile, the head good cop Sgt. Leah Collins, played by Leslie Hope, is busy figuring out who Holt is and trying to establish what really happened to McLaughlin Senior during his canoeing trip 'accident'. Mild flirtations with PM Tom McLaughlin and finally a pact with Lavigne bring her closer to the truth.

    The opinions we form of the various characters are in a state of flux; with the burning question being: If your neighbour were thirsty would you not give them a glass of water? It would be nicer if the plot had a smoother flow - more a Saint Lawrence than Hell's Gate. But the film editing, sound and cinematography are luscious. Night time fly-by shots of Parliament Hill are interspersed with evil looking Gargoyles and the Rideau Canal.

    Gross by far steals the show, and I'm looking forward to seeing how the heck he's going to turn into John Diefenbaker in the upcoming Tommy Douglas Story.

    The conclusion is unsatisfying, but it's hard to say what would have been a happy ending. It's almost as if the inevitable, the unavoidable, the manifest destiny took hold. All in all, any political nut would find this at least mildly amusing. Somehow though even with the explosions, blackouts and murders this film doesn't rate with the 2002 mini-series Trudeau.

    Someone mentioned that McLaughlin could not have possibly become Prime Minister in such a short thing. Well, actually one doesn't have to even be elected to be Prime Minister, legally (remember John Turner, briefly 1984). And this movie does take place over a period of many many months. This is fiction, folks, and it's not bad. It's by no means a great film, but it's entertaining.
  • As someone who is very fond of politics- especially Canadian politics- this film deeply troubles me.

    It is the story of how the country can be bought and sold so easily. It is a warning. While extremely unlikely, this could happen. It uses characters very deliberately based on previous Canadian icons (Trudeau being the big one) to hit close to home. These people have already been in power and we never thought anything overly terrible of what they did while they were in power. This film- in a very Isaac Asimov way (though, obviously Asimov was brilliant and Gross, while a good writer, cannot compare) shows us how close we are to our greatest fears.

    One day, the prime minister dies in a canoeing incident and after running and winning leadership of the party his father lead, his son takes power and starts pushing through some very aggressive legislations. Later, we find out that his father's death and that of the woman who was with him were suspicious in the extreme and we start to see little by little what's really going on, though the ending is a total shock. It is hard to describe without giving it away, so suffice it to say it uses past Canadian political experiences (the Free Trade agreement, the War Measures Act, Black October) to show how close we are to losing it all.

    With outstanding direction (actually making Parliament Hill look sexy), great acting from Paul Gross, Guy Nadon and Martha Henry and a shocker ending, this is well worth watching. Especially for Canadian political junkies like me.
  • Warning: Spoilers
    A taut and topical political thriller that, unfortunately, goes off the rails.

    In its defense, the basic premise is plausible, the writing is tense and dramatic, and the acting and direction are professional. Other posters have complained about implausibilities in the plot, and the wrong names used for things. A political thriller must have some unexpected twists or there would be no story, and we can assume that the "H2O" world has different names for things like the RCMP and War Measures Act.

    The series, however, goes off the rails in the third hour. We can accept one or two extremely implausible events if the story requires it, but when near-impossible events happen again and again, with a new one each few minutes, credibility crumbles. Worse, earlier crises are left unresolved before the next one hits.

    I'll give an example. An assassin is killing anyone, no matter how powerful or insignificant, who threatens the conspiracy. One of the major characters is a police detective who is about to unravel the plot. The assassin traps her, spills clues about the conspiracy, and then lets her go. This is an absurd Hollywoodism, like something from an old Flash Gordon serial. There are even bigger howlers in the series, and I know what happens later, but this is the one that made me want to throw something at the TV.

    The series plays like it was written by a committee, and each member wanted to get their plot twist in whether it made sense or not. The ending is a disappointment too; there is yet another plot twist in the last few minutes and the story just stops. All the viewer is left with is a huge number of unresolved plot twists.
  • I have never been a fan of "made for TV movies" or "mini series", but lately I've found myself looking more Canadian shows to watch. This movie certainly was that. If you don't know much about the Canadian (or British) Parliamentary democracy then you might be a little lost.

    I'm not a movie "critic" by any means, but I found this show kept my interest over two nights and four hours. Well written, acted, and never predictable.

    I would recommend this movie to any Canadian interested in Canadian/American politics, and even to anyone else curious about our political system. Maybe PBS will show it some day.
  • After a few decent stabs at producing good Canadian movies, CBC has laboured mightily and brought forth a turkey this time. The scenario is absurd. The acting is overwrought. The production is pretentious. The facts are shaky. What is this "Canadian Federal Police?" Do they perhaps mean the RCMP? And what is this emergency power thing that this young whelp of a pm invokes. I thought it was called The War Measures Act. Nor does the office of "deputy prime minister" have any constitutional standing. He (or she) does not automatically take over as does the US vice president if the big guy dies in office. It would be a matter to be resolved by the Liberal party and/or the Governor-general. And a black US president??? Not in our lifetime! This is really a stupid movie that reflects our insecurity, our naivete and our incompetence at making movies. We're very good at snowmobiles. And beer. Not movies.
  • "H20" is a mini-series that keeps you on the edge of your seat. What Paul Gross and John Krizanc have written is a masterful addition to the political thriller genre, where the viewer never knows who is the villain and who is the good guy. Add to that a superb cast of actors (including Gross, Martha Henry, Peter MacNeill) and the cinematic eye of director Charles Biname, and you have a satisfying and intelligent piece of work. I recommend this highly: how often do you get an exciting drama that makes you think about our political system and how dependent we are on the benevolence of our neighbours to the south? Ten out of ten.
  • Warning: Spoilers
    I don't know if this is a spoiler or not, but I have no doubt that if the extremely unlikely events depicted in this teleplay ever occurred, millions of us (literally) would be out in the streets, guns in hand (yes, we still have guns up here!).

    H2O portrays Canadians as a bunch of supine, weak-willed, uncaring fools ruled by a secret clique manipulating a naive political class, but then again, lefties portray all nationalities that way.

    You can tell some lefty wrote it to press all the lefty buttons: the Kennedy mythos, mass political apathy, water exports, American and corporate dominance, military skulduggery, etc. Way, way over the top. If they had dialled it down a kilotonne it could have been at least comparable to "A Very British Coup", which was also a lefty daydream but much more realistic.
  • Having just watched this on tape I have to was both shocked and in awe at the magnitude of this mini-series.

    We know for a fact that the American water supply is dwindling, and their first port of call for a refill will be north of the border, so why not make a movie about it ?

    As political junkie, I can tell you yes a candidate can be elected in a by election, have a leadership race, win it and then become defacto PM, unlikely but possible [which is the basic premise for this whole movie].

    Acting was excellent, sets were above average, some scenarios was jaw droppingly plausible, especially the playing of Quebec and First Nations off each other. The idea of solicitor general as being a national hero was a bit of a stretch. However, once the war measures act was dropped he was about the only person in the country that could have done what he did. The mis-use of absolute power under the act played equally in to the hands of both sides here, the sight of tanks on parliament hill was scary enough.

    I think this is a plausible future, not much different than the millions of Austrians who were a little shocked when Germany annexed them prior to WW2.

    The scenario I would like to see played out would have been what next ? The annexation of Canada by the USA would lead to what ? I envisioned WW3 with Europe and the UK coming to the aid of Canada and a conventional WW3 being fought right here in North America.
  • I watched this mini-series because I had seen Paul Gross in Due South and Slings and Arrows. I don't have to be a "spoiler" to say that this was a truly inane mini-series. The issue of Canada withholding water from the USA was an interesting one that was quickly and completely drowned. There was good acting but only in scenes meant to show off good acting rather than to move the plot in any understandable direction (watch the interminable "mother of the prime minister" scenes). Dissecting this misconceived film is hardly worthwhile. Canada has a fine talent in Mr. Gross, but that talent doesn't extent to script writing. H20 does not hold water.
  • Warning: Spoilers
    Pretty good, and equally unlikely and likely, but an interesting and fairly valid idea in any case. Misleading, but captivating throughout.

    I thought it was most interesting because I live in Canada and that's probably the only Canadian Politics movie I've ever seen in my life.

    Worth seeing if you're interested in politics and stories like it, but it tends to drag on sometimes, and much concentration is required to keep track of who's who and what's going on.

    When I first started watching it sort of reminded me of Wag The Dog, which takes place in the United States and has Robert De Niro and Dustin Hoffman in it. It's very well done, perhaps more so than this movie, but it depends on what you like. As the movie progresses, of course, the similarities end, but Wag The Dog is worth seeing too.

    Otherwise excellent.
  • Seeing Paul Gross,after his role in Due South,is quite a change. This film H2O is a political thriller set in the near future. Water,not oil,is the main subject of this film. Our neighbour to the south,United States,is running out of it,so,they would love to get their hands on ours. In this film,the prime minister dies in a boating accident,which turns out to be murder. Slowly,the solicitor general discovers their is a plot,to merge Canada into the United States. He tries to prevent this happening,with tragic results. I sent a couple of DVD's to a couple of friends in the US of this film. One person did not care for it,the politics was to confusing. The other person did enjoy it,the political background of the film,confusing,so he goes to the library and gets a few books about Canada and it political setup. I am now waiting for the next film,H2O: Trojan horse.
  • Paul Gross learned many things while playing a Mountie on US TV, I will grant him that. That is all, however, that I will grant him. This 2-part mini-series looks slick, but that is as deep as it goes. The attempts to portray a kind of unrequited affair with the female lead were pathetic. The portrayal that either the First Nations or Quebec would present a serious threat with actual violence (as seen in this film) is laughable; sorry, but Paul Gross is too much a pretty-boy to be taken seriously in this role. Bottom line: the premise is flawed (you cannot possibly be elected in a by-election, then become Prime Minister within the time-frame presented); and the enactment of such a thing as the War Meaures Act could not possibly occur within the context of this movie. Given what went on within Quebec the last time it was used (I was there), an enactment of it under the circumstances presented in this movie is an incomprehensible thing to anyone who lived there at that time. You want to create the situation for a referendum on sovereignty? That would be it, and sovereignty would win, with my vote helping! Second bottom line:way too slick overall to be taken seriously as any kind of drama/commentary on the world we live in in reality! 2 thumbs DOWN! Not even worth a re-watch.
  • This movie is 3 hours long. It has a cast of tens of thousands (at least it feels that way.) I think Sebastian Spence was about the only Canadian actor _not_ in it. I exaggerate a tad. Much of it appears to have been filmed in the Canadian parliament buildings in Ottawa, 24 Sussex Drive (the PM's residence), military bases and other places that would have required endless bureaucratic pandering to get permission to film. The movie overuses some of this footage. "It cost us a bundle, and you are damn well going to appreciate it."

    It deals in more substantial way than you would expect with Canadian political themes: separatism, water, bullying by the USA, fear of terrorists, NAFTA, political union with the USA.

    The dialogue is quite wooden. I think it was all written by one person. It needs to be re-written to be more idiosyncratic for each character. The mother with her drinking is a little too one-dimensional. But I think that was partly deliberate. Everyone LIES, especially to the public. Because they are not good liars, they are unconvincing every time they open their mouths. It is thus quite a cynical look at political intrigue and under the table deals. Every public speech says the exact opposite of what the character said in private earlier.

    One of the strangest things about the movie, there are no clear good guys and bad guys. Your loyalties shift back and forth. Some people you just can't decide. Others you know are bad, but can't figure out who they are working for or what they are attempting to accomplish with their mayhem.

    The relationships and true motivations are MURKY, worthy of the machinations in an English murder mystery.

    I am pretty sure I will watch it again, hoping with foresight to figure more of the movie out.

    I also wondered just what facts form the framework of this story. It feels like a historical reconstruction (though it takes place in a fictitious 2004). The smug, power-crazy, plump, young Prime Minister played by Paul Gross bears a strong resemblance to the actual P.M. Stephen Harper. He even has the same articulate reverence for lying.