A group of scientists researching an alien spaceship found in the Antarctic come face to face with the ship's, not quite dead, occupant.A group of scientists researching an alien spaceship found in the Antarctic come face to face with the ship's, not quite dead, occupant.A group of scientists researching an alien spaceship found in the Antarctic come face to face with the ship's, not quite dead, occupant.
- Director
- Writers
- Stars
- Awards
- 6 nominations total
Jonathan Walker
- Colin
- (as Jonathan Lloyd Walker)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In 1982, the Norwegian Dr. Sander Halvorson (Ulrich Thomsen) invites the paleontologist Kate Lloyd (Mary Elizabeth Winstead) to join his team in his research in the Artic. On the arrival, she learns that they have discovered a spacecraft deep below in the ice. They find a frozen alien life form nearby and they bring to their facility for research. Out of the blue, the alien revives and attack the scientists, contaminating them and assuming the shape of his victim. Kate finds means to identify the creature, but maybe it is too late to save the team members.
In 1982, the master John Carpenter remade the 1951 "The Thing from Another World" ans his movie has become a masterpiece. The story of a shape-shifting alien that can assume any human form is tense, supported by a claustrophobic and depressing scenario, paranoid characters with Kurt Russell in the top of his successful career, haunting music score by Ennio Morricone and John Carpenter's top-notch direction.
This remake disguised in prequel is not totally bad, but follows the format of the present Hollywood movies, supported by special effects but without the atmosphere and the psychological horror of the 1982 movie. My vote is six.
Title (Brazil): "O Enigma do Outro Mundo" ("The Enigma of Another World")
In 1982, the master John Carpenter remade the 1951 "The Thing from Another World" ans his movie has become a masterpiece. The story of a shape-shifting alien that can assume any human form is tense, supported by a claustrophobic and depressing scenario, paranoid characters with Kurt Russell in the top of his successful career, haunting music score by Ennio Morricone and John Carpenter's top-notch direction.
This remake disguised in prequel is not totally bad, but follows the format of the present Hollywood movies, supported by special effects but without the atmosphere and the psychological horror of the 1982 movie. My vote is six.
Title (Brazil): "O Enigma do Outro Mundo" ("The Enigma of Another World")
You're stationed at an isolated outpost in Antarctica when you inadvertently discover a flying saucer type spacecraft beneath the frozen surface. Not long after you discover the alien pilot, trapped inside the ice sheet, looks like he may have been there for some time. Unfortunately, after recovering the entombed alien the protocols of containment are soon dispatched to a nearby bin and, before you know it, a rather excitable shapeshifting beast, who likes to take the form of bodies that have been turned inside out, and various other parts that should be internal and not external, is causing chaos and carnage and mayhem and disaster.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
While not as good as the 1981 take, it is still a spectacular piece of masterful horror that continually delivers upon each subsequent viewing and provides some depth to the John Carpenter thriller.
Different enough from the original that it feels pretty unique, and takes a bit of a different spin on a good story.
Glad they cast M E. W as the lead as she's just a great actress, and for me, this and Cloverfield Lane are some of her best performances in my opinion.
Graphics feel a little dated now, but there was only really one instance where it felt a little lower budget.
Only removing a few stars because I think there could have been a little more tension, and I wanted a more solid ending that what was offered.
A worthwhile watch which I wish kept me more on my toes, but delivered in great monster design and enough nods to the original without being a copy.
Glad they cast M E. W as the lead as she's just a great actress, and for me, this and Cloverfield Lane are some of her best performances in my opinion.
Graphics feel a little dated now, but there was only really one instance where it felt a little lower budget.
Only removing a few stars because I think there could have been a little more tension, and I wanted a more solid ending that what was offered.
A worthwhile watch which I wish kept me more on my toes, but delivered in great monster design and enough nods to the original without being a copy.
This is a prequel/sequel/reboot/rework to John Carpenter's 1982 classic horror The Thing. There is the big reveal twisting the story to loop it around. They could have played with this a lot more than what they actually did. It's convoluted but I'm willing to buy it. In fact, it added something interesting. Not the same for the FX.
The aliens are now almost all CG. That's a big problem since the original had some of the most iconic real FX. It's a spit in the face for fans to replace it with CGI and it doesn't look good anyways. Going inside the saucer is a big mistake. This stars Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olsen, but nobody really stands out. This is a good idea but executed without understanding the appeal of the original.
The aliens are now almost all CG. That's a big problem since the original had some of the most iconic real FX. It's a spit in the face for fans to replace it with CGI and it doesn't look good anyways. Going inside the saucer is a big mistake. This stars Mary Elizabeth Winstead, Joel Edgerton, Eric Christian Olsen, but nobody really stands out. This is a good idea but executed without understanding the appeal of the original.
It's hard for anything to compare to John Carpenter's The Thing. It's one of the greatest horror films ever made, some would argue *the* best. Thankfully, they didn't go the remake route here and instead opted for a prequel that depicted the events that happened in the Norwegian camp prior to the '82 version. In that regard, this movie does an impressive job at tying some knots like showing how the two-faced thing came to be, as well as the origin of the dog from the start of Carpenter's Thing. Sadly, that's where most of the praise ends.
The Thing suffers from what plagues many horror movies these days - underwritten characters and overwhelming CGI. One of the scariest things of Carpenter's version is the practical effects of the "thing". They were horrifying. Here, all subtlety is thrown out the window in favor of huge CGI monsters. It's effectively used in a couple scenes, but the monsters lose their scariness after a while and it just becomes gratuitous. The characters themselves are paper thin. What helped make the '82 version so fantastic is that we got to know the characters, their quirks, their personalities, and we were able to empathize with their situations. In this movie, half of the characters are interchangeable. I didn't even know most of their names. And worse yet, I didn't care about any of them. There's one particular scene that calls back to Carpenter's infamous blood test scene where I realized that most of these people are really dumb and I don't care if any of them die. That's not good in a horror movie. By that point it was just a waiting game for them to get picked off one by one.
The lead performances are strong. For the material they were given, Mary Elizabeth Winstead and Joel Edgerton do a fine job. But that simply isn't enough to carry a movie like this. The Thing is supposed to be scary, and for the most part, it isn't. That's a failure by horror standards. There's some face-value entertainment to be had here, but if you're looking for a substantial prequel to Carpenter's masterpiece, you'll be sorely disappointed.
The Thing suffers from what plagues many horror movies these days - underwritten characters and overwhelming CGI. One of the scariest things of Carpenter's version is the practical effects of the "thing". They were horrifying. Here, all subtlety is thrown out the window in favor of huge CGI monsters. It's effectively used in a couple scenes, but the monsters lose their scariness after a while and it just becomes gratuitous. The characters themselves are paper thin. What helped make the '82 version so fantastic is that we got to know the characters, their quirks, their personalities, and we were able to empathize with their situations. In this movie, half of the characters are interchangeable. I didn't even know most of their names. And worse yet, I didn't care about any of them. There's one particular scene that calls back to Carpenter's infamous blood test scene where I realized that most of these people are really dumb and I don't care if any of them die. That's not good in a horror movie. By that point it was just a waiting game for them to get picked off one by one.
The lead performances are strong. For the material they were given, Mary Elizabeth Winstead and Joel Edgerton do a fine job. But that simply isn't enough to carry a movie like this. The Thing is supposed to be scary, and for the most part, it isn't. That's a failure by horror standards. There's some face-value entertainment to be had here, but if you're looking for a substantial prequel to Carpenter's masterpiece, you'll be sorely disappointed.
Storyline
Did you know
- TriviaThe producers convinced Universal Studios to allow them to create a prequel to John Carpenter's The Thing (1982) instead of a remake, as they felt Carpenter's film was already perfect, so making a remake would be like "painting a mustache on the Mona Lisa". However, the prequel still has the title of the original film, because they couldn't think of a subtitle (for example, "The Thing: Begins") that sounded good.
- Goofs(at around 5 mins) When Kate is introduced, she is examining a cave bear. She is doing so under normal room temperature conditions. Hence the corpse of the animal will thaw and rapidly decay. Specimens like frozen animals are kept frozen all the time to prevent the decay.
- Quotes
Adam Finch: So, I'm gonna get killed because I floss?
- Crazy creditsSPOILER: There are a few short scenes during the first part of the end credits, which tie the ending of this film to the beginning of the 1982 film.
- ConnectionsFeatured in De wereld draait door: Episode #7.31 (2011)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- La cosa del otro mundo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $16,928,670
- Opening weekend US & Canada
- $8,493,665
- Oct 16, 2011
- Gross worldwide
- $31,505,287
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content