A detective and his team must rescue 8 people trapped in a factory by a man known as Jigsaw.A detective and his team must rescue 8 people trapped in a factory by a man known as Jigsaw.A detective and his team must rescue 8 people trapped in a factory by a man known as Jigsaw.
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Linette Doherty
- Mother in Cancer Ward
- (as Linette Robinson)
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Enjoyably mean but the weak plot and lack of characters means it is a lesser beast than the original
Having been taunted by twisted killer Jigsaw, Detective Eric Matthews cracks the clue that leads him directly to the hide-out where they capture the man himself. However Jigsaw directs Matthews' attention to a bank of monitors that show a group of people stuck in a locked house one of whom is Matthews young son. The people in the house are breathing in a deadly nerve gas which will kill them in two hours, but they have the ability to solve puzzles to get out before then. While they try to solve the deadly puzzles, Matthews tries to break Jigsaw to find out where the house is.
When Saw was a big success in the cinemas it was only a matter of time before a sequel was produced that tried to repeat the success all over again and duly this does feel like a film that has been produced to cash in. Of course this is not to say that it isn't any good but suffice to say that it doesn't quite match up the energy and tension of the first film. It does still produce the goods as a teenage style horror movie, with moments that made me cringe and look away all doing just enough to keep the film moving. Problem was more with the plot, which was never going to be as cool as the first film mainly because it couldn't be as simple and sharp. Instead we have a baggier and more contrived set up that doesn't work as well. The stuff with Matthews and Jigsaw doesn't really connect that well to the action in the house and, although part of the twist was reasonably clever, it did rather feel like it was more about setting up more sequels than producing a big impacting finish.
The cast are mixed but limited by the material. Bell is good but, considering he is the heart of the story, he doesn't get much to do and is not as good a presence as he needed to be within the narrative (although the producers clearly feel the series doesn't need him so who am I to speak?). Wahlberg is cut off from the action and although he shouts well, he cannot develop the character that was needed in order to explain the plot and make the ending. The rest of the cast are so much filler and generally they run, shout, scream and die as required without doing much to make themselves stand out; basically when the most famous face is "the guy from Speed" then you know you are in trouble.
Overall then this is an OK Hollywood horror movie that has a nice mean streak running through it from start to finish. The story is a bit weak and doesn't have the impact of the original, a problem not helped by the lack of good characters. Fans of the original will probably still like it but it is hard to ignore that this is much lesser product than the first film.
When Saw was a big success in the cinemas it was only a matter of time before a sequel was produced that tried to repeat the success all over again and duly this does feel like a film that has been produced to cash in. Of course this is not to say that it isn't any good but suffice to say that it doesn't quite match up the energy and tension of the first film. It does still produce the goods as a teenage style horror movie, with moments that made me cringe and look away all doing just enough to keep the film moving. Problem was more with the plot, which was never going to be as cool as the first film mainly because it couldn't be as simple and sharp. Instead we have a baggier and more contrived set up that doesn't work as well. The stuff with Matthews and Jigsaw doesn't really connect that well to the action in the house and, although part of the twist was reasonably clever, it did rather feel like it was more about setting up more sequels than producing a big impacting finish.
The cast are mixed but limited by the material. Bell is good but, considering he is the heart of the story, he doesn't get much to do and is not as good a presence as he needed to be within the narrative (although the producers clearly feel the series doesn't need him so who am I to speak?). Wahlberg is cut off from the action and although he shouts well, he cannot develop the character that was needed in order to explain the plot and make the ending. The rest of the cast are so much filler and generally they run, shout, scream and die as required without doing much to make themselves stand out; basically when the most famous face is "the guy from Speed" then you know you are in trouble.
Overall then this is an OK Hollywood horror movie that has a nice mean streak running through it from start to finish. The story is a bit weak and doesn't have the impact of the original, a problem not helped by the lack of good characters. Fans of the original will probably still like it but it is hard to ignore that this is much lesser product than the first film.
Although this follow-up to the marvellous 2004 thriller 'Saw' is nowhere near as great as the original, it is still a good film worth watching.
The "Jigsaw" killer plays another sick game with another unlucky group of people. They are placed in a booby-trapped house that is slowly filling up with a lethal nerve gas. They are doomed to die, unless they can find out what they have in common, complete various tasks in the house and find the antidote.
Where the original film's gore could be forgiven on the account of its high logic, this lazy sequel is just gore for its own sake. The pace has been slowed down to a snail's and there are fewer scares and twists to keep the viewer as interested. Nevertheless, few viewers will have worked out the final, nasty twist, which makes it all worthwhile.
The "Jigsaw" killer plays another sick game with another unlucky group of people. They are placed in a booby-trapped house that is slowly filling up with a lethal nerve gas. They are doomed to die, unless they can find out what they have in common, complete various tasks in the house and find the antidote.
Where the original film's gore could be forgiven on the account of its high logic, this lazy sequel is just gore for its own sake. The pace has been slowed down to a snail's and there are fewer scares and twists to keep the viewer as interested. Nevertheless, few viewers will have worked out the final, nasty twist, which makes it all worthwhile.
When detective Eric Matthews (Donnie Wahlberg) is called to a crime scene of a victim of Jigsaw (Tobin Bell), he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews (Erik Knudsen) with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son.
"Saw II" is a scary, gore and disturbing movie certainly not recommended for audiences with problem with psychological and visual violence. The story is excellent, and the expected twists in the end are unpredictable and well tied up. This movie recalled me the atmosphere of "The Silence of the Lambs" and Tobin Bell performs a stunning sadistic and cold blood killer. His explanations how the knowledge of death changes everything is very logical, therefore frightening. The camera, the cinematography and the soundtrack contribute with the morbid atmosphere of this film. My vote is seven.
Title (brazil): "Jogos Mortais II" ("Mortal Games II")
"Saw II" is a scary, gore and disturbing movie certainly not recommended for audiences with problem with psychological and visual violence. The story is excellent, and the expected twists in the end are unpredictable and well tied up. This movie recalled me the atmosphere of "The Silence of the Lambs" and Tobin Bell performs a stunning sadistic and cold blood killer. His explanations how the knowledge of death changes everything is very logical, therefore frightening. The camera, the cinematography and the soundtrack contribute with the morbid atmosphere of this film. My vote is seven.
Title (brazil): "Jogos Mortais II" ("Mortal Games II")
I have no idea what my title means, except that it sounded clever in my head. Hmm.
I'll assume that you've already seen the original Saw and you're wondering if this is a worthy successor. In a word: yeah. But it's a very different approach. While the first Saw was brilliantly minimalistic, the story being staged almost entirely in one room, this second installment takes us out of the box. Gone is the claustrophobic feeling of confusion and good ole existentialistic "who am I" from the original, and instead we get more of a mystery as seen from the outside, as our hero Eric (Donnie Wahlberg) tries to crack the case before it's too late.
Sure, the same elements existed in the first film, with 2 concurrent plots of victim & detective. But the draw of the first was to figure out why all these things are happening. Here the mystery is revealed in the first few minutes, the killer is apprehended, and what follows is a sort of chess game between investigator Eric and perp Jigsaw with the clock ticking to save the intended victims. It's actually a clever approach similar to the rather AWESOME film "Exorcist III" (1990) which is composed of dark dialogues between the detective and the lunatic, and this dramatic approach was repeated a year later in the more popular "Silence of the Lambs" (1991). But in this domain, in order for it to work, the film must be slow, almost painfully slow, thick and heavy.
Saw II attempts to balance the heavy, psychological "Lambs" approach with good old fashioned slashes & gore. It succeeds, I feel. But I still can't help but wonder how it would've been if the filmmakers had gone full tilt "Lambs" on us. Instead the dialogues between Eric & Jigsaw seem a bit short, rushed and not fully explored.
The result is a film which is certainly entertaining, but I don't think it will ever be considered a psychological classic like the other two I mentioned, or like "Seven"--films that are much slower in pace, with far fewer gallons of blood spilled but with oceans of drama.
I know this may sound like a negative review, but that's only because I'm comparing Saw II to the heavyweights. If instead we take Saw II at face value, a straightforward horror flick, it certainly delivers. There's the added bonus of having two nice twists at the end. In terms of sheer entertainment value, Saw II cuts a real log.
I should really quit trying to come up with witty puns.
I'll assume that you've already seen the original Saw and you're wondering if this is a worthy successor. In a word: yeah. But it's a very different approach. While the first Saw was brilliantly minimalistic, the story being staged almost entirely in one room, this second installment takes us out of the box. Gone is the claustrophobic feeling of confusion and good ole existentialistic "who am I" from the original, and instead we get more of a mystery as seen from the outside, as our hero Eric (Donnie Wahlberg) tries to crack the case before it's too late.
Sure, the same elements existed in the first film, with 2 concurrent plots of victim & detective. But the draw of the first was to figure out why all these things are happening. Here the mystery is revealed in the first few minutes, the killer is apprehended, and what follows is a sort of chess game between investigator Eric and perp Jigsaw with the clock ticking to save the intended victims. It's actually a clever approach similar to the rather AWESOME film "Exorcist III" (1990) which is composed of dark dialogues between the detective and the lunatic, and this dramatic approach was repeated a year later in the more popular "Silence of the Lambs" (1991). But in this domain, in order for it to work, the film must be slow, almost painfully slow, thick and heavy.
Saw II attempts to balance the heavy, psychological "Lambs" approach with good old fashioned slashes & gore. It succeeds, I feel. But I still can't help but wonder how it would've been if the filmmakers had gone full tilt "Lambs" on us. Instead the dialogues between Eric & Jigsaw seem a bit short, rushed and not fully explored.
The result is a film which is certainly entertaining, but I don't think it will ever be considered a psychological classic like the other two I mentioned, or like "Seven"--films that are much slower in pace, with far fewer gallons of blood spilled but with oceans of drama.
I know this may sound like a negative review, but that's only because I'm comparing Saw II to the heavyweights. If instead we take Saw II at face value, a straightforward horror flick, it certainly delivers. There's the added bonus of having two nice twists at the end. In terms of sheer entertainment value, Saw II cuts a real log.
I should really quit trying to come up with witty puns.
A few unfortunates people(Glenn Plummer,Enmanuel Vaugier,Beverly Mitchell,Erik Knudsen, among others) trapped into closed building and they must encounter a way out before inhale a lethal nerve gas. But they must also avoid the deadly traps Jigsaw(Tobin Bell) has set on the way. Meanwhile, a policemen(Donnie Wahlberg,Dina Meyer) and SWAT track down from him. Jigsaw, who is on the brink of death , has become obsessed for revenge and has prepared twisted traps. The group must race against the clock of Jigsaw's on ticket heart affected by cancer.
This second sequel from original by James Wan, packs grisly terror, tension, suspense and lots of blood and gore . The film takes accent as suspense as well as terror with creepy use of images- shock and slick edition. Provides an imaginative and well-knit screenplay plenty of twists and surprises . Sinister and mysterious atmosphere , well made by cameraman David Armstrong and eerie musical score adequate for mystery and tension by Charlie Clousier. The movie is again starred by Tobin Bell, he's a secondary actor working from the 80s in TV series(Walker Texas Rager, Stargate SG1, Alias, 24) and occasionally for cinema(Goodfellas, The firm, Ruby, Black mask 2), achieving success with Jigsaw character. The motion picture is well directed by Darren Lynn Bousman. It's followed by Saw III by same director and with Dina Meyer, Shawnee Smith and Costas Mandylor; Saw IV again with Donnie Wahlberg, Dina Meyer and in pre-production, Saw V directed by David Hacklin with Costas Mandylor.
This second sequel from original by James Wan, packs grisly terror, tension, suspense and lots of blood and gore . The film takes accent as suspense as well as terror with creepy use of images- shock and slick edition. Provides an imaginative and well-knit screenplay plenty of twists and surprises . Sinister and mysterious atmosphere , well made by cameraman David Armstrong and eerie musical score adequate for mystery and tension by Charlie Clousier. The movie is again starred by Tobin Bell, he's a secondary actor working from the 80s in TV series(Walker Texas Rager, Stargate SG1, Alias, 24) and occasionally for cinema(Goodfellas, The firm, Ruby, Black mask 2), achieving success with Jigsaw character. The motion picture is well directed by Darren Lynn Bousman. It's followed by Saw III by same director and with Dina Meyer, Shawnee Smith and Costas Mandylor; Saw IV again with Donnie Wahlberg, Dina Meyer and in pre-production, Saw V directed by David Hacklin with Costas Mandylor.
Storyline
Did you know
- TriviaTo conceal the ending, most of the actors were not given the last 25 pages of the script. Only the principal actors involved in the sequence knew.
- Goofs(at around 12 mins) A SWAT member uses a battering ram to open the outside door of the facility, but the door opens outwards.
- Quotes
John: Those who don't appreciate life do not deserve life.
Eric Matthews: My son appreciates his life.
John: But do you appreciate yours? Do you appreciate your son's?
- Alternate versionsNo blood is shown in the Thai DVD.
- ConnectionsEdited from Hollow Man (2000)
- SoundtracksIrresponsible Hate Anthem
(Venus Head Trap Mix)
Performed by Marilyn Manson
Remixed by Danny Lohner, Wes Borland, Charlie Clouser & Joshua Eustis
Written by Stephen Gregory Bier, Daisy Berkowitz (as Scott Putesky), Marilyn Manson (as Brian Warner) & Jeordie White
Courtesy of Interscope Records
Under license from Universal Music Enterprises
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $87,039,965
- Opening weekend US & Canada
- $31,725,652
- Oct 30, 2005
- Gross worldwide
- $147,748,505
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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