23 October 2007 | LeCadavreExquis
Can one spoil the plot if the plot's spoiled to begin with (read with caution)
This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...
(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)
...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.
If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.