A successful male escort describes in a series of confessions his tangled romantic relationships with his two roommates and an older, enigmatic male client.A successful male escort describes in a series of confessions his tangled romantic relationships with his two roommates and an older, enigmatic male client.A successful male escort describes in a series of confessions his tangled romantic relationships with his two roommates and an older, enigmatic male client.
- Director
- Writers
- Stars
- Awards
- 13 wins total
Cliff Harrington
- Renaldo
- (as Clifford Harrington)
Kibibi Monie
- Phyllis
- (as Kibibi Monié)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10Harry-22
As more or more gay themed movies are released, it seems that the percentage of bad films has risen dramatically. That is why it was such a joy to discover this smart, funny, and wise movie that I can recommend to my straight friends as much as to my gay friends.
"Boy Culture" is not a good gay movie, but a very good movie period. It sports a terrific cast of three-dimensional characters and it is hot and sexy to boot. I have not seen their previous work, but if this is an indication of their output, I look forward to seeing everything they've done.
Kudos to everyone involved!
"Boy Culture" is not a good gay movie, but a very good movie period. It sports a terrific cast of three-dimensional characters and it is hot and sexy to boot. I have not seen their previous work, but if this is an indication of their output, I look forward to seeing everything they've done.
Kudos to everyone involved!
I saw Boy Culture yesterday at the London Lesbian & Gay Film Festival, having seen and enjoyed Q. Allan Brocka's last film, Eating Out. Once again we are in the rarefied atmosphere of the buffed and the beautiful - three pectorally perfect young studs with an apartment from the pages of Wallpaper magazine.
But the surface perfection hides a trio of unhappy people. 'X', the un-named narrator is a high-class rent boy with a select group of only 12 clients - the Disciples. Andrew, his room-mate and object of X's affection is a stunningly handsome boy who wants both love and an open relationship. Completing the triptych is Joey (aka Blowy Joey), a cute-as-a-button twink who plays 'son' to the dysfunctional duo.
X has a problem - not only is he in love with Andrew but his life as a hustler has left him able to have sex only when there is cash involved. Enter the enigmatic Gregory - X's newest Disciple - a reclusive figure who isn't quite what he seems.
Once all the protagonists are in play, Brocka does an efficient job of keeping all the plates of the various story lines spinning in an entertaining and engaging fashion. As X, Derek Magyar is not afraid to present an unsympathetic character, albeit one who asks for no sympathy from the audience. Andrew and Joey are a little too cute to be true, but their snappy dialogue and willingness to disrobe at any opportunity are ample compensation.
Indeed, many of the scenes and much of the dialogue have a saucy snap that puts Boy Culture streets ahead of the sweet but rather formulaic Eating Out - and the supporting characters that our boys encounter (especially Andrew's razor-tongued little sister) all play their parts to perfection.
But for me the film came most alive in the conversations between X and Gregory. Inter-generational gay relationships are the missing link of contemporary gay cinema, and the way in which their friendship develops is handled with great poignancy and charm, helped by an impressive performance from the great Patrick Bauchau.
But the surface perfection hides a trio of unhappy people. 'X', the un-named narrator is a high-class rent boy with a select group of only 12 clients - the Disciples. Andrew, his room-mate and object of X's affection is a stunningly handsome boy who wants both love and an open relationship. Completing the triptych is Joey (aka Blowy Joey), a cute-as-a-button twink who plays 'son' to the dysfunctional duo.
X has a problem - not only is he in love with Andrew but his life as a hustler has left him able to have sex only when there is cash involved. Enter the enigmatic Gregory - X's newest Disciple - a reclusive figure who isn't quite what he seems.
Once all the protagonists are in play, Brocka does an efficient job of keeping all the plates of the various story lines spinning in an entertaining and engaging fashion. As X, Derek Magyar is not afraid to present an unsympathetic character, albeit one who asks for no sympathy from the audience. Andrew and Joey are a little too cute to be true, but their snappy dialogue and willingness to disrobe at any opportunity are ample compensation.
Indeed, many of the scenes and much of the dialogue have a saucy snap that puts Boy Culture streets ahead of the sweet but rather formulaic Eating Out - and the supporting characters that our boys encounter (especially Andrew's razor-tongued little sister) all play their parts to perfection.
But for me the film came most alive in the conversations between X and Gregory. Inter-generational gay relationships are the missing link of contemporary gay cinema, and the way in which their friendship develops is handled with great poignancy and charm, helped by an impressive performance from the great Patrick Bauchau.
X, as we are told to think of the narrator of this gay love story, is a hustler. He has only a few clients, but they each pay him well. He lives in luxurious digs in Seattle. He has a couple of roommates and they give us most of the plot. X is cynical and clever, his friends are more romantic and maybe not so sophisticated. It all turns out more or less as you will probably suspect from very early on, but you just might have a good time watching it. I did.
The performances are spotty but all are at least adequate. There are a few sex scenes, but much more is hinted at than shown. I didn't notice a rating, but in a sane world this one could be PG.
The performances are spotty but all are at least adequate. There are a few sex scenes, but much more is hinted at than shown. I didn't notice a rating, but in a sane world this one could be PG.
It is rare to see gay cinema that is thoughtful, witty, romantic and sexy all at once. Boy Culture is all that. The actors are great! The photography is rich and evocative. The setting (Seattle) is believable and supports the particular urban attitudes embodied by the characters. The story took me into a world different from my own. I laughed and was moved. It resonates in a larger sense with gay life (or male life) in contemporary society: What are the emotional risks needed in order to live a connected life? Our hard-won freedoms bring up questions -- about choice, and how we limit ourselves to guard our emotional wounds... This story is funny (rare in so-called "romantic comedies"!!) as well as touching and good-looking and sexy and smart! I loved it.
BOY CULTURE looks like it might be trash, but it really is a treasure. The saga of a male prostitute dubbed X and his falling into love with his roomie. First off, the film looks terrific. This is a smart and classy movie. Second, the writing and performances are really quite good. Even the supporting cast is terrific - I only wish there were more time for them in the story. I loved the lesbian waitress and the entire family of the roomie. The story could have easily been trite and the dialogue cliché, but it neatly avoids that most of the time. It reminded me of an upscale episode of QUEER AS FOLK (before it devolved into soap opera hysterics). All in all, this is well worth a look see - gay or straight.
Did you know
- TriviaX's rental car is a 2004 Jaguar XKR.
- GoofsWhen X and Andrew are heading to Portland for the wedding, the scenery of Seattle going by is heading north. Portland is south of Seattle.
- ConnectionsFeatured in Schau mir in die Augen, Kleiner (2007)
- SoundtracksMaking The Grade
Written by Josh Mobley, Charles Dockins
- How long is Boy Culture?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Erkek Kültürü
- Filming locations
- All Saints Church, 1716 2nd Ave North, Seattle, Washington, USA(wedding ceremony)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross US & Canada
- $220,409
- Opening weekend US & Canada
- $27,835
- Mar 25, 2007
- Gross worldwide
- $269,589
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