Rick and Fred, two husbands who are having difficulty in their marriages, are given a Hall Pass by their wives: for one week, they can do whatever they want.Rick and Fred, two husbands who are having difficulty in their marriages, are given a Hall Pass by their wives: for one week, they can do whatever they want.Rick and Fred, two husbands who are having difficulty in their marriages, are given a Hall Pass by their wives: for one week, they can do whatever they want.
Christa Beth Campbell
- Emma
- (as Christa Campbell)
Featured reviews
Pros:
1. Owen Wilson (Rick) and Jason Sudeikis (Fred) have really good chemistry together. It's like you're actually watching two good friends traverse their marriages together.
2. The costume design is spot-on, as Fred and Rick genuinely do appear to be two dorky suburban dads.
3. The comedy is mostly carried by Jason Sudeikis and his comedic timing and sardonic delivery.
4. The soundtrack has some fantastic songs, as well as clearly having some thought behind it as the songs feel like they were chosen appropriately for specific scenes.
5. The movie does a decent job at highlighting the fundamental differences between men and women, in the dating market particularly. For example, where Rick and Fred struggle to pick up any women in a week, Maggie (Jenna Fischer) and Grace (Christina Applegate) instantly pick up men without even trying.
Cons: 1. Whenever Jason Sudeikis isn't on screen, the supposed comedy falls flat. Luckily he is there most of the time.
2. There's no need for the ridiculous over-the-top drama that goes on between Fred, Rick and Brent (Derek Waters) at the end. Not only does it add nothing, or feel needed, but the placement of it right when Fred hears that his wife has been in a car accident is jarring.
3. It's extremely difficult to buy that Richard Jenkins (Coakley) is some sort of successful lady-killer. Caking him up in fake tan does nothing alleviate this doubt.
4. There's criminal underuse of Stephen Merchant (Gary), Larry Joe Campbell (Hog-Head) and J. B. Smoove (Flats). They help to flesh out the two main characters and are therefore sorely missed when they disappear halfway in.
5. The coupling of Grace and Fred is extremely dubious. Not only do both of them end up cheating on each other, but Grace routinely chastises and patronises Fred, and she admits to perpetually refusing to sleep with him.
6. The film paints the wives in a favourable light, and shifts the blame of the hall passes onto Fred and Rick. However, it was Maggie and Grace who voluntarily handed out the hall passes. It was Maggie and Grace who admitted to denying them intimacy, but then wondered why their husbands were sexually frustrated and looking elsewhere. It was Maggie, who when Rick tried explaining the valid differences between men and women in regards to sex, Maggie waved it away and decided not to listen. Moreover, Fred and Rick checking out other women is chalked up to them having "foggy memories of their single days", instead of the actual reasons, a lack of sex from their wives and the biological wiring men have which leads to men becoming tired of hooking up with the same woman, with sexual interest only heightening via new females - it's called the Coolidge effect.
2. The costume design is spot-on, as Fred and Rick genuinely do appear to be two dorky suburban dads.
3. The comedy is mostly carried by Jason Sudeikis and his comedic timing and sardonic delivery.
4. The soundtrack has some fantastic songs, as well as clearly having some thought behind it as the songs feel like they were chosen appropriately for specific scenes.
5. The movie does a decent job at highlighting the fundamental differences between men and women, in the dating market particularly. For example, where Rick and Fred struggle to pick up any women in a week, Maggie (Jenna Fischer) and Grace (Christina Applegate) instantly pick up men without even trying.
Cons: 1. Whenever Jason Sudeikis isn't on screen, the supposed comedy falls flat. Luckily he is there most of the time.
2. There's no need for the ridiculous over-the-top drama that goes on between Fred, Rick and Brent (Derek Waters) at the end. Not only does it add nothing, or feel needed, but the placement of it right when Fred hears that his wife has been in a car accident is jarring.
3. It's extremely difficult to buy that Richard Jenkins (Coakley) is some sort of successful lady-killer. Caking him up in fake tan does nothing alleviate this doubt.
4. There's criminal underuse of Stephen Merchant (Gary), Larry Joe Campbell (Hog-Head) and J. B. Smoove (Flats). They help to flesh out the two main characters and are therefore sorely missed when they disappear halfway in.
5. The coupling of Grace and Fred is extremely dubious. Not only do both of them end up cheating on each other, but Grace routinely chastises and patronises Fred, and she admits to perpetually refusing to sleep with him.
6. The film paints the wives in a favourable light, and shifts the blame of the hall passes onto Fred and Rick. However, it was Maggie and Grace who voluntarily handed out the hall passes. It was Maggie and Grace who admitted to denying them intimacy, but then wondered why their husbands were sexually frustrated and looking elsewhere. It was Maggie, who when Rick tried explaining the valid differences between men and women in regards to sex, Maggie waved it away and decided not to listen. Moreover, Fred and Rick checking out other women is chalked up to them having "foggy memories of their single days", instead of the actual reasons, a lack of sex from their wives and the biological wiring men have which leads to men becoming tired of hooking up with the same woman, with sexual interest only heightening via new females - it's called the Coolidge effect.
I really don't understand why so many bad reviews, infact i found this movie not so bad, even a nice one funny and entertaining.
of course is a light movie and nothing so special, but if you want a light comedy with several funny scenes and laughs that could be ok.
I don't understand all the haters on here about this movie? I thought it was funny and laughed all the way through, and so did my wife. It is a lot funnier than Little Fockers was, and that is not saying much. It is a great movie to go and watch and just sit back and laugh and forget your troubles. What is wrong with some crude humor? I guess since I am in my 40s, and have friends that talk and act like the ones in the movie, it just was funnier to me...who knows....
I guess to each their own......
For me, I wish they would put out more funny movies like this. I haven't laughed so hard in a very long time....
I guess to each their own......
For me, I wish they would put out more funny movies like this. I haven't laughed so hard in a very long time....
Seems that not everybody understood the plot. Maybe they were expecting a Vince Vaungh performance. First, the hall pass was given under a misinterpretation and overreaction. These guys were dorks and good husbands, not studs trapped in a marriage that missed their bachelor years. At the end, one of the wives recognizes that the one that needed that break was her, not the husband. If you were expecting a wild and crazy behavior after permission was granted, look for another stupid "guy flick" at Vegas. There were few clichés, like the use of pot and a shart (fart and diarrhea), but even the last one deserved a laugh. Good dorky movie, specially that Kevin James was not in it.
In the world of movies, one of the most endearing genres is that of the goofy comedy - provided it's funny. Unfortunately, this movie does not quite measure up, although it does make an effort. The problem is the story itself. The premise is not funny. Neither are the characters. The two main characters are not funny at all. Their wives are not funny either. The directors even inject some explicit sexual material in an attempt to prop up the movie and it's embarrassing. When one considers the great comedy teams, their characters were fundamentally innocent. Their movies didn't need crude sexual props. Hence, when such props are introduced, that means the movie is in trouble and although the directors try to present an entertaining product, ultimately the final product is such that it generates a feeling of relief when it's finally over.
Storyline
Did you know
- TriviaIt cost $200,000 to get the rights to use the Law & Order (1990) chimes for the "Day 1-7" title cards.
- GoofsWhen Rick is sitting outside the coffee shop talking to Leigh, the same extra walks by at two separate times during their chat. Same entry and exit point on the screen both times. It was a woman in a purple top and blue jeans with a purse.
- Crazy creditsThere is a dedication in the closing credits to set designer Sydney J. Bartholomew Jr.: "He was a crazy bastard, and we loved him."
- Alternate versionsThe Bluray release includes Extended Cut with run-time 1h 51min. It includes 8 new scenes being 6 minutes longer.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.96 (2011)
- SoundtracksArt Isn't Real (City Of Sin)
Written by John Joseph McCauley III (as John J. McCauley III)
Performed by Deer Tick
Courtesy of Partisan Records
By Arrangement with Terrorbird Media
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Pase libre
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $36,000,000 (estimated)
- Gross US & Canada
- $45,060,734
- Opening weekend US & Canada
- $13,535,374
- Feb 27, 2011
- Gross worldwide
- $86,157,237
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