28 Weeks Later

European horror movies used to be theatrical, low-budget and suffering from it, and badly edited. Like its predecessor, 28 Days Later, 28 Weeks Later is nothing like that. I must say this is one of the best horror movies I have seen (and I have seen hundreds), for a number of reasons. Although the movie does juggle many clichés, it does so kind of skillfully, so that you can really expect to be surprised. Most importantly, however, the sequel is as good as the original, which is the greatest surprise of all in the horror genre.

The main gimmick here, like in the original, is a mix of the zombie theme and the killer virus theme. The zombies here are extremely hyped-up, not doped, and instead of being bent on eating the flesh of the living, they behave like rage-driven human beings stripped completely of their superego and ego, and left with the instinct to fight (and yes, as it's the result of a scientific experiment gone bad, the movie can be considered sci-fi). Perhaps due to the fact that this is an European movie, we get something markedly different from the Resident Evil franchise - here, in placed of Resident Evil's focus on showcasing pretty actresses and made-up high-tech, we are treated to a foreboding feeling of isolation and powerlessness in face of helplessness and doom. We get to see normal, everyday people and faces struggling to survive, when practically everyone around them can quickly become the embodiment of evil and destruction. 28 Weeks Later focuses a little more on some action elements than, say, on the question of how long people can uphold their morality and respect for their fellow woman in such peril, but still, this movie stands proudly as a horror flick. And, like I said, it is different - with its crisp visuals (unlike the music-video lushness of a lot of Hollywood film scare), haunting and memorable music and unaffected performances. There are some loopholes in the plot, of course (e.g. really not enough few safety precautions on the part of the military for such a dangerous epidemic potential), but the movie runs smoothly throughout, and even the child actors deliver.

There are better movies with a similar feel (such as Children of Men), but as a sequel to a decent horror movie, 28 Weeks Later certainly stands out. By the way, I think that watching 28 Weeks Later will be an especially scary experience for Londoners, as most of it is set in London. Londoners, beware.

The deadly virus has decimated the city of London, exception a little zone where live people no-infected. The US army controls the city and is repopulating with good people. A family formed by a father named Don(Robert Carlyle) and sons, Tammy(Imagen Poots)and Andy(Mckintosh)are reunited .But one of them spreads the epidemic, the rage virus outbreaks and re-ignites the infection infiltrating in the secured zone , causing wreak havoc and death .Those exposed cruel biting suffer a complete transformation turning into meat-eating sickos. The sons escape and are helped by a soldier(Jeremy Renner) and a military doctor(Rose Byrne).The military take on zombies and the survivors are surrounded , facing the world destruction by deadly epidemic.

This moving film contains chills, thrills, horror and lots of blood and gore.The flesh-eating mutants appearance deliver the goods plenty of screams, shocks and tension.The horror moments are compactly made and fast moving .The make-up assistant create a truly frightening zombie cannibals. Terrifying and astonishing frames about apocalyptic events with deserted streets, and creepy mood at London without people totally uninhabited , similarly to classics movies, such as ¨Quatermas and pit, Omega man and Lifeforce¨. I think this movie is better than previous original, because packs more action and more breathtaking images. Casting is frankly well, along with distinguished players, Robert Carlyle, Catherine McCormack, Rose Byrne, Harold Perrineau, appear young promises,as Imagen Poots and Mckintosh.Nice cinematography , using steadycam and photographed in videotape by Enrique Chediak. Atmospheric and haunting musical score by John Murphy ,composed in the same style from '28 days later'by Danny Boyle(also producer along with Alex Garland) . The flick is surprisingly realized with startling visual style by Juan Carlos Fresnadillo(Intacto). Rating : Better than average, this horror story will leave you stunned.

Was average at best.

I'm really tired of the stupid things people do in most horror films. This film is no different. The horror films that I consider as really good don't need to have idiot characters doing stupid things to keep the story moving. Death shouldn't need a dumb mistake or a poor decision as a catalyst.

The effects were really realistic, the story even plausible; not that it needs to be. The speed of the virus' transformation however, was inconsistent with the victims and a little faster that what one would expect to be believable.

Average at best.

Six and a Half out of Ten

I remember watching "28 Weeks Later" as a kid and being blown away by its intensity and suspense. Back then, I would have rated it a solid 10 out of 10, with its thrilling pace and terrifying depiction of a zombie outbreak. However, after rewatching it recently, my perception has changed quite a bit.

The film starts strong with a gripping opening scene that sets the tone for chaos and desperation. But as the movie progresses, it starts to feel a bit like a low-budget production. The special effects and some of the action sequences, which once seemed cutting-edge, now come off as slightly unpolished and less convincing.

The storyline, particularly the subplot involving the zombie dad, feels awkward and forced. What initially seemed like a dramatic plot twist now feels more cringe-worthy and detracts from the overall tension of the movie. The idea of the dad turning into a zombie and becoming a recurring threat was meant to add a personal dimension to the horror but instead comes across as repetitive and not particularly compelling.

Overall, "28 Weeks Later" has its moments of suspense and still carries a sense of dread, but it doesn't hold up as well as I remembered. The film's shortcomings become more apparent upon rewatching I'd rate it closer to a 6 or 7 out of 10 now-still entertaining in parts, but not the masterpiece I once thought it was.

Some ignorant kids screw up the whole thing - thats all the story about. Even a child will have better IQ in this situation