Laura Aikin is a soprano who has largely gone unnoticed by me. She's an effective Lulu in a production that goes off the rails at times. Those plexiglass boxes just don't work for me, no matter how many times they're rearranged: right side up, horizontally, upside down--a waste of time and the viewer's patience. The film segment that evokes the violence of the third act is really clumsy, laughable in fact.
Alfred Muff, whom I remember from a Rosenkavalier production a few years ago, has a booming bass voice that isn't very resonant, so that detracts a little from Dr Schon's menace, but Muff is an able actor so that helps. The other singers aren't so memorable. This is mainly for admirers of Laura Aikin, a singer who shows a lot of acting ability, of whom I'm now one.