TV Series | TV-14 | | Comedy, Romance
A woman who moves into an apartment across the hall from two brilliant but socially awkward physicists shows them how little they know about life outside of the laboratory.
In the early episodes of season one, Sheldon (Jim Parsons) has two character traits that were not established right away. First, he understood the nature of romantic and sexual relationships. In the first few episodes, he chides Leonard (Johnny Galecki) for his hopes of getting into a relationship with Penny (Kaley Cuoco), often telling Leonard that he has no chance of having sex with her. Also, Sheldon understood the nature of sarcasm, as he occasionally used it himself in the early episodes. Later, his character evolved into a purely intellectual person and an emotional "man-child", who does not fully understand sex, love, or sarcasm. Second, in the early episodes, Sheldon did not use his three-times knock (knock-knock-knock "Penny", et cetera) that has become one of the character's now well known idiosyncrasies that did not begin until midway through season one.
Stop pawing at me like you're a Bear and I'm a Trash Can full of Swedes!
Sometimes there's a fire alarm and emergency instructions notice next to the elevator and sometimes there isn't.
One of the final cards to appear in the credit sequence is the vanity card for Chuck Lorre Productions. In keeping with his practice on "Dharma and Greg" and "Two and a Half Men", there is a different message on the card each week, written by Chuck Lorre himself.
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