The Informers

First let me start off by saying that I am a fan of the book, which is now one of my favorite books. So I was very excited about the movie. I honestly liked the movie. I do not think that it is a great movie or worthy of anything, but its not horrible, like everyone else thinks it is.

I'm not sure if people hate on this movie because they think the acting sucks, or because they think there is no plot line. I can agree on both parts. One, there were certain actors in this movie whose acting was simply bad. But then there were others, such as Kim Basinger, Winona Ryder, Mickey Rourke, Jon Foster, Mel Raido, who played Bryan Metro, who all rocked. Two, there were aspects in the book that could have made the movie better, such as not taking Jamie the vampire completely out of the movie and a much better ending. But the other thing to remember is that this is not the book, its a movie based off of the book and for what they used in the movie is pretty accurate. My advice would be to read the book before seeing the movie. In doing so, I think the movie brought the characters from the book to life.

I also feel that another reason why people didn't like this movie is because all of the supernatural elements were taken out. I will gladly admit that I would have loved for there to have been vampires and aliens in this movie.

And lastly, and this is the main reason why I think people hate this movie or just don't get it, The Informers is about scummy people in the early 80's in Los Angeles and focuses on how they are all connected in some way. THAT'S IT. And the movie portrays it perfectly in my opinion. There isn't much else that you could do with the movie when that's all the story is about. People also need to know ahead of time that you are not going to like these people either, minus the select few who are not entirely heartless. Honestly, it's a good, gritty story.

If you are like me and you like movies about sex, drugs, the 80's, Los Angeles, and greed, then this movie is worth seeing. I feel that this movie is a documentary on the 80's. You want 80's, this movie delivers 80's. Granted the movie wont beat out the book, the movie is still good.

It's kind of strange to explain why I liked this film. Maybe it was the ensemble casting united; or maybe it's because I tend to enjoy hyper-linked stories where unconnected situations and characters will connect with each other at the ending; I really don't know. Or more important, perhaps I didn't find reasons enough to dislike it even though there were plenty of them.

Bret Easton Ellis adapts his own novel into the screen and even though I haven't read the book I believe this is somewhat well adapted, very close to his style of writing and characters presentations and inconclusive endings to some of them. The story presented has several characters (played by Billy Bob Thornton, Kim Basinger, Jon Foster, Lou Taylor Pucci, Winona Ryder, Brad Renfro, Mickey Rourke, Chris Isaak, Rhys Ifans among others) messing up with their lives while trying to figure out a meaning to it. It all takes place in the 1980's (as usual with Ellis works) and it does involve sex, drugs and rock n'roll.

The problem with "The Informers" is that it is a movie that doesn't have a heart or it just doesn't beat enough, by that I mean that you leave the experience without getting much except the reunion of a good cast giving average performances. We're thrown with these characters, know few things about them, then the story tries to conclude something but not enough to let us take our own conclusions of why they do what they do. For instance, the story involving the kid and his father on vacation trying to get to know each other where the father tries to communicate with his son who knows that this is impossible, since they have nothing in common. It only gives innuendos about the boy's sexuality, some sort of confusion and in the end we kept wondering what was that all about. There's something there that could be explored more, the script never answered what needed to be answered so the bond with its audience is a little inexistent.

The weakest aspect of all is that it doesn't look the 80's, it's too much 2000's, it's too updated. To have an good example of recreating an decade years later and also a film based on Ellis novel, "American Psycho" was infinitely better not only the story but also bringing the 1980's back with their colors, the loud music (and of great quality), the pop culture references. In "The Informers" it's only a music here and there or a TV report about the AIDS that inform us that we are in another decade.

This melancholic tale about ill fated characters living as a lost generation has its good moments. It's a good film, it never leaves you uninterested or bored or angry. It's main difficulty is a script that doesn't dig a little deeper and rarely gives some powerful insights about how troubled was the 1980's even with everything going in your favor like the characters presented here, all rich and beautiful but miserably sad. 6/10

The informers is not a bad movie, but it is definitely not a movie you would like to see twice. Various stories are told and lives are exposed in this film but nothing shown really gets to the viewer. It's main aim is to show the very essence of some of the luxurious lives of California big shots at the end of the 80s.

While intensive drug abuse, cheap rock n' roll and sex is going on the director shows confrontational situations within families, adolescents that have everything and nothing at the same time and Micky Roorke, that was probably in this film as a source of information about the 80s cocaine as the new trend and career downfall. No complains with K. Basinger and Billy Bob though there is no mayor performance in the cast. Script could have been much better and it's far from original.

There is literally no need for anyone to watch this film unless you want to see the dark side of fame and Hollywood which is definitely a cliché.

I had good expectations about "The Informers". Being a fan of Bret Easton Ellis' writing, knowing that he co-wrote the script himself, and with a cast that includes names like Billy Bob Thornton and Mickey Rourke, it had everything to be a new cult favourite, right? Wrong. I'm not familiar with Gregor Jordan's previous work ("Two Hands", "Buffalo Soldiers"), and given his speech before the film première at Sundance on January 22nd, I don't doubt his good intentions about this project. Unfortunately, a good movie isn't made just of good intentions. As in most of Ellis' work, the protagonists are a bunch of shallow, pretty rich kids (Jon Foster, Lou Taylor Pucci, Amber Heard, among others) and their just as shallow elderly peers/parents (Kim Basinger, who played Foster's lover in "The Door in the Floor", now plays his mother, who's depressed because of her husband's – Billy Bob Thornton – affair with the confused newswoman terribly played by Winona Ryder; less serious is Chris Isaak as Pucci's womanizing father, who seemed to have fun playing his character), in 1983 Los Angeles.

Jordan said during the Q&A that this is a movie about Los Angeles, and that Robert Altman's "Short Cuts" was an inspiration for it. It's light years away from the depth, originality and brilliance of "Short Cuts", though. Jordan doesn't know how to direct this sort of material; it pales in comparison to Mary Harron's insanely secure hand over "American Psycho", also based on an Ellis novel. "The Informers" doesn't even engage the audience like the flawed, but fairly entertaining "The Rules of Attraction". It tries too hard to be a cool movie and fails, almost always, miserably. The overall acting is pretty mediocre, although Isaak and Pucci bring some life to their characters. Foster, who was great in "The Door in the Floor", shows that he's not yet ready to play a lead (and he didn't even have to carry the movie on his shoulders à la Christian Bale; this is a big ensemble where nobody really stands out, and I'm including a pre-Wrestler Mickey Rourke and the late Brad Renfro, who plays the perhaps only likable character, in the list).

Jordan said Ellis was afraid to show up for the movie première at Sundance, probably predicting the criticism that was to come. I don't blame him (and I feel for Jordan too since you gotta respect someone who has the guts to face the honor - and pressure - of having your movie premiering at Sundance). Although nobody was impolite during the Q&A, the movie got trashed by the critics afterwards.

I have no idea how well this is gonna do at the box office, although Amber Heard's constant nudity will certainly catch some attention and give her lots of job offers (too bad her acting skills are still rather poor). I wouldn't call "The Informers" a terrible movie, just a very forgettable one. The final scene (not the conclusion, but the very final scene itself) is disturbing, sad and yes, memorable; but by then you feel like you wasted too much time with something that's been done several times, and much better, before. 4/10.

I am shocked by the terrible/mediocre reviews. This is an incredibly dense movie masquerading as a bunch of moral-free vignettes. The main thing to take away from this movie is: nothing. There is no discernible meaning to life when lines get blurred. Grant, sort of near the end, tells Martin that when you don't know what is good or bad, you don't know what to do anymore. This sums up this movie perfectly. I know people like this...that is, people who have everything and act like it is nothing. People who are so self-centered and naive that they actually believe their nihilism is justified. Maybe it is, maybe it isn't, but it is fascinating (for me at least) to watch. Every character is fleshed out pretty well, it is just that the details of their characters are semi-buried. If you watch closely, I think most will find an intimate portrait of bad people (Renfro's character may be the only 'decent' person in the film...and yet he aspires to be like the 'bad guys'...what does this say about our culture? This movie is tragic, but not in the usual way. We are forced to watch characters who have it all and act aloof. I kept thinking throughout the film, a surefire sign something was done right. I can easily imagine myself in the main characters' shoes - so withdrawn (from riches and drugs) from society that good and bad don't even exist anymore. Instead, there is just life - and to them, it sucks.

Yes, there is some to be desired here, but I think this film more than any of the other Easton-Ellis adaptations shows how Brett views the world - as a cold place where those who have it all have nothing, and those who have nothing - still have nothing.

From a film-making standpoint, there was some to be desired, but Gregor Jordan, overall, is an excellent filmmaker. I give this film a 7 for strong visuals (more impacting than the dialogue. usually) and a very realistic look at the philosophy of nihilism.