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  • "The Third Impact is beginning. This is the end of the world."

    Evangelion 2.0 is a much bigger departure from the original series than the first movie was, and it's an incredible anime feature, as a result. Everything is bigger and better, and it feels much more like a movie than just a collection of episodes. 

    The animation is once again fantastic, the new battle scenes and Angel designs are impressive, and all the story/character additions and character changes are absolutely for the best. The writing and flow of the story has been notably improved, to the benefit of all of the main characters. I also have to mention how great the music is; it serves as a perfect compliment and counter-point to what's happening on screen, and at times demands as much of your attention as the visuals do. 

    Casual Evangelion fans, die-hards, and newcomers should not hesitate to check out these movies. It's completely accessible to a new audience, while retaining and expanding upon the core of why this series is one of the most popular and influential. I'm no Evangelion fanatic, but I can't deny the quality of what I'm seeing in progress. 1.0 was great, and 2.0 is fantastic. I CANNOT wait to see where the third movie takes us, next. This is one of the best movies (animated or otherwise) that I've seen in quite a while.
  • Warning: Spoilers
    (PARTIAL SPOILERS) The first Rebuild of Evangelion, You Are (Not) Alone (a.k.a. Evangelion Shin-gekijoban: Jo), was essentially an upgraded distillation of the first six episodes of the original Shin Seiki Evangelion television series. Little was lost or added, and key scenes were recreated shot-for-shot, all the way down to the most famous "fan service" peek-a-boo angles.

    The second installation of the four-part Rebuild series, You Can (Not) Advance, sets itself an almost impossible task: To condense seven hours of the TV anime, episodes 7 to 20, into a single 108-minute feature.

    Continuing the tradition from the first Rebuild film, upgrades are everywhere. Both the bomb-Angel Sahaquiel and the satellite defenses deployed against it are unfurled with aplomb, and there's a fresh exhilaration to the Eva units desperately sprinting to the Angel's projected point of landfall. The preamble to the battle against the infected Unit 3 has been shortened, favoring instead an extended sequence of bloody desecration accompanied by a chillingly ironic selection of background music. The film concludes with a disturbingly metamorphic version of the unstoppable Angel Zeruel, and when Rei attempts to blow it up at close range, this time her N-2 bomb isn't just a cute little canister.

    Beyond these three points, however, the film is more an impressionistic retelling of the series than a literal one. In place of those strained scenes where Anno had characters stand stock-still for long, awkward moments, we have elaborate images of people moving about and living in Tokyo 3, and there's a pleasant sub-plot written in to unite all the main characters. Shinji is allowed to be slightly stronger, even revealing a useful domestic skill, and we lose much of his protracted soul-searching, though we still get a taste of it toward the end of the film.

    While the TV series was sometimes criticized for its tendency to stop and navel-gaze, with the reduced run-time there is inevitably a rushed feeling to You Can (Not) Advance, and nobody suffers for it more than Asuka.

    Asuka arrives frenetically and with minimal introduction, seeming to have been given license to chew the scenery in exchange for the little time she's allowed on it. Her "Sohryu" inexplicably replaced by "Shikinami," Asuka retains variants of a few of her most memorable scenes, but her early arguments with Shinji feel forced, and we lose delightful sequences like the synchronized battle against the splitting Angel Israfel. Asuka shows more depth more quickly than she did in the series, but it feels as though she has to fight for every moment of screen time.

    Rather than bringing anything unique to the franchise, new character Makinami Mari Illustrious seems to be little more than a bloodthirsty stand-in for Asuka. Where Asuka has been toned down, Mari has gone over-the-top, and her scenes could just as easily have been written for the redheaded half-German girl.

    Sadly, while the TV series had remarkably good incidental English (if horrible incidental German), You Can (Not) Advance opens with a lengthy sequence dubbed by English speakers who were clearly phoning it in. Kaji gives it his best shot, but he's given lines that are well beyond the capabilities of seiyu Yamadera Koichi.

    Like its predecessor, You Can (Not) Advance aims for nothing less than shock-and-awe. The lack of breathing time, coupled with some wrenching twists to the original story, enhance the intensity tenfold. Be sure to stick around until the end of the credits, where you will find not only an ad for the next film, but a very important concluding scene as well.
  • The first Rebuild Of Evangelion gave audiences and fans just about the first 6 episodes of the original series with some small differences but showed promise and pointed to the fact that Anno might be heading to a different direction with the Rebuild series than his original Anime show.

    You Can (Not) Advance does take the series into a completely new direction and actually changes situations that fans of the original series are familiar with for the better and actually drops the angsty over-philosophical dribble that hurt his original engaging creation. Characters develop new relationships and interact differently from the show. The three EVA pilots from the original series get some great development here and differ a lot from NGE in a very good way. New characters are introduced, stakes are raised and the film has a lot of build up which boils down to one hell of a climax.

    The film has a more intense tone this time around and is very fast paced. The action is incredibly engaging and the film is the first in a while that has gotten my heart beating like crazy during the intense action on-screen. The film does give you breathing space with lighthearted interactions between characters and humor and thus makes it less heavy overall than NGE and EOE even though it certainly is more gruesome and still has it's moments of pure nightmare fuel.

    The Score of Evangelion is at it's best in this film and truly delivers. It varies from beautifully orchestrated racing score to sweet and engaging J-pop and Anno sure makes the out-of-place songs fit as well as he did in the show and EOE. The entire experience watching this addition to the series is unforgettable and gives me much hope for even more improvement in the next two installments.

    Overall the film is a vast improvement for the series and hints at better things to come with it's significant changes and has raised the stakes for the Evangelion universe. Anno seems to have gotten over his depression completely and bloomed into a true crafter of worlds and emotionally charged storytelling.
  • It's been a long wait, but better late than never I'd say. One of the classic mecha science fiction anime now undergoing a revamp of its own, and despite not having much background knowledge of where the series has headed toward, I still found this installment engaging enough to leave me wanting more especially since it ended on a cliffhanger of sorts, even though it's yet another long wait before the third film hit the screens over here.

    Evangelion continues where we last left off in its cinematic version, and the Earth is now under protection by the EVA robots around the world, still piloted by children. There are plans now underway to be more humane though, in piloting the EVAs like unmanned drones from afar, thus keeping the kids out of harm's way. But then there are other plans brewing at sinister levels, which only get hinted at here, clearly sowing the seeds in this installment for something more to come in the future films.

    Elements from the earlier film have become staple, and repeated, such as the cheeky way the female characters always get portrayed in teasing the audience / fanboys with various states of dress / near wardrobe malfunction, and hey, besides lead character Shinji Ikari (voiced by Megumi Ogata), every one of his peer pilot seem to be female, and in the opening we're introduced to the pilot for EVA No 5 to start off the film literally with a bang, and EVA No 2's pilot Asuka Langley Shikinami (Yuko Miyamura) in her bright red robot and uniform, in an instant confirming the suspicion that here's one hot chili who isn't afraid to speak her mind. I like this feisty character, who brings a breath of fresh air from the quiet Rei Ayanami (Megumi Hayashibara) and Shinji's pessimism. Other elements would include the countless religious imagery, which is now more in-your-face, and I suppose it should all make sense once the final film rolls around.

    The narrative found perfect balance to go a little deeper into the motivation of the various characters, though the kid pilots leave more room as intended for future growth, since Rei is a quiet enigma, Shinji still being the reluctant hero, and Asuka the live-wire who doesn't mince her words, even if criticizing her Japanese counterparts quite pointedly and in some ways, offensively too. A large chunk of the story got devoted to a suggestion of a love triangle that didn't manage to play itself out due to the constant alien threat, but got to a point enough to affect the events that follow, and to make them a sledgehammer for emotions.

    Then there's the action sequences, which are still as spectacular. The Angels' designs get weirder, and their attack more powerful of course, though the EVAs have a few more tricks up their sleeves, brought about by really pushing the envelope beyond what has so far been permissible. With humans at the helm of technology, we are always in control and can add that aspect of humanity without allowing technology itself from going berserk. This gets explored and discussed somewhat, especially when a dummy module gets its field day when called upon to override some human inaction, and I assure you your jaw will drop and how enemies get pulverized, which is something which I least expected, in an action-packed, yet moving scene which will get you all riled up. Then again this shows how important it is to have a human mind in control, over something else which dictates its actions through set rules, and executed without a soul of thought.

    As a follow up film, this one lived up to the potential set by its predecessor, and expanded upon that universe with more Evangelion protocols, new and improved mecha capabilities, and characters you feel for, while still keeping a lid on the intrigue posed by the organizations NERV and Seele. No prior knowledge of the earlier film is required, though you would be better off to know some basics to enjoy the film a lot more. Needless to say the fans would lap this up, especially when the trailer for the 3rd film gets played after the end credits that offered that sneak peek into what's next, and that antagonizing wait for it to actually happen.
  • This review is based on the Blu-Ray release version 2.22

    Evangelion 2.0: You Can (Not) Advance (or 2.22 depending on the version you saw) is the most successful interpretation of Evangelion thus far. While the first remake film 1.0: You Are (Not) Alone felt much like a mere recap of the first six episodes of the series, the second film takes a different approach and reaches a remarkable level of success. Everything is smoother, more refined and simply better.

    The animation is gorgeous. The plot is more understandable. The characters are actually all likable this time. Many elements of the story are different, and the pretentious biblical gibberish seems to have taken a back seat. There is also warmth that was largely missing in the series: the characters seem to be genuinely content with their lives. Shinji isn't constantly mumbling about hating himself. Rei isn't a completely emotionless robot. Even Gendo seems more human. As a very small, but important detail we see his eyes through his shades far more than in the series, which may not sound like much, but it really makes a difference if you've watched the series.

    The story remains mostly the same. The events cover mostly what happens in the episodes 7-19 of the series, but with all the filler cut out. Only the most meaningful angel battles are left. Instead of feeling episodic like the first film, 2.0 actually feels like a proper movie with appropriate highs and lows and character development, culminating in a huge climax which is one of the most exciting action sequences ever seen in animation.

    The animation is top of the class. The level of detail is simply eye- popping, especially when watched in HD. With the help of CGI the angel battles look cooler than ever, and the evas are particularly impressive. The fairly simplistic characters are something of a letdown in comparison, but don't drag the overall presentation down.

    The sound is also vastly improved from the series. The music this time is appropriately epic, matching the scale and size of the evas and angels. The voice acting is on par with the series with most of the original cast reprising their roles. The ending song, an acoustic version of Utada Hikaru's "Beautiful World" feels perfect for the film, as if letting out a sigh of relief yet still leaving the feeling there's more to come.

    Yet there are still problems Evangelion can't seem to get rid of. The biblical imagery and names, though downplayed in this film, still feel somewhat goofy and superficial. Though the plot is more coherent, it still is very weird and it can be hard to grasp what exactly the big picture is. There is some weird dialogue and lines like "Do you hate pain?". Still, the rest of the film is good enough that the viewer is willing to overlook most of the flaws.

    Evangelion 2.0 is the best interpretation of the series thus far, and it left me eagerly waiting for more. I recommend seeing the 2.22 version, as it gives more insight to the characters and story. Highly recommended for both fans of the series and newcomers alike.
  • First let me state that I was not a fan of the Neo Genisis Evangelion series. I found the main character's constant self pitying weak and annoying. Hence I couldn't connect with the character which of course affected the story and the philosophy behind the story. Out of boredom I decided to watch the rebuilds 1.0 and 2.0 (this a review for both). The rebuilds basically takes story archs from the series to make into a new movie with some new graphics, new characters and new story arch. I found the new graphics and the new story arch very interesting as its faster pace and of course with new graphics. It also left out a lot of Shinji's self pitying patheticness which allowed me to actually connect with the story instead of trying not to throw up with disgust. The battle scenes are superb. I cant wait for rebuild 3.0 and 4.0
  • Warning: Spoilers
    Evangelion 1.11 followed the original TV series ep1-6 with hardly any changes, 2.22 roughly follows ep8-19, but there are so many changes that it would be difficult to list them all! Here are just a few of those: Shinji has way less self-hatred, Asuka is more introverted instead of being that loud-mouthed b****(whom I loved...), and Rei actually seems human and is more than able to start a conversation! There's also a new sexy female pilot who at the moment seems to serve no purpose except to increase the sale of Eva merchandise...

    That said, the best thing about 2.22 is the awe-inspiring visuals and the incredible new soundtrack by Shiro Sagisu, the combination make up for some of the most incredible battle scenes in any movie ever, you have to see and hear it to believe it.

    The film ends in such a way that your guess is as good as mine as to what's going to happen in the next installment, actually there's a teaser trailer showing Asuka in space... Evangelion 3.33 is scheduled for release in Japan this fall, which means it will be a lonnnnnggggg wait before we can purchase the DVD in the states.

    Suggested rating: R for intense violence, nudity, and language (dub)
  • The second movie of the evangelion rebuild. I have to say it was one rollercoaster ride.Though it seemed less "thematic" or less "psychological" the directors certainly took quiet a different approach in this movie and I was really happy with the outcome.

    Story was very good and took a interesting turn compared to the series and oh my did I love it. With it somehow a good pacing which was consistent. They added and removed some scenes and changed up the dialouge quiet a bit and these were all changes that I was pretty happy with. The city scenes which just made the world feel so much more alive and real. And they removed some of the "disturbing" scenes which I was fine with. The transitions between atmospheres were well done, one moment they are upbeat and happy and the next they are sad and lost but it's not in an instant, they do it gradually. Also they add some new worldbuilding details.

    Asuka's characterization is a bit different in rebuild and I mean a good different she seems far less annoying and has some new traits that make her quiet different from the original. And we are introduced to a new character that wasnt in the rebuild which is Mari and even though she probably had the least screentime she was a very interesting character and the oddball from the rest of the pack. We also get some new background details on some of the characters and some changes to characters's relationships.

    The visuals and music were well done. The animation, the lighting it was pretty much in par with the prequel but a bit better especially with the action scenes which were awesome. Though I hate Unit 00's color scheme. The music was quiet different in this movie and it had a more upbeat and chill vibe to it though some of the action scenes's music was just crazy and hype and the songs were well picked.

    Overall a very enjoyable movie. Somehow similar yet different to the series. They certainly invested the audience emotionally in a different way compared to the series and they did it excellently.
  • This film is a retelling of some episodes from the original Neon Genesis Evangelion series. It summarises the events so as to cut out any unnecessary fluff and goes for a tighter flow. It also adds and changes some elements. I don't agree with all of the choices, especially the new character Mari Makinami who is not needed and steals the show too much. However, it is still pretty good overall.
  • Following the events of the previous film, Shinji Ikari is still working for Nerv, the clandestine organization headed by Shinji's father, Gendo, tasked with defending Earth from the attacking creatures known as Angels. Shinji continues to reluctantly fight against the angel threat in Eva Unit 1 while dealing with his complicated relationships with his guardian Misato Katsuragi, Eva Unit 0 pilot Rei Ayanami, and newly arrived Eva Unit 2 pilot Asuka Langley Shikinami. As Shinji deals with his own personal issues, Nerv's overseeing organization Seele continues moving forward with the Human Instrumentality Project.

    The second film in Hideaki Anno's Rebuild of Evangelion, Evangelion: 2.0 You Can (Not) Advance covers the material from episodes 8-19 of the TV series but also is the part where the rebuild begins to veer away from its source material. A post credit scene in Evangelion: 1.0 You Are (Not) Alone showing the awakening of Kaworu Nagisa was a telling sign of Anno's intent on creating new spins on the series characters and would not be beholden to the layout as presented in the original series. While the characters remain mostly intact, Anno takes them through different directions story wise as well as expanding and adjusting the character and story progression to meet the needs of feature film format. For the most part the movie does this very well, but there are a few hiccups in the translation.

    If there's a central theme present in You Can (Not) Advance, it's in Shinji's relationship with his father, Gendo. The story begins proper with Shinji and Gendo visiting Yui Ikari's (Shinji's mother and Gendo's wife) grave, it effectively establishes the dynamic in Shinji and Gendo's estrangement with Shinji having processed his grief with feelings with isolation, inadequacy and worthlessness, and Gendo having sever ties to things he considers "frivolous" down to the fact Gendo has discarded any photos or mementos of Yui's existence which is yet another point of unspoken contention in their relationship. Shinji's complicated relationship with his father is further examined via his relationships with characters such as Asuka and Rei, who both give their input to Shinji in different ways. Asuka's abrasive personality is mostly in tact here, but admittedly it has had its edges softened in comparison to the TV series with remixes on scenes such as her sleeping in Shinji's room now with added exchanges including Asuka exhibiting a greater level of vulnerability in not just this scene, but also a remix of the elevator scene with Rei.

    While the movie mostly gets the major story developments right and the new elements presented are mostly unintrusive, there are some stumbling points that I was disappointed by. For those familiar with the original series, the two most horrific scenes by far from that show involved were in regards to episodes 18 and 19 with Eva Unit 1's brutal evisceration of Angel hijacked Eva Unit 3 or Eva Unit 1's devouring of the Angel Zeruel. While both scenes are still present, the soundtrack choice of what sounds like a children's choir in place of the original score doesn't fit all that well and I found it had the effect of lessening the impact of these sequences. In the case of the Zeruel scene there's also been a major change for the sake of I guess making it feel like a suitable ending climax which I suppose makes sense to a degree, but I'm not sure where I fall on liking or disliking the direction.

    Evangelion: 2.0 You Can (Not) Advance continues Anno's Rebuild of Evangelion revisiting and remixing elements with contemporary polish and designs. While the character dynamics are on point with some good expansions on Shinji's relationships with Rei and Asuka in particular yielding some strong emotional pathos, certain presentational decisions I felt called attention to themselves and lessened their impact. Overall Evangelion: 2.0 is a worthy entry in the series and makes for satisfying if flawed viewing for series veterans and franchise newcomers.
  • I did not watch the original 26 episodes series but I watched in these days all Evangelion films, because of the high ratings: Death and Rebirth (a recompilation of the original series), The End (a rewriting of the End of the series, still considered one of the best Anime ever), and then the last three, 1 and 2 which reboot the series apparently without mayor changes, and 3 which goes in new territories. At first I will write about Evangelion in general, and then about this specific movie here. In all Evangelion the writer touched any possible demagogic stereotype and cliché on earth: father/son relationship, Oedipus complex, a bit of the typical Manga Style sexuality, cheap psychology, and a huge amount of very cheap esoterism with symbolisms of all kind. My opinion? A big omelet of everything, which finally means absolutely nothing. Wiki says that after the failure of his previous works (which he judged as childish) he wanted to make something "deeper". My impression is that he did not even try to BE deeper, rather just to SEEM deeper in order to impress the audience. And I am afraid that only the Naive could be impressed by such a confused mess.

    I can still see why this show had success: Evas are cool, fights too, and there is enough mix of drama, action, teenage nerd sexuality in the typical Japanese style, and some sort of epic. I suppose that if you are younger than me and without any knowledge of psychology or esoterism, and a bit nerd, you may enjoy this works pretty much more than I did.

    About this film: like the number 1, it is almost a copy and paste of the series, but this time with some more changes, which, as another reviewer said, I also find good, giving more action and some more credible psychology, and less of the biblical potpourri which the author should make eternal amend for (being really stupid and pretentious). If you enjoyed the series and/or the recompilation and/or the number one, you will surely enjoy this movie. I loved the end, being myself a terrible romantic. Even if then the number 3 completely ruined everything.
  • eferoth25 May 2010
    Warning: Spoilers
    Thats just it. Awesome.

    The first rebuild movie just sort of retold the first six or so episodes of the original series. It looked great, but you could never shake the feeling of been there seen it (except for the improved Angels obviously) This one goes far, far beyond that. It sums up the plot of episode seven up to something around twenty. Thus it seems a little bit rushed, but on the flip side you're never able to catch your breath. The visuals are breathtaking at moments. The Angels are pretty much unrecognizable from their predecessors (which is a good thing in my opinion) and simply gorgeous to behold. The score also knows how to please.

    Where the movie really shines though is the story department. Instead of a retelling we get a re-imagining. Starting with a completely new character, piloting EVA05 and ending with a quite different... well ending. Its like they mixed the original episodes with End of Evangelion. While many scenes are still recognizable, they are often arranged differently or put into a completely different context. More than that, the movie strays from the source in quite a view key elements and reveals a lot of things far, far earlier than the original series. Also it explains far, far more. At the end of the ride you will have a pretty decent idea what the "Human Instrumentality Plan" is, for example. Something the original series didn't really bother to explain at all. There are completely new parts to the story as well.

    It's true that Asukas character falls a little short on screen time, but all in all I like her much better here than in the series. Her story ark and thus her development feels rushed but is still solid, and the ending is one of the biggest twists in this movie. And in the end... there are two movies left I think, and the way Asukas story goes in this one, she's fated to take on a much bigger role in future installments. In general the three children show new sides to them that were only hinted at before. Especially Rei gets a whole subplot that will definitely please fans of the character.

    All of this combined keeps you on the edge the whole time. You simply don't quite know where its headed. At the end of this second (of four) movies we have almost reached the end of the series which really makes me hope for an original very different outcome than before. Besides... the series was almost over at this point, but with the movies, we're only halfway there.

    In conclusion. If you liked EVA (and you're not a nitpicker), you're gonna love this. It's a hell of a ride. Don't miss it.
  • Where Evangelion 1.0 was mostly the same in terms of the story compared to what NGE did, Evangelion 2.0 goes into a different direction with the story and characters. It is still interesting to see what they are doing. However there is still way to many unanswered questions from the previous movie and this one adds more to it.

    We're seeing a new original character (Mari) but the writers aren't providing a lot to work with regarding this character. She's rarely seen throughout the movie her personality can basically be narrowed down to: she likes to sniff people ("I like your smell") and she's even more of a crazy combat freak than Asuka is. But that is it. There is not much else there to work with in terms of the character. Oh and she's physically attractive. I guess it's bonus points for a nice pair of breasts...

    Evangelion 2.0 changes the way Asuka is introduced into the story. It's okay the way it is handled but her personality is just as much of a pain as it was in the original series.

    Certain annoying parts from the series have been cut down like Shinji's brooding phase is much shorter. In addition the time frame has been sped up considerably in terms of the events happening. Certain angels from the show have been cut or replaced with something completely different that is also more combat oriented.

    The movie then ends with a "what the hell" moment that creates more questions while we still do not really have answers to questions from the first movie. One can sure hope Evangelion 3.0 will provide more context, right? RIGHT?
  • The entire rebuild version is really unnecessary. The characters are badly simplified as ones from an ordinary anime.
  • Warning: Spoilers
    Well after watching the first Rebuild, onward to the second Evangelion movie. Like the first film, the tone is a bit serious, touching, and more background on to the characters. Unlike the TV series, Evangelion 2.0 is a lot more serious in terms of the tone.

    The most dramatic differences is the character of Kaji who is more serious and caring unlike the TV series where he was a downright lovable goof-ball that we know.

    Another differences is we sorta know the world still has the blue ocean whereas in this version, the ocean is red and the entire ocean is already dead. And the introduction of the mysterious girl Mari who just jumped out of nowhere, but I assume we'll find out more about her and how she fits in the storyline.

    Once again, the animation is a lot more crisp, CGI and a lot more detail then the TV series. I think it is a great addition that adding more color makes Evangelion a very beautiful film. Music is jazzy, but also some were very somber and dark.

    As a fan of Evangelion, I'm happy of how the anime turned out and where it is headed. Just like how I waited for the second movie, I'll wait for the third one as well.
  • db21527 June 2010
    I watched Evangelion as a teenager and liked many aspects of it. However the series was very weak and repetitive in the middle and clearly suffered production difficulties near the end. The movies didn't do much for me after the initial epic-scope aesthetics of End of Evangelion had worn off. Now more than 10 years later I'm pretty happy that things have been reordered and re-rendered to make the series into what it should really have been in the first place.

    I don't like the fact than Anno Hideaki has been able to milk the somewhat unfinished series for so much cash and so many editions (not to mention pachinko machines) so far, but taking 1.0 and 2.0 as stand-alone works (and ignoring their pretentious titles) is pretty satisfying.

    Story 8/10 Good: much more than a rehash of the series. The story is fleshed out in some of the most necessary places and feels so much tighter and more concentrated than anything that has come before. Some awesome new snippets of what is to come later in the series add some satisfying excitement.

    However, there is still an element of "here comes the next baddie" which gets a little tiresome. It is dealt with much more effectively here than the series, but it's still predictable. Nevertheless, despite giving the impression of being about to enter the full-on "monster of the week" barrage, it never really does, which is a blessed relief. The interactions of the characters are becoming more believable, and individual personalities are being better exposed and explained.

    But, and it's a necessary but, what's the deal with the fan-service? Come on, man. Take yourself seriously, won't you? Animation 9/10 Well, it teetered between absolutely superb and a little disappointing. The budget was clearly insanely high. Action sequences are fantastically detailed and choreographed for the main part, although suffer from gratuitous flailing of limbs and ridiculous acrobats which unfortunately dumb it down a little. Backgrounds are simply amazing. The detail and range is incredible. The failings lie in the characters. Sometimes character faces and expressions look out of place by their simplicity. The broad pen pines and over-simple shading are a bit of a let-down.

    Sound 7.5/10 Not particularly amazing. Again we see the technique of using a mixture of classical and children's music for depth and vulnerability. I'm surprised at some of the choices though. For example, one of the children's songs used is very popular in Japan and often used in elementary schools. The manner in which it is normally used makes its appearance in the film almost comical; which can't have been the intention. Not really knowing many Japanese people who care that much about anime I haven't been able to ask what they though, but it seemed a bit silly to me.

    The Japanese people speaking English throughout the film are incredibly embarrassing. What a huge mis-calculation. How hard is it to train people to say a small number of lines in a natural way? Characters 8.5 Although some of the characters (particularly Asuka) seem to have become even less likable, for the most part the big-hitters have only improved. Although there is little time left for the minor-characters to develop or even really be involved, the well-developed personalities of the leads take somewhat new directions in their relations to one another. The relationship between teen-sap Shinji and his father has a more satisfying and somewhat relatable edge to it now, and Rei's annoyingly hyperbolic meekness has been flatted out to something more forgiving. All in all, satisfying.

    And the new lead, Mari, is much better than (at least I) predicted. She has a very interesting relationship with herself, and pain. I am definitely looking forward to her future development.

    Eva designs seem to have changed slightly around the waist which was a curious choice, and doesn't add much to their attractiveness. In contrast, the Angels have been changed for the better. The old, sometimes Ultraman-ish designs were sometimes a little... Ultraman-ish. The reduced number and better designs have helped things along well.

    Overall 8.5/10 Overall satisfying. For me the film didn't quite have the intensity ascribed to it by others, and the ending I thought actually lacked a little emotional attachment. I also thought that the amazing animation and choreography discussed above wasn't nearly as good near the end as it was earlier in the feature. But despite this, as a whole this movie blows the series out of the water. So much which was unsatisfactory is now shiny and new. Whether or not I would feel this way about the film without having seen the rest of the franchise is anyone's guess, but I really enjoyed it. Good work, keep it up.
  • otaking2414 December 2010
    Warning: Spoilers
    I have to admit that, after the first film in this new 'Rebuild of Evangelion' cycle, I had extremely low expectations for the second film. 1.11 was such a carbon copy of the 1995 series that I was convinced that Anno and the crew at Gainax were content to simply cash in on remaining fan fervor and release a mildly rehashed version of that admittedly brilliant storyline.

    The first 10 minutes of 2.22 utterly destroyed this preconception and left me breathless in my seat. This is one of the most fantastic opening sequences I've seen in film and sets the stage for a thrilling experience. 'You Can (Not) Advance' opens with the introduction of a new character, a new EVA, a new Angel, and a new scenario, and proceeds to evolve the storyline in a completely unpredictable fashion.

    People who think they 'know' Eva are going to be knocked on their asses by this film. Nearly everything has been upgraded for the better: from the stunning visuals to the revamped plot line to the compelling musical score (Shiroh Sagisu at the absolute pinnacle of his game). It's breathless and fast-paced and a very compelling movie experience.

    Which brings me to my one big gripe about the film: it may be a little TOO entertaining. The original TV series was filled with tortuous self-doubt and self-loathing, an introspective psychoanalytical and quasi-religious experience set to the background of giant robot combat for human survival. The new films streamline this so much (seemingly for the sake of watch-ability) that they lose a key part of what really made the series so engrossing, at least for longtime fans like myself.

    To give one big example: Shinji's ambiguous relationship with the 3 women in his life (Misato, Asuka and Rei) is a huge aspect of the original series. He is continuously torn apart by his mix of adolescent sexual desire, desire for friendship, and desire for a mother-figure with regards to each of them. This is an underlying current throughout the series and becomes a real driving force in the original theatrical climax ('Air' and 'My Pure Heart for You'). In the 'Rebuild' storyline, this is re-imagined as a much simpler developing romance between Shinji and Rei, with Asuka's one-sided affections filling out a rudimentary triangle (her character in the new film is such a 180 that it's difficult to accept). While much easier to understand and certainly less angst-ridden, I do find this resort to a familiar trope to be a bit of a disappointment, especially when compared with the original storyline.

    In spite of these minor quibbles, this is a film that really must be seen by anyone who has even a passing interest in Japanese animation or film in general, and if possible you should try and catch it during its US theatrical run in January. Just don't take this as the 'definitive' Eva.
  • Warning: Spoilers
    Indeed, as the title suggests, this movie surprised all its viewers with huge changes in the original plot, setting it apart from the original, and making it arguably, even better. Since I don't know of many things I could possibly say that haven't already been said about this fantastic Movie, I'll give the basics: The animation is, as expected, amazing. Very polished, vibrant and beautiful. The characters are believable. People can argue about the Main Characters "Whining" and 'Emo-ness" all they want, but I think that the ones who dislike him for that might as well say that they are disliking him because, instead of being the generic Anime Macho Bada**, Shinji is realistic. The other characters are fantastic too, and likable. Even Asuka, despite her attitude. Its a shame that she... well you'll see if you watch. The dubbing, though there are quite a few dub haters out there, as very... VERY good. A huge improvement over the original (But in all honestly I prefer the originals. Its just because of the Nostalgia factor though...) And of course, the endings gigantic Cliff Hanger is killer, and made me squeal for 3.33 to come out already. And I'm sure that 3.33 will be no less if not more amazing than this.
  • Warning: Spoilers
    Eric's Grade: B This is the second in the 'Rebuild of Evangelion' series of four films based on the 'Neon Genesis Evangelion' anime series. It continues the story of Shinji Ikari, primarily, who is one of the adolescent pilots of large Evangelion mechs that are used to fight off alien entities known as Angels. Shinji also happens to be the son of NERV leader Gendo which is the Japanese agency empowered to utilize resources to develop the Evangelions and fight Angels. The first film was really an introduction to the world and Shinji's place in it along with his fellow pilot Rei and the support structure surrounding himself and the pilots. This sequel is nominally a continuation of the battles against the angels, but also adds an additional unit and pilot named Asuka who alters the whole dynamic. We are also introduced to a European pilot named Mari who shows up strategically throughout. There is more plot involving Shinji developing as a person and him bonding with the other pilots,however, the story is primarily fighting Angels. There is some other super secret, high level organization with a overarching agenda that we only get hints at. With two more movies to go in the series it would seem that will come more and more to the forefront as the narrative as a whole moves forward. There are added wrinkles thrown in such as an autonomous mode for the Evangelion units as well as a "berserk" mode which removes a lot of safeties and limitations, but also puts the pilot at severe risk. The last act of '2.0' morphs from a pretty solid, straightforward narrative into a much more surrealistic, impressionistic display. It is not that the story becomes less focused, but as the abilities of the machines and pilots are flexed combined with Angel interaction very bizarre things occur including a somewhat cliffhanger ending that finishes this chapter off with an exclamation point.

    I actually enjoyed '2.0' better than the first film. I had the established characters down and it was easier to assimilate and enjoy them, and the new characters, within the framework of this universe which I now had some knowledge about. The character design including Evangelions and Angels are creative and entertaining to watch in action. It is also interesting, if a bit mind bending, to observe the imaginative turns the story takes in the latter portion. Kind of like a video game I enjoy seeing these characters ramp up in experience and power level, and that is reflected in the battles they engage in. I wonder if the whole larger story will become clear and accessible, but that is not an overriding concern watching this story. I am not sure I quite understood it all, and I am not even positive I was meant to understand it all, but it was engrossing, entertaining and made me excited to see what they do with the next chapter.
  • Warning: Spoilers
    Alright, this is my first review about a movie, so, let's get into business. I'll try to speak minimal spoilers and be brief as possible.

    The Evangelion 2.0 (or Evangelion 2.22 in American English and Brazilian versions) is a new concept of the story of Evangelion. For those who were used to Evangelion series, this movie really breaks with the old series, with an entirely new plot, and a new course of actions during the movie.

    We got 2 new characters who makes this movie great, and they are Mari Illustrious Makinami and Asuka Langley Shikinami. With a great sense of humor and something crazy, Mari shows great movements and great battles, which is great for a whole new character, who had never appeared before in this series. Asuka has gotten a new design and a new personality that really thrown me inside the movie. Differently from the Asuka from the anime, this Asuka shows a little more maturity, and also some optimism, what breaks that atmosphere dark and pessimistic what the original series had.

    At last, Shinji also got a further development of his personality in this movie, showing a more brave, fearless and determined Shinji than the one of the series, who was coward, pathetic and depressive.

    As a sequel from Evangelion 1.0, this movie was really great, with the good things the anime had (like the amazingly designed battles and the fantastic soundtrack), and the new included features that improved the plot and the characters.

    For anyone who has seen the original series and the Evangelion 1.0, this sequel is astounding, and makes everyone to wish to see the 3rd part, with high expectations for the end.
  • Evangelion 2.0 is an anime movie that has been widely praised for its innovative features, despite not being as innovative as the original series. The film follows the Rebuild of Evangelion series from episodes 8 to 19, but it also introduces new characters and takes new directions. The plot is a treat for fans of the series, with twists and turns, and the pace is near flawless. Both veteran fans and new audiences will enjoy the new plot, which remains mysterious and engrossing. The film is a testament to the power of anime and the potential for greatness in the anime industry. The film is a must-watch for fans of the series and anime fans alike.
  • After Evangelion 1 was pretty much just a reboot of the first six Neon Genesis Evangelion episodes, I certainly didn't expect its sequel to deviate from the series quite this much.

    While there are some parallels, most importantly the introduction of Asuka as the pilot of Unit-02, many things have outright changed for a more dramatic impact. As with the first movie, the events of the series had to be highly compacted to fit into a single movie, only more than twice as many episodes that had to be reduced here. This means that many scenes were outright left out. While that's no problem for the more silly stuff of the series, I highly enjoyed the background episodes that filled in a few characters' biographies.

    Still, Evangelion 2 is a fantastic sequel to Evangelion 1 and a worthy reboot of the series. The visuals are gorgeous from beginning to end. The ending admittedly felt a bit... odd to me; I had my problems with the weird pseudo-biblical spiritual twist in the series as well. The ending of Evangelion 2 is much more open compared to Evangelion 1, so I'm eager to see what the third movie will bring.

    My biggest grievance of Evangelion 2 is the introduction of Mari, a fourth EVA pilot that wasn't part of the original series. I'm not sure if she's going to play an indispensable in the third movie, but she felt quite tacked on in this one, pretty much just fanservice. Sure, she's interesting enough, I guess, but she pales in comparison to the other characters. Then again, I already know the other characters from the series; perhaps Mari is as (non-) many-faceted as the other characters if you watch the movies as a stand-alone.
  • Warning: Spoilers
    Let me start by saying that I consider the original Evangelion show as one of the best animes ever made. One thing in particular made it special: the characters.

    Back then we got to spend a great deal of time with Shinji a teenager with a huge responsibility on his shoulders who does not carry it easily like an action hero stereotype but is rather deeply hurt by it and by his relationship with his father. I look at the Shinji in this movie and yes, he does seem a bit shy and... but wait! there's a big action sequence coming up! Damn does the new angel design look cool!

    Oh yes, where were we? The characters... well in the original series there was that totally weird blue haired girl the likes of which we'd never seen in another anime before. Rei was such an enigma, you had to guess if she was even human or not. Thankfully this is fixed now and yes, she is a bit strange... but wait! Big action sequence coming through! 10 minutes of gorgeous explosions and punches! Yay, this is amazing!! So back to Rei.. now she is cooking for a party. Isn't this lovely, that's more how a young girl should behave. Not like that Asuka who is now in an aggressive mood. Always. In the original show she used to be a lot more likable, maybe because we could see a more childish side of her. Now she's this annoying genius who feels lonely and... But wait another super-cool fight is starting after this 38th panty shot! Wow it's our new character! She's great and she's... umm...she's like...well... i don't really know, but she kicks ass!! This rebuild of Evangelion is so cool!!! Yeah...
  • Evangelion: 2.0 You Can (Not) Advance is phenomenal. Where the first movie was prett much just like the beginning of the series, You Can (Not) Advance takes another direction. Not only that, also the character develop different than in the original series. Hideaki Anno executed this amazing so it's on the same level as the series. The characters of Shinji, Rei, Asuka, Misato and also Mari are amazing and I love their new developement. I love 2.0, especially the last 15 minutes were one of the best in the franchise.
  • The first episode of Evangelion Rebuild seemed promising, and it gave some hints about the potential new directions Anno may take the Rebuild series in compared to the original anime.

    Fans and viewers were pleased with the first episode of the Rebuild of Evangelion despite its obvious similarities to the first six episodes of the original series. To fans of the original series, You Can (Not) Advance will seem like a radical departure, even as it improves upon familiar situations.

    Furthermore, this contribution lacks the anguish and unnecessarily philosophical babbling that detracted from his first amusing innovation. In contrast to the show, the characters here form new relationships with one another and act in novel ways. There's been a lot of great growth for the three EVA pilots from the first season, and the programme departs dramatically from NGE in a way that works extremely well. New people are introduced, the stakes are raised, and a lot of groundwork is laid for what turns out to be an amazing climax.

    The tone is darker and the pace faster in this version of the film. This is the first movie in a while that has had my heart racing in reaction to the tense or terrifying sequences on screen, and the action is thrilling. A lot happens, and it's fascinating to see. The film is less heavy than NGE and EOE while being more gruesome and yet having its moments of pure nightmare fuel because of the playful interactions between people and the humour.

    Despite the fact that it's a lot bloodier, it's still preferred. Evangelion's soundtrack is at its best in this picture, and it does not disappoint. Anno clearly makes the out-of-place songs fit as well as he did in the show and EOE, and the soundtrack has everything from a superbly arranged racing soundtrack to gorgeous and engaging J-pop.

    The episode was a memorable addition to the series, and it gives me high hopes for the next two instalments. The film is a significant advancement for the whole series; the radical alterations it presents promise much bigger things to come, and it elevates the stakes for the Evangelion universe. Anno appears to have overcome his depression and evolved into a fantastic storyteller and world builder.
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