The Adventures of Tintin (2011) User Reviews (558)

"I will find that ship. With or without your help!"

[jan_kalina · 8/10 · 30 October 2011]

And Steven Spielberg has found that ship and that ship has sailed him to a brand new technology for filmmaking. Yes, I'm talking about motion capture or as Spielberg calls it "perfomance" capture. This technology is a like a new toy for Steven. You can feel the joy for filmmaking from every shot, every detail. He plays with the camera in a way he never could while making a live-action film. For example in probably the best scene of the film the main character, Tintin is gliding on a wire and the camera is following him throughout the whole scene in a continuous shot. But you can still say, you still see that this is a Spielberg movie. You know this is a Spielberg movie since the opening title credits that will remind you a lot of the opening credits in Catch Me If You Can. Even the music is very similar.

The main character is Tintin, who is a journalist who we never see doing any journalism though, but that doesn't matter because he is the textbook example of a heroic boy with boy scout qualities. The voice of Jamie Bell fits perfectly for the character. Andy Serkis gives here an incredible performance as Captain Haddock, the drunken sailor who to me was often reminiscent of a grumpy Harrison Ford. The story did seem as too much centered on Captain Haddock though, you could even say this should have been called "The Adventures of Captain Haddock" instead of Tintin. Daniel Craig is unrecognizable as the main villain Sacharine. Although his voice did jump to his normal voice in one line but otherwise you didn't know it was him. Of course I can't forget to mention the lovable dog, Snowy. He steals almost every scene that he is in. He is very realistic, he acts like a real dog and even gets his own chase scene. I'm telling you will adore this dog.

The animation is magnificent, the motion capture has gone a long way since The Polar Express. It looks very realistic, especially all the features on Captain Haddock's face. The beard, the wrinkles and the eyes, they all looked amazing. Especially the eyes, they aren't so dead-eyed anymore as in The Polar Express.

The action scenes are brilliantly written and directed, the angles of the camera, the drive of the action scenes, timing of all the jokes(physical or visual) is genius. Because Spielberg is a genius. He is the master of adventure movies and there never will be another genius in adventure movies like him.

Overall Spielberg has created an old-fashioned style adventure movie for the whole family to enjoy,where the important things are just the hunt for the treasure, the friendship two people can make and the most important thing of all that it is an entertaining ride. Spielberg never disappoints, it doesn't matter if you are a fan of Tintin or not, you will enjoy this film nonetheless

A Great film for all ages

[DrunkUniStudent · 8/10 · 22 October 2011]

I went to see this film in a free screening and took my nephew and niece with me, seeing as it was a family film to try and get different reactions to the film.

Let me start off with my view of the film, I've been a fan of Tintin since I first saw the cartoon back in the early 90's, though never read the comics. When I saw the credits of who wrote, produced and directed the film, you think to yourself this film is going to be awesome, there is no way with all that talent they can't possible f**k this up (and they didn't). You have Spielberg directing, Peter Jackson as a producer. Also the writing team great with Steven Moffat, known for Sherlock, Dr who, Coupling and another of my child hood favs, Press Gang. Finally you have Edgar Wright, who wrote and directed Shawn of the Dead, Hot Fuzz and Scott Pilgrim vs. the World.

The version of the film i saw was 3d, as it was a preview and i didn't have a choice. Normally i watch all my showing in 2d as i think its personally a fad and a rip off and the films i have seen excluding Avatar, i didn't think the 3d aspect improved the film going enjoyment one bit. This again is my option while the 3d is nice, and the shots going through glass and water was really good, there was nothing else that would have me pulling out another £2 a ticket. I would have been happy with a basic 2d version.

On to the film story, TinTin (voice by Billy Elliott's Jamie Bell) buys a handmade ship in market. As soon as he buys it he gets a number of offers of people willing to buy it from him, which TinTtn rejects. When he gets home Snowy, Tintin dog, breaks the ship and a hidden clue rolls out, which begins Tintin trying to work out what it means. Tintin then gets kidnapped by the evil Ivanovich Sakharine (Daniel Craig), who is after the clue. This where Tintin mets up with Captain Haddock as they set of trying to work out the meaning of Tintin clue.

The film is a really mixture of action and adventure. We see the heroes on board ships, rowing boats, fly airplanes, riding camels, having car\bike chases and crane fights. The time flew past for me and not once did i feel bored, this was probably down to the amount going with the film, the quick pace of the action and the different locations of the characters were always in. It reminded me of the Indiana Jones films a lot, where he is on the hunt for treasure, and he only has half of the clues, and the bad guys have the others half and both sides are trying to get the other half for the themselves. He then needs to go around the globe via different transportation to get the info he needs to find the treasure.

There is also a large amount of humour in the film, seeing as Moffat, who wrote coupling helped write it, this is no big surprise. While i got the jokes neither my nephew (3) nor niece (8) did. So I am assuming that these were aim at the adults watching.

The characters the film makers can't chance much from the original Hergé comics, but Tintin I did find too goody goody, the captain is great character, who is drunk loser, but has a kind heart and wants to do the right thing. The bad guy, Sakharine, is perfect, scary enough to make you believe that he is ruthless killer who is a greedy and after revenge, but on the other had not going over board to make the kids feel scared or afraid of him when he was on screen. There is also the two comic relief characters of inspector Thomson, who are on screen just enough to make you smile at the pratfalls and their stupidness, but not too long for the jokes to wear thin so you're sick of seeing them.

My rating of the film would be 4 out of 5.

On to the kids view of the film. 1st my nephew who is 3 years old (4 in November). He told me he liked the film a lot especially the pirate bits, but he didn't understand why the pirates were bad. He also said he liked the motorcycle chase because the bikes were cool. As i was sitting next to him i could tell the film was slightly too long for him as he started to fidgit a bit in the last 15 mins.

My niece who is 8 (9 in December), i didn't get a lot of information from her, when i asked if she liked all her answer was yes it was good, and when i asked what her favourite bit was, she told me all of it.

As a reference for taking children during the half term break, i would say 4 and under while enjoy the film like my nephew did, but they won't fully understand the plot of the film or why certain things are happening, but for 5 years old and up this film and adults included this is a must see.

Billions of blue blistering barnacles! Tintin and Haddock make a spectacular debut!

[GirishGowda · 8/10 · 13 November 2011]

I still clearly remember the first time I was introduced to Tintin's world. It was the winter of 1997 and I was just an 8-year-old kid who had come home from the hospital after a freak accident. I was supposed to stay in bed for a month. The next day after coming home from work, my mom brought me "The Black Island". I instantly fell in love with the artwork, the soulful story, the endearing nuanced characters and exciting adventures of Tintin. I quite admired Tintin and during the course of the month I devoured all the books in the series. I kept re-reading them till I was 14 or thereabouts and every time I delved into the world of Tintin, it was like an epic adventure. Frankly it didn't matter that I knew what the story was or how it ended. That was the power of Herge's masterful storytelling. Subsequently, I also loved the 1991 TV series which was extremely faithful to the narrative of the books. So, as you can well imagine, I was very excited when I heard that one of the best and one of my most favorite directors, Spielberg was directing its big screen adaptation.

Herge was a fan of Spielberg's early works and had written in a note that - "If anyone can bring Tintin successfully to the screen, it is this young American film director, Steven Spielberg". Almost three decades after Herge's death, his wish has finally been fulfilled. "The Adventures of Tintin", the first big screen adaptation of the world-renowned and beloved classic comic books of the same name has been released all over the world. The animated world of Tintin is amazing to look at; every little scene has been done in great detail and care. This isn't Pixar CG animation, nor Disney's hand-drawn animation. Herge's world is created wonderfully using WETA digital by motion capture technology. The sense of wonder never ceases to exist in this world and the human emotions on the animated characters have never been richer. We can sense Spielberg's love and admiration for the original source material through the almost noir atmosphere of the film and the effort put into the characters to make them as interesting as they are in the books.

PLOT: Our young, well-known reporter Tintin buys a regal model of a three-masted sailing ship, 17th century "The Unicorn", for a good price. But he is then immediately accosted by the sinister Ivanovitch Sakharine and the mysterious figure of Barnaby, who both try to buy the model from Tintin, without success. Tintin does his research on the ship and discovers that Sir Francis Haddock was the sole survivor and captain of the ill-fated ship. Sir Francis' last words were that only a true Haddock would figure out what happened on that last voyage of The Unicorn. He returns home to find his model of the Unicorn stolen. When he breaks into Sakharine's mansion, he uncovers the truth about the existence of other Unicorn models. Along his journey to uncover the truth, he is kidnapped by smugglers. While trying to escape, he teams up with the drunkard, Captain Haddock of the Karabudjan and thus begins the epic adventure of Tintin.

The movie is a combination of three books - "The Crab with the Golden Claws", "The Secret of the Unicorn", "Red Rackham's Treasure". The desert scene is taken from "The Land of Black Gold". While the narrative of the stories remain somewhat the same, the creative liberties taken somehow takes away the essence of what makes the character of Tintin - "TINTIN". I didn't admire him, like I admire the comic character. Due the fact that this movie is being released in 2011 and aimed for a completely new generation of kids and adults who may have never even touched one of Herge's masterpieces, the writers have gone for the quick paced roller-coaster ride form of storytelling. But Spielberg knows that at the center of every great movie, the hearts of the audience must empathize with the characters. He makes one of the most memorable, lovable, animated characters in history with Captain Haddock. Haddock shines over Tintin and it is to be expected since all the three books which were adapted were telling the story of Haddock's ancestors and his origins. While I did enjoy the movie, it was very jarring to see Tintin chasing after the falcon in such an unrealistic way. Herge's Tintin, while being intelligent, courageous and caring, never would have done what Spielberg's Tintin did in that particular sequence. I am not being a purist and blasting it apart. On the contrary, I got over it soon enough and even enjoyed it. Also, its quite refreshing to see that even though it is PG movie, it still showed drunkards, murders and Haddock's swearing. Interpol agents Thompson and Thomson have a small part in the movie and they are hilarious. I was glad they didn't overuse the incompetent, blundering idiots. That made them all the more likable.

The movie ended with the possibility of a sequel. I hear Peter Jackson (Lord of the Rings) will be bringing "Tintin and Prisoners of the Sun" to the big-screen next. I hope to see many more Tintin movies if it has its heart in the right place like this one did. Die-hard fans of Tintin may not find the movie to be as emotionally engaging as the books, but its an excellent endeavour nonetheless. This is the one of best action-adventure movies of the year. Master filmmaker Spielberg's first foray into into the world of animation and motion capture, "The Adventures of Tintin" is a spectacle to behold and cherish. It may even be nominated for Best Animated Picture next year. Take your kids, friends, family and have a jolly good time at the movies.

8/10

An intrepid report on The Adventures of Tintin

[creepysammich · 13 October 2011]

First off, this is the first time I ever write a review in here. For once, I felt compelled to do it because... Well... because I'm Belgian and grew up on a steady Tintin diet, like most Belgians my age and older. The comics... not the cartoons. Needless to say I'm a old fan.

I also happen to be a fan of Spielberg's, probably since seeing E.T. when I was about 5 years old. The two could be mutually exclusive. I could take the role of the harcore comics fan who despises the adaptation, or the rabid Spielby fan forgiving everything.

Thankfully, after having the chance to see it before most people out here in Belgium and everywhere else thanks to a journalist buddy, I found out I can to be none of the above. Spielberg and Jackson and all the team behind the adaptation obviously gave the original material the love and respect it deserved, while making it their own.

To clarify the origins of the story itself, you have to know that it isn't the adaptation of one, but three Tintin comics. Its beginning takes root in "Le Crabe aux Pinces D'or", while the rest of the movie revolves around the two-albums story of the hunt for Rakham the Red's treasure, "Le Secret de la Licorne" and "Le Trésor de Rakham le Rouge". While it could seem like a lot of material for a whole movie, the choice of blending those three (two and a half) stories together turns out giving the movie a rather perfect pacing.

To kill a double controversy in the making, and like I've already read in a couple critics: Tintin has always been a "bland" character in the comics. He has no asperities. He is brave, always gets out of the tangles he gets in, he is a good guy, he doesn't know doubts... Tintin as a character has his limits, dramatically speaking, and even Hergé knew that... It is actually the reason for the appearance of Captain Haddock after a few albums. Haddock is the dark side of Tintin, prone to anger and shouting insults, hard drinker, natural born loser... Far from a being just a comical sidekick, Haddock is the human counterpart to the flawless hero that Tintin is (remember, this is a comic, originally aimed at kids and older kids). The movie has the intelligence of starting off the big screen adventures of Tintin with the two meeting up and becoming friends, a real turning point in the continued adventures of Tintin.

The movie also deftly skips what could have been a typically Hollywoodish mistake of giving Tintin exposition. But none of that nonsense here. Tintin is a reporter, that's all you need to know. That's all the comics ever told us about him. None of them ever showed Tintin doing actual reporter work. I don't think he ever used a typewriter, he has no boss, no workplace. Tintin just finds himself where adventure is. Because he's a reporter. Hergé never needed more, kudos for the guys behind this movie for keeping true to that. It will be held against them, but that will be coming from people who don't know the original material.

But I somehow had little worries about that, honestly. It was only obvious they wouldn't touch the spirit of what's considered a classic worldwide. Well, not those guys. I had more doubts about the transition from Hergé's "Ligne Claire" type of drawing to CGI's and even more so to the use of 3D. And that's where I was truly impressed. Not that I'm adverse to CGIs, mind. In fact it's the cartoons that bred those doubts in me. The varied 2D, celluloid adventures of Tintin always bugged me, because of that transition from the seemingly simple but incredibly dynamic looks of the books, looking so wrong when brought to animated life. Yet the movie did a great job of shutting up the Tintin geek. It simply looks stunning, and your mind easily jumps back and forth between forgetting these are cartoon characters and appreciating their transition to a 3D environment, respectful of the original designs but literally bringing them to life.

In short, all these elements drew me to the same conclusion, Spielby and co. managed to deal a great adaptation. One that has true respect for the original material, and the great ambition of adding something to it. Yes, not everything of it. "Le Crabe aux Pinces D'or" could have deserved a whole movie. Shortcuts are taken, and as true to their originals as they are, the characters have been redesigned. But in the end you have a movie that can be appreciated both by fans of the comics as well as people who have "just heard about them". It is fun, packed with adventure and action, enjoyable at all ages. And most of all, you can go see it without having to worry about seeing another piece of Hollywood-flavoured perversion, a fast-foodified betrayal. If that's what you like, note, there's been that Smurf thing, recently (another childhood favourite). You know, that other Belgian comics adaptation that took the little blue dudes from their tiny corner of European medieval forest to... Modern New York? But if you have more gourmet tastes, better bet your money on Jackson and Spielberg. Trust this true childhood Tintin fan.

Just too.... ridiculous

[sdebeaubien · 6/10 · 28 December 2011]

Aside from the badly stereotyped characters, and the overly ridiculous action sequences, I liked the movie, and thought it was OK. But, I just came away feeling like somebody had put me on a thrill ride and told me I was supposed to have fun and that I would come away feeling exhilarated but instead I came away feeling set up.

I just couldn't shake the feeling. My wife loved it, thought it was every bit the thrill ride. Well, I have to give it those moments. Visually it was very appealing. But then, I started wondering if I'd ever seen any of the original comics that this was based upon. Turns out I haven't seen those either. So, I won't downgrade it on the fact that apparently, it was not very true to the author's original intent.

Instead, it felt like Indiana Jones on steroids. It seemed to me they did things just because they could. You know what I mean, they took the type of silly Raider's stunts and had them move to the next level of ... difficulty. That's a poor word to describe action shots, but you get my drift. They just stretched it a bit too far I thought. Then, there's the plethora of silly characters who add nothing to the story but give us some bizarre attempt at comedy.

I liked the dog Snowy the best. As he had to be mainly a dog and be subject to some limitations, his portrayal in the movie was at least mostly believable. Not that a comic book should be believable or anything - it's just that I think I wanted to like Tintin and even to think he was a hero, but I couldn't because of all the far-fetched stuff happening around him and to him. Dueling cranes ... what next Mr. Spielberg, dancing hippos? Oh, no, Mr. Disney already did that.

Visually stunning, perfectly done & thoroughly entertaining

[MUFCOK · 9/10 · 24 June 2013]

I never saw the original Tintin cartoons and before this film new nothing about it.

I watched this film this evening, two years after its release .. and i'm left thinking, why did I not watch this film before now?!

This was such an enjoyable film, it was much, much better than i thought it was going to be, there are so many great things about this movie:

THE VISUALS: Easily one of the most visually stunning films I have ever seen, i wish i had watched this at the cinema - especially in 3d. The animation is perfect. it's bright, colourful and scarily lifelike. The characters, scenery and landscapes all look incredible and so creative. Even the opening credits look fantastic! I can't stress how good the visuals are in this film.

THE DIRECTION: Spielberg has done an incredible job here, nothing could have been improved in this aspect. The way the movie flows and the way the scenes intertwine and change is beautiful. There are scenes where it switches from past to present and back again in such a way that you just get lost in it.. you will understand what i mean when you see the movie. There are scenes of fights and chases which are so creative and so imaginative, the way he uses angles and the way everything links on is a real joy to watch. Its hard to explain, watch the film and you will know exactly what I mean.

However, the film is not just a visual feast like many films are. It has a good solid story with likable, interesting characters - I found the story line kept my attention throughout. A very original adventure/quest film, searching for hidden treasure and defeating the bad guys along the way!

I cannot recommend this film enough, i was so surprised by just how good it was. As i said earlier I am sorry I didn't go and see this in the cinema as it really would have been a fantastic experience.

Watch it!

A very fun entertainer

[jafar-iqbal · 7/10 · 21 November 2012]

Those of you old enough might remember the Tintin show that, if I'm correct, used to come on Channel 4 early in the mornings. It was great, really fun to watch. So I had a keen interest in the movie when it was announced, especially after knowing that it was being directed by one Steven Spielberg.

The Secret Of The Unicorn is about Tintin (Jamie Bell), the brave young journalist always on the lookout for a story. Purchasing a model of a ship propels him into an epic adventure across the world, assisted by the drunk Captain Haddock (Andy Serkis), and thwarted by the evil Sakharine (Daniel Craig).

Since it released in the cinema, I've seen this movie about four times, and I always enjoy it. Mostly because it has all that charm you expect from a Spielberg charm, but with the added bonus of it being a motion capture animation. The digital effects are absolutely sublime, and need to be seen in HD to be properly appreciated. The highlight has to be the incredible chase sequence involving Snowy the dog and an eagle, with blatant comparisons to Indiana Jones and The Goonies apparent. On the other hand, there are sequences in the movie which are perhaps a bit too far-fetched. Yes, it's an animated film, but we're trained to think of this as 'real life'.

Performance-wise, it's a good affair. I think Andy Serkis is the star of the show; Haddock is a great character, and he does it justice. It's fun to see Daniel Craig do something a bit sillier than usual, and Jamie Bell is his usual solid self. Nick Frost and Simon Pegg are comic relief, somewhat, but their talents are wasted, I think.

Overall, I give this a thumbs-up. Whether you're a fan of the original books, or the TV show like me, you'll enjoy this cinematic version. With a sequel already earmarked (especially considering the end of this movie), this could turn into a very successful franchise. Good stuff.

This is a Splendid Re-creation!

[aaronjbong · 10/10 · 11 November 2011]

Since 1981, Spielberg has become an avid fan of this gorgeous "Tintin" comics and has been longing to create a film about it. Before he and "Tintin's" master, Herge could meet, Herge passed away. However, Herge's widow decided to give them the rights and began the adventure to re-create this marvelous wonder of art.

Adapted from three of the comics, Spielberg's re-creation of the comics introduces us to Tintin (Jamie Bell), a Belgian reporter who gets caught up in all sorts of adventures. One day, he found a model of a ship, the Unicorn and bought it and brought it home. However, when Tintin was buying the ship, two men came to try to buy the model, Sakharine (Daniel Craig) and Barnaby. Later, Tintin discovers that the model holds an important secret and somehow, the secret is linked to the real ship itself. On the way for answers, he meets the grumpy Haddock and head off to an adventure spanning around the globe with his white fluffy dog Snowy.

The animation is one of the most beautiful I've ever seen. It's not right to call it a CGI film as the motion of the characters are much smoother than that of CGI films. Tintin's animated self looks stunning (even though he looks kind of different from his comic-self) in his blue long sleeves. Snowy is fluffier than ever. Captain Haddock is grumpier than ever. All of the animation is simply breathtaking and the best I've ever seen.

I like how they change scenes. While most other movies just shift scenes normally, this film uses a little imagination and is ingenious in shifting scenes. They can change from a scene of shaking hands to a desert scene by using the outline of the two hands into the surface of the desert. This thing is just entertaining and great in its own right and deserves some reward.

The movie itself is fun to watch. The story is compelling, the lines are natural-sounding, and the action is plenty of fun to watch. It is great excitement to watch and I was hooked from beginning to end. Great plot + awesome action + breathtaking animation equals up to amazing movie.

The 3D is perfectly fine. The depth is seen and the 3D just makes the movie even more fun to watch.

I definitely recommend you to watch this film. "Tintin" fan or no, this is sheer fun to watch. If this movie is out in your country, watch it immediately. For U.S. citizens, I'm sorry if you still have to wait for a while but I promise you, this is like no other movie. This movie is over the top and is plenty of fun to watch. A full 10 out of 10! Thanks for reading my review on "The Adventures of Tintin". I do hope this review is of good use to you.

Close, but not quite

[griffo-86546 · 6/10 · 27 June 2020]

The good:

The animation and visual effects are amazing with a breathtaking level of skill in crafting an incredibly detailed, elaborate, colourful and realistic world. Judging this movie on visuals alone would warrant giving this movie a 10, and, similar to Avatar (2009), it seems that some reviewers have done just that.

The voicing and characterisations of Thomson and Thompson and Bianca Castafiore are great, in the appropriate doses and true to the books. The various nods to the books are also welcome. The cuts between Haddock retelling the fight between Sir Francis and Red Rackham were well handled, even if the fight itself was somewhat embellished and over the top.

Another reviewer lamented the lack of a love interest, but I am including that as a positive that one was not introduced into this story for the sake of it. A love interest is NOT a mandatory ingredient for an excellent movie or TV series for that matter, and especially not the contrived variety of love interest that you see far too often in most Hollywood movies.

For the most part, the movie is fun.

The bad:

The movie can't decide whether it wants to be a children's movie or a nostalgic movie for adults. On the one hand, there are guns, swordfights and murders. On the other hand, the humour seems to be mostly targeted at children, for example, where Snowy is used to try to create laughs.

Another issue is that too often the movie gets swept up in long action sequences, which can feel like a rollercoaster at times. But just because I love rollercoasters, does not mean that I want to be on one for 2 hours.

Some reviewers have criticised Tintin's character as being devoid of personality and whilst there is some merit in that, it is consistent with the books. But where there is limited material to draw on, it is even more critical that the personality that does come across is true to the source, and here the movie fails at one key point in the movie by portraying Tintin as a defeatest.

However the real failure in my mind, is the depiction of Haddock. Others have mentioned that the voices of Tintin and Haddock were not what they imagined from the books and whilst I agree, particularly with the comments about Tintin's whiney voice and Haddock's unnecessary Scottish accent, I acknowledge that it would be difficult to please everybody. I expected Haddock to be a lot more stoic and have more grit like one would expect from a man who has spent years at sea. Here he seems just too silly and cartoony, particularly with that giant nose. I don't know if it's the giant nose or the way he moves around but he also appears to be on the plump side in the movie but not in the books.

It would be better if the books were followed more closely, but that can be forgiven with the limited time that the movie had. In particular, finding the treasure was anticlimactic when the whole adventure was based on finding the scrolls. It would have been better to have more of the movie dedicated to searching for the treasure itself as in Red Rackham's Treasure, and Professor Calculus was sadly missing, but both of those aspects may be covered in the sequel.

Finally, the problem with an ultra-realistic and lifelike cartoon is that it makes it harder to suspend disbelief in things that you can normally get away with in a cartoon, for example, Haddock burping into the plane engine to keep it in the air, and the numerous times the parchment is lost and regained by a whisker during the chase scene in Bagghar. I think that it would have been better to simply decide on a cartoon or a regular movie and stick with it instead of trying for a hybrid.

Riding and Remembering the shivers of an adventurous childhood

[Lyra-gp · 10/10 · 25 October 2011]

When about a year ago, at the supermarket, I saw on the Empire magazine's cover the 3D reproduction of one of my childhood's toon-idols my eyes popped out. 'WHO is directing WHAT???' - the question that echoed in my mind: It was a bit of shock finding out that one of my favorite directors was working on a movie from a character I considered buried under the dusts of time. The astonishment was soon replaced by excitement and I made the way back home from the supermarket hopping and smiling.

Today I decided to take an adventurous break from my dull academic life and went to the cinema to watch it. No wonder the room was almost full, despite the fact that the movie will be officially released tomorrow. As soon as the opening credits appeared on the screen I felt a shiver of excitement running through my spine as I was visually meeting an old friend from my childhood again; to my pleasure I felt the same sensations I would feel when I was a child. That's one of the VERY good points of this production: the spirit of Herge's Tintin, in Spielberg's movie, remains UNALTERED. There are some cases, though, in which the characters are even better and more deeply characterized than in the comic strips.

OK, let's release now all the excitement about this movie. If I had just five short seconds to say how I think this movie is I'd chose 7 words: Mesmerising from the beginning to the end. That's quite true if you consider that even the opening credits are little shining pearls of direction and creativity.

The general impression you get from this movie, talking about direction, is that nothing could have been better. Spielberg's direction is, in this case as well, a real warranty of general great quality. Three things I particularly appreciated: -The movie flows perfectly; it is kind of a pleasure for your eyes and for your brain to follow the adventure. -There's literally a STORM of brain-waves (and here comes the Spielberg's touch); especially, in the connection phases between one scene and the other the director totally expresses his genius, turning the open ocean into a pond, making two shaking hands become dunes in the desert and so on (you'll understand what I mean when you'll watch the movie) -The 'camera's movements' literally pull you into the movie and you can't help feeling excited or scared according to the situation.

You can tell it's a Spielberg's movie even just looking at these things.

Although all the things I have listed until now are enough to candidate the movie as the best movie of the year (in my opinion) there's still something I must remember: The quality of animation. I really could not find a proper term to define my astonishment when my eyes approached the beautiful places and landscapes shown in the movie. They look perfect, shining and bursting with emotions, sensations; they almost look like paintings: For instance, there's a sunset in the movie that I will hardly forget. It's the same with the CGI models: you can see the wrinkles on the character's faces, even their sweat.

Furthermore, some words about the actors: Bells and Serkis are maybe the sole two living beings who could have given birth to the cinematographic version of the two main characters. The first succeeds in the hard challenge to provide the audience with a convincing and faithful interpretation of the beloved protagonist (he did A GREAT job indeed), the second is a delightful surprise again, with a funny Scottish accent and a very good interpretation.

One last word goes to one of the best composer alive: Sir John Williams. There's nothing to do, every piece of music he creates is able to touch the deepest strings of our hearts. With a soundtrack (already bought at the HMV store) that ranges from the epic tones to the mysterious ones he gives us another example of his limitless genius, because he still remains one of those composers able to make us cry.

Finally, Tintin - The Secret of the Unicorn, is one of the greatest surprises of the year. Another great adventure in the archive of the most spectacular stories of humanity, told by a MASTER story-teller (Spielberg). A movie you will hardly forget.

A rollicking good adventure

[Sevenmercury7 · 9/10 · 24 October 2011]

What begins as a fun, nimble little mystery in the first act soon kicks into comedy-action-adventure high gear when junior reporter Tintin, with his brave dog Snowy, stumbles upon boozy Captain Haddock (an excellent Andy Serkis), whose family legacy may prove pivotal in a race to uncover the secret of the Unicorn.

From that point on, it's more or less non-stop comedy—some fizzles, most of it works—with gags ranging from jaw-dropping blockbuster chase antics to throwaway background humour. Captain Haddock works brilliantly for the most part: he's unpredictable, endearing, and colourful in all the ways Tintin himself isn't. While the youngster is well played by Jamie Bell, he's mostly just there to work out the clues for the audience. Tintin and Haddock make for a good double-act, though: brains and brawn, cunning and in-over-his-head rashness; together they'd make a good Indiana Jones.

The plot is a by the numbers mystery/adventure/treasure hunt, complete with bumbling detectives (so-so comic support from Simon Pegg and Nick Frost), exciting sea plane action and hidden clues, but it's brought to life in gorgeous visual style. While the script only comes alive in fits and starts, the whole film is bursting with rich detail, and is given added depth by a good, solid use of 3D. The virtual camera-work throughout is stupendous.

One extended chase sequence through the flooding streets of a North African city is so dazzling and dizzying it reminded me why no other filmmaker can match Spielberg when he lets his imagination out for a spin. Another action scene, told in flashback, depicts a breathless pirate showdown in a storm, and features some of the most playful transitions I've seen since Ang Lee's Hulk. There's a pretty good villain, too, played by a wily Daniel Craig.

Snowy, while definitely smarter than your average cute canine, is also given to chasing cats, digging up fossilised bones from the desert, and gobbling sandwiches at decidedly inopportune moments. In other words, he's an instant audience favourite.

All in all, it's a rollicking good adventure, one of Spielberg's most fun movies in a long time, and I'll be buying it on Blu-ray next year.

An Absolute Romp for Tintin Fans!

[Adhogati · 7/10 · 11 November 2011]

I would have given this movie an 8, but that would have been a disservice in general. While those who have read and loved Tintin would immensely enjoy every frame of the movie, those who are being introduced to the Character the first time around are likely to miss a few things here and there.

Yes, Tintin is brilliantly swashbuckling, and Haddock amazingly entertaining, but the story seems a trifle hurried while the pacing in some sequences in patchy.

What deserves a 10 on 10 however is the way Red Rackham's tale is woven into the story and how it was so evocatively presented, along with reference to a few characters which paved the path for any sequels that would be forthcoming.

Top marks to Spielberg an Jackson for sticking to the books even while weaving an original story line! Must Watch!

Could have been great

[thehairthieves · 4/10 · 27 December 2011]

I was really excited to see this film, as I'm a big fan of Tintin, both the comics and the TV series from the early 90s. I was also pleased to see that the American influence would be primarily limited to Steven Spielberg, with the cast being mostly British and also having Peter Jackson on board. Things started off quite well, with the film sticking closely to the comics and TV episodes, keeping a good pace which got me into the film early on. I was also very impressed with the motion-capture animation and the 3D effects, even if some of the characters didn't look quite right.

However, soon after Tintin and Haddock crashed in the desert, things started to go rapidly downhill. The key to this was the fact that the story suddenly veered off onto its own tangent, almost disregarding the original story and the fact it had based so much of itself on the originals up until that point.

What also infuriated me was the silliness of it. Of course, a film like this should have a dose of silliness, there's no question of that. But there was far too much, which really ruined it for me. The climactic scene of the duel in the cranes is a prime example of this. It was just too silly for me to take it seriously. Not only that, but this would never have been in one of Herge's original stories.

My last gripe is that the film seemed far too long, particularly towards the end. A lot of scenes could have been either shortened or cut all together, as they didn't further the plot or provide anything to the enjoyment. This is another reason why I didn't enjoy the climax of the film, I was bored by the time it got around to it.

Overall, I would say that this is a film which had great promise, as Tintin is perfect for an action-adventure movie, but the fact that a lot of the film ignores the original stories ruins any chances of that. I would say that any major deviation from the original stories should only have been done if absolutely necessary to make the film work.

"The Adventures of Tintin" is quintessentially the perfect family film: incredibly joyous, thrilling and comically genius adventure.

[the_upcoming · 16 October 2011]

Before his passing in 1983, Hergé said that if any filmmaker was to adapt his collection of timeless tales following the adventures of a Belgian reporter to the big screen, Steven Spielberg was the only man for the job, and after two decades of trial and error, the cinematic version of Tintin has finally reached our screens with the desired director at its helm. Alongside Spielberg sits Lord of the Rings (2001-2003) maestro Peter Jackson as producer and three of Britain's brightest writers (Steven Moffat, Edgar Wright and Joe Cornish) who have that almost impossible task of translating the stories from comic strips to 35mm. This 3D motion-capture and CGI extravaganza combines three of Tintin's most beloved outings (The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure) and hits UK multiplexes just before the school half-term.

After discovering an elegant model of the ship the 'Unicorn' at a market, Tintin (voiced by Jamie Bell) and his loyal dog Snowy are intrigued as to why so many desire it, and comment on the secrets it holds. When the model is stolen, more information surfaces and the pair set out to discover the truth, teaming up, after a surprise meeting, with the boisterous drunkard Captain Haddock (voiced by Andy Serkis). The group's adventure spans the globe, with each destination bringing more danger and that crucial step closer towards unravelling the mystery.

From the moment the picture opens, the film's tone and mood is set: mystery and adventure merged with fun and frolics. The classy, hand-drawn, animated titles use the signature silhouette imagery with style and sophistication, making the wit and wonder evident even before audiences have graced their eyes on the monumental motion capture work.

In a rather lacklustre year for animation, with the only true blossom of beauty being Studio Ghibli's impeccable 'Arrietty', Spielberg's latest thankfully ends this dry-run with a picture that explodes with vibrancy, craftsmanship and realism. Unlike Robert Zemeckis' motion-capture entries (The Polar Express [2004] and A Christmas Carol [2009]); The Adventures of Tintin is an entirely different bunch of blistering blue barnacles – every frame enforces impeccable detail and naturalism, and like the best animated pictures, viewers will forget they are watching digitalised representations in no time. Whether the visuals are mind-blowing as in the all-important action sequences – or brilliantly subtle – like the red, sweat-streaked cheeks and brows of Tintin and Haddock as they trek through a desert – this film is a clear example of just how magnificent technology is in this day and age.

Without a shadow of a doubt this is the year's finest animated entry – expect an Oscar nomination and a deserved win. As well as its tremendous visual flair, the feature's script is a revelation: beautifully written and whimsical dialogue that is frequently hilarious and manages to merge the three classic tales so seamlessly. Considering Hergé's stories are separate volumes, the typing trio behind this movie are able to make a sensible structure with the texts, making the film flow as gracefully as its perfect imagery. As well as the laughs, the script provides great character development for those new to the world of Tintin without insulting audiences with an hour's lesson. Young children will have no trouble picking up who's who in the early stages, before settling back for the incredible roller coaster ride of the second and climatic act.

Action fans will gain greatness from this movie too. Expect high octane chases, pirate swordplay and more bullets than a Sylvester Stallone entry – just a lot less gore and swearing. In fact, although The Adventures of Tintin is action-packed, its PG certificate is justified; I cannot recall anything remotely damaging or frightening for young eyes, so parents have nothing to fear with this one when deciding on their half-term picture.

The film also sees the much needed return of composer John Williams who provides yet another dazzling and effective score. The music captures the essence of the film in an instant and compliments it throughout.

The voice casting is collectively brilliant with Bell and Serkis being the obvious standouts. Bell's inquisitive tone and frequent high-pitched bursts mirror the speech bubbles Tintin utters in the comic panels. When reading a Hergé story, this is exactly how the character sounds in your head. Serkis steals the show as Captain Haddock and is given splendid dialogue to growl through bitter Scottish chords. Haddock's often stupid remarks and forgetfulness is beautifully represented through the animated character. Daniel Craig is also fantastic as the less-than-trustworthy Ivanovich Sakharine while Simon Pegg and Nick Frost are side-splitting as the lovable policing dunces Thomson and Thompson. Plus Snowy is absolutely wonderful.

There is no doubt that Spielberg's adaptation will be top of the box office upon release and hopefully those new to Tintin will be influenced to re-visit the books and television shows of yesteryear and become more involved with one of the century's most beloved and important literary creations.

Verdict: ••••• 'The Adventures of Tintin' is quintessentially the perfect family film and has plenty to offer audiences of all ages. This is an incredibly joyous, thrilling and comically genius adventure. Hergé was onto a winner with his thoughts towards Spielberg and he can rest easy now knowing his tales have been faithfully and beautifully translated into a cinematic masterwork. Great Snakes, it's good.

Tintin out

[Lejink · 6/10 · 16 March 2015]

As a young teenager I avidly borrowed as many of the Tintin comic books from my library as I possibly could and indeed many years later as an adult, bought them all to have them permanently. I was therefore more than curious to see what Steven Spielberg would do with the character, with this, the first big-time movie feature of the young Belgian reporter and his faithful dog Snowy.

I really appreciated the title sequence with the lettering in the original style of the books but must admit that afterwards I found it difficult to completely accept the motion-capture technique employed. I guess it's a similar criticism which was levelled at say "The Polar Express", where the characters depicted are more human than cartoon, putting at odds somewhat the toon-town type various stunts and action sequences which occur to almost-human looking characters.

I also felt that there just too many of these big set-pieces which gave me battle-fatigue in the end. There's no shortage of ingenuity or spectacle in some of these scenes but coming in rapid succession as they do, they got a bit too commonplace in my view. Characterisation not unnaturally is shallow and distinctly one-dimensional while the story is relentlessly episodic. When Tintin and / or Captain Haddock miraculously escapes death for the umpteenth time, it takes a little of the suspense away for what comes next.

Of course it's difficult to comment on the acting given it's all done in the animation and to be honest I barely noticed the big-name voice actors employed. I wasn't impressed by the super-confident reference at the end to a sequel which four years after first release still noticeably hasn't seen the light of day.

Don't get me wrong, quite a lot of the movie I did like and there were some spectacular directorial flourishes to enjoy, none more than when a handshake between Tintin and the Captain dissolves into a landscape. Still, I found it on the whole a bit too loud and crash-bang-wallop for my tastes, so that the characters were almost overpowered by the action raging around them.

Would Herge have approved? I'm not so sure, this looks a wee bit like one of those vanity projects big-name directors can indulge themselves in without completely taking their audience along with them.

Much Better Than Expected

[TheHighVoltageMessiah · 8/10 · 21 December 2011]

I'm an American Tintin fan – yes, believe it or not, they do exist – and when I first heard that Steven Spielberg was at the helm of a three-dimensional rendering of Tintin, Haddock, Snowy, and their world, I became somewhat worried. First of all, the creations of Hergé seemed so fitting for traditional animation. Transforming the characters and putting human eyeballs in the circles of Tintin's eyes felt… wrong. On top of that, I was afraid (particularly after the trailers came out) that the film would just be a vapid wild ride that failed to do justice to the well-loved comics.

But, now that I've seen it, I confess I liked it much more than I thought I would. It isn't perfect, but it's spirited and fun – and mostly in keeping with the original comic books. The opening credits introduce Tintin and Snowy in silhouette and give watchers a taste of the boy reporter's adventures. After that, the film switches to motion capture. I was surprised at how well this worked. It felt for the most part like the same environment evoked by Herge, only morphed seamlessly into three dimensions.

The story is a lively and rip-roaring yarn full of charm and humor. It follows Tintin as he teams up with Captain Haddock to discover the lost treasure of the captain's ancestor, while staying one step ahead of the icily devilish Mr. Sakharine. Episodes from "The Crab with the Golden Claws" are interspersed with the general plot of "The Secret of the Unicorn", but everything comes together fairly smoothly. The film is mostly true to the essence of its source material, even if it is not entirely faithful to the letter. I, for one, was overjoyed to see the old sea dog, Haddock, so endearingly drunk. (Andy Serkis stole every scene he was in.) I was glad to see Tintin so adventuresome. The Thompsons were a riot in their slapstick clumsiness. And it was a delight to see various Tintin side characters pop up – like Alan, Nestor, and most especially, the beautifully shrill-voiced Bianca Castafiore.

Nonetheless, there *were* certain action sequences that were overly excessive. The chase in Morocco careens this way and that so crazily that it soon becomes inane. Characters tumble and plunge and things wheel and whirl about in a way that strains credulity. By becoming so overblown, it kills suspense. How can the audience be exhilarated in a section of the film where the most madcap occurrences go on – and characters suffer little to no injury? It jars viewers out of the spell worked elsewhere in the movie. If such scenes were toned down and given some semblance of reality along with being exciting, they would have worked better, in my opinion.

(Also, the filmmakers add a plot twist involving the ancestry of the antagonist that I find tacky and unnecessary. Plus, in my eyes, it was poorly handled and turned out as a rather awkward revelation. See the film to fully understand my meaning.)

All in all, though, I'd recommend Spielberg's "The Adventures of Tintin". If you're a fan, you may have a bone to pick here and there, but should still enjoy it. If you are unfamiliar with Tintin, you ought to be pulled in anyway by his entertaining escapades – and I hope your introduction to him encourages you to seek out Hergé's original works.

Where is the sequel?

[Badmoviessuck · 6/10 · 13 January 2019]

TinTin is alright. I expected to like the movie a lot but i thought it was decent at best, silly and stupid at worst.

SOLUTION The first problem i have with this movie is the solutions. They encounter a problem and solve it easily with no challenge. For example, the plane, the key, Hadokks memory etc. It gets boring when they just easily solve things with no hardship at all.

CHARACTERS It feels like Hadokks was supposed to be the character that justify's Tintins blandness but he never does that, he is just a man that drinks he has no character arc at all cause they focus more on the story than characters.

VILLAIN The villain is pretty bad he is not horrible i enjoyed watching him a bit but i think they should have given him more screen time.

VERDICT Tintin is a decent movie i was going to make a review of why it sucks but it dosen't have enough flaws to be classified as a bad movie.

Recapturing The Excitement

[TourettesPersonal · 8/10 · 3 December 2011]

The Adventures of Tintin is a movie made by the most brilliant filmmakers of Hollywood and there is no doubt that this movie will be good. They got Steven Spielberg directing, Peter Jackson producing, Edgar Wright co-writing, and some great actors. The execution, it's a load of big fun. Steven Spielberg recreates his classic trademark action sequence. The performances were excellent. The animation is uncanny valley but it's done well though. The film may have its dragging moments but throughout it's undeniably enjoyable.

Let's begin with the performances. Jamie Bell really brings Tintin to life. Andy Serkis is always great at motion capture and he actually steals the show as Haddock. Simon Pegg and Nick Frost are always a good pair. Even without their faces, they are still fun to watch. Daniel Craig gives a brilliantly fascinating performance. The motion capture helped their fancy movements. Even though it looks weird.

The film has Spielberg. After all of his alien movies, he returned to action adventures. He keeps it big and exciting. Every action scenes are ridiculously thrilling. The mystery works enough telling it. The weakest parts might be the over introduction of the characters. The opening credits already shows who Tintin is. The beginning of the story just stretched it a bit more longer. Haddock's introduction is also stretched. Maybe to make things clear but it's a little bit dragging. The rest of the film enjoyable.

The animation, like I say, is weird for the characters but it makes it easy for its action sequences. Visuals are incredibly spectacular and it obviously makes the whole adventure exciting. The score is fancy. When it comes to the action scenes, it gets adventurous. And the homage of the original Tintin is scattered. The cinematography fits to its animation. The camera is shaky in a different manner.

Fans of Spielberg and Hergé's Tintin comics will definitely love this movie for recapturing their classic homage. While the other moviegoers might find it fascinating. Yes, the movie's excitingly thrilling and undeniably enjoyable. Since this is just the beginning of a series, It's a perfect reintroduction of an iconic character. Although, it lingers too much. I hope it gets more bigger in the sequels. Again, it's big, exciting, hilarious and really enjoyable.

Incredibly loud a frantic assault on tiny ears

[mosquitobite · 7/10 · 13 February 2021]

Why are kids movies so overwrought? The intensity of destructive smash it to pieces scenes in this is incredibly bad for the nervous system. Please movie makers wind it down a bit. The art here is undeniable but sometimes more is less and this seems a very apt truism for most kids movies these days.

Like watching a 3D film without glasses.

[mark.waltz · 10/10 · 15 March 2024]

Absolutely amazing, this Steven Spielberg version of the 1930's and 40's comic strip seems like you're watching a live action film because of how realistic the animation is. It's the type of animated films that young boys could talk about without embarrassment, but that the whole family could enjoy as well. Jamie Bell as the boyish looking journalist ends up in an adventure so thrilling that it truly does become the stuff that dreams are made of.

Combining the themes of pirate adventure, the Arabian Knights and Monty Python, this is consistently funny and action packed. Andy Serkis provides the voices in a terrific dual role, causing confusion everywhere either character goes, and Daniel Craig makes for a terrific pirate villain. The rest of the characters need to be discovered by the viewer for their own terrific eccentricities, and the focus of the animators to make odd looking noses for each of then is another creative piece of genius.

Snowy, the dog, is adorable and gets into all sorts of funny scrapes. Nick Frost and Simon Pegg as the two daffy detectives are like animated Keystone cops. Kim Stengel, as the vain but not very glamorous opera star Bianca Castafiore is another highlight. I felt that the film took me all over the world to all sorts of exotic places, with the scenery beautifully captured by the CGI. For once, I was not annoyed by it. Definitely a more comical variation of what Spielberg had done with Indiana Jones, and just as much of a modern classic.

A Fitting Tribute to Classic Adventure

[williampsamuel · 7/10 · 10 April 2019]

Since its creation more than eighty years ago, The Belgian comic Adventures of Tintin has been one of the most successful entries in the 'boy adventure' genre, with millions worldwide following the exploits of the young reporter. Yet the strip has never gained a particularly wide following in the States. But that may be about to change thanks to Steven Spielberg's brilliant film adaptation.

Wasting no time on set up, Tintin jumps strait into the action, with the purchase of a model ship leading almost immediately into a rousing, highly improbable series of adventures that will take Tintin across oceans and deserts in search of a fabulous sunken treasure. Along the way, Tintin, his faithful dog snowy, and the perpetually drunk Captain Haddock will face off against mutineers and Arab tribesmen, narrowly escape all manner of sudden death, and receive the dubious aid of the bumbling detectives Thompson and Thompson.

Lacking even a hint of subtlety, Spielberg's Tintin is one of the most ridiculously -and awesomely- over the top adventures since the original Indiana Jones films, with its sheer implausibility never becoming a problem. With this kind of movie, knowing that the hero would be dead a hundred times over in real life is part of the draw. After all, in a world where a baby faced reporter and a small dog can survive plane crashes, shootouts, and a high speed chase with rocket launchers, it's not hard to imagine that you could be a dashing hero as well.

Tintin is heavy on the action, with lots of fisticuffs, gunplay, chases, and -via rum-fueled flashback, swashbuckling pirate action strait out of Hollywood's golden age. There are also plenty of laughs, mostly related to Haddock's continual inebriation and the Thompsons' incompetence. Perhaps the funniest moment in the film comes when Haddock finally sobers up. The film is rather weak on character development, but that's forgivable given that this is an action thriller and a kid's movie. I also found some of the big twists to be fairly predictable, but I'm sure that most younger viewers will be suitably surprised.

Visually, Tintin is a real treat for the eyes. Utilizing the very latest in CGI, the animators have created a world that is remarkably lifelike and yet at the same time highly evocative of the original comic's art. The soundtrack, by veteran composer John Williams, is excellent as well. Although it may lack the spectacular flourishes of his work on Star Wars and Jurassic Park, Tintin's jazz infused score provides a good counterpoint to the onscreen action.

It may not be Spielberg's best movie, or even his best kid's movie, but Tintin is still great family entertainment, fully on par with Pixar's recent offerings. And it's a fitting tribute to the venerable comic, lovingly made by one of its biggest fans. I'm sure that Spielberg had lots of fun making Tintin. And I'm sure you'll have lots of fun watching it.

Such a fun adventure!!

[nicksabastien · 10/10 · 13 December 2018]

This is honestly one of my favourite movies of all time. It brought me into adventuries and spy/detective movies. I wouldnt get bored watching it 10 times. If you like Jack Sparrow you will like the bearded guy in the movie too

For the child in you...

[sribornagain-394-460163 · 7/10 · 13 June 2012]

"The Adventures of Tintin: The Secret of the Unicorn" is one of the finest motion capture animation movie yet . It is made with Steven Spielberg at its helm is no surprise for he is master in using the latest technology to the hilt for the benefit of his movies.

As a person not exposed to the "Tintin" series of comic novels in his younger age I went into the theaters with an open mind , excitation of watching a movie in 3D boosted by very nice things written & told about the movie in the media as well as word of mouth.

The most striking & prominent thing that comes to once mind is that watching the first sequence only made one go speechless about the technical wizardry of the creators. One has not come across such an awesomely made animation in 3D so far. Except for the comic book like humans everything else look better than the natural ambiances.

The house , books , birds , deserts, ocean , river , ship , palaces , ....all are done with such minute precision & flavor that one can't but appreciate the hard work of all those involved in its creation.

When it comes to the movie per se since I was naive to the "Tintin" series of comics , I found the story & the happenings on screen a bit childish. The story of a young journalist trying to solve the secret of the Unicorn , a ship which carried loads of treasure on-board which got sunk when pirates attacked it in one of its voyages with the help of the descendant of the captain of the original ship. That there is another person , Ivan Sakharine , who is supposedly descendant of the chief pirate who attacked the ship in the past , is also on the pursuit of the treasure that got lost along with the ship. The ensuing cat & mouse game is the story.

Story wise there is nothing much to expect considering it is based on a comic book catering to the age group of 3 to 15. May be the story might have enthralled those who are familiar with the comics when they were younger & might have given them the chance to relive those days of innocence & liveliness . But those who are not familiar with the comic series it won't affect much , myself being one such.

Technically as said earlier the movie is top class. It will be the bench mark for all other live animation movies to follow to emulate. The technical team at Weta Digital should get all the credits that are due for them.

John Williams background score is good aids in transforming the viewers to the comic book world.

On the whole , "The Adventures of Tintin: The Secret of the Unicorn" is an enthralling piece of work best enjoyed in a 3D digital theater & is worth every penny spent.

Bottomline : For the child in you...

Buy the book instead of wasting your money on this

[AusSIe86 · 1/10 · 2 January 2012]

***WARNING*** CONTAINS SPOILERS!!!!!

I am a HUGE fan of the Tintin comics and have read them all countless times and was excited to hear that Steven Spielberg was making a movie based on one of my favorites: "The Secret Of The Unicorn".

After hearing some reviews from "loyal" Tintin fans I went to see this movie hoping that it would at least be OK. Boy was I wrong. Tintin has been betrayed people. Steven Spielberg and Peter Jackson should be ashamed of themselves. It seems like they were so in love with their technological toys that they forgot the most important thing about the film - the story, the characters and respecting Herge. They have practically spat on the great man's grave with this horrible movie.

1) Story - Why did the writers find it necessary to mix three comics into one movie? The Secret of The Unicorn clearly has enough material to make an entertaining movie with Red Rackham's Treasure as a sequel. Sakharine was never a villain. Nor was he Red Rackham's relative (that really is retarded). Nor did he have a pet falcon. Nor was he obsessed with revenge on Haddock. He was simply an innocent antique collector. The Bird Brothers were great villains in the comic and the story had a lot of mystery and intrigue in it - which this movie has NONE.

2) Characters - This is where I hated this movie the most.

Haddock - How could they get this so wrong? Haddock comes off overacted, silly, unfunny and just plain annoying. I never knew whether he was drunk or sober. A distinction that is always made in the comics. And why the hell is he Scottish? There is a scene in the movie where the plane is running out of fuel so Haddock burps medical alcohol into the fuel tank of a plane. That is after the alcohol slipped out of the bottle and was floating in the plane like they were in space. When Sakharine threatens to kill Haddock I was hoping that he would...cause that Haddock was a jerk.

Tintin - So dull, annoying, lifeless and just frustrating. Tintin also did something in this movie that he never did in the comics. He gave up. And then Haddock does something that he never did in the comics. He gives some garbage speech about pushing through walls and being true to your self. What the hell?? NOOOOOOOOO!!!!! Please people go and buy a copy of "Tintin in Tibet". You will find that Tintin never gives up and Haddock does. That was about the 6th nail in the coffin for me but it was certainly the biggest.

This movie is nothing but boring Hollywood rubbish made by two men that ruined a great story and some great characters and made it into a typical American blockbuster filled with CGI and special effects crap. It is not fun and it is not interesting. The special effects and CGI are not a big deal and I don't know what the fuss is all about with the Baghaar chase scene - I couldn't even tell what was going on, it was like a pinball machine. Tintin was never about action scenes or CGI. Tintin was always about the story and the characters and that is what people fell in love with when reading the comics. And that is what has been screwed up the most in this horrendous piece of crap.

Please people do yourself a favor, save your money and go and buy a comic book and experience the real Tintin. You won't regret it.

Rating: 1/10...

Blistering Barnacles! The adventure film of the year!

[keuhkokala · 20 October 2011]

Having grown up with the Tintin comic books, I was doubtful of this project. I'm not a fan of the motion-capture technology and I feared the world created by Hergé would be sanitized for American audiences. But there was no need to worry. Tintin is a funny, exciting and tremendously entertaining adventure movie. It's also Spielberg's most entertaining film since Jurassic Park.

Tintin (Jamie Bell) is a young reporter who gets tangled in the affairs of smugglers when he buys a model ship from a scrap meet. When he gets kidnapped to the smugglers' ship, he meets Captain Haddock (Andy Serkis). He's a pure-hearted old drunk, who has information on a great treasure, told as a legend in his family for generations. He just needs to get sober enough to remember it. The adventure takes the pair to the Atlantic, Sahara, Morocco and finally back home. Tintin lives in an unmentioned European city that could be Brussels, London or any other one that has a sea port, really.

True to the comics, Tintin himself doesn't really have any strong characteristics. So it stands to reason that the minor characters steal the film again and again. Captain Haddock's alcoholism may not be suitable for the younger children, but it provides some of the film's most hilarious jokes. Almost as good are Nick Frost and Simon Pegg as bumbling Interpol detectives Thompson and Thomson. Familiar faces from the comics pop up now and then, but don't overcrowd the film. The focus is still on the main characters.

Even the 3D isn't just a distraction, as Spielberg has truly gone off his way to make use for the technology. Action scenes are shot with a long single shot, where the camera goes around to wild angles. There's a strong sense of being in on the action and forgetting you even are wearing a pair of painful glasses. The film takes a while to pick off steam at first, but after that the action varies from pirate battles to crane fights. The most outstanding scene is the motorcycle chase near the end, which would give Indiana Jones a run for his money.

The film's story is faithful to the comic book, and thus ends promising more. I hope there will be, because I was willing to follow Tintin and Haddock on new adventures straight away! I'd say it's among the best, the most innovative comic-book films with Sin City and Scott Pilgrim vs. The World. The film is excellent escapism from the dreary day-to-day life and it made me smile for the rest of the day.