Darfur Now

Anybody who's been following the news of the last few years (outside of the USA,that is)should know of the horrible genocide of the people of Darfur,who's lives have been a misery from the government based militia known as the Janjuweed (if I'm spelling that right). Actor Don Cheadle (who appears in this film)was made aware of this appalling situation when he went to Africa to appear in 'Hotel Rwanda', and has been an outspoken critic of the mass genocide of the indigenous Fur people of Darfur. This film manages to tell six stories (Cheadle's included)of the plight to end the suffering and misery. The six intersecting stories interweave nicely among one another. If you saw the recent documentary 'The Devil Rides On Horseback',you'll get the basic idea. This film,although unpleasant at times,is a bit more audience friendly than 'Horseback', so older youngsters will be able to see it and not be quite as traumatized with the images,than in 'Horseback'. My only gripe is the music score, which relies on pseudo New Agey schmaltz,which doesn't compliment the film (I guess it could have been far worse--oh,say a musical score by Andrew Lloyd Webber,for example). That aside, Darfur Now is another addition to the growing ranks of quality documentaries that are playing out these days.

I hate to be slightly cocky, but I feel like I am well-knowledged on Darfur and I am passionate on saving it, and ideally I would like to make a documentary on Darfur. I recently rented The Devil Came on Horseback (for the sake of typing DCoH) and Darfur Now in a span of about three weeks. I loved DCoH. It was a perfect documentary. It showed us everything, left us with a sense of frustration and urgency, which is exactly what Darfur is going through.

Darfur Now is solid, but lacks any new substance. We know people are active, and while some of the people are interesting in the movie, others are fairly boring. Don Cheadle and the other guy from California bring nothing new to the table. The other four stories are interesting, but nothing ever happens to any of them. For example, with the female rebel, we hear her story and see her walking around. That's it.

Plus, I know I would feel confused if I knew little on the subject. It is geared at an already knowledgeable audience, so those who don't know anything would most likely feel lost.

Overall, it is okay, but nothing special. Instead, i recommend The Devil Came on Horseback, a fantastic documentary on Darfur.

Since 2003, the people of Darfur - mainly tribal blacks - have been undergoing a systematic genocide at the hands of the largely Arab-run government of Sudan (Darfur being a western region of that nation). The UN has estimated that, as of 2007, 200,000 residents of Darfur have been slaughtered and 2.5 million more displaced from their homes and forced to flee to refugee camps both inside Darfur and in neighboring countries.

The must-see documentary "Darfur Now" focuses on six specific individuals who have chosen to make a difference in the world. Adam Sterling, co-founder of Sudan Divestment Task Force, is a young activist from Los Angeles who spends his time not only trying to raise public awareness of the atrocities taking place in that part of the world but also lobbying the California legislature and governor to get oil companies to stop funding the Sudanese government. Luis Moreno-Ocampo is a prosecutor for the International Criminal Court whose job it is to build a case against the Sudanese government officials in order to bring them to justice in The Hague. Ahmed Mohammad Abakar is the Chief Sheikh of the Hamadea Displaced Persons Camp. Don Cheadle ("Hotel Rwanda") is, of course, a well-known movie star and author who has met with a number of world leaders on the issue. Pablo Recalde is a humanitarian who delivers food to people in the refugee camps, often at great personal risk to himself and those who work with him. And, finally, Hejewa Adam is a rebel for the Sudan Liberation Movement, a group dedicated to fighting back against the killers.

All six share a common belief that what happens to one person on this planet happens to us all - and it is this philosophy that motivates them to take an active role in doing everything they can to try and change that world.

Survivors of the raids recount in horrific detail the inconceivable suffering they have endured at the hands of the Janjaweed, an Arab militia unit funded by the government to carry out rapes, pillaging and murder on a massive scale (though the government, of course, denies it). We also spend time with the rebel forces - motley bands of dedicated but poorly armed and trained men and women who have taken to the hills to defend their lives and homeland, while they wait patiently and, in many cases, in vain for the "white people" to come and help them.

Writer/director Theodore Braun effectively cuts back and forth between his various subjects and, in so doing, brings an emotionally compelling dramatic arc to the film.

More than anything else, "Darfur Now" drives home how monumentally difficult and frustrating it can be to get recalcitrant people to put aside their daily concerns or foot-dragging governments their political expediency in order to help put an end to any humanitarian crisis, not just the one in Darfur. But, at the same time, the film points out that people of goodwill, particularly if they are large enough in number, can have an enormous impact if they are simply willing to step up to the challenge.

Filled with both hope and heartbreak, "Darfur Now" is a fit companion piece to "The Devil Came on Horseback," an equally compelling documentary on the same topic. Together, these two fine films help to bring Darfur's plight to the world-at-large.

The theme of both films is, perhaps, best summed up by the actor George Clooney who, in a press conference on the issue, asks, "One day this will end, and the question will be, where did the nations of these United Nations stand?" Where indeed!

Six intersecting tales that shed light on whats going on in Darfur. This film aims to bring you close to whats going on, and on many levels it succeeds. However while good, its too over produced for my tastes (fancy camera tricks make photos pop, a new agey score, picture perfect cinematography) and I had the unfortunate feeling it was made by well off Americans to make them feel better rather than to actually help solve the problem. Clearly thats the wrong thing to feel and it bothers me that the lasting feeling was not the need to do something, rather how self serving the filmmakers are. That said, Darfur is an important problem.and any means to get the word out is important.