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M*A*S*H
S2.E22
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

George

  • Episode aired Feb 16, 1974
  • TV-PG
  • 25m
IMDb RATING
7.8/10
711
YOUR RATING
Richard Ely in M*A*S*H (1972)
ComedyDramaWar

A decorated GI confides to Hawkeye that he was beaten by his own unit for being gay but Frank Burns is outraged when he finds out from another source and tries to have the soldier dishonorab... Read allA decorated GI confides to Hawkeye that he was beaten by his own unit for being gay but Frank Burns is outraged when he finds out from another source and tries to have the soldier dishonorably discharged.A decorated GI confides to Hawkeye that he was beaten by his own unit for being gay but Frank Burns is outraged when he finds out from another source and tries to have the soldier dishonorably discharged.

  • Director
    • Gene Reynolds
  • Writers
    • John W. Regier
    • Gary Markowitz
    • Larry Gelbart
  • Stars
    • Alan Alda
    • Wayne Rogers
    • McLean Stevenson
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    711
    YOUR RATING
    • Director
      • Gene Reynolds
    • Writers
      • John W. Regier
      • Gary Markowitz
      • Larry Gelbart
    • Stars
      • Alan Alda
      • Wayne Rogers
      • McLean Stevenson
    • 6User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos7

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    Top cast12

    Edit
    Alan Alda
    Alan Alda
    • Capt. Benjamin Franklin 'Hawkeye' Pierce
    Wayne Rogers
    Wayne Rogers
    • Capt. 'Trapper John' McIntyre
    McLean Stevenson
    McLean Stevenson
    • Lt. Col. Henry Blake
    Loretta Swit
    Loretta Swit
    • Maj. Margaret 'Hot Lips' Houlihan
    Larry Linville
    Larry Linville
    • Maj. Frank Burns
    Gary Burghoff
    Gary Burghoff
    • Cpl. Walter 'Radar' O'Reilly
    Richard Ely
    Richard Ely
    • Pvt. George Weston
    William Christopher
    William Christopher
    • Father Francis Mulcahy
    Patricia Stevens
    Patricia Stevens
    • Lt. Stevens, RN
    Bobbie Mitchell
    Bobbie Mitchell
    • Lt. Mitchell, RN
    George Simmons
    • Simmons
    Todd Susman
    Todd Susman
    • P.A. Announcer
    • (voice)
    • (uncredited)
    • Director
      • Gene Reynolds
    • Writers
      • John W. Regier
      • Gary Markowitz
      • Larry Gelbart
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews6

    7.8711
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    Featured reviews

    Sargebri

    Groundbreaking

    This episode was one of the things that I loved about M*A*S*H. It definitely was ahead of its time by about 20 years due to the fact that gays in the military wouldn't become a hot button issue until the Clinton Administration in the 1990's. The thing I thought was interesting is that they treated the character of George as a regular person and not as the stereotypical effeminate gay man. Also, this helped give a little bit of insight into Frank's character. It reminded me of the furor over Larry Craig who was vehemently anti-gay until it was found out that he was a closeted gay man and this probably was the case with Frank as some episodes would indicate.

    All in all this is one of the most thought provoking episodes in the series and it showed why M*A*S*H became a classic.
    8netflixnkill

    Poor Wayne Rogers

    ....he could never do a scene without having to be permanently attached to Alda's heels. Honestly Trapper doesn't even seem like the type to be that deeply concerned about half the issues they come across, only because Hawkeye is and he has to follow behind every single thing he does. Not saying Trapper's not a good person he just has a more chill laidback vibe to him.

    This episode focuses on the fact that there is a homosexual soldier that's brought in the infirmary with bruises but not from fighting the enemy. He confides in almighty Hawkeye telling him where the injuries come from and why he needs to get back to his unit. He ends the convo asking Hawkeye not to tell anyone and literally the next scene he's discussing it with Trapper. Oh but it's ok tho because telling Trapper is basically like telling himself, I mean that's what a shadow is right?

    Frank somehow finds out about the guy and being the villain of the show of course he's against it, running his mouth to Trapper and Hawkeye. I don't get why Frank even goes to them to gossip or tries to be friends with them when clearly they don't like nor respect him, that's the most pathetic thing about Frank besides his bigotry. Anyway, he goes full force to try and get the guy a dishonorable discharge while Hawkeye and Shadow try to stop him with their usual antics.

    This is my first watch of MASH so everything is new to me and even though my review is kinda negative in tone I did enjoy the episode. Trying to help a gay character was a nice thing to do and the subject matter socially advanced for the time. It just sucks episode after episode having to watch your favorite character play sidekick literally ALL THE TIME when you see he is capable of more. I really wish they would've gave Trapper more plots where he could shine. As the show goes on you see more and more why Wayne Rogers decides to leave.
    8Hitchcoc

    A Bit Groundbreaking

    A wounded soldier is brought to the OR with injuries non-related to battle. Actually, he has been wounded four times but has contusions inflicted by persons unknown. He confides in Hawkeye that he is gay. This term wasn't used much in 1975, let alone in Korea in the early 1950's. If this got out it would have been devastating to this young man. All his accomplishments and his very being would have been destroyed. He would have been given a dishonorable discharge and possibly even imprisoned. Of course, good old Major Burns gets wind of this and is set on destroying this person. The fact is that this subject was handled delicately and was very well presented.
    8AlsExGal

    Funny I don't remember this one...

    ... and it could be because I was living in Dallas at the time and the local networks often preempted shows and episodes that the station manager had moral objections to. For example, as late as 1993, Dallas' ABC affiliate would not broadcast "NYPD Blue" because of its sexual content! Or it could be that my Southern Baptist parents pretended that the TV was on the fritz that night. But enough about me.

    This episode talks about the problems of a gay man serving in the military at the time of the Korean War when this was still considered moral turpitude and got you evicted from the military, and not honorably. Frank gets wind of the existence of the gay soldier, the titular "George", and demands that Lt. Col. Henry Blake sign the papers that get him kicked out. Henry refuses and so Frank says he will write Washington. Meanwhile Hawkeye and Trapper John try to comically short circuit Frank's plans.

    The interesting thing here, as usual, is the moral outrage that motivates Frank. One of the things that the show did to out Frank as a hypocrite was that he was cheating on his wife with Major Hoolihan in a long running affair. However, Trapper John and Henry were ALSO cheating on their wives. I guess the difference is that they were open about it? Maybe it was a hold over from hippie culture, because when Trapper John and Henry Blake were written out of the show, their new counterparts were true blue to their wives.

    It was really surprising to see something taken up in primetime TV that would still cause a furor 20 years later when Bill Clinton at first wanted to allow gay men and women to serve openly in the military, and had to settle for "Don't Ask Don't Tell". It is just a culturally fascinating episode. I recommend it.

    Storyline

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    Did you know

    Edit
    • Trivia
      The first time M*A*S*H featured a gay character, which was groundbreaking at the time for television during the 1970s TV censorship era.
    • Goofs
      The patient Frank wants to send back to active duty has a lower extremity fracture requiring both cast and traction. At a stage of healing where the cast would be removed the next day would be several weeks post-injury. It's highly unlikely that he would still be at a MASH unit.
    • Quotes

      Pvt. George Weston: Actually, Doc, there were two guys in my unit who got beaten up. One colored... and one homosexual.

      Captain Benjamin Franklin Pierce: So you're a Negro. Who'd have guessed?

    • Connections
      Featured in Arrested Development (2003)
    • Soundtracks
      I've Got You Under My Skin
      Written by Cole Porter

      Performed by Wayne Rogers

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    Details

    Edit
    • Release date
      • February 16, 1974 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Stage 9, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA(Studio)
    • Production company
      • 20th Century Fox Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      25 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.33 : 1
      • 4:3

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