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  • Twentyish Erin Garman (Tracy Middendorf) seems to have it all: a position as Research Assistant at Hartley Publishers with a promise of a promotion to Junior Editor, a sizable trust fund bestowed by her maternal grandfather, a handsome, caring and very attentive suitor in Drew Finley (Taylor Nichols), and, as many young "Murder, She Wrote" heroines before her, nightmares of a traumatic childhood incident, which, of course, remains unresolved.

    In Erin's case, the negativity stems from a childhood kidnapping, retelling in Black & White flashback scenes, in which Little Erin (Brittany Trouville) a dozen years ago is approached on a New York City playground by Nora Delano (Mary-Pat Green), who holds her captive for four days and nights in an abandoned Manhattan West Village studio, without revealing the identity of the mastermind, who demands $three million ransom from her now-late grandfather, none of which has never been recovered.

    Famous Novelist Dirk Matheson (Richard Beymer) hasn't had a best-seller for many years, and so he has recently interviewed Nora Delano with a collection of audio-cassette tapes, to create an account of the Garman child abduction, to pen "The Other Side of the Barricade."

    Dirk and his representative, Charles, Literary Agent (Dennis Creaghan), now meet with Hartley Publisher's Laura Kerwin (Meg Foster) to garner a $one million advance for his manuscript, an agreement which Laura delays without explanation to Dirk.

    Mother of Erin, Terri Garman Holbert (Marcia Strassman) and her second husband, Mike Holbert (John Oliver), co-own and operate a New York City state-of-the-art gymnasium, with Sonny (Michael Tylo), an old trainer friend of Mike's, on staff. But when Terri begins to tire of Sonny, Sonny turns the tables on Terri and Mike to advance his position toward a possible co-partnership.

    Nora Delano demands a forth of the $one million which Hartley Publishers promises to advance Dirk Matheson, but Laura Kerwin holds out in paying him a nickel until his manuscript is copy-edited.

    Erin Garman works closely with Hartley's Mystery Author J.B. Fletcher (Angela Lansbury), who tenderly understands Erin's fears and nightmares, and so Jessica affords her a shoulder to lean upon especially after Erin is assigned to review "The Other Side of the Barricade," from which she recognizes factors of the "fictional" kidnapping which relate to her personal experience.

    When Erin telephones Lieutenant Phil Corelli (Richard Libertini), who has taken her statements as a child, to report her latest suspicions, he senses that Erin is experiencing unfounded hallucinations and informs her that he has his hands full at the moment, as he and Detective Rogers (Rodney Frazier) are investigating the murder of a shooting victim on the docks.

    But when Jessica accompanies Erin to Lieutenant Corelli's precinct office, Erin recognizes photographs of the victim, which Detective Rogers presents, and so Jessica joins in the investigation to attempt to link the cold-case kidnapping with this recent murder.

    Yet when Jessica, Lieutenant Corelli and Detective Rogers pay a visit to someone whom Jessica maintains may she some light upon the murder, they stumble across Drew Finley, who hovers over another body, a second homicide by gunshot, this time with a suicide note nearby, confessing to the first murder.

    Jessica is now determined to prove Drew innocent of murder, as well as to prove that the murder has been set up to appear as a suicide, as well as to tie the second murder in with the first, as well as to unmask the perpetrator of Erin's kidnapping, and to champion young love, as Erin shields herself behind "The Dark Side of the Door."

    This episode represents the most recent acting credit to date each by Brittany Trouville and Rodney Frazier, as well as the second of two "MSW" appearances for Meg Foster, the third of three for Richard Libertini, the fourth of four for Taylor Nichols, and the sixth of six "MSW" guest roles for Richard Beymer.
  • bkoganbing3 October 2017
    This episode has Jessica Fletcher getting her latest epic proof read by one of the young editors Tracy Middendorf. When another editor asks Middendorf to review one of her assigned works that of novelist Richard Beymer she flashes back on a kidnapping she suffered as a child. Beymer in his latest work has told the story of her kidnapping in some rich detail.

    Later the source of that work Mary Pat Green winds up dead as does Beymer himself. So Angela Lansbury assists Detective Richard Libertini in solving those two cases but brings closure to Middendorf in that old kidnapping case.

    A lot of red herrings are tossed into this one. But I have to say I didn't see part of the solution coming at all. It was one of the most monstrous crimes that the series ever portrayed.
  • Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

    "The Dark Side of the Door" is Season 12 at its darkest and most twisty, and possibly one of the darkest 'Murder She Wrote' episodes. It may not be 'Murder She Wrote' at its very best, with it not quite having the extra spark of the best episodes and some actors are better than others (but actually there is very little that is wrong here). It is though one of Season 12's best.

    Elevating "The Dark Side of the Door" to a greater level are three things. The mystery has a lot of red herrings and twists and turns and perhaps the second most shocking ending of the season after "Unwilling Witness" (the identity of the criminal is one you don't see coming). This dark twisty atmosphere adds a lot to a mystery and crimes that are agreed particularly monstrous.

    Angela Lansbury is terrific as Jessica, one of her most famous roles for very good reason.

    She has a solid supporting cast that serve her as well as can be. Tracy Middendorf's performance is one of the better ones of the younger cast member performances of Season 12 by quite some way. Those for Richard Beymer, Taylor Nichols, Meg Foster and Marcia Strassman epitomise class.

    Production values are slick and stylish. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. The writing is fun and thought-provoking, not taking itself seriously.

    In conclusion, very well done. 8/10 Bethany Cox
  • While the crime cannot be prosecuted because it happened too long ago and the statute of limitations has kicked in, a young girl was kidnapped and held for ransom. Now, she's an adult working as an editor. Here, it gets a bit weird...the 'novel' she's reading now for the publisher is way too similar to her own experience as a kidnap victim. So similar that the writer either was one of the kidnappers or knows at least one of them and got the story from them. Well, it turns out it was the latter and the police have recently discovered this lady kidnapper...dead...a victim of murder. Jessica gets involved to wrap up the old case as well as figure out who killed the kidnapper...as well as determine if any other accomplices are to be found.

    The biggest problem with a murder mystery series like this one is that after 11 seasons, it's not easy to be original...and I applaud this one for being different. I also appreciated who the ringleader was...it makes the original crime all the more amazing! Well worth your time.
  • Warning: Spoilers
    Jessica (played by Angela "The Manchurian Candidate" Lansbury) is once again in her element in New York City pre-9/11. Jessica had a very confident demeanor in the Big Apple, and no doubt she didn't have to be on edge about pesky NYPD officers pulling her over and frisking her for ID, and racial profiling and all that. This ensured Jessica could do her work in this episode in league with Lieutenant Corelli.

    One feature in this episode was the indoor gym, which even had a running track and very beautiful and eye-catching extras in the background. This alone should have been the basis of a spin-off series set in a city gym.

    Marcia "Welcome Back Kotter" Strassman featured in this, and I was very surprised at who were the kidnappers of Erin Garman (Tracy Middendorf).

    One thing I would have relished is stunt casting. I would have loved to have seen Victor Banerjee in a guest role. Victor is famous for his role in the 1994 drama A Passage to India. Victor's co-star, Dame Peggy Ashcroft was nominated for Best Actress, and as she couldn't attend the ceremony, she nominated Victor to accept the award on her behalf just in case. Well, much controversy ensued when Angela Lansbury rushed to the podium to accept the award on Peggy's behalf!!! I can only imagine Victor's ire, and afterwards the Academy had to apologize to Victor for this major oversight.
  • A young publishing house editor becomes convinced that a new manuscript chronicles an unsolved kidnapping ordeal she endured 11 years earlier. But when she accuses the author of abducting her, he is later found dead in his hotel suite.

    A great idea is executed well in this rather dark toned episode, though the pace is quite peppy and there's enough in the plot to stir up some enjoyment. The ending, though, features a grand twist which I hadn't seen coming.