Add a Review

  • In Tokyo, Detective Sekiya (Ren Ôsugi) investigates the death of two suicides with Detective Wakamiya (Masanobu Ando) and the rookie Detective Keiko Kirishima (Hitomi). Both victims were stabbed while sleeping and the skeptical and experienced Sekiya concludes that they have committed suicide. However, Wakamiya discovers that both victims had dialed "0" on their cell-phones before their death and they recorded a weird message. The police officers believe that someone is inducing potential suicidal persons to kill themselves, but the chief of police decides to split the team and assigns Keiko to find a medium to help the police in the investigation. She meets Kyoichi Kagenuma (Ryuhei Matsuda), who is also a suicidal man with the ability to enter in the dreams, and tries to force the reluctant man to help her.

    "Akumu Tantei", a.k.a. "Nightmare Detective", is a stylish thriller with a character that recalls Freddy Krueger since he attacks his victims in their dreams. The sexy Hitomi performs a detective that in a certain moment fights to stay awake, recalling for example, Kristen Parker in the "A Nightmare on Elm Street" franchise. Despite having a wonderful cinematography, the unoriginal screenplay is very confused and I expected much more from a movie directed by Shinya Tsukamoto. My vote is six.

    Title (Brazil): "Caçador de Pesadelos" ("Nightmare Hunter")
  • What a letdown. When I first heard about this film, the premise of a 'nightmare detective' battling a serial killer within the victims' dream state seemed immensely appealing. And it being directed by the man responsible for the brilliant Tetsuo sealed the deal!! How would he spin the concept differently than Wes Craven's Elm Street series? But then, the misgivings started to creep in. Its being released by Dimension EXTREME stateside. Ugh. Could a more trend pandering and generic name for a releasing company even be possible? And unfortunately, the film itself is just as trend pandering. Stylistically, Tsukamoto blends every flashy aesthetic technique that is currently trendy: desaturated colors mixed in with scenes filmed through saturated color filters that come and go at random, uninspired Paul Greengrass type shaky camera-work/zooming being just a few examples. Aesthetics aside, the narrative is depressingly conventional and straightforward for the likes of a Tsukamoto. An interesting connection between the state of dreaming and death arises but is treated superficially and seems thrown in just so the killer can make creepy and twisted little monologues. But the film's main weakness is in the casting. Matsuda's emo, brooding, hair in his face 'nightmare detective' aimlessly mopes around through the whole film in perpetual angst. Why so glum, chum? Angst does not equal profound. And newcomer hitomi, while very easy on the eyes, is just completely unconvincing as the star detective who elicits Matsuda's supernatural talents to track down the killer. I also tried to concoct some sort of profound metacommentary for Tsukamoto's self casting but failed. I give this 2 stars because, despite all I wrote above, there are a few genuinely startling and well shot moments that demonstrate Tsukamoto's reputation as one of the greats of J-horror. I hear that this was a "for hire" job for him and unfortunately, it shows.
  • kosmasp15 April 2007
    Visually this movie is really good. I was able to watch it at a theatre in Stuttgart as part of the "Fantasy Filmfest Nights" that take place every year in the spring (for a few years now) for quite some time now.

    While this movie tries to mix paranormal and normal things together it does not achieve this goal entirely. This movie does have a few good scares (and it is bloody violent too, so be prepared for that), but you're never really emotionally attached to the main characters. The problem here lies within the characterization. You do see people get hurt here, but it's not like you get to know them to really care. Even if they are "only" in danger (you have to see the movie to see if there any false scares here, although if you have watched some horror movies, you will be able to foresee a few things), you're not really worried about them. You just wait for a shock to happen ...

    When all is said and done (the end of the movie), you might be left with the feeling that there could've been more ... been done with the material (idea)!
  • The premise caught me and I was on my way to watch it on DVD. It is haunting creepy and very violent. This violent thriller/fantasy had me stayed up for a night. The director had the story that looks like real. That scared me, pondering on the main theme of this, "suicide". After the thrilling violent suicides, you will find that violence is the least point you take note, it is the brutal violence, the idea on suicide when you just think about it. So it pretty got me like straight to the brain.

    The story shows the first bloody suicide and Keiko (Hitomi), a cop transferred is discovering the first suicide. She realises that it is no ordinary suicide but the other police thinks the other way. Then it shows the second suicide, the non-stop stabbing on the neck, the dead man's wife told them that it is like that he was in a nightmare which is true. They found that "O" is the one who killed them. They want the mysterious guy who can go to people's dreams, played by Ryuhei Matsuda, but he says that he don't want to go to people's dreams anymore. Until when one of cop calls "O" and awaits for death. He can't be saved. Keiko calls "O" and wants to arrest him because she wants to save more victims falling into his hands. From there, the thrilling "race" of not sleeping starts. It may be confusing but I am able to understand it. Be warned of very shaky scenes where you can't even see what is happening.

    Overall : It will seduce you to its dark mystery and from there, you will find it hard to take your eyes from the screen. The director did it with a sense of humour and dark mystery. It is very bloody but soon it is not the point.

    The Singaporean DVD consists of TV spots, trailers and some boring stuff. There is not even a making of. The DVD is rated M-18.
  • Warning: Spoilers
    Tsukamoto Shinya is one of a small group of influential Japanese directors who formed the vanguard of Japan's "New Wave" cinema during the late 80s (along with animation director Otomo Katsuhiro and splatter horror director Ikeda Toshiharu). His dark and creepy "Tetsuro: The Iron Man" paved the way for such future unconventional directors like Miike Takashi (Koroshi No Ichi), Fukui Shozin (964 Pinocchio), Shu Lea Cheang (I.K.U.) and Nakata Hideo (Ring).

    Like his American contemporaries David Lynch and David Cronenberg, Tsukamoto's movies delved into the realm of bizarre nightmare fantasies often involving human metamorphosis, the melding of man and machine, abnormal human anatomy/psychology and degenerative disease.

    While in recent years, Tsukamoto has been more involved in front of the camera as an actor, his latest film "Akumu Tantei AKA Nightmare Detective" is an attempt to return to the type of film making that made him a cult favorite.

    "Akumei Tantei" revolves around the exploits of a mysterious dark cloaked stranger, Kagenuma Kyoichi portrayed with gloomy indifference by Matsuda Ryuhei (Renai Shashin, Nana) who somehow has the supernatural ability to enter into other people's dreams (more often nightmares) in order to help the individual make sense of the dream. While not a true "detective" per se, he often reluctantly offers out his unique investigative skills to others. An unfortunate side effect of his abilities is that he is able to hear the subconscious voices of those in his immediate vicinity and also sometimes brings his own nightmares into the real world (which at points drives him suicidal).

    His services soon come to the attention of the Tokyo Metropolitan Police Department's homicide division who are investigating a bizarre series of murder/suicides and recruit Kagenuma in the hopes that he may be able to use his abilities to uncover clues to the identity of the killer.

    Unfortunately, Kagenuma and beautiful detective Kirishima Keiko (played by sensual J-Pop idol singer "hitomi") soon discover that the killer shares Kagenuma's ability to enter people's dreams and uses this ability to manipulate his victims into killing themselves. Can Kagenuma and Kirishima stop this killer before he strikes again?

    As others have mentioned, "Akumei Tantei" is one part "Nightmare on Elm Street" and "Dreamscape" and one part "Ghost Whisperer" with elements of the recent "Paprika" thrown in for good measure.

    Surprisingly, "Akumu Tantei" isn't as bloody as I was expecting. While there is plenty of gore and blood to be sure, it is nowhere near as bad as some of the recent Hollywood "torture porn" films that have come out.

    The movie was rather conventional and did not really have any moments where I was shocked or scared. Whether this is a sign of Tsukamoto "mellowing out" I can't say but I did find myself questioning if this movie was from the same man who gave us such unforgettable films such as "Tokyo Fist" and "Tetsuro".

    While "hitomi" (real name Furuya Hitomi) is certainly easy on the eyes and makes for a sexy heroine, she seems hopelessly miscast as the stoic and straight laced police detective, Kirishima. Her radiant beauty actually works against her as viewers will be hard pressed to believe her to be the character she portrays.

    The same could also be said of Matsuda Ryuhei who is a bit too much of a "pretty boy" to be the reclusive and brooding "Nightmare Detective". Matsuda's portrayal seems to follow the Japanese film trend of having "Emo" protagonists be one note characters who are all brooding, self-absorbed, loners, social outcasts and misfits. It is hard to identify with these heroes as they don't project any type of likability and instead expect audiences to "feel their pain".

    In addition to directing the movie, Tsukamoto also stars in the film as the central villain character. He doesn't say much but his flamboyant and intense acting is both scary and humorous.

    Compared to his groundbreaking "Tetsuro" and "Tokyo Fist", "Akumu Tantei" is a bit of a disappointment, sharing none of the visual flair, unconventional style or edgy story of those films. While an enjoyable film with beautiful leads, the story won't win any new admirers. I kind of felt underwhelmed by the movie and kind of hoped Tsukamoto would give us something new to talk about rather than long for the inventiveness of his past works.
  • For some reason I anticipated a noir work here or the perversion of it, a Lynchian narrative where dreams are the scene of the crime. It didn't bother me that it's not, but it did bother me that it's a hodge podge of ideas.

    Most of all it stands out as a Paprika played out as a cop thriller, sometimes a J-horror, even rarely a Tsukamoto film. It's weird but half- or ill-formed, not in the sense that we're watching an elipsis where details are absent of explanation as part of a design, but in the sense that it wasn't really thought out or it was believed the concept of a serial killer visiting his victims in their sleep would carry it. We even get the mandatory scene where the cop heroine fights to stay awake and is terrified to realize she isn't. This is the first letdown, that Tsukamoto doesn't realize he's in a whole other league than Wes Craven.

    Often with Tsukamoto the ideas he presents are largely frameworks, explorations in a general direction. He doesn't probe deeply but what appeals to me is the fascinating artifice of that exploration, the frame itself. This one has a cheap TV look and an annoying overabundance of whip zooms in and out of convalescent images, again for no apparent reason.

    The ending, as with the parting shot of Vital, is rather marvellous though. Against a meaningless universe, lives without purpose or direction, Tsukamoto gives us a collage of small intimate moments. The bittersweet nature of this final hold against the existential void, is that what he offers us is memory, the empty shell of something come and gone played out for comfort in the mind.

    Perhaps this reveals Tsukamoto's limitation as a filmmaker, in this and other films. It's great that he sees that far, into a vision of humanity which is further than most directors doing horror related work are capable of, it's a pity that he doesn't see further.
  • Warning: Spoilers
    Rookie female police officer Keiko played by wonderful eye candy Hitomi as one tough 1st case, a suicide which is seemingly too brutal to be suicide, quickly followed by another savage suicide. The key to both (is the now well worn plot) of a phone call to a mysterious Mr O (wickedly played by Shinya Tsukamoto himself)whom helps the suicidie by saying he's going to join in and kill himself while they are. Only he goes that little bit further and actually goes into their sleep and does the gory work himself. The police turn to man who's talent is going into peoples dreams, ala the Nightmare Detective of the title played by the great Matsuda Ryuhei). First attempt goes badly and O manages to kill a male police officer. Not being able to live with this Keiko now tries aided by by the nightmare detective who goes into O's own dream, revealing the reason for his actions.

    Plot is basically Suicide Club meets Nightmare on Elm St 3 Dream Warriors by way of Radioheads How to Disappear Completely, visually pleasing which we've come to expect by headf'ck cinema master Shinya Tsukamoto, and should have enough blood to please most gore hounds. Flaws really come in the script, pacing and that feeling you've seen it all before. Still gets a 7/10 by me as of yet the best Asian horror film I've seen in 2007.
  • First of all, I've never seen a Shinya Tsukamoto movie before this. I read reviews commenting on how this is his most unoriginal work, and I really can't confirm or deny that. As a standalone piece, however, I can say this is completely unlike any other detective movie I've ever seen—and it does so without cheese. On a technical level, does that make it original? Not necessarily, but it certainly isn't unoriginal either. Either way, it's very entertaining and interesting, and as I just said, lacks the cheese that the majority of supernatural horror films have lately.

    The reason it lacks cheese is because Nightmare Detective builds up layers of gritty reality through mainly being a comic (but not comical) detective mystery. This gives a lot more weight to the supernatural elements, and creates a lot cooler tone. I've seen people bash the detective elements of the story, but I personally thought they were genius. The idea of having two detectives, one a police detective and the other a dream detective working together was very cool. Like I said, the idea isn't wholesale original, but it's certainly different and very well done.

    Shinya Tsukamoto's camera-work and cinematography left me in awe more than once. The man knows how to direct. The entire movie has the best production value I've ever seen in an Asian movie, and I've seen a lot of Asian movies. The detail is crisp, and sometimes with color washout that completed the gritty, dirty comic book tone. The dream sequences are not all-out surrealism as would be cliché, but have subtle nods at surrealism while being otherwise realistic. Once again, genius.

    I've read reviews that trash this movie for not being scary. Simply put: what movie IS scary anymore? I've seen hundreds of horror movies, and I can count the ones that were honestly scary on one hand. I can't compare this to Shinya Tsukamoto's other works, as I said, but from what I take, this is a step down on the level of terror. Fine. Why is that bad? A movie that exists only to be scary is just like a movie that exists just to be gory—it's hallow. The Exorcist is quoted as "the scariest movie of all time", but when I watched it I wasn't scared once. The thing is, the level of terror in a movie is mainly relative. Is Nightmare Detective scary? Some will think so. Did I? To an extent, yes.

    As far as the acting goes, I didn't notice it being good or bad. As for the level of boredom, it isn't very fast paced but it will keep your interest until the end, which is something I can't say about many movies. Dialogue is standard, and never too excessive, which is another plus. The music is unoffensive and unnoticeable, except where Shinya Tsukamoto uses some really cool mellow songs to underline the mood, and it works very well.

    Overall, it's very much worth a watch, especially if you're a fan of mystery graphic novels, because it carries the same feel and flow. I'd even go as far as to say it's worth a buy. It did what it wanted to accomplish, and even if Shinya Tsukamoto's other works are better than this, I don't see how anyone would be disappointed.

    4/10
  • The premise of "Nightmare Detective" is very interesting:A Japanese detective investigates two mysterious and very bloody suicides,somehow connected as the two victims dialed "0" on their mobiles moments before their death.The detective comes to learn of a man who has the supposed ability to manipulate people's dreams and if the case is going to be solved the detective succumbs to the realization that she must dial the mysterious "0" herself..."Nightmare Detective" is the film about dreams,alternate realities and suicides in Japan.The viewer will be trapped in a myriad of dreams within dreams and alternating worlds.Too much shaky camera movements sometimes irritated me,but the visuals are splendid and the suicides are quite disturbing with lots of blood spilled.As a fan of Tsukamoto's unique visions I wasn't disappointed with "Nightmare Detective".
  • Warning: Spoilers
    A socially inert, icy detective, Keiko Kirishima(Hitomi)working on her first assignment, recently, by request, sent to the streets after working at a desk, finds the task of finding the mystery behind a rash of mysterious suicides quite demanding. It seems that those who commit suicide, in such a gruesome manner with whatever sharp object is available to them, are in a state of nightmarish sleep influenced by another to enact destruction upon themselves. Seeing that these aren't ordinary investigations, Keiko and partner Wakamiya(Masanobu Ando)are to find a psychic of some sort who can aid them in uncovering the predator who preys on victims with a suicidal desire to end their sad, seemingly unimportant lives in a crappy world. It seems that the dead victims, under suspicious means, communicated with someone merely identifying himself as O(..director Shinya Tsukamoto, in another one of his many strange supporting roles). O, it seems, somehow hypnotically controls those on the opposite end of the phone and Keiko decides that she'll need the help of an infamous "nightmare detective"(Ryuhei Matsuda)who can enter dreams to assist those under duress by whatever is plaguing the restless sleep of victims. Keiko will voluntarily call O in a desperate attempt to stop his murderous reign, facing the horrifying consequences as he exposes her own mental/emotional problems. Despite a reluctant resistance & fear, the nightmare detective will assist Keiko in trying to find and stop O.

    Part police procedural, part psychological thriller, with a little Nightmare on Elm Street mixed in, leave it to director Tsukamoto to make it all come together. Like the best psychological thrillers, we get an understanding as to why the killer is committing such evil deeds, and the frailties of those whose job it is to catch them. Through the killer, the emotionally fragile detective(..and our nightmare detective)faces the inner demons that haunt her. In other words, through the ordeal of this killer invading her vulnerable dream state, she must find strength with the help of her telepathic avenger, the only one who can truly stop the madman, to face the knife-wielding hunk of monstrous flesh which briskly moves at it's victims. We also see through the eyes of our nightmare detective..the inner thoughts of others which yield ugly revelations, the dream of a catatonic he's supposed to save, how he "travels" into the dreams of others, and how he indeed can alter the path of the killer(..first stopping it momentarily from attacking Wakamiya who calls O with tragic results, and how he assists Keiko whose seemingly trapped in an enclosed room with little wiggle-room to move)with possible harm/death to himself. We also see what happens to several victims who communicate with O and the nightmarish plane for which he operates and the grisly, bloody results. And, indeed we get a showdown between the nightmare detective and the killer as we learn what may've formed them into the men they've become. My only real complaint was the camera work which is the newly adopted steady-cam style where everything's always moving frantically. AS with most of Tsukamoto's work, this could be a bit difficult and challenging for many viewers. I think the most present theme in the film is the will to live when life seems the most empty, and the terrain explored of why we are the way we are and the certain situations from the past that have shaped us into the human beings we have become. The three main leads, the emotionally vacant Keiko, the numb & sad nightmare detective tired of a gift which has been more of a burden, and the killer whose hunger for human flesh(..the monster that represents him in the nightmares that entreat upon victims, "assisting" them in an act they supposedly desired to commit)derives from a desire to at first die by his own hand due to a horrifying traumatic experience as a child(..seeing this in a flashback when the nightmare detective "opens" his mind, which also answers the mysterious girl's voice asking for help)leads to the deaths of many who were to kill themselves with him in a suicide pact across the phone.

    SPOILER:This could very well be the first time I've seen a killer actually murder others with a cell phone in a catatonic state
  • It's amazing how easily some so-called "cineasts" can be fooled. Since Tsukamoto made his entry with his manga-goes-experimental-trash epic Tetsuo his admirers are always eager to describe his amateurish and boring outings as "challenging" and "visionary".

    The only thing really astonishing about this so-called director is that in his work there is no bottom-line in sight. Who would have thought that he could come up with anything worse than the terrible pretentious "Haze"? And yet we have "Nightmare Detective" a black hole of a movie that negates any form of talent for everyone involved. Despite the actual idea that someone can enter the dreams of others, there is absolutely nothing original to be found here.

    But yeah! i forgot - of course i just don't get it because this stuff is so "challengening" for the average viewer.

    In my eyes the "average viewer" is more than used to wooden performances, bad lightning and shaky hand-cameras, you can watch it on cheap TV-Shows every day. Dreams in movies have a very long history and it's really embarrassing how the subject is treated here. There is no effort made whatsoever to visualize an actual dream-sequence. Instead we get a shaky camera and pools of blood. The actors sometimes give the impression of being actually forced to participate in this mess. I guess they felt a little "challenged" too much by Tsukamotos total lack of ideas.

    And hey - if you really don't want to believe that this is trash, just wait for the cheap Eric Satie-Rip-Off in the soundtrack. Just awful.
  • Shinya Tsukamoto directs and plays the bad guy in this supernatural thriller, and even though I liked it pretty much, it doesn't stand up well against his other classics. People are dying horrible bloody suicides which seem connected to a recent cell phone conversation they had with a person identified as "O". A beautiful female detective takes over the case, and meets up with a guy that has the ability to enter other people's dreams. Not a novel or original story idea by Tsukamoto, but it's still pretty interesting. When the lady detective makes a call to "O" which dooms her, she calls upon the nightmare detective to enter her dreams and save her. I see a sequel to this movie is in post production, and I hope it's better than the original. Seems kind of funny to me that Tsukamoto is making a sequel to this one, but who knows? From any other director on this subject matter, the movie would probably be a flop, but being Tsukamoto, he adds enough suspense and some gory suicides to make it interesting.
  • Probably the most conventional film Shinya Tsukamoto has directed. Really, it would only take a couple of tiny clichés for that to happen, since every other film he has made is so utterly unconventional. Nightmare Detective is sort of a police procedural. Detectives are investigating two apparent suicides that seem to have killed themselves while dreaming. It turns out both of these people had called the same number shortly before they died, and the detectives believe that the owner of this number, known as 0 (zero), may have had something to do with the deaths. The detectives, through some huge logical jumps, also seek out a man known as the nightmare detective (Ryuhei Matsuda of Taboo), who has the power to enter dreams. The killer (Shinya Tsukamoto) also has this power. The major cliché that bothers me most is that of the hot, young female detective, played by a relative newcomer known only as Hitomi, who has to prove herself to her male co-workers. It's very boring, and, as cute as she is, Hitomi isn't a very good actress, at least not here. My educated guess is that Ms. Hitomi started her career as a model, and was later drafted into acting. There's also the whole cell phone angle, which has already been done by Miike in One Last Call. I admit I have skipped out on that one even though Miike is one of my favorite directors. It's just corny. It also doesn't help that both the hot detective and the cell phone-inspired deaths instantly bring to mind the recent comedy Forgetting Sarah Marshall, which used both of these themes to provide major laughs. And I'm sure no one who made that movie had ever seen Nightmare Detective. Still, even having written a mediocre script, Tsukamoto could never lose his talent for direction. And the direction is very Tsukamoto. When Tsukamoto attacks in the nightmares, he appears as a deformed monster that is only half-seen. The visuals are eerily beautiful and I really liked the music, too. All in all, it's a pretty good horror flick. It's the first part of a trilogy, the second of which should be released in Japan later this year. Hitomi is not a part of it, so I'll keep my hopes up.
  • ..because, honestly, what passes for horror in Japan just isn't very scary.

    The plot line here is that someone is inducing people to kill themselves in brutal ways, and a police officer named Keiko is trying to get to the bottom of it with the help of a psychic dude.

    Three things the Japanese can't seem to do. 1) Anything really scary 2) Anything really sensual (I guess there is supposed to be sexual tension between the psychic dude and Keiko, but darned if I can see it.) 3) anything really coherent in terms of plot.

    This movie is a trudge to work through, and not just because of the language. The focus should have been on the psychic character (Japanese seem to have more of a belief in psychics than Americans do.) Instead, it was on this rather shallow detective character.

    There are the visual dream sequences, but to be honest, we've seen better stuff in Freddy Krueger movies from 20 years ago.
  • Warning: Spoilers
    ~Spoiler~

    Well, Asia had a good run. But the time has come to be more selective in viewing their output too. Gone are the days when you couldn't wait to see the next great Asian horror. The majority of what we are seeing from them is just as stale and conventional as any other country. Nightmare Detective is a movie I should not have wasted my time on. It commits the ultimate movie sin: it fails to entertain. It put me to sleep...twice. It does not generate any suspense, fear, or emotional connection to any of the characters. It plays like a really cheesy melding of Suicide Club and A Nightmare on Elm Street. Let me take a deep breath here and explain the plot. People who dial 0 on their telephone are stalked by a killer in their nightmares who makes them commit suicide while the cops track down a "nightmare detective" who can enter the dreams of others to stop the psycho. It's as silly as it sounds. Unfortunately it's not as much fun. It's really quite boring. Or maybe it was all that "shaky-cam" that hypnotized me into going to sleep?
  • poe42622 October 2008
    Warning: Spoilers
    NIGHTMARE DETECTIVE, like much of what Shinya Tsukamoto has done, has its readily apparent roots in manga/anime. (Manganime?) While it'll never be confused with the likes of TETSUO, BODY HAMMER or TOKYO FIST (it's clearly more like HIROKU THE GOBLIN and GEMINI), NIGHTMARE DETECTIVE more than holds its own as live-action manganime. Like some of the slower and more thoughtful anime (like GILGAMESH or WOLF'S RAIN or suchlike), it's the overall mood that is most important here. Tsukamoto says that this is the first of a proposed series of movies to feature his NIGHTMARE DETECTIVE. If so, we've got something more to look forward to.
  • Warning: Spoilers
    From the director of the Tetsuo the Iron Man films (which are okay, but over hyped, I mean we don't need three) nd some greatly under appreciated films no one talks about (Gemini and Snake of June among others) comes a new series. The sequel to this is playing Japan Cuts this year. Its the story of a man with the ability to go into peoples dreams.He doesn't like it since it poses all sorts of problems for him and the person dreaming. He reluctantly begins to help a cop try and solve what appears to be a series of murders of people being killed in their dreams. The killer is a person called O who also can enter peoples dreams.

    I like the concept but the film feels like a low budget TV movie or part of a series with these tight closeups and odd visual choices that scream TV production. The film mostly deals with the female cop who is trying to solve the crimes and who is cold and the sort of person who doesn't have issues rather she has volumes. The character of the Nightmare Detective is great he's the right sort of combination of traits so we really like him even if we don't know much about him.

    Worth a rental. (I've read the second film is better so I'm looking forward to that)
  • nosajdabeno-6299112 November 2023
    You know a "horror" movie is just "ok", at best, when, an hour and fifteen minutes into the movie you start thinking, this movie would be a lot better with more character development. I know there are 2 sequels, so maybe the characters get a bit more "meat" on them in those sequels. But as for this one I found myself not caring about any of the characters. For me, in order for a horror movie to be good, you gotta care for at least one of the characters. Here, I just didn't. Even towards the end when they did decide to, barely, delve into the characters backstory, it was just too little to late. At first I was thinking maybe it was just bad subtitles. But after reading other reviews, it sounds like everything was translated just fine and the movie itself was, as I already said, just ok. If I'm not invested in your characters in the first part, you can guarantee I won't have any desire to see the sequels.
  • People are committing suicide in bloody, messy ways, and the police are at their wit's end as to why. The deaths are somehow connected to a mystery man on the victims' cell phones. Getting desperate, the cops decide to broaden their investigation, and enlist the services of the titular psychic.

    NIGHTMARE DETECTIVE is yet one more example of inventive, bizarre horror from Japan. It starts out with some familiar cell phone insanity, quickly morphing into something completely different. Blurring the line between dreams and reality, ND pays homage to the classics while remaining original...