You Are Alone

Jessica Bohl plays Daphne, the sexually precocious suburban teenager struggling with the hell of high school. Daphne's neighbor is Buddy (Richard Brundage), a depressed middle-aged man still angry over loosing his wife. Daphne is attracted to world of prostitution because it promises to cure her of barely legal boredom and loneliness. Once Buddy strips Daphne of her secret, he hires her to help him accept the loss of his wife. The entire film takes place at the Hotel Duncan, yet details of each character's history are exposed through dialogue and flashbacks. Their appointment climaxes with the story's concluding twist.

Both actors truly understand and become their particular character, delivering a convincing, sincere performance. Their on-screen chemistry, critical to the entire film, is genuine.

The film's dialogue is natural, real to life. The writer, Gorman Bechard, undoubtedly did his homework because all references are industry and character-age appropriate. Daphne is intelligent, yet clearly still an eighteen year old. Buddy may be middle-aged, but still not the hackneyed naïve type normally depicted in film. Daphne and Buddy's conversation primarily deals with their despair and frustration with life, but is still comical at the right times. Although the general mood is very relaxed, the dialogue has its own vivacity, forcing the audience to become empathetic toward the character's conditions and uncomfortable at their straightforward vulgarities.

The incredible soundtrack truly captures the essence of the film. Each track commands sentiment, actually contributing to the scenes and characters. Even existing independently from the film, the compilation truly expresses You Are Alone's central theme-- loneliness.

You Are Alone is a less conventional piece that deals with of notions typically not spoken. Definitely worth seeing… it's the sort of thought provoking film that forces you to question your own threshold of loneliness.

So I saw this on Amazon Prime and the synopsis looked interesting. Having a couple of hours spare, I thought I'd give it a go.

When it started it did suffer from the trait of super low budget films where the camera was just too close to the actors faces and I considered cutting it short. However, there was something interesting in the characters and whilst I initially railed against Buddy's puritanical interrogation of Daphne, I found myself wanting to know more about both of them and actually see them get it on.

Whilst Daphne's body is lovely to look at, it wasn't the titillation of seeing sex but rather watching two clearly lonely individuals experience a meaningful physical connection.

The film raised questions about prostitution, about appreciating the female form and what power/control that brings and about the crippling feeling of loneliness. It recognised the fantasy fulfillment and sexual needs that it satisfies but it also broached how it can be a way of making a physical connection with another human for a brief period of time.

Richard Brundage does well but I have to commend Jessica Bohl's acting. Whilst she is pleasing to the eye, it's the self assured confidence that she has, or rather portrays in her role, that is so arresting. She comes across as both level headed, capable and responsible but also approachable and vulnerable. I've not researched the careers of anyone connected with the film but I certainly hope that she, and the director, have used their talent to go further in this field.

Overall, a surprising low budget gem that has left an impression on this old and sometimes melancholic guy.

Striking, intelligent micro budget film about loneliness, as captured during an afternoon encounter between a Yale bound high school senior who's a prostitute in her spare time, and an older, depressed neighbor.

Both the film and the two generally excellent lead performances (by unknowns Jessica Bohl and Richard Brundage) do get stagy at times. The film takes place largely in one room. And I wish I didn't see the twist ending coming. In fact, I sort of wish it wasn't there at all. While it almost works, I didn't think the film needed it, and it felt tacked on, as if from another, more conventionally 'dramatic' film.

The film is at it's best when it's dealing in simple emotional honesty, and the complexity of these characters lives. That's where this film shines – in avoiding the clichés we've come to expect in two characters like this. She may be living a dark existence, but she's getting something from it too. He's a man who can't let himself even indulge in fantasy, and it's part of why he's so blocked as a human being.

For a film that's all about sex and sexuality, it's surprisingly chaste, while still having uncomfortable erotic overtones and questions – both for the characters and the audience. Are we sick for having moments when this young girl turns us on? Is she sick for enjoying that power?

I also appreciated that the dialogue is often elliptical, and that silence is as important as words.

Not quite a great film, but an impressive effort to do something original.

Do not watch this movie if you're depressed. It is VERY depressing. That being said, it is a great, low budget film with great dialogue. The actress really shines. It will stick with you.

Initially I wasn't especially interested in watching this movie but figured I'd watch something different for a change of pace-I'm glad I did. It's not a particularly engaging film but if you pay close attention to the relationship between the two characters the plot unfolds quite nicely with a shocking twist at the end. Very unexpected conclusion and a very interesting journey throughout the film with really raw emotional risks taken by both of the main characters. Really solid, well written film that delivers.