4 October 2010 | massimoperloni
a thriller psychological social, interesting and indeed beautiful
This film returns to tell with a deep analysis, thanks to a perfect job of writing of Rossella Drudi, a sad past annoying and all Italian. The direction of Fragasso as one always moves with ability in full dangerous roads of traps. E' a great thriller that with the breath suspended of the final scene. Never before who does not discover itself is the true assassin or guilty, null banal or she is left the case. A new experience that please the lovers of thriller the classic, and who want to think analyzing a past to forget, annoying and sad as who anchor today is obstinate not to want to change ahead watching, and who instead has felt the need to make a "mea culpa" (old Latin language) for the passed errors, than to the comparison dell' today's horror, is youth sins. The social analysis of the today's narcissism and the individualism, that it has transformed l' man in a machine money, without feelings and ethics is absolutely perfect. Competition of guilt is a film to see and see again also for the perfect synchrony of the history, the longest row of to them Chinese box, with precise indications to their inside. I could define this film, a social thriller psychological all to see. We pardon ourselves in order to go ahead improving to us, seems the final outcry of the film. Beautifulst.