CAUTION: MAJOR SPOILERS!!! This is a 'foreign' movie to me--- it is German. I am not. I think British and American audiences will really like it, find much to admire and enjoy here--- but a bit of explanation will help. I will strive to be succinct.
I've seen a couple dozen German movies over the years, but do not know German media--- TV, books, pop movies, etc. Maybe 'Atomised' is standard fare in Germany? But to me it was unusual. The story was not predictable. It was not yet another version of the same old things. Maybe it is in its homeland, but not here in the UK. So 'Atomised' was a bit exciting and engaging simply for its freshness and uniqueness. And--- it was also very well acted, and the story was compelling as well. So all that adds up to a movie that keeps your attention. Not 'nail-biting', perhaps, and maybe not 'on the edge of your seat', but keenly and raptly attentive.
The story is about two half brothers-- Brother number one a brilliant (and eventually Nobel Prize winning) scientist going through a 3-year detour in his comet-rise to genetic engineering stardom. Brother number two, played by the male lead from Tom Tykwer's 'Run Lola Run', Moritz Bleibtreu, is a charming and probably (?) good looking school teacher--- married, with a baby in the house. But he is a very disturbed sex addict, in the worst meaning of the term. He's also a writer--- maybe an essayist, maybe short stories--- the movie doesn't make that very clear. But it does show him as a neo-Nazi of sorts, producing well-written but unpublishable tracts that rail against blacks and other 'sub races' (sic).
Brother two is incapable of receiving any love or happiness or fulfilment from his wife, and he makes lewd and overtly sexual advances towards his 15 year-old female students. As a teenage boy, in a flashback, he even has a sexual encounter with his own sleeping mother. Very creepy. Worse, if that's possible, he brutally smashes a cat to death during his sexual 'assault' on his mother, simply because the cat closed its eyes when he reached sexual climax--- indicating, evidently, that the cat was judging the boy as disgusting. For that, the adult brother two recalls with a satisfied rage, the ****ing cat had to die.
Was the darkness of brother two over the top? Was it too dark? I don't know. It felt realistic, but was the portrayal intrinsic to the story? I had sympathy for brother two--- he was obviously 'lost', in the worst way. he cried a lot, and the look of despair and horror in his eyes was so intense that one had to feel compassion for the guy. But then the cat killing episode turned me off, and turned me against him, so I felt horror AT him, rather than WITH him.
The women in the movie were fantastic actresses. Brother two meets a woman who is probably 4 or 5 years older than he, and she too is a sex addict. She takes him to weird 'leather bar' kind of sex clubs, and they trade partners and engage in wild and sordid sex. But she does seem to care for him, maybe even love him. Brother two and this lady certainly seem to need each other--- and we get the feeling that they are, somehow, very good for each other. But then she has had some disease of the bones for a long while, but it had been in remission--- but she had not told brother two about it. The disease flares up, and she is left paralyzed in the legs for life--- and we suspect maybe her life is going to be short, as well. Brother two is confused, and while he eventually decides to take the woman in, and live with his love, even if she is crippled, he dithers long enough for her to get depressed and kill herself. Brother two goes permanently nuts, hallucinates his dead lover's presence (oddly, even though he is halucinating, and could therefore dream up any pleasant reality he wanted, no matter how 'rosy' or fantastic it might be, he STILL chooses to see her crippled, in her recently acquired wheelchair, rather than as a whole person), and spends the rest of his life in the loony bin.
Brother one, meanwhile, meets childhood sweetheart Annabelle, played extremely well by Franka Potente, also of 'Run Lola Run' (and small parts in 'The Bourne Identity' and 'The Bourne Supremeacy', as well as the lead in 'The Princess and the Warrior'). Potente is amazing here. This is obviously the kind of part she does best, because here she was believable, compelling, and wonderful. Her character also has some disease, and when she gets pregnant by bother one, she has to have an abortion and a hysterectomy. But it all turns out well in the end--- and she and brother one live happily ever after.
Whew! Oh wait--- the brothers' mother is shown in flashbacks as a crazy and irresponsible slut, who is probably singlehandedly responsible for the brothers' hesitations and mental problems.
The movie is not perfect. but it does get points for being innovative, and new. For me, anyway, it was a fresh and intriguing look into a believable world of some very intense people. Creepy in parts--- redemptive and inspirational in other parts. I wouldn't want to see this kind of movie every week--- but once in a while this dark and intense artsy look at things is probably good. Like eating fiber in your diet. I gave this an 8 out of 10.
