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  • This is a biopic of salsa singer Héctor Lavoe (Marc Anthony) who lived from 1946 to 1993. His wife Puchi (Jennifer Lopez) recalls their lives together in 2002. Héctor arrives in NYC from Ponce, Puerto Rico in the early 60s. He quickly gets some success. He meets Puchi who comes from a family of drug dealers. He slowly falls into the world of drugs as his live falls apart.

    Marc Anthony's performance comes alive whenever he's singing. He's only competent as an actor but at times, he's overwhelmed by the bigger personality of JLo. There isn't anything original in this biopic story. What's truly lacking is a good cinematic style. This is shot with a style more fitting to a good TV movie. It has way too many montages and the style lacks intensity. The music is great but this can't be just a concert movie.
  • Salsa. The term was coined in the 1970s by young musicians like Hector Lavoe, Larry Harlow, Ray Baretto, Willie Colon, who wanted a different name for the kind of music they were playing. The term "salsa" was then popularized by Izzy Sanabria, owner of the Latin New York magazine, and Jerry Massuci, owner of Fania Records. There is a huge debate over whether "salsa" originated in Cuba or Puerto Rico. I love Afro-Cuban music, so I tend to favor Cuba, but it really doesn't matter as there are so many styles - Cuban, Puerto Rican, Dominican, LA, New York, Columbian, Mambo.

    This film is a tribute to salsa and to Hector Lavoe - The Voice. Marc Anthony does a good job of impersonating Lavoe and giving us a look into his demons - alcohol, drugs, jealous fantasy. Jennifer Lopez plays his wife, Puchi, and we see the trials and tribulations of a marriage that was shaky at best.

    Enjoy the music and enjoy JLo. What more do you want?
  • Buddy-5129 November 2008
    In 1963, Hector Perez was already a promising young singer in his native Puerto Rico when, at the age of seventeen, he moved to New York City to try and make a name for himself as a performer there. In no time flat, he was playing in clubs, had signed a lucrative recording contract with the Latin-flavored Fania Records, and had changed his name to the far more exotic-sounding Hector Lavoe. From the mid-1960s to his death from AIDS in 1993, Lavoe was an international sensation who helped to popularize the musical style known as "Salsa." But, as with most artists, he lived a life of self-destructive self-indulgence, marked by serial philandering and hardcore drug abuse. He also had a volatile relationship with "Puchi," the Bronx girl who became his wife and who narrates "El Cantante," the glossy movie about his life.

    Despite the novelty of the milieu and an undeniable sincerity on the part of everyone involved in its production, "El Cantante" remains doggedly conventional, lackluster and superficial in its treatment of the kind of material with which we are all too familiar from previous biopics that have chronicled the rise and fall of artists of all categories and stripes. Marc Antony brings a certain ferocity and depth to his portrayal of the struggling celebrity, but real-life wife Jennifer Lopez is all fluttery overacting as the woman who stood by her man through good times and bad (mostly bad). The music is enjoyable, but I'm afraid we've all been down this road so many times before that "El Cantante" fails to stir either our passions or our sympathy for the sadly benighted couple and all that they're going through. You'd be better off buying the albums instead.
  • Jennifer Lopez can act, Gigli notwithstanding. In El Cantante she narrates the life of 70's Salsa songster Hector Lavoe (Marc Anthony) with some sparks of creative energy. After all, as Puchi, she smoke, drank, and took drugs with him on his way to stardom, inevitable obscurity, and early death. Enabler? Maybe. Witness the Ray Charles, Kurt Cobain arc and you'll know how Hector's life sank so low (no homonym pun intended).

    El Cantante is a disappointment because the celebrity couple Lopez and Anthony could have had Oscar flyovers with better script and direction. Many of the scenes are stock musical biopic: low-angle shots of the star strumming and singing, cut to drugs, cut to wife, back to another performance moment, cut to a Fania album cover, all with MTV swift editing and few scenes of depth that are not clichés of the first order.

    Clint Eastwood's life of Charlie Bird Parker is a classic of character development; the recent La Vein Rose about chanteuse Edith Piaf depicts the artist sufferer in a mixed bag of time but a straightforward rendition of talent. Cantante shows a druggie who might have been an icon but for his weaknesses. If I have to sit through drug and alcohol addled performers once more, I need better story, regardless of how accurate the film is.

    I don't want a documentary—I want an interpretation. Cantante is just a musical like any other, no more.
  • Warning: Spoilers
    I had been looking forward to seeing this film, despite the wretched reviews. After viewing it last night, however, I can understand why so many people (professional critics especially) were disgusted with El Cantante.

    Jennifer Lopez and Marc Anthony are both capable actors who could have portrayed Puchi and Hector LaVoe as genuine human beings - complex, driven and conflicted - but instead all they're given to work with is mind-bogglingly superficial claptrap, posing as a script, which shows them as nothing more than clichés: she marries the up-and-coming singer who turns out to be a clueless drug addict and he drags her down with him or at least he does his very best to try, blah blah blah. There's not a shred of insight into their characters anywhere to be found. The onstage scenes were good (and I liked the creative way the English translation of the lyrics were displayed on screen), but this is not supposed to be a music video, it's supposed to be a full-length movie. I was not familiar with Hector and Puchi going in, but I know enough to believe they deserved better.
  • I am a massive Lavoe fan. Ever since I heard the Cosa Nuestra album with Willie. From then I made it a point to look for every bit of music he ever did. So for me this was my most anticipated movie of the year.

    The good news about this film is that Jennifer and Marc do a great job of acting. Marc in particular is quite brilliant as Hector. Even his singing is decent (but of course he can't touch Hector). The cinematography is good too. Love the visuals, they've given the movie a 70's look to it which I really dug, made it more authentic. Also, every time there is a stage and the band is playing is amazing. Also, the other casting is superb - Willie Colon, Ralph Mercado, Jerry Massucci were all perfectly cast.

    Bad news... it is historically inaccurate, the music is all over the place, you would think it would follow some sort of chronology. There is too much Pucchi, I know the story is told through Pucchi's eyes but it takes away from the Hector story and it means that there is too much Jennifer in it. There are parts where you see Anthony performing a killer Hector track with the band and the focus should be just Hector but the director just has to show Lopez... it doesn't work and it's overkill.

    But, I think the biggest problem will be a problem mainly for non salsa listening people (and that includes latinos). I've been reading a lot of reviews by non-latinos and they just don't get why Hector was big. They don't get it because they didn't grow up with salsa and they have no history behind it. The movie is very matter-of-fact that Hector is a legend and for someone who doesn't listen to 70's salsa or wasn't brought up with it they aren't going to understand that. In salsafied countries like Colombia, Peru, Puerto Rico, Panama, etc it won't matter because Hector is a legend. But in Australia, Britain, Europe, Chile, Argentina, Brazil, China, and non-Latin US (basically any country without a history of listening to salsa) forget it. It will matter big! So I have to agree, that's what Ray did really well... explain why Ray was big and that's why it translated even in non-English countries.

    Also, I think the opportunity was missed to go into a bigger story of the salsa revolution in the 70's. This music sold millions and it sold all over Latin America and even West Africa where countries were known to be fanatical about (even though they didn't understand Spanish!). To this day it's legacy is still felt, if you go to Callao in Peru, Hector's image has been painted on walls there, go to Cali in Colombia and the people worship him, etc.

    I also have to agree there was way too much on the drugs, and Hector's legacy, fame, and legend were not because he took drugs, it was because the music, lyrics and his persona touched people. He was tortured but he must have been happy at times too.

    My wife and I are both Hector fans (though i am the fanatic) and we both enjoyed the movie, we will actually buy the DVD when it comes out. It could've been better though.
  • First, I have been an Hector Lavoe fan since early 70's and as a puertorican I agree with a lot of our artists that this movie is simply awful. The acting is subpar, the editing worse and the story was a bit biased. We all thought that this production was going to do justice to the life and achievements of Lavoe. Instead it is an embarrassing account of the negative aspect of Hector's life. Yes he did drugs, yes he had many trying times, but he also left a musical legacy that many of today's Salsa singers (Marc Anthony included) can't and never will achieve. This was a chance to celebrate the artist and his contributions along with Willie Colon to our popular music. Instead we have all the dark aspects that clouded his life and show old Salsa artists to be a bunch of "junkies" and bums. Also, you can clearly notice that this is a "Jennifer Lopez production" since a lot of the "actors" in the movie are blood relatives of J-Lo. This is a low blow for these artists and I can believe Jenny to ride Marc's fame as much as she can since she can't sell a movie by herself, much less a singing career. I was very disappointed in Marc and as a puertorican I can say that ever since he got together with J-Lo he has lost a lot of ground with us puertoricans and this travesty of a movie clearly shows it. You really need to know the real story here if you want to comment on this "movie". All I saw was J-Lo's face and big "rump" more times than the actual main character of the movie. I counted about forty-something appearances from Marc and over 200 by J-Lo. Way to go girl, keep riding the bronco until it drops.
  • First of all, this film is not as bad as people are saying it is. Jennifer Lopez is good and Mark Anthony is great. The music alone is worth your money. That, however, is where the praise must end.

    Unfortunately, the script seems sloppy. There's no structure to the story, and the film fails for it. Moments that should be important seem to occur too quickly to feel because the screenwriter(s) seems to lack a sense of pace.

    This could have been helped by a good director. Unfortunately, again, the director was one of the screenwriters, which of course didn't bode well for his sense of pacing. The film is jarringly disconnected and the characters, even Lavoe himself, are far less developed than they should be.

    Had a film like "Ray" never been released, "El Cantante" would have met every expectation of the public. Unfortunately for the filmmakers of "El Cantante", "Ray" provided a structured script that developed the lead as well as the supporters. "El Cantante" seems to half-develop Puchi and Lavoe, and give really no more than minimal screen time to any supporting cast.

    Which leads to probably the biggest problem of all. This film is told through the eyes of Puchi, Hector's wife. While this should provide an insight to who Hector was as a person, it's a very slanted account and the average moviegoer can tell that important things have been left out. This isn't like "Ray", where Ray Charles himself was giving the story and therefore could tell things how they were. Puchi (and subsequently the film) only seems to mention the other women in Hector's life in passing, focuses very little on the tours that Hector undoubtedly went on without her, and really doesn't let us into the world of the entertainment business in the 60's and 70's. Some of this, I'm sure, is because Puchi just didn't know about these things. Some of it too, I suspect, is because she didn't want it in the movie.

    This problem would have been rectified if the film was about Puchi with Hector as a supporting character, and if consequently Puchi had been developed to her fullest capabilities. That did not happen.

    One has to wonder if some of the reason for the lack of character development and pacing is because they caught wind of the other Lavoe film "The Singer" and tried to rush to beat it to the theaters.

    In the end, this film is worth the watch. Is it a classic? No. Is it a good time? Absolutely. There may be another, better Lavoe movie released in our lifetimes. Right now, this film is worth it.

    The Script gets a "D". The Director gets a "B", if for no other reason than amazing musical scenes. The Actors get an "A".

    Therefore, I give the film a solid B+.
  • I came out of watching this film revolted to my stomach. We all know that Héctor Lavoe wasn't a saint, and his life was indeed a tragedy from when he became famous on... but the overwhelming feeling you get from all real-life sources of information and trivia that have described his life in the past is that, contrary to the despotic, abusive brute portrayed in the film, Héctor's character was way more generous, more people-friendly (I'll talk about this in a minute), pained, multidimensional than what we're fed with through Marc Anthony's interpretation. That role, Marc plays quite well, so let's not diminish his and Jennifer Lopez's acting talents on what is a flawed script to begin with (heavily biased in favor of Puchy Rosario's viewpoint of things). But this is not a movie about Héctor's life, this is, somehow, a caricature of a Tony Montana of sorts turned salsa singer.

    This movie says "personal vanity project" all over it, and is more a vehicle for pushing J-Lo's talent to people's faces (more so than Marc Anthony's, even!) than a serious recreation of the man and his music. Another big blunder is the portrayal of Willie Colón, which is inaccurate to the hilt. The gossip fodder has been put underneath a microscope; in the past, Willie has been blunt and frank about his own life's mistakes, but was a far more serious, genius-like, professional influence over these facts than was portrayed of him. His is a blur here.

    I do share the feeling that the movie comes across as a big movie video. Marc's pipes are undeniably good, even if his on-stage portrayal of Héctor is a bit stiff. J-Lo's sex appeal and talent oozes through, of course, but this movie isn't named "La Esposa del Cantante" for nothing. We have no notion of what drove Héctor to New York to begin with, how big the Willie Colón years really were... we're not even truly aware on how much Héctor was manipulated by those who do manipulated him in real life. And, since most real-life sources have stated that their contribution to the film was squelched to begin with, this comes across as a flashy, lopsided, expensive mess of a biopic.

    Too bad the non-Latinos will only have this movie as a reference of Héctor's impact over Latin American culture and salsa proper. As it has turned out, the hardcore fans who have seen it hate the movie... and so do I, who happen not to be one.

    There's an apocryphal story about Lavoe actually meeting Marc Anthony shortly before his death. At the time, Marc looked like a rocker, sort of a Latino Axl Rose. Héctor, who spared no one in the teasing department, said: "¡Qué nena fea!" (What an ugly girl!) when they met. Marc, as big a chip on his shoulder as he has proved himself to have, probably never forgave him...
  • I knew very little about Hector Lavoe or his music before seeing this film and I must admit that apart from knowing a few of his songs, I still can't say that I know the man or why he was the way he was. The film almost glorified his tragic lifestyle and choices but gave us no real insight into what motivated the man.

    I take the film 'Ray' as an example. We go deep into Ray's childhood to understand why he does what he does, positive and negative, and why he thinks and feels the way he does. We never see Hector as a child, I don't know what happened to his mother and never get a sense of the relationship between him and his father.

    Honestly, and sadly, this film doesn't make me see Hector Lavoe the man or the even Hector Lavoe, the musical genius. From the first sequence, this film was about a drug addict who also sang who was named Hector Lavoe.

    I think he deserved more than that.

    With that said, the music is very well done and there were flashes of brilliance but there was too much quick cutting and jumping away from dramatic moments. It's fine if you wanted the music sequences to be fast paced but even dramatic moments were rushed along and stylized to the point of taking me out of the film.

    Good film but poorly directed and not a classic which, like I said, Hector deserved better. He deserved the full 'Ray' treatment of this being a shining testament to his genius and not a movie about Puchi's husband.
  • Warning: Spoilers
    I was so much looking forward to see this film, yet had to flip channels after 15 minutes of watching. Tried it a second time and the same happened. Unfortunately Marc Anthony and J Lo cant assume their roles as Hector and Pucci, they maintain themselves estranged from their mission on hand. The story line is bland, lacks precision as to the true life of "El Cantante". Also lacks resolve as to why Lavoe chose a path of self absorption. The Fania All Stars is close to non existent in the story, and Willie Colon just a pawn to lean on. Lavoe's grandeur is also absent from the story line. The mad genius is missed, and as to his musicality, Marc Anthony lacks authenticity to reveal why Lavoe made it in the big city.
  • Outstanding performance of Jennifer Lopez. I didn't know this side of her,as an actress with so much potential. Maybe she had to play this part to prove it.

    And Marc's wasn't bad at all! He himself could be "El Cantante" for the soft and powerful voice he has.

    The movie seemed to be somewhere between a musical and a drama. Jennifer made Puchi - Hector's wife so real,that she seemed to be the key of Hector's life (and I knew nothing about this salsa singer up until I saw this movie!). And Hector was the door that Puchi managed to open from time to time. I saw a great bond between those two and it came out a very good movie, worth seeing, especially if you love salsa music.

    And even if you don't, you'll start loving it!
  • I couldn't wait to see this movie, however, it was a little disappointing because of the jumpy and sloppy editing. Marc Anthony was great as Hector Lavoe, and Jennifer Lopez was equally as good as Puchi. I went to almost all the venues that Hector played in, including the Palladium, which was the place to go. I saw them all, from Tito Rodriguez, Pacheco, Kako and Tito Puente, etc. However, Hector had this easy style of singing and held you until he was finished. One point I would like to make, Marc Anthony at the present time is the king of Salsa. He can fill a stadium like no other. Hector Lavoe unfortunately was too involved in drugs from the onset...this was part of the musician's scene at the time. Drugs were prevalent, and he made it a part of his life. Anyone who was raised in New York, the City and the Bronx understands that the drugs consumed most musicians. Hector could have been the biggest personality ever, but he blew that gig, sorry to say. I liked the movie, but was not crazy about it. As another writer noted, the character could have been developed a bit more then it was. It was worth the price of admission just to hear all the great music.
  • Warning: Spoilers
    Now that I have seen the movie I would really like to learn something about Hector Lavoe's life. The funny thing is that I thought the movie would provide that kind of information. But I only learned this: He used a lot of drugs, he was a good singer, he didn't feel appreciated by his dad and his wife had to struggle a lot with him. What I did not learn: Who were the other people in the movie? Besides his wife and his son nobody is properly introduced. Maybe people who know a lot about him recognize the other characters. I know only two of his songs and his name. For me big parts of this movie were a mystery.

    Some bearded guys were discussing how talented he is, then later on the bearded guys were discussing how broken down he is. I guess that one of them was his producer, one or two might have been songwriters or musicians. I don't know. There is a scene where Ruben Blades goes on stage and performs the song "El Cantante". A song that should become a very big hit for Lavoe. But hadn't I had seen a documentary on Latin music a few day earlier again I wouldn't have known who the question that was. The guy goes on stage like it is amateur night and he is lucky that Hector is there to listen to the song. My sister was watching the movie with me, and I had to tell her "hey that guy was huge too."

    OK, I get it. This movie is showing Hector's life from the perspective of his wife. But she either didn't care much about his origins, his musical connections, the people he worked with, his influence on music or the musics influence on him, or she didn't know. If you don't know much about Hector Lavoe and you hope to learn about his life this is not the movie for you.

    On the other hand: Marc Anthony does a great job in this movie. I wouldn't have expected that. But after a few minutes i forgot it was him and had to remind myself it was not actually Lavoe. Well done. J-Lo is very annoying. But maybe this woman was too. If so, well done too.
  • Warning: Spoilers
    "El Cantante" is "the singer." Marc Anthony is Hector Lavoe, originally Perez, who came to New York from Puerto Rico at age 17. When he started to sing professionally his agents gave him the name Lavoe, which is supposed to mean "the voice" in French, because Perez was too common. I have never been a fan of Salsa music and I never heard of Lavoe, but he apparently was a hit artist in that musical genre in the 60s through the 80s. Marc Anthony, a wonderful singer in his own right, did all his own singing in the movie.

    Jennifer Lopez, Marc Anthony's wife in real life, is Puchi who becomes Lavoe's wife. Andrea Navedo is Puchi's sister. John Ortiz is Willie Colón. According to the story in the movie, Lavoe and Colon combine their talents and different backgrounds to come up with "salsa" for their music, because salsa is a mix of things. However, my search of the history of salsa does not attribute its beginnings to them.

    Lavoe led a troubled life, losing his mother, then his brother, when he was still young. In his relationship with Puchi he was abusive often. Sadly he got heavily into alcohol and drugs, which caused his both professional difficulties and health difficulties. He died of aids (presumably from drug use and sharing needles) before he was 50.

    The movie is not a particularly good one. It is shot in a grainy, unattractive style, and it is pretty tedious sitting through the whole 2 hours of it. I would have liked the 30 minute version of the movie. Still, I am a fan of both Jennifer Lopez and Marc Anthony, and I enjoyed seeing them. Too bad they didn't have a better script to work with.
  • pixsum4 December 2006
    Saw this in Toronto and all I can say is it's a 2 Hour Music Video. Not even a good one. Wish I could call it a musical but can't even do that. One word "Gigli" w/ music of course. The production is amateurish. I really don't know what they were thinking when they shot this. To make things worst it was like it was edited by a kid in a high-school AV club. I don't know but I think the post production crew must have forgot something. Like you need talent to put together a motion picture. This will probable make money because of Lopez and people will watch anything it seems. My advise is to re-edit it before the release but maybe try a new editor. Either that or straight to video. Maybe make it an MTV overnight special.
  • Warning: Spoilers
    I hadn't expected much out of El Cantante seeing as how JLo was in it (not crazy about her acting skills) but I have to admit I liked it. I wasn't familiar with who Hector Lavoe was until my ex made me listen to the "Who Killed Hector Lavoe" soundtrack repeatedly. Prior to hearing the soundtrack I was familiar with a couple of his songs, didn't necessarily know they were his, and definitely unaware of who he was.

    In comparison to "Ray" or "Walk the Line" I think El Cantante could've been much better. I liked how JLo acted as the 2002 version of Puchi. I think the makeup made her more authentic. She did well, but really, how much of it was acting? We've seen her play roles where she doesn't have a need to go back to her Bronx roots and it almost seems like she can't relate to her character as much as she does with Puchi or Selena. I'm from the Bronx so the attitude and the cursing is typical based on where I grew up and the girls in my school. Hell, I'm not an actress but if someone asked me to play Puchi I think I'd do a decent job. All in all, I thought she did well.

    Marc Anthony did well. I haven't had a chance to see old Hector Lavoe videos and such but I thought he did a good job. Based on other comments, I think people who don't know who Marc Anthony is (pre JLo of course) jump to conclusions in thinking he's a nobody that's attached to JLo. Marc Anthony is a megastar to urban Latin Americans. I grew up listening to him and love his music, his style, everything. The fact that he took on this project with his wife just shows that he's willing to reach to other talents he'd like to pursue.

    I think the movie should've started answering basic questions about Hector--who was in before he moved to NY, why did he move, why did his father not approve of him, it shows how he entered the drug scene but unlike Ray/Walk the Line it doesn't show his progression into becoming a drug addict. He says in one scene he doesn't want to touch anything drug related anymore yet he's high nearly the entire film. I loved the music but doesn't answer how he became famous in the U.S., why salsa was such a hit at that time. I know he and Willie Colon were very good friends but I didn't get a sense that their characters were portrayed as such. I didn't think the cast was as cohesive as it could've been, with the exception of JLo and Marc. I went to a Hector Lavoe tribute concert back in November and I have to say that was a much better show than this movie. Not to say the movie's not worth it, but just could've been better. I think they highlighted his drug dependence too much without answering basic questions or showing who he was as a person. In the 2002 Puchi interview scene, she says that Hector was funny, but doesn't really show his humorous side as much. Every time it seemed that a meatier scene was about to develop (i.e., when they fought after their son's funeral), rather than let that carry on for a few more minutes the scene would switch to something else. So, overall, I like the music, love Hector's legacy even more, admire Puchi for her strength but left looking at my watch and wondering when it would be over. Hopefully they make another version that would satisfy the audience's curiosity.
  • Vanity project for J-Lo kind of starring her husband about one of the founders of Salsa who's hard driving life left him burned out and dead of AIDS. Told in flashback by a woefully miscast and wildly too young J-Lo this is about something, I'm not sure what. Maybe about some guy who makes music. Yes thats it Marc Anthony is in it and he sings a lot. he also gets drunk and high a great deal. And he plays a lot of music...oh yea and he throws up on J-lo (actually I think this about a woman who prattles on and on and on and talks about nothing). Think of the worst Behind the Music special on VH1 and then remove any sort of information. I watched this film for two hours and I have no idea who anyone was. J-Lo as Anthony's wife babbles on about how funny her husband was but we never see it. Everyone else wanders around doing things that are never really explained- except when they make music. The music here is wonderful. A mix of music of the period with great Salsa this is a movie that almost becomes a great music video, unfortunately the music gets interrupted for J-Lo's rambling narration or unconnected dialog scenes. This may mean something if you know who the actors are suppose to be portraying, if not you're going to be very very lost. Poorly filmed, the set ups are almost basic and unimaginative, and the scenes of New York and elsewhere were clearly filmed decades after the events take place (Marc Anthony's character had been dead over ten years when Andrew Lloyd Webber's woman in White played the Marriot Marquis.) There's a good story here and clearly Marc Anthony, who's as good as his wife is bad, is the man to act in it, but the film as it exists now is really pointless. Its not bad, its badly made so that you come out knowing less than when you went in. Frankly the only reason to see this is the music which is great. Maybe if we can find a print where the narration is removed and we just hear the songs we might have a watchable film.
  • This movie and "Selena" are the only two movies that Jennifer Lopez is any good in. She hits it on the head in this movie. The rest of the cast is good too. Overall, a pretty solid biopic. My only complaint is the production design felt a little cheap sometimes. For instance, it's supposed to be 1980s Times Square and it's clearly 2000s Times Square with the Virgin Megastore and "The Woman In White" playing at the Marquis Theatre. Just don't shoot that stuff then. Haha.
  • Jenifer Lopez and husband Marc Anthony's latest film El Cantante about the Hector Lavoe and the birth of Salsa, is an Oscar nominated-wannabe biopic mess of a film.

    The film follows the life of Puerto Rican singer Hector Lavoe, who came to New York in 1975 and became a mega star, starting the Salsa genre. Marc Anthony plays Hector and Jenifer Lopez his wife—Puchi. One of the many problems with this film was that Marc did not have a strong screen presence and his performance became overpowered by the amazing performance by Jenifer Lopez who did such a wonderful job I started thinking it was more about Hector's wife than about Hector.

    One effective part of the film I thoroughly enjoyed was how the story cut back and forth through an interview of Hector's wife looking back on Hector's life story. The interview was shot in black and white contrasting with the rich colors of the rest of the film.

    Despite this technique, the rest of the film was hard to follow. It seemed to follow a pre-made formula of music montage after music montage inter cut with short scenes of dramatic acting, as if the director was following a manual of how to make a musician's biopic film. Also the use of fancy, rapid editing was way overused and after a while seemed only there to give it a sophisticated look.

    I love long films but this two hour movie had me checking my watch frequently. Overall it was a big disappointment and I felt the only thing that was good in the film was Jenifer Lopez's performance. Unfortunately even her Oscar worthy performance couldn't save this muddled film.
  • If the movie was better and if Hector was played by a much better actor, then this could have been an oscar nominated performance for Jen. Contrary to popular belief, jennifer lopez is a decent actress at times and can be great in great movies. I hope she gets her due someday. The movie was a slow burn but Puchi was a firecracker and Jen was real good in some scenes. Hope she gets her flowers as an actress and win atleast a best supporting actress oscar later in life. She needs to pick better scripts and hire a better agent. She should also do more indies like Ben is Back or Nomadland. She is a naturalistic actress at her core.
  • Warning: Spoilers
    This movie greatest problem, is its presentation. The movie is not about Lavoe, it is about how Lavoe's wife viewed him; this, in my opinion, ruined the movie, as it became about Lavoe's wife. I did not want to see a movie about her, and her recollections and/or feelings; I wanted to see a movie where we would learn about Lavoe's successes and failures. There are also problems with accuracy of detail and chronology, which do not spoil the movie but they are errors. Marc Anthony captured Lavoe's on stage mannerisms perfectly, and even though I would have preferred to hear actual Lavoe recordings, he did sing well.
  • Quite true to the actual events of Hector Lavoe's life, the acting and direction of El Cantante are top notch. Jennifer Lopez probably gives the finest performance of her career, while Mark Anthony without a doubt deserves an Oscar for his star role. I saw this film on Sept. 12/2006 at the Toronto International Film Festival and Jennifer and Mark's presence overshadowed the film itself. However as a stand alone film, it is excellent and my only criticism would be the editing, the cinematography and some of the subtitles which were quite different from what the actors were actually saying. The cinematography seemed quite Schizophrenic at times, while the editing was occasionally shaky. Leon Ichaso has done an excellent job as usual in the direction of El Cantante and while this may be a somewhat low budget film, it is a high caliber production. The music, locales and wardrobe are outstanding as well. While some may dismiss this as a husband and wife chance to work together, given a chance, El Cantante is an excellent film quite able to fight for its chance at a Golden Globe and an Oscar.
  • sree-howlett10 July 2009
    Now I love Jennifer Lopez. Nothing but respect. Who one their right and brightest mind would cast beloved MARC ANTHONY on the lead role ? Why oh why ? As Hector, he is nothing but a short man who disappoints us from the beginning to the end. "Hector never knew how much people loved him. And that's the thing. It's like he didn't want to know." But Marc Anthony (OH YOU SANG TO ME!) seriously should accept the fact that NOT EVERYBODY loves him or his work. He must also accept that he cannot act even if he was tortured. Best thing would be to tie him up and make him listen to all of his songs over and over. And make him watch his music videos over and over. That would be the best punishment for dear Marc. Rest of the cast is great. Everybody else has done a great job. But, the way this movie was shown, could've been better. Some films may not have the element of keeping the mind of the audience stuck to it or keep yer heart pounding and waiting for something great to happen. When movies without these elements are made, they should be shot well and need proper actors. Not someone like OH-YOU-SANG-TO-ME! The narrative could've been better. if you already know about Hector Lavoe, then this movie will just help you add slightly to what you already know. Surely, the movie has great detail. But Marc Anthony is a major turn off for me. Playing a role like that. Its not that he doesn't look the part, HE DOESN'T LOOK LIKE AN ACTOR in the first place. Now that's what you call a major casting problem. Lets be glad he was not cast in DANCE WITH ME or any of the CHE GUEVARA movies for that matter.

    You could watch it for Jennifer Lopez (fine and fine performance as usual) and the rest of the cast. Movie loses major points because of Marc Anthony. But if you are a OH-YOU-SANG-TO-ME fan, then go watch it. Cause there easily wouldn't be any other movies with MARC ANTHONY playing the title role. (But that could change if J.Lo was planning to produce for the little prik)
  • Do you like music? Do you like the sound of the conga and the timbale? Go see this film. I don't know if it accurately portrayed Hector and his wife as they were, but I do know the music rocked! Can it be true that this music is rooted in the Puerto Rican experience in America? An amalgamation of styles – the sounds of America? Is America the sounding board for the music that makes the world dance? I was dancing in the isles while the movie was playing – the sound was fantastic (props to the sound engineers) and Marc Anthony rocked the house. Yes, the story was everything you'd expect from a life in the fast lane, but the music rose above it, as it should, and framed the story with it's sublime poetry. I left dancing, happy to have seen this musical slice of life in New York, U.S.A. Keep on dancing! There is also fun in the U.S. of A!
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