21 August 2013 | OJT
Some hot 20 minutes one afternoon in New Orleans
The power of few is such a strange bird of a film, and as a very experienced movie watcher, I from the start felt this was different. There's so many of the usual and ordinary ways of making a film, that one often tend to get bored, or rather, is less impressed about. We've seen it all before, you could say.
However, this is a fresh breeze of a film. The film is full of little tricks and strange ways of doing things. Fresh takes, you could say, being in the wrong place. The idea of this film is things happening seen from different persons view or angles, happening just after 2 p.m. one hot afternoon in a gritty, crime ridden part if New Orleans. The film soon reveals this, but still it keeps the tension, though it starts over and over with the same time frame seen again from a different viewpoint.
It is easy to hate some of this as well, because things which happens here is the quite opposite of what you want. I can't tell more without revealing major story telling points, so I will not.
There's a bunch if great actors here, and the two biggest stars, Christopher Walken and Christian Slater are not doing the best job here. The best acting is done by one of the minor roles and the third segment of this film is letting the rest of the film down, like Devon Gearhart and Tione Johnson.
The instruction of the actors are not anything compared to the start. It looks like the actors was acting in another type of film, less serious than what the others are doing. Such a pity, but I think that this is due to different actors being able to be filming at different times, so that the feeling the actors have is different from the whole. The film also take a funnier twist than it should, according to the start. However, if you see through this, which I chose to do, due to the great start, the film is still good.
What I really love here is the cutting and editing. It's different and very interesting. The storytelling is superb. It reminds me of "Lola rennt" ("Run Lola run") by Tom Tykwer, which I loved when I saw it in the cinema back In 1998. Or you could see resemblance with great films like "Sliding doors" or "Mr. Nobody". The camera movements and the music is stylish. Many will be expecting more from the end, but I liked it.
I would recommend this to film lovers which wants something quite different from the ordinary. Storytelling, takes, techniques and originality makes this a gem! A cult movie, no doubt!