Directed by
| Danielle Shamash | ||
Writing Credits (in alphabetical order)
| Danielle Shamash | ... | (screenwriter) |
Cast (in credits order)
Produced by
| Adam Meyerhoff | ... | co-producer |
| Rebecca Rankin | ... | producer |
Music by
| Chris Tilton | ||
Cinematography by
| Arthur Meyerhoff | ||
Editing by
| John Mullin | ||
Casting By
| Angela Campolla-Sanders | ||
Production Design by
| Rachel Silvera | ||
Art Direction by
| Dominique Bianco | ||
| Erika Toth | ||
Costume Design by
| Cathryn Coldiron | ||
Production Management
| Khadija Brockington | ... | unit production manager |
Second Unit Director or Assistant Director
| Nathalie Curtis | ... | second assistant director |
| Lynnette M. Myers | ... | first assistant director |
Art Department
| Liza Cucco | ... | set dresser |
Sound Department
| Noah Blough | ... | sound effects editor |
| Michael Brown | ... | foley mixer |
| Gary Coppola | ... | re-recording mixer |
| Margaret Gillespie | ... | sound mixer |
| Mike Hostettler | ... | boom operator |
| Phillip Perpich | ... | foley artist |
| Frank Smathers | ... | supervising sound editor |
| David Warburton | ... | first assistant sound editor |
Visual Effects by
| Robin Scott Graham | ... | lighting artist |
| Robert Moggach | ... | visual effects supervisor (as Rob Moggach) |
Stunts
| Erik Cord | ... | stunt coordinator |
Camera and Electrical Department
| David Baldwin | ... | grip |
| Janusz Kaminski | ... | set photographer |
| Martin Lerche | ... | gaffer |
| Adam McDaid | ... | key grip |
| Joe Passarelli | ... | camera operator |
| Hong Suwadji | ... | electrician |
Music Department
| Michael Aarvold | ... | score engineer |
| Mark Robertson | ... | music supervisor |
Additional Crew
| Anthony Banua-Simon | ... | production assistant (as Anthony Simon) |
| Brooks Hunter | ... | production assistant |
Thanks
| Heather Smith | ... | special thanks |
