Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
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- Nominated for 5 Oscars
- 38 wins & 180 nominations total
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Summary
Reviewers say 'The Wolf of Wall Street' is a vivid portrayal of greed and excess, with Martin Scorsese's direction and Leonardo DiCaprio's performance receiving acclaim. The film's humor, fast-paced narrative, and satirical take on Wall Street culture are strengths. However, criticisms include excessive debauchery, lack of moral depth, and potential glorification of unethical behavior. Some note the long runtime and repetitive scenes detract from impact. Despite this, the film is praised for bold storytelling, strong supporting performances, and Scorsese's signature style.
Featured reviews
This film arrived in the UK with awards and Oscar nominations all around it, adding an expectation which it really didn't need adding since even without any of that it is ultimately a Scorsese film with a big name cast. It also arrives with some other stuff because the film has been criticized for near glamorization of the excesses that Belfort was able to experience with his ill-gotten funds and, to be honest, it is an impression that isn't helped when you consider that this film was put forward to the Golden Globes in the Musical/Comedy section. Now I am sure that was a political move by the studio, but it does say something about the film because indeed for most of it we have stuff so unbelievable and so excessive that it is hard not to laugh at it. It is hard not to enjoy it.
And this is a problem, because the first 2 hours and a bit of this film is really engaging and enchanting in how much of a rush it gives you, how enticing it is and just how much vibrant energy it all has. The viewer is swept along and I guess to a point this is the film doing its job well because not only are we being told a story but we are first hand seeing how easy it is to get caught up in the grab for success, for money, for status. In this regard the film works really well because throughout the film I really was glad to be part of it and wanted it for myself; I don't think the film goes out of its way to glamorize this excess and this life, but for sure it doesn't do much to balance it – and this really is my problem with the film.
The structure, subjects and delivery of this film is so inherently similar to Goodfellas that it is hard not to mention it. If you remember the opening of Goodfellas you'll remember that it opens with a memorably violent scene where an near-dead man in the back of a car is stabbed by Hill and his colleagues in a scene that is oppressive and violent but yet ends with the narration telling us "as far back as I can remember I wanted to be a gangster" and snaps to credits under a big track from Tony Bennett. This scene is important because it works as a microcosm of the whole film – the appeal but also the cost, all in one place. Wolf of Wall Street never has any of that and it hurts it. I suspect the message of the film is that our financial systems are screwed and that ultimately the rich will never be in the same world as the average person, because this is what I took from the rather sobering final scenes. However if this is the point it is trying to make then it really hurts itself with the rest of the film seeming to say "so why not get on board". I know this is not the case but the lack of a "point" or an agenda it the film means that it naturally fills it with its own, which is a weird feeling.
But then again – I guess it is a comedy. So the infamous Quaalude scene is not horrific but rather hilarious, the scenes of excess and of criminality are not equally appealing and repulsive – they are almost totally appealing, we hardly get the other side or get to see a victim here, and a few seconds on the subway with the FBI agent really does nothing but yet again make the suggestion that "it's all broken so why not at least get rich yourself". Getting away from this, it is a well made film. Scorsese makes this award season's second film to owe a massive debt to Goodfellas (American Hustle being the other) and he directs the film with energy; music is used well as one would expect and the editing makes the film pop. DiCaprio is great in the lead – OK he doesn't find the heart of the character, but the film doesn't ask him to. Instead he is charismatic and energetic, drawing the viewer in and giving the film its energy. The supporting cast is deep with names and familiar faces and it is a statement about how well the film holds the viewer, because it isn't distracting no matter how many famous faces or supporting character from TV appear (although I did notice that this and American Hustle had lots of faces from HBO's Boardwalk Empire). Jonah Hill is over the top in a way that works, although I am surprised to see him getting an Oscar nomination for it in such a crowded year.
Wolf of Wall Street has had a lot of praise and this will continue as the Oscars approach and are awarded. Personally I enjoyed the film as a funny true story delivered with energy and excess but in many ways it is not Goodfellas and the most important of these is that the film lacks a moral core to itself, to its characters and to its message. I don't mind the "it's all screwed so who cares" message that it ultimately seems to give, but I didn't feel comfortable with how wide a smile it had on its face while it was delivering it.
And this is a problem, because the first 2 hours and a bit of this film is really engaging and enchanting in how much of a rush it gives you, how enticing it is and just how much vibrant energy it all has. The viewer is swept along and I guess to a point this is the film doing its job well because not only are we being told a story but we are first hand seeing how easy it is to get caught up in the grab for success, for money, for status. In this regard the film works really well because throughout the film I really was glad to be part of it and wanted it for myself; I don't think the film goes out of its way to glamorize this excess and this life, but for sure it doesn't do much to balance it – and this really is my problem with the film.
The structure, subjects and delivery of this film is so inherently similar to Goodfellas that it is hard not to mention it. If you remember the opening of Goodfellas you'll remember that it opens with a memorably violent scene where an near-dead man in the back of a car is stabbed by Hill and his colleagues in a scene that is oppressive and violent but yet ends with the narration telling us "as far back as I can remember I wanted to be a gangster" and snaps to credits under a big track from Tony Bennett. This scene is important because it works as a microcosm of the whole film – the appeal but also the cost, all in one place. Wolf of Wall Street never has any of that and it hurts it. I suspect the message of the film is that our financial systems are screwed and that ultimately the rich will never be in the same world as the average person, because this is what I took from the rather sobering final scenes. However if this is the point it is trying to make then it really hurts itself with the rest of the film seeming to say "so why not get on board". I know this is not the case but the lack of a "point" or an agenda it the film means that it naturally fills it with its own, which is a weird feeling.
But then again – I guess it is a comedy. So the infamous Quaalude scene is not horrific but rather hilarious, the scenes of excess and of criminality are not equally appealing and repulsive – they are almost totally appealing, we hardly get the other side or get to see a victim here, and a few seconds on the subway with the FBI agent really does nothing but yet again make the suggestion that "it's all broken so why not at least get rich yourself". Getting away from this, it is a well made film. Scorsese makes this award season's second film to owe a massive debt to Goodfellas (American Hustle being the other) and he directs the film with energy; music is used well as one would expect and the editing makes the film pop. DiCaprio is great in the lead – OK he doesn't find the heart of the character, but the film doesn't ask him to. Instead he is charismatic and energetic, drawing the viewer in and giving the film its energy. The supporting cast is deep with names and familiar faces and it is a statement about how well the film holds the viewer, because it isn't distracting no matter how many famous faces or supporting character from TV appear (although I did notice that this and American Hustle had lots of faces from HBO's Boardwalk Empire). Jonah Hill is over the top in a way that works, although I am surprised to see him getting an Oscar nomination for it in such a crowded year.
Wolf of Wall Street has had a lot of praise and this will continue as the Oscars approach and are awarded. Personally I enjoyed the film as a funny true story delivered with energy and excess but in many ways it is not Goodfellas and the most important of these is that the film lacks a moral core to itself, to its characters and to its message. I don't mind the "it's all screwed so who cares" message that it ultimately seems to give, but I didn't feel comfortable with how wide a smile it had on its face while it was delivering it.
The last few Scorsese pics left me a little disappointed. I had begun to think Marty had become a 'gun for hire' and that his brilliance may have been spent (his earlier works were some of the best movies ever made). I attended a screening of The Wolf of Wall Street this evening, and was expecting to be unimpressed. I am happy to say I was completely blown away. This pic is Marty at his best. I laughed, I cringed, I related (with fond memories as well as a bit of guilt) and I TOTALLY believed every unbelievable moment. A good book, a great screenplay and a delightful cast were formed and molded into what I believe should get Scorsese a best director Oscar, and likely a Best Picture Award for the movie. Leo DiCaprio has grown into a versatile actor and his creation of this super hero dirtbag's roller coaster ride in this crazy (true) story is really honest and delightfully entertaining. Jonah Hill pulled out all the stops too and this is definitely his best work. Thank you Mr. Scorsese for delivering the goods so brilliantly!
The movie Leonardo DiCaprio should have gotten an Oscar for. His portrayal of the character is perfect. The movie is well-written, leaving no details out of the original story. Martin Scorsese never fails to impress. One of the only example where the movie is better than the book. The movie never gets boring, I could watch this anytime.
There is a reason this is called Wolf of Wall Street and not Lion of Wall Street. This is not supposed to be a story about some good guy or misunderstood guy doing things that are a little off. And therefor it was important to make this a comedy. When I watched it, I didn't think it would qualify as comedy. Thought of it more of a drama with some comedic moments thrown in.
The way it starts should indicate if this is something you want to watch. Never forget, as someone else also stated, this is supposed to be entertainment and does not take itself seriously. If you are not on that level with the movie, you will call it names. And that is OK, because obviously the movie is out there and it will not be everyones taste. That's why you have to decide early on, if you actually want to watch it or not.
If you don't feel like it, don't watch it. Save yourself some time and watch something else that interests you instead. If it hits a nerve with you though, you will revel in it. Especially in the performance Leonardo Di Caprio is giving. There is a scene involving him driving "carefully", that has to be seen to be believed ...
The way it starts should indicate if this is something you want to watch. Never forget, as someone else also stated, this is supposed to be entertainment and does not take itself seriously. If you are not on that level with the movie, you will call it names. And that is OK, because obviously the movie is out there and it will not be everyones taste. That's why you have to decide early on, if you actually want to watch it or not.
If you don't feel like it, don't watch it. Save yourself some time and watch something else that interests you instead. If it hits a nerve with you though, you will revel in it. Especially in the performance Leonardo Di Caprio is giving. There is a scene involving him driving "carefully", that has to be seen to be believed ...
The Wolf of Wall Street (2013)
**** (out of 4)
Two word review: A Masterpice.
Martin Scorsese's latest film is yet another brilliant one with Leonard DiCaprio turning in the greatest performance of his career as stockbroker Jordan Belfort who takes some rather bland people and turn them into one of the biggest scams that the FBI ever saw. THE WOLF OF WALL STREET is going to make many people unhappy and there are many more who are probably going to be offended by it but the perfection that is Scorsese was right when he decided to turn this into a comedy instead of a drama. Yeah, it's GOODFELLAS on speed and ramped up sex but it's just so brilliantly and wickedly funny that you can't help but laugh at all the craziness going on. Yes, there are some moral police out there who are going to object to a movie being made about a man who ripped off poor people but I'm sorry, I like the fact that this film doesn't really care about those people and instead just gives us an in-your-face look at these wild people, their wild drugs and their wild sex lives. This film is certainly over-the-top in regards to the excess but so were the characters so I thought they just went hand and hand with each other. Scorsese was the perfect person for this project because of his ramped up speed but here is goes all out and really delivers an incredibly wicked little ride that will have you smiling and laughing at some very questionable things.
I've been a fan of DiCaprio long before he became famous and this here is without question the greatest performance he's given so far. I was curious to see how he would do playing someone crazy and wild like this but he does so perfectly and I'd say it was a flawless performance. No matter what was going on in this crazy life you believe that you're watching a real character and as his character says throughout the film, sell him something. Well, DiCaprio sells this performance and role like no one else could. The supporting players are just as wonderful with Jonah Hill, Margot Robbie, Rob Reiner, Jon Favreau, Matthew McConaughey and Jean Dujardin all delivering terrific performances. The cinematography, the music selections and everything else are just flawless here. THE WOLF OF WALL STREET could have been a complete disaster in so many ways but the strong screenplay and Scorsese's wicked direction makes it an incredibly entertaining film that works so well. It's hard to fully put into words what Scorsese and DiCaprio have pulled off but it's certainly one of the best and most memorable comedies in ages.
**** (out of 4)
Two word review: A Masterpice.
Martin Scorsese's latest film is yet another brilliant one with Leonard DiCaprio turning in the greatest performance of his career as stockbroker Jordan Belfort who takes some rather bland people and turn them into one of the biggest scams that the FBI ever saw. THE WOLF OF WALL STREET is going to make many people unhappy and there are many more who are probably going to be offended by it but the perfection that is Scorsese was right when he decided to turn this into a comedy instead of a drama. Yeah, it's GOODFELLAS on speed and ramped up sex but it's just so brilliantly and wickedly funny that you can't help but laugh at all the craziness going on. Yes, there are some moral police out there who are going to object to a movie being made about a man who ripped off poor people but I'm sorry, I like the fact that this film doesn't really care about those people and instead just gives us an in-your-face look at these wild people, their wild drugs and their wild sex lives. This film is certainly over-the-top in regards to the excess but so were the characters so I thought they just went hand and hand with each other. Scorsese was the perfect person for this project because of his ramped up speed but here is goes all out and really delivers an incredibly wicked little ride that will have you smiling and laughing at some very questionable things.
I've been a fan of DiCaprio long before he became famous and this here is without question the greatest performance he's given so far. I was curious to see how he would do playing someone crazy and wild like this but he does so perfectly and I'd say it was a flawless performance. No matter what was going on in this crazy life you believe that you're watching a real character and as his character says throughout the film, sell him something. Well, DiCaprio sells this performance and role like no one else could. The supporting players are just as wonderful with Jonah Hill, Margot Robbie, Rob Reiner, Jon Favreau, Matthew McConaughey and Jean Dujardin all delivering terrific performances. The cinematography, the music selections and everything else are just flawless here. THE WOLF OF WALL STREET could have been a complete disaster in so many ways but the strong screenplay and Scorsese's wicked direction makes it an incredibly entertaining film that works so well. It's hard to fully put into words what Scorsese and DiCaprio have pulled off but it's certainly one of the best and most memorable comedies in ages.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Storyline
Did you know
- TriviaMatthew McConaughey's scenes were shot on the second week of filming. The chest beating and humming performed by him was improvised and a warm-up rite that he performs before acting. When Leonardo DiCaprio saw it while filming, the brief shot of him looking away uneasily from the camera was him looking at Martin Scorsese for approval. DiCaprio encouraged them to include it in their scene and later claimed it "set the tone" for the rest of the film.
- GoofsDuring the Black Monday crash of 1987 all of the digital tickers in the background are green - which means the market is going up.
- Quotes
Max Belfort: What kind of hooker takes credit cards?
Donnie Azoff: A rich one!
- Crazy creditsThe film opens with a Stratton Oakmont advertisement hosted by Jordan Belfort. The film title appears only at the ending.
- Alternate versionsNews reports in local media have said the version of the movie showing in Abu Dhabi cinemas removes 45 minutes of content. Aside from nudity and sexual situations, most of the edits come from the film's 600+ curse words. Time Out Abu Dhabi reported offensive language was removed by "either by muting the audio temporarily or chopping chunks from scenes mid sentence, which produces a jarring effect for viewers."
- ConnectionsFeatured in The Daily Show: Jonah Hill (2013)
- SoundtracksStratton Oakmont
Composed by Theodore Shapiro
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El lobo de Wall Street
- Filming locations
- Portofino, Genoa, Liguria, Italy(when Jordan and Naomi receive news of death of aunt Emma)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $116,900,694
- Opening weekend US & Canada
- $18,361,578
- Dec 29, 2013
- Gross worldwide
- $407,039,432
- Runtime3 hours
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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