Add a Review

  • First time I've heard about this show was when I saw Kristen Bell in Heroes. I came here and saw VMars. It took me a long time before I decided to watch this show. I started to watch it for one reason and one reason only -> Kristen Bell. Stupid I know, but when I saw the pilot episode I knew that this show will be something new, something different, something worth watching and I was hooked. The is one of the best TV shows that my eyes have ever seen before. Smart and funny dialogs, beautiful and talented cast of the show, interesting twists,mysteries... This show has everything. This show is awesome but sadly it has been canceled for a long time now. I really wish that this show will return to screen as a new season or a movie.
  • Veronica Mars is a dark and poignant tribute to teenage angst and isolation. As a sophomore, we find Veronica popular and happy. She is dating the most popular guy in school, Duncan, and is best friends with Duncan's sister- the wild Lily Kane. After Lily's brutal and highly publicized murder, Veronica loses her friends, her social status all because she choose to stick by her father who accused Lily Kane's own father, the rich and beloved Jake Kane.

    Season 1 follows Veronica's life post Lily's violent murder. Veronica has become cynical and disheartened due to what she feels as betrayal by her closest friends. Overnight Veronica became the most hated girl in school. She formed a hard outer shell, cutting herself off from her emotions in order to handle all the events that occur after the murder, the taunts of classmates, and the current class war that's been waged through out her town.

    Veronica Mars is homage to the noir film genre of the 1950s with our main character being a high school teenager. The uses of color in scenes are key to understanding the story. Every aspect of the show is used to tell parts of the story from lighting to background prop placement and it all comes together to tell a beautiful story about death, betrayal, love, revenge and redemption.

    The best thing about Mars, besides the character develop, plot twist, and witty dialogue, are the issues that Veronica Mars faces on a daily bases. Including murder, rape, teen pregnancy, gang violence, reports on abuse, and drug trafficking. It also tackles the normal high school issues all teens face like peer pressure, cliques, and gossip but in a smart way. The story lines are tasteful and believable; the writers did a great job avoiding the normal camp and clichés found in a lot of teen shows.

    Veronica Mars is hands down the best show ever to be featured on UPN/CW, and possible network TV in general. It is defiantly worth your time.
  • Warning: Spoilers
    As a completely different show, Season 4 of Veronica Mars would be watchable. As a continuation of a established show, it was a discordant watch almost from the first episode.

    It seems apparent that the show runner, main actress and Hulu executives believed that the titular character was the only reason for continued interest in the show, and so wrote Season 4 specifically designed to shoehorn that character into a different genre. To do that, they had to regress her to the emotional maturity of a teenager. (Incongruously , because moving the series away from teenage drama was apparently an intention.)

    When the central intention is badly conceived (and in show interviews, even more poorly articulated) then the lacklustre episodes that resulted are understandable.

    Every canon character in this season was a parallel-universe version of themselves, including the character of the town of Neptune.

    Keith, a strong, understanding, quick witted father figure, is infantilised by the loss of mental acuity and shown to be weakened man by the obvious device of a cane, several years after his accident. The father-daughter interactions of previous seasons are still thankfully present, but are nostalgic rather than vital. Keith's season long story arc is resolved with a whimper. (If only some ex-criminal had turned up earlier to get the correct diagnosis.)

    Wallace is still in Veronica's life. She treats his new life and family dismissively, (drugs in the bathroom, anyone?). She gaslights Wallace by inviting him for a night out at the movies, and dragging him along to follow a lead. This character would not grow up to be a man that missed nuance and the way that Veronica views his partner, his family and his life, and he would have called her out for it well before now.

    Eli, a long-time friend, is treated disparagingly and appallingly by Veronica for 'reasons'. These are later spelled out - Keith and Cliff worked hard (at their jobs) to get Eli compensation for his treatment by the Kanes and the police department, and... Eli took a settlement to provide for his family. Success, right? But not for Veronica. Who despite having it explained to her a couple of times - in actual words - is deliberately obtuse and demeaning. To emphasise the enduring nature of non-reciprocated loyalty to Veronica by the supporting characters, Eli saves both her and her father from certain death by a just-in-time intervention, and is supposedly amply rewarded with ... a look. So, Eli's character arc and redemption by the time of the movie has gone full circle, and he is returned to the teenage Weevil with limited options.

    Critics of fan-servicing in the movie, reference the presence of cameos of fan favourites as a problem. Season 4 cameos came from the B-list of supporting characters. Max, who cheated on loved character Mac, Tim, the murderer, Mercer, the serial rapist. They did however, give 'new' Veronica a chance to be sarcastic and manipulative again to those currently unable to reciprocate. Although, Mercer did manage a dig at young Logan's supposed infidelity - a trait inconsistent, once again, with canon. The most likable, character, Parker, is introduced solely as a past-love interest of Logan to create tension when the marriage licence was finally going to be acquired. How the writers must have laughed to include her parting advice - "Enjoy the honeymoon", knowing what was to come. Whoever came up with the "Let's give them what they want, but make it last less than an hour..." surely got the most giggles.

    Dick, has become a caricature of the already comic character that he was. A completely hedonistic male with occasional glimpses of depth, but always - a fierce loyalty to those he cared for. Another character reduced to a teenage level of maturity, by writers unable to explore what happens to people who suffer tragedy and whose support systems are others who have the same background. His convenient displacement to Romania, as an actor playing a mannikin, is parallel to the writers exile of his character to plastic body form. His presence is not required for the death of his father, the marriage of his best friend, or his best friend's death, because he served his purpose as badly written comic relief. A figure of ridicule, not sympathy.

    Mac - dry humoured, quick witted, tech-expert with fascinating origin story, and personal trauma of her own and such admirable resilience is also... sent to Istanbul.

    Critic reviews have referred to Maddy as a suitable replacement for 'teenage' Veronica Mars, except - Maddy has none of her redeeming features. Maddy steals a ring which she then sells. She also uses her victim status to great effect at Mars Investigations, so her need for manipulation techniques from Veronica seems unnecessary. She witnesses the beheading of a long-standing character without reaction or emotion. No relationships are seen to be formed with any other character - unlike Veronica, who found connections with others such as Wallace, Mac, Weevil and Logan despite herself and her self-defense mechanisms. A soul-less doppelganger is hardly a great choice for a replacement Veronica for Keith. Frankly, Keith can hire an actual competent detective.

    New characters, the Maloofs, stay for the duration of the season in Neptune because of a ring. The blackmail situation undertaken by Mars Investigation, was both solved and resolved by detective ... Echolls. The lost ring, despite being part of the brief into the bombings and paid for by the Maloofs, dismissed by Veronica as irrelevant and solved by the sheer deductive brilliance of ... Vinnie Van Lowe. In fact, even the Mars exposure of the second bomber of Neptune - was previously foreseen by the bomber himself - and utilised in order to plant the bomb that - so very precisely, yet arbitrarily - killed Logan. The mysteries were poorly written. The neck bomb does not fit into final bomber narrative at all. Especially as he used a non-specific, pre-timed, casually placed bomb as his final coup-de-grace.

    The Mexican cartel characters were given considerable time and dialogue to show the sympathetic side to violent murdering sociopaths. Enjoying lattes, loving relationships, comfortable friendship dynamics while holding down stressful jobs. Of course, their violence was rewarded with another paid hit job for a senator. It is strange that a large portion of this season, which dehumanises and diminishes so many long term characters, is used to show the humanity of two characters that practice casual violence, including the unneccessary killing and beheading of a man because of the coerced accusation of a Spring Breaker.

    Dick Casablanca Snr, the 'Big Dick' of the Season almost duplicated the Woody incorporation storyline of Season 2. With his proposal for town regulations, he intended to further divide the Neptune community in order to make himself individually wealthy. Similar storyline, similar outcome.

    Vinnie Van Lowe, detective extraordinaire solves the missing ring mystery by Sherlock level deduction. Veronica, who allows her office to be bugged and also invites in the thief who steals their information and tech, disparages him because he demanded a high daily retainer. Seems a strange fixation for someone who charges $300/hr plus expenses, and then uses partner's contacts to actually get a result.

    Leo, is reintroduced to provide the supposedly shunned teen-drama love-triangle tension, that is fed by a long drawn out sexual dream sequence and more screen time than her supposed significant other, Logan.

    Logan's growth, in stark contrast to Veronica's regression, required skilful handling. So, Logan, inexplicably impoverished, is fridged. Enough has been written by others about their reaction to this character's story arc and death for Hulu to understand the problems with this treatment. Dismissal of this reaction as shippers getting "what they needed" is poor justification. Despite Rob Thomas and Kristen Bell's assertions, they have previously indicated their distaste for this character's popularity. They mistakenly assumed it relied on the attention of the titular character for drawing power. However it happened, the Logan Echolls character, carved his own space independent of - but parallel to - Veronica's and many viewers loved his story arc separately. He was also the only character, that despite his relationship status with Veronica - called her out. Given Logan's current evolved character, and Veronica's devolution the question is not - will they - won't they? It's more - why would he? Street cleaning death, is an apt metaphor for the belittling consideration given to this character and his contribution to the show's popularity.

    Logan, was the possibility of redemption and healing in human form, and many viewers are mourning that loss. Neptune, was the microcosm of the inequalities and injustices in the wider world, and many viewers are mourning that loss. Despite the title, the attraction for many of the original show was the ensemble cast of supporting characters - not solely the titular protagonist - many viewers are mourning that loss.

    Veronica's previous teenage character was flawed, and made mistakes because of a fierce personal need to get to the truth, and make some part of her world make sense. This middle-aged "strangely teenage" version, is out of character - even taking into account her regression - so many viewers are mourning that loss. . The complete recharacterisation of Veronica, the removal of the integral parts of the show that made it beloved, and the delivery of a season that retroactively removes the enjoyment of previous seasons makes it a season to regret.

    Veronica Mars was a great show - after watching season 4 - I miss it already.
  • Warning: Spoilers
    I have watched and loved the show from the beginning. I was really looking forward to another season. I know things couldn't be exactly the same since they are older. But now two people are gone that are one of the prime reasons that I love the show. In my opinion, I wish the last episode had not been done. With all the junk and live shows passing as shows at all, I had hoped to enjoy regular tv again. I guess I expected too much. Seasons 1-3 are a ten. Season 4 not so much.
  • Warning: Spoilers
    *SPOILER-ISH WARNING* (Although I don't go into any details or tell you anything that happens I do express my thoughts on the show but more specifically the last episode of the new season 4. If you want to know what actually happens you'll have to watch or Google it. If you don't want any expectations going in you probably won't want to read this. If you're still interested keep reading.)

    I just started watching this show about a week ago because I saw new episodes were being released. I've always heard about the show so I decided to check it out. I really liked it & I was excited to watch the movie they released a few years ago and then the new season. I was a big fan until the last 10 minutes or so of the new season that's when everything fell apart and I kind of felt like I wasted my time getting invested in this show. I feel like they completely destroyed everything in those last few minutes. I can honestly say my life would suck less if I didn't finish that last episode. It honestly felt like the writer Rob Thomes just decided to see how angry he could make the fanbase and how fast he could destroy this show's reputation. Honestly after seeing the last episode I don't even care if it ever gets another season! Unless they undo what was done I'm completely over this show. I really don't write reviews for things but this infuriated me & I need to let out my frustrations! If you're going to watch this show don't watch the last episode! It also would have been nice if season 4 was longer but I could've overlooked that if the season didn't end like it did! I can't think of another show that has made me feel this way! I'm so mad right now!
  • kmylml27 September 2006
    After reading quite a few comments from people who thought this show is "horrible," I was really surprised with their reasons. First of all, there are very few TV shows out there that are in every way true to life. Of course the situations aren't completely plausible! That's why we watch TV shows in the first place - we're entertained by things that we would not normally do or see. If I wanted to watch something "realistic" I'd just tape myself and watch it at the end of the day.

    What's real in this show is that every character is complicated and has layers in their personality. The bad guy isn't all bad, and the good guy isn't so great either. There's just this gray area - just the way people are.

    Then there's the complaint that Veronica Mars is "too smart." And that's a bad thing because...? I'm sick of mindless shows that give away the ending in the first minute and/or have the same tired plots. If witty is not your thing, that is sad and someone needs a good dose of "sense of humor." Maybe everything we watch on TV should be bland and predictable from now on? By the way, detective work is supposed to be logical - not flashy. When you want to look for someone, you'd automatically put a trace on things they own. What did you expect would happen? Some kind of laser tracking thingy?

    The writing on this show is amazing, as are the actors and everything else. The artistic value is also incredible. If TV watchers can't appreciate that, then I really am worried about the population.
  • Warning: Spoilers
    I don't want to spoil it, but the ending really let me down. I just started watching this show and pretty much binged it before season 4 came out. Season 4 was only interesting because of this character and they kill him off? I feel like that was a bad move. And i am not sure if i will watch in the future.
  • Warning: Spoilers
    All I will say is, if this gets a season 5, Rob Thomas needs to make the first episode Veronica waking up from a real bad dream. As Logan has said "Our love is epic" he is a part of her. My heart is broken.This is crazy..WHY ????
  • Warning: Spoilers
    Writing this review out of sheer anger. So excited to learn of season 4 being made, sat down to binge the series and have come to last episode where the script and sheer cinematography gives away the ending and I just cant bring myself to watch them ruin a perfectly good show! Do yourself a favour and dont bother, your day will be better without it.
  • Warning: Spoilers
    I have loved this show since it came out I rewatched all the episodes over again when the movie was released. I then read the books that followed. And then REWATCHED when they announced season 4. But now they cut out what kept being everyone back, The EPIC story. They say it's to give the show room to grow but I think the just blew it up like the car Logan was is.
  • I hate being sucked in. More than anything. I avoid anything that's popular just because I can't stand the herd mentality. It took me three years before I touched a Harry Potter book. I would not have watched this show willingly. My one uplifting, redeeming quality is that I'm a good friend. Always. Even at the sacrifice of my Wednesday evenings. I originally started watching VM because I was taping it for a friend who didn't get UPN in her new town. I was just going to tape it, but I thought it would be nice if I cut the commercials for her. Now, half a season later...I can't stop watching it. It's horrible. I actually rented the entire first season and watched it in one twenty-four hour sitting. If you start watching this show, be warned you WILL get hooked, no matter how hard you try to resist. It is a great mystery. Each episode has its own mystery that is self inclusive, but the overall season mystery is what keeps you speeding through traffic to get home in time on Wednesday nights. Kudos to the creators, they did a great job!
  • Okay, I admit...when I first started watching VM, I didn't really expect much. However, one or two episodes in and I was totally hooked. I really enjoy the noir aspect of it, and the fact that is doesn't hold anything back in terms of "real" issues such as drugs, and sex. Of course, these issues are dealt with in a fictional way that makes them intriguing (as opposed to depressing) to watch.

    The writing simply got better in the second season, and every time I watch an episode, I find myself relating more and more to a piece of each of the characters. Its this aspect that I feel makes VM a truly great show, and I look forward to the seasons to come.
  • Warning: Spoilers
    I'm a writer and a writing coach, and as much as the ending of season 4 disappointed me as a fan and as a person whose favorite character is Logan, what I hated was all the betrayals of established and accepted formula for something other over something I agreed to through three seasons and a movie.

    Let me explain. When I started watching, I was given a set of guidelines. Veronica is the main character. Check. Veronica solves crimes. Check. Veronica Mars (show, character, and supporting cast, especially Logan) is funny. Check. Veronica has meaningful relationships with friends and family, season one through the movie. Check. Season four. Check-ish.

    Sure, we got Keith and Logan. And I loved watching that, but where the heck were Wallace and Weevil? It got particularly irritating to me when instead of Wallace and Weevil, we got way too much of lots of new and ultimately unimportant characters.

    This is part of why I liked the show better as a procedural with one overarching big bad for the season. One case per episode means we get less of these extraneous characters, but still get the big case. But because they decided to deal with one case for all 8 episodes, and not use a lot of Weevil or Wallace, I got bored with them and ended up fast-forwarding those scenes. And you know what, fast-forwarding didn't make the plot hard to follow, which tells me those scenes really weren't necessary anyway.

    However, I found myself making allowances for the things that lacked, because I loved the moments where Veronica was with Logan and working on her relationship (although, I didn't like how she treated Logan with regard to his therapy and personal growth-what is she, 12? Even in high school she was more understanding than that.) I also loved seeing V with her dad and watching them deal with his memory loss, and no matter how fleeting, I was totally into the scenes with Wallace and Weevil and even Dick! I watched on tenterhooks, thrilled whenever we got them.

    I dealt with the strung out mystery, that at times was so predictable it had me face-palming, because I wanted to see what would happen next with Veronica and the other characters of the universe of the show-but particularly with her relationship with Logan. It was fresh and interesting and felt, for the most part, like a natural progression. "So, this is what adult Veronica and Logan would be like together. Awesome!"

    Logan was the character through all seasons and the movie, that pushed Veronica to be better, do better, to come to grips with what she wanted from life. Sometimes because he was being supportive . The reason his character is so integral to Veronica's character growth is because he's the only character who is not only as smart as Veronica but also willing to call her on her crap. Sure, Keith is wicked smart, but he doesn't really push V. And sure, other characters call her on her crap, but they're not as smart as her, or they don't care about her as much or as deeply (they're not in love with her,) so it's not as interesting.

    If a loser tells her to grow up, we roll our eyes. If Logan tells her to grow up, it makes an impact. Even people who don't like Logan are going to have very strong opinions about that. It's either going to hurt like crazy, infuriate us, or make us cheer. What it won't do is cause a blasé reaction. In writing, we'd call Logan Veronica's "impact character." And, frankly, no one else has the chops to pull that off.

    I like Leo, but he can be bought with pizza for crying out loud. I like Dick, but there's no real relationship there. I love Wallace and Weevil, but while important to her, they don't have enough at stake with her to do it. And I LOVE Keith, but part of what makes him so fun is watching how he dotes on her. Not the main trait of an impact character.

    Logan filled a position that no other character can, and that, after four seasons and a movie, no one else should. It's been established, and we accepted it. Every episode, every season, the Kickstarter movie, and even season 4, which was brought about, in part, by fan pressure again, was like a contract saying: this is the established universe, this is what you'll get. We held up our end of the contract and supported the crap out of the show. (It definitely wasn't fan service. It was self service.)

    Perhaps that, Logan being an impact character, was the point of killing him? Rob Thomas did say he wanted it to be more about the mysteries, so adios character development? That's dumb. I'm not here going on about the mysteries. The mystery was fine, I guess, if not predictable. I'm here going on about character building. The true essence of the show.

    Are the mysteries fun? Absolutely. Are they what keep me coming back? Nope. I mean, it's not like I'd want to watch a show where Logan and Veronica sit for an hour arguing over their relationship, but it's not the mysteries that really make an impact. I don't quote lines from bad guys. The memorable stuff, the stuff you talk about after the show is over, are the characters and what's happening to them. Point and case, no one is talking about the bomber now, or the case, or any of those several new characters that are never coming back. Everyone is talking about Logan and their very strong feelings about what happened to him. We don't care about the cases. We may like them and think they're interesting, but we don't care about them. What we care about is memorable and "epic."

    This show has never been about how the characters can impact the mysteries; it's been about how the mysteries impact the characters. This is a character show. It's not GoT. You can't just kill one of THREE main characters, especially the impact character, and act like it's no big deal, like you can move the show onward and have it be as good or better. It is a big deal. And the show will never be as good if this is allowed to stay canon. It'll never get better. Veronica will never grow. She'll (the show and character) will stagnate. And fans will abandon ship.

    Just by sticking through this season, I already agreed to: 1.) Give up the procedural aspect 2.) Watch (or fast-forward) through characters that are overall unimportant to the lives of the main characters or even the mystery, really 3.) Losing screen time with characters that normally had much bigger roles and who were more interesting than the guys in #2 4.) And now, it seems, I've even agreed to lose the place we've been repeatedly told is Veronica's field of battle, Neptune. 5.) And if #4 is for real, then also screen time with any of the characters that made up the world of Veronica Mars except for Veronica Mars. (What is she supposed to do? Have witty conversations with herself in the mirror now?)

    But, I agreed to all that, because they kept her relationship with her dad and with Logan intact. But especially Logan, because again, he's her impact character. The one that keeps her doing the things she needs to do to be better; a better person, a better partner, a better investigator, a better friend, a better everything. He's the one that forces her to be introspective.

    But now that's gone, too?

    And just Logan in general who is an amazing character, that I'm glad to hear they're proud of, but pissed that they thought he was expendable. He, all by himself, is still the most interesting character to watch next to Veronica, and I'd argue sometimes he's more interesting than her. That's how you know he's un-expendable.

    But no more Logan and just "deal with it, the show'll be better." Really?

    It's like they got an idea for a new mystery show and wanted Kristen Bell to be in it, but because she was already in a mystery show, they just decided to wipe everything that made the real show so great and try something new. (Heck, it even comes with a built in fan base! Maybe not anymore.)

    And, I probably would've gone along with it forever, until it turned in to "Murder, She Wrote," even, if they'd left the main trio alone.

    Why would I watch a show that betrayed every rule it established as "the world of Veronica Mars" to be just another crime scene show. I wouldn't. If I wanted to watch CSI, I would. This was supposed to be different. Better. And it was.

    They manipulated my feelings and then ripped the only really good thing, the only one of two things that stayed the same from the original show, out from under me; the reason I kept watching when if it'd been any other show I would've quit halfway into the 3rd episode. That's why "How I Met Your Mother" fans were so ticked. They were promised one thing and were given the opposite of that.

    Also, killing Logan because you feel like you've written yourself into a corner, or because you don't know how to write an interesting story that includes a man who is a Naval Intelligence Officer with a crazy backstory and loads of interesting baggage is lazy writing. It just is. I can think of ten solid ideas off the top of my head. I expect more from one of the most creative and clever shows I've ever seen. They know how to do it.

    On a personal note, I hate and reject the idea that the only way V can be interesting to watch is if she's wounded and alone and doesn't have a man waiting for her. It's almost 2020 and we're still pushing the misogynistic idea that a woman can't be successful in her career, be interesting, and be happily married? Really? What the cuss?

    Also, the whole idea that they're trying to get rid of the teen drama by killing Logan just sounds like they weren't paying attention to what they wrote this season. The only person acting immature was Veronica.

    If you want an adult show, how about you make your MC act like an adult? And there's not much more adult than being married and having to deal with the trials that come with that. We, as the audience, have grown up-we wanted that for Veronica too.

    Best, One Cuss of a Frustrated Writer and Fan
  • Warning: Spoilers
    The latest season of Veronica Mars started with great promise with a slightly more sophisticated plot than the earlier seasons (Veronica was compelling as a teenage PI) but the actual cases were often half-baked and only the charisma of Veronica and her band of merry allies made it compelling. The movie was a gift to fans (who paid for a big part of the movie via a kickstarter) and it wasn't great cinema but at least the writers made an effort to bring the characters and give them meaningful moments.

    Sadly that approach was abandoned for Season 4 which focused on a big mystery (which wasn't such after a while since it was easy to guess where things were headed) and most of the regular characters around Veronica got tiny and meaningless parts from Wallace to Weevil and Logan himself who seemed more of an obstacle than a character. Mac wasn't even there as the actress couldn't be bothered seeing how marginal her character's role was.

    Finally and to add to the season's failures, a major character dies out of the blue (and offscreen) just because that's all the writers could think of to make Veronica grow apparently. Seems a bit of an overused device since Veronica's earlier 'growth spurt' followed her own best friend's murder... Lazy writing which frankly makes me skeptical of a (still to be confirmed) fifth season... The writers seem to be banking on Veronica Mars becoming a noir show rather than a teenage show but I think they are going to be sorely disappointed... There are plenty of great noir TV shows with great writing and acting such as Bosch and as popular as Kirsten Bell is, alienating a large section of the Veronica Mars fanbase, is likely to limit the future prospects of the show.
  • I loved this show more than anything. It may or may not have had influence on me going to school to be a private investigator for some time.

    It addressed concepts so before it's time. Rape, victim shaming, sexual freedom, women's rights, alcoholism, abuse on many levels. It took every concept seriously.

    It seems like high school drama but it really was well written, well acted and funny at times.

    Best show.
  • Despite dismal ratings and crazy scheduling, in 2 short years 'Veronica Mars' has obtained a cult following... so what is all the fuss? Well, I'll tell you...

    Season 1 centers around the murder mystery of Lilly Kane (Amanda Seyfried); daughter to software billionaire and best friend of the show's protagonist, Veronica Mars (Kristen Bell). Before the murder of her best friend Veronica lived a pretty idyllic life in Neptune, California; a town, as Veronica puts it "without the middle class". By all means Veronica shouldn't have been apart of the elite 09ers (kids who live in the prestigious 90909 zip code), her parents didn't meet the pay-cheque quota and despite the fact that her father used to be Sheriff (which had a certain 'cachet') the only reason Veronica was one of the 'beautiful people' was because she was dating Duncan Kane (Teddy Dunn), Lilly's brother and heir to the Kane software company. But everything changed when Lilly was murdered –Veronica's father, Keith Mars (Enrico Colantoni) accused Lilly's father of murdering his only daughter and was booted out of the force when a video of the crime scene was released over the internet. Veronica's home-life began to fall apart when her family had to move out of their house and into a cheaper apartment, and when Veronica's mother could no longer handle being shunned by the elite community, she took off. Things got even worse for Veronica's social scene when Lilly's supposed murderer was captured after an anonymous tip-off. One-year on Veronica is no longer the preppy princes she once was; she has an attitude problem, no friends and now helps her father in the P.I business; 'Mar Investigations'; Veronica investigates everything from unfaithful husbands to a dog kidnapping conspiracy. But things begin to change with the arrival of new student and sidekick, Wallace (Percy Daggs III), as Veronica tries to figure out who really murdered her best friend, and who raped her the summer she was shunned by her former friends.

    Veronica Mars is very reminiscent, but in no way a clone of previous successful teen dramas. VM has the same quick-witted writing jam-packed with pop-culture references as 'Buffy' and 'Gilmore Girls', combined with the mystery plot lines of 'Twin Peaks'. With a blonde, female P.I protagonist the show is constantly paralleled with 'Nancy Drew'; but be assured the investigative teen is the only similarity between the two. Veronica's mysteries aren't as corny or Scooby-Doo as figuring out who is really haunting the house on top of the hill – the show deals with infidelity, sexual abuse, murder and kidnapping…. Taking a page out of Joss Whedon's book, Veronica Mars is extremely character driven – while the season's big mystery is very edge of your seat, it's the characters you care about and keep coming back to watch. Kristen Bell brings many shades and layers to the jaded Veronica; she's a wise-ass who tries hard to keep her shields up, but at the same time she is very fragile; and some of the show's best and most memorable moments come when Veronica lets her guard down, or feels totally beat by life. Perhaps the best thing about the character of Veronica Mars is the fact that she's extremely flawed. Sure, she looks cute with her perfect shiny blonde hair and impeccably cool wardrobe, but she isn't always the best judge of character and sometimes she just plain screws up. Whether it's dating a drug dealer, accusing the wrong person of murder or faultily stereotyping someone; Veronica is the best kind of heroine because she isn't perfect, she's damaged and that makes her real and accessible to audiences. Veronica is the high school underdog; living on the fringe of popularity, shunning the 'cliques' and mainstream, unafraid to put herself on the front-lines of unpopularity for what she believes in. She is the ultimate outcast, and everyone at least once in their life can relate to her because of her constant social struggles.

    One of the other great things about 'Veronica Mars' is the fact that Enrico Colantoni and Kristen Bell have a great rapport. Amidst the seediness of Neptune's underbelly, it's nice to see that the father/daughter relationship is quite often the beating heart of the show. Jason Dohring who plays Logan Echolls; Veronica's former friend and current rival; is also absolutely fantastic. His character is constantly shedding layers, going from 'psychotic jack-ass', to tormented teen. Logan is a conundrum, one minute he's the typical high school jerk, with lewd comments galore: "my underbelly is rock hard. It can go all night" the next he's quoting great minds like William M. Thackeray for his daily inspirational phone message: "To love and win is the best thing. To love and lose, the next best". Logan has one of the most interesting and complex character transformations that have endeared him to 'Veronica Mars' fans.

    Veronica Mars is 'on the bubble'; a TV show term for when a show is about to make it big. 'Veronica Mars' constantly receives rave reviews, but poor ratings (usually due to yo-yo scheduling and bad time slots). The show has ferociously devout fans and an extremely dedicated cast. It is a breath of fresh air at a time when cookie-cutter TV shows like CSI are ruling the box and reality TV shows are being churned out and devoured for no good reason; 'the Bachelor', 'Dancing with the Stars'. Do yourself a favor and dip your toes into this TV show; I guarantee that from episode one you will be taken in, hook line and sinker.
  • Warning: Spoilers
    I have just finished watching all three seasons of this show, and I have to say, I've had better times. I've been moping around the house all day reading reviews, watching (mostly bad) fan made videos and thinking about Veronica Mars and how I'll never see her again. This sounds awful but this is the worst break-up I've ever had, honestly it is!

    The thing is not that it ended, it's how it ended. Surely the creators must have had some idea that there might not be a season 4 so why not tie up some lose ends, let us go easy, give us some closure. The only character who got closure was Sheriff don Lamb and it was done so well that I felt sorry for him. Why wasn't this honor extended to the other, much more important and well loved characters?

    The finale not only did not feel like a finale, it didn't even feel like a season finale. It looked like as season 3 progressed they were grappling with different formulas, desperately trying to find something that works. I don't think that what they did was half bad, I enjoyed the last few episodes as much as the rest, but by the end it was clear that there was no plan and they were making it up as they went along. It had to end and it was a bit messy. It left me with a bad taste, instead of remembering Veronica firing clever quips with her dad and Logan I'm picturing her walking in the rain, sad and disappointed.

    I always thought Veronica as well justified in all her dubious decisions and dealings but what she did in the end was, well, a bit bitchy (hence the name I guess), and she didn't have time to redeem herself with her dad, with her friends or with us.

    It was good while it lasted, but it left me heartbroken. Watch with caution and prepare your ice-cream.

    Oh...I was so eager to get over with the girl talk that I almost forgot to mention that this is an excellently written, wonderfully acted, impeccably executed series. Kristen Bell carries the show but what makes this series what it is, is that the cast is great all round (except for a cameo by Paris Hilton, but it's forgiven). Special mention goes to Enrico Colantoni and of course, Jason Dohring, I'm certainly looking out for more of his work.
  • patmac-628 November 2004
    'Veronica Mars' - It's not Buffy, Twin Peaks or the Outsiders, but it's a worthy successor to each of them.

    In today's market of Cookie Cutter television (CSI/Law&Order) - what a breath of fresh air it is to see someone actually making something entertaining about investigation and mystery.

    While the two breakout hits of the year have been 'Lost' and 'Desperate Housewives' and rightly so - Veronica Mars deserves every bit as much acclaim. It's smart, fun, and spirited.

    With a great cast, led by star-in-the-making Kristen Bell (for those who've seen Deadwood, then you'll have seen a glimpse of her range in 'Suffer the Little Children'), she's ably supported by Enrico Colantoni - a great roll for the former 'Just Shoot Me' regular - as her PI father. Surrounding the two are a host of intriguing characters, who each have their face value introductions, and yet, as the show progresses, are never just what they seem.

    At the core of the show's story, is the mysterious murder of Veronica's best friend, and the ripple effect that this has had on her life around her. Nothing it would seem has been left untouched – ostracized by her former friends, she leads the lonesome life of a high-school student by day, and her Dad's PI assistant by night. The perfect launch point for the many adventures to come, as Veronica tries to untangle the web of intrigue that has been thrown across the world she lives in.

    This isn't a ham-fisted Nancy Drew effort - Rob Thomas, the show's creator, has learnt well from those shows which have tread across similar territory; the teen angst of Buffy, the engaging mystery of Twin Peaks, the class struggle of the Outsiders, and perhaps even the sassy cool of Alias's Sydney Bristow – they all have echoes in Veronica Mars, yet the show is far more than just a clever knock off. It's a genuine original! And I for one, hope that audiences will give the show the support it deserves.

    Give it a chance!
  • Veronica Mars is a fantastic show - the greatest since Twin Peaks. I feel very sorry for those who can't appreciate its incredible acting, suave and wry humor, amazingly detailed storytelling and hyper-complex characters. The massive amounts of angst and intensity among these high schoolers is the only unrealistic (or rather, surrealistic) aspect of the show, and it is forgiven because this is an superbly crafted exercise in stylized fiction and symbolism.

    The names, for one thing - Neptune, Tritons, Mars -, are not only planetary, but mythological. Neptune is a cold, distant place, but reluctant gods of war inhabit it. Keith and Veronica Mars do not instigate war, but when others declare it on them, they prove supremely good at it.

    The show represents one of those very rare couplings of a great concept, great writing and great directing with a remarkable actress who totally "gets" the whole complex atmosphere of it, and can act the part perfectly. Kristen Bell is an incredible actress (I, for instance, became aware of this show solely because I took an interest in Bell after seeing her tiny but impressively acted part in the movie Spartan); she has every conceivable facial expression completely nailed, and on top of that she is also fabulously gorgeous - all the more so because of her obvious intelligence.

    Veronica Mars is, as far as I'm concerned, one of the two best American TV-shows I've ever seen, and my rating of it would be 9 or 10.

    This show WILL go down in history as a timeless TV classic.
  • Veronica Mars is a cleverly written show that is unlike anything else on TV. The format is simple, yet the story keeps you engaged. Kristen Bell is the star and she is perfect in her role as the teen-aged detective. The story lines are crisp and always move along. You won't be stuck for seasons (as is the case in some shows) wondering when the story will move along, when the clues will all come together, and when resolution will come. Veronica Mars manages to find a mystery, keep you entertained with subsequent smaller mysteries, keep you intrigued as you find the clues throughout the season to the arc mystery, and wrap up the case. Though the show can lose focus at times with too much going on, it all will eventually be wrapped together and the writers really do learn from their mistakes, can admit that, and subsequently make amends. Hopefully, the show will find a much bigger audience and better schedule (not going months without airing) with the move to the CW. While the show has an often revolving door of supporting characters, the dynamic between Veronica and her father (Enrico Colantoni) is one of the best on TV. Also, throughout the seasons Jason Dohring has emerged his Logan Echolls as a breakout character (and the third most important) who has incredible chemistry with Veronica. These three actors are perfect in their roles.
  • Just finished watching this show on DVD. Just as great as I remember it! I remember being one of the people eagerly awaiting Season 4 and being so disappointed in the decision to cancel this great show. I would have been happy enough if they at least ended the series on a better note with everything clued up. The CW should be ashamed.

    All the cast members did a great job in their respective roles. But a special note should go to Kristen Bell in a wonderful job as Veronica Mars, Jason Dohring playing Logan Echolls, and Enrico Colantoni who played Veronica's father Keith Mars

    I recently read that a movie was proposed but not accepted by Warner Bros. I think it would have great to clue up such a wonderful series.

    and in case The CW or Warner Brothers didn't notice, this show still remains one of the highest rated shows on the IMDb.
  • Warning: Spoilers
    I'm amazed how many comments on this show are about how "real" it is. Maybe I'm not part of the same universe because if Veronica Mars is anything, it's over the top in a big way.

    The acting is chewing the scenery with enthusiasm and the plots have holes you could drive a truck through. That's not what I call real.

    It is so earnest in its desire to be "relevant" that it only shows how cut-off from reality Rob Thomas and his staff are.

    Overall, I found it to be at best a snooze-fest and at worst more than a little annoying. Kristen Bell looks like she could be a good actress, but it's hard to tell with the over-the-top style of the whole show.
  • The story of Veronica and her search for the truth in the spoiled and famous Nepture is far more compelling that your average UPN teen drama.

    Real characters, complex situations and issues and topics beyond who is hooking up with whom. The detailed story arc might make it a bit challenging for new viewers to pick up the threads, but each episode stands alone.

    Like Buffy the Vampire Slayer, Veronica Mars mixes, humour and pathos, into both complicated life and death issues and high school life. Just as Buffy was about more than surviving high school with a social life, Veronica Mars looks at real things with a sceptical eye and an ironic twist.
  • Warning: Spoilers
    I was all geared up to love Veronica Mars and, surprise, I wound up disliking it. The bad:

    *The whole show rests on Veronica's "brilliant" abilities as a teenage private eye. However, most of the cases she investigates are pretty lame. For instance, Veronica searches for a missing person. To do this, she puts a trace on the missing person's credit cards. Oh, how clever! Why didn't the police or all of the other PI's searching for the missing person think of this? (Veronica's "genius" credit card trace seems all the more idiotic when you consider this missing person has been gone for FOUR months and no one has thought to cancel the credit cards or trace them before. Additionally, the person who is missing is VERY wealthy and famous.)

    *Veronica's "outcast" status is a joke. A huge theme of the show is the way Veronica used to be Miss Popularity but now she's been branded an outsider. This is hammered home again and again, even in the show's theme song "We Used to Be Friends." However, Veronica still hangs with all the popular kids, goes to all the best parties, and has plenty of friends she can rely on in a pinch. Plus, Kristen Bell is too pretty and confident to pull off the loner/outcast role.

    *The relationship between Veronica and the police officer is trite and convenient. The only reason it's there is to give the writers an easy plot device for whenever Veronica needs something (like a wire tap or a phone trace) that she couldn't get on her own.

    *Kristen Bell is a likable actress, but her constant smart-mouthing gets old. Her quips are annoying, not cute. Most episodes, she comes across as a poor man's Lauren Graham. For a better example of witty dialogue, watch Gilmore Girls.

    *A minor point, but I disliked the cutesy-poo planet names. Oh, look! Veronica MARS lives in NEPTUNE, California. How creative! Not.

    *This show is supposed to be unique and fresh, yet it features so many stupid, overused story lines. The school mascot is kidnapped right before an important game! Veronica's friend has a secret admirer! Not original at all.

    *The resolutions on most of the cases are stupid and convenient. Not to give anything away, but Veronica gets entangled with major crime bosses and some "really scary lowlifes" yet she always saves the day with a quick, oversimplified move. There is never a real sense that anyone is in danger. One storyline finds Veronica getting entangled with the Russian mafia. Yet this storyline is resolved effortlessly.

    *Veronica is not convincingly upset about the Lilly Kane situation. The entire first season revolves around Veronica searching for her best friend's killer. It might have been nice to see her feel a TINY bit of grief about her best friend's death.
  • Warning: Spoilers
    Last week, I took a look at the weekly Nielsen ratings, and there was Veronica Mars, supposedly "the best show you're not watching".

    Well, they're right that you're not watching it. It aired twice and was ranked 147 and 145 out of 147.

    Translation: this is the lowest-rated show on any nationally broadcast network... and deservedly so. I tried to watch it a couple of times because of all the press coverage hyping it as a "great" show, a "realistic look" at life and all such nonsense. The reality was otherwise. Veronica Mars is a bore. It's as unrealistic as it gets, and it richly deserves to be canceled.

    The only Mystery is why CW felt compelled to put on its inaugural schedule the lowest-rated show in memory, after two years of continued commercial and artistic failure.
An error has occured. Please try again.