Nina is a talented but unstable ballerina on the verge of stardom. Pushed to the breaking point by her artistic director and a seductive rival, Nina's grip on reality slips, plunging her int... Read allNina is a talented but unstable ballerina on the verge of stardom. Pushed to the breaking point by her artistic director and a seductive rival, Nina's grip on reality slips, plunging her into a waking nightmare.Nina is a talented but unstable ballerina on the verge of stardom. Pushed to the breaking point by her artistic director and a seductive rival, Nina's grip on reality slips, plunging her into a waking nightmare.
- Won 1 Oscar
- 98 wins & 279 nominations total
Abraham Aronofsky
- Mr. Stein
- (as Abe Aronofsky)
- …
Storyline
Did you know
- TriviaWhen shooting Black Swan, Natalie Portman sustained many injuries, which caused delays to the production. The most common injury was her left toe, which had to be restrapped while the cast and crew waited. This kind of delay was so frequent it was called a "Natalie Portman's Left Toe Delay" which was later shortened to...Portmantoe.
- Goofs(at around 24 mins) When Nina returns home and looks for her mother, after being assigned a role, a camera operator is visible in a mirror.
- Crazy creditsMany cast members are credited both as their role in this film and said character's corresponding role in the Swan Lake ballet
- SoundtracksApotheosis
Written and Performed by Peter Min (as Pete Min)
Contains "Swan Lake" written by Pyotr Ilyich Tchaikovsky
Featured review
Esteemed IMDb writer Theo Robertson messaged me the other day about this film and, while I skimmed it for fear of having him influence me in terms of his opinion, I did read that several older people had walked out of this film, seemingly having expected some sort of high-brow film with its roots in ballet. One can understand why because with all the award buzz and the superficial subject matter (ballet) combined with the actress and of course the previous work of the director, this must surely be an intelligent piece to be "appreciated" and "considered". What one wouldn't expect would be a film that, with a bit more gore, could easily be just another trashy horror/thriller that is released on video and has plenty of sex, violence and jump scares to it.
Well, got news for you, this is what Black Swan is – albeit a superior example of the genre. Essentially our lead character struggles to get in touch with her dark side when she wins the lead in Swan Lake, gradually losing touch with reality and/or being hunted by those around her who wish her harm. This manifests itself through some painful scenes of self-harm, imagined doppelgangers, intense sexual discovery, shadowy figures and a domineering mother who keeps her controlling menace under a veil of vulnerability that only falls here or there. It is trashy stuff in a way but it is done very well so that it produces this genre material but does so in a way that feels slightly classy while also engaging more than it would thanks to a brilliant turn by Portman.
And she is brilliant. I understand the mother because of how well Portman plays – this is not a character she has worked on for a few months, this feels like a product of years under the influence of this mother. She is nervous to her core, frustrated by her own inability to be this "thing" that she has spent her life not being – wild, loose, imperfect. Portman nails it and while I don't think it is a brilliant film, her performance is little less than brilliant. In support Hersey is equally as good with less time to do it. The flickers across her face say so much and I was impressed that with so little I was able to understand roughly what had happened in the previous 20 years. Cassel is simplistic but effective in his predatory director turn. Kunis is unbelievably sexual and again she helps the lead role by showing us everything that Nina struggles to find in herself. Ryder is solid in a smaller role. Aronofsky's direction is strong but particularly impressive is the cinematography – the camera flows so well around the scenes (and yet appears in no mirrors). I think he knows he is making a horror movie so, although he embraces the ballet, he doesn't avoid the shock or the build of the horror.
Some have embraced this film as art and a thing of beauty – while others have come away disappointed because that is what they expected it to be but didn't find it. However Black Swan is an effective psychological horror movie that just happens to be set in the world of ballet. As such it is very much a genre movie even if the director etc lift it to feel like more. In particular Portman makes the film – I cannot think I have seen her better and her Oscar (can there be doubt?) will be deserved.
Well, got news for you, this is what Black Swan is – albeit a superior example of the genre. Essentially our lead character struggles to get in touch with her dark side when she wins the lead in Swan Lake, gradually losing touch with reality and/or being hunted by those around her who wish her harm. This manifests itself through some painful scenes of self-harm, imagined doppelgangers, intense sexual discovery, shadowy figures and a domineering mother who keeps her controlling menace under a veil of vulnerability that only falls here or there. It is trashy stuff in a way but it is done very well so that it produces this genre material but does so in a way that feels slightly classy while also engaging more than it would thanks to a brilliant turn by Portman.
And she is brilliant. I understand the mother because of how well Portman plays – this is not a character she has worked on for a few months, this feels like a product of years under the influence of this mother. She is nervous to her core, frustrated by her own inability to be this "thing" that she has spent her life not being – wild, loose, imperfect. Portman nails it and while I don't think it is a brilliant film, her performance is little less than brilliant. In support Hersey is equally as good with less time to do it. The flickers across her face say so much and I was impressed that with so little I was able to understand roughly what had happened in the previous 20 years. Cassel is simplistic but effective in his predatory director turn. Kunis is unbelievably sexual and again she helps the lead role by showing us everything that Nina struggles to find in herself. Ryder is solid in a smaller role. Aronofsky's direction is strong but particularly impressive is the cinematography – the camera flows so well around the scenes (and yet appears in no mirrors). I think he knows he is making a horror movie so, although he embraces the ballet, he doesn't avoid the shock or the build of the horror.
Some have embraced this film as art and a thing of beauty – while others have come away disappointed because that is what they expected it to be but didn't find it. However Black Swan is an effective psychological horror movie that just happens to be set in the world of ballet. As such it is very much a genre movie even if the director etc lift it to feel like more. In particular Portman makes the film – I cannot think I have seen her better and her Oscar (can there be doubt?) will be deserved.
- bob the moo
- Jan 30, 2011
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El cisne negro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $106,954,678
- Opening weekend US & Canada
- $1,443,809
- Dec 5, 2010
- Gross worldwide
- $329,398,046
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