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The Sopranos
S6.E20
All episodesAll
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro

The Blue Comet

  • Episode aired Jun 3, 2007
  • TV-MA
  • 53m
IMDb RATING
9.6/10
11K
YOUR RATING
James Gandolfini in The Sopranos (1999)
CrimeDrama

The allegiance of those closest to Tony is put to the test. A case of mistaken identity has serious ramifications.The allegiance of those closest to Tony is put to the test. A case of mistaken identity has serious ramifications.The allegiance of those closest to Tony is put to the test. A case of mistaken identity has serious ramifications.

  • Director
    • Alan Taylor
  • Writers
    • David Chase
    • Matthew Weiner
  • Stars
    • James Gandolfini
    • Lorraine Bracco
    • Edie Falco
  • See production info at IMDbPro
  • IMDb RATING
    9.6/10
    11K
    YOUR RATING
    • Director
      • Alan Taylor
    • Writers
      • David Chase
      • Matthew Weiner
    • Stars
      • James Gandolfini
      • Lorraine Bracco
      • Edie Falco
    • 16User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos46

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    Top cast64

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    James Gandolfini
    James Gandolfini
    • Tony Soprano
    Lorraine Bracco
    Lorraine Bracco
    • Dr. Jennifer Melfi
    Edie Falco
    Edie Falco
    • Carmela Soprano
    Michael Imperioli
    Michael Imperioli
    • Christopher Moltisanti
    • (credit only)
    Steven Van Zandt
    Steven Van Zandt
    • Silvio Dante
    Tony Sirico
    Tony Sirico
    • Paulie 'Walnuts' Gualtieri
    Robert Iler
    Robert Iler
    • A.J. Soprano
    Jamie-Lynn Sigler
    Jamie-Lynn Sigler
    • Meadow Soprano
    Aida Turturro
    Aida Turturro
    • Janice Soprano Baccalieri
    Steve Schirripa
    Steve Schirripa
    • Bobby 'Bacala' Baccalieri
    • (as Steven R. Schirripa)
    Frank Vincent
    Frank Vincent
    • Phil Leotardo
    John Ventimiglia
    John Ventimiglia
    • Artie Bucco
    Dan Grimaldi
    Dan Grimaldi
    • Patsy Parisi
    Sharon Angela
    Sharon Angela
    • Rosalie Aprile
    Kathrine Narducci
    Kathrine Narducci
    • Charmaine Bucco
    • (as Katherine Narducci)
    Peter Bogdanovich
    Peter Bogdanovich
    • Dr. Elliot Kupferberg
    Edoardo Ballerini
    Edoardo Ballerini
    • Corky Caporale
    Matt Servitto
    Matt Servitto
    • Agent Dwight Harris
    • Director
      • Alan Taylor
    • Writers
      • David Chase
      • Matthew Weiner
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    9.611.3K
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    Featured reviews

    10ivansampras

    best episode ever

    Just one word, perfect. Best episode of The Sopranos. I can't wait for Sunday. It keeps your eyes on the TV screen for every single second. I wont tell what happens, but I want to say that I'm waiting more next episode than next Indiana Jones movie.I'm sorry that here in Italy nobody knows about The Sopranos. Everyone likes O.C. and they watch it like it's the greatest thing on TV. I've just one thing to say to this people, wake up! You're losing the best thing on TV for what? A teenager series where the story is so bad that after one minute of watching it I said "ok, I think it's better if I go to study something". David Chase invented a perfect mix between The Godfather and Goodfellas and he gave us an unforgettable masterpiece. Thank you David. PS sorry for my English, I think my teacher is wright when he says that I'm bad in grammar

    Everithing comes to an end
    10snoozejonc

    As a doctor, I think...

    Violence between NJ and NY increases and Dr Melfi makes a big decision.

    This is an eventful episode that perfectly sets up the series finale.

    It is impossible to reveal details without spoilers, but it's safe to say that it is one of the most violent and fast moving episodes in the show. A lot of what happens is likely to satisfy fans of the gangster movie genre, but it all stays true to the themes and character arcs of 'The Sopranos'.

    All performances are fantastic as ever, with all actors having great moments to shine.

    Visually there are some very memorable scenes, particularly the more action orientated moments that are typically 'Sopranos' in their quirkiness of imagery and editing. The 'Raging Bull' tribute is amazing.
    bob the moo

    Season 6(2): A good season with great bits but not quite the flow and cohesive detail that other seasons made look effortless

    I'll post this review on this penultimate episode as I already did a review on the final episode when I watched it first time around. I had started the first part of season six with caution as I remembered it not being as good as it turned out to be. The second half of the season was set in my mind in the same way but in this case my memory was correct as the issues I could remember having with it turned out to be correct and indeed while there are brilliant bits to the second part of season 6, and it provides a classic conclusion, it is not quite as strong as the previous seasons.

    I think my main problem with it is that it doesn't seem to have the flow and determination of point that it normally does. A lot happens but not all of it is as well done or as textured as I have become used to. Christopher's murder is one example because I didn't think that the reasons for Tony's decisions had been allowed to come to a head within him, while the aftermath in terms of his subconscious is dealt with too quickly. It doesn't help either that a lot of this half of the season seems to focus on AJ; I'm sure in terms of actual time it is small but he feels like he is there all the time and that his depression and constant selfish changes and turns are never off the screen for long. In some ways this should have been good because it should have allowed us to see Tony projected through another person while also seeing Tony's reactions to what he himself has created. I say it "should" have been interesting because in reality it isn't. Instead it does get quite tiresome because we "get" AJ early on in this season's narrative and the more we see of him doesn't tell us more about him – so in the end it is a bit like being told the same thing over and over but with different examples to illustrate it while you say "OK I get it" to no avail. It isn't awful by any means but this part of the season has undeserved prominence and it doesn't work for me.

    Fortunately we still have plenty of great stuff in here. The central feud with New York and Phil in particular works well and engaged me while the ongoing family clashes with Tony do well to grab the attention while also informing a lot about the characters. Tony and Bobby is a new dynamic and it works well, specifically in the episode given over to Tony and Carmela visiting with Bobby and Janice up north. The thread that used to be the main one in the show (or at least in terms of tagline description) is brought to a nice close as the viewer (and Melfi) are left wondering if any of these revelations and insights have been real or not and what good if any has been done by these seven years spent talking. As before the show is best when it is revealing the characters and yet again Tony is laid bare as selfish, callous and cruel; his talk of the importance of family and his sweeping sentimental intentions pulled down in front of us where once we were very much on his side, by the time we end we see him clearer than ever and it makes his death perhaps an understandable conclusion.

    The material may not be quite as strong in terms of complexity and flow but the performances still are strong. Gandolfini is strong right up to the final shot and this series will forever be the thing he is rightly remembered for, as he never is out of character or appearing to "act" so much as just "be". Falco is a great presence as well but has less to do this season. Imperioli repeats his performance from previous seasons but he is still good with it. Bracco may not have a lot of time compared to previous seasons but her sessions are still important and she brings her thread to a close well. Iler still leaves me wondering. It is not his fault so much as the material but he is annoying as a character and his performance doesn't manage to reveal anything behind the selfish petulance in the way that we had seen Gandolfini do in similar scenes. Turturro is perhaps another example to contrast with Iler, as her character is a monster but yet her performance makes it telling and interesting. Schirripa becomes more important again and his is a sweetly touching performance. Chianese is off to one side but he is still good as he loses his mind. Sigler, Sirico, Van Zandt, Vincent and others turn in the strong supporting roles that we are used to.

    And so, with a jarring suddenness that we never heard coming, the show ends. This season is perhaps not the best of the seven years and it does have its problems but it is still "good" – just not as good as it should have been. Like what happened with The Wire's final season, it just feels like everything that had always seemed so effortless isn't working quite as well. So, while it is still better than most stuff on TV, this final season is not quite there and those that have watched it from the start will see this reasonably clearly.
    10danieldraper_

    I am not ready for this to end...

    The credits music was the cherry on top.

    I cannot believe this show is ending.

    I love this show, I think it surpasses every show on TV.

    The build up, the loss of our beloves characters, the pacing, it's perfect.

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The study Dr. Melfi is shown reading, "The Criminal Personality" by Drs. Samuel Yochelson and Stanton Samenow, is an actual study. Yochelson, the principal author, died in 1976. His work became well known in the 1970s and 1980s.
    • Goofs
      Before Agent Harris reveals to Tony about the Phil Leotardo's plan to murder him or those close to him, we can see Tony's Escalade in the background. When then camera switches for first time to Agent Harris and then back to Tony, we can see that the white Escalade is gone, specifically, it's 'replaced' with the red Jeep Wrangler.
    • Quotes

      Phil Leotardo: Historically, Carmine always said the Sopranos are nothing more than a glorified crew. Plain and simple. We decapitate and we do business with whatever's left.

      [to Albie]

      Phil Leotardo: What?

      Albie Cianflone: Nothin'. I agree in spirit but I gotta counsel.

      Phil Leotardo: This thing shoulda been done during John's era.

      Butch DeConcini: They got redundant upper management, bleeds off half the kick. We take 'em out, absorb the whole fuckin' thing.

      Albie Cianflone: Take out an entire fuckin' family?

      Phil Leotardo: Let me tell ya a couple of three things: Forget Coco, forget Fat Dom who goes over to Jersey and never comes back, forget my brother Billy.

      Albie Cianflone: Phil, Phil, that's not what I'm sayin' at all.

      Phil Leotardo: Anthony Soprano has no respect for this thing. He's never been in the can, not really. Here's a guy who stepped over his own uncle to grab the big seat, his father's brother.

      Albie Cianflone: Please, huh?

      Phil Leotardo: I'm embarrassed. I let him come to the hospital last Christmas, and I took his fat, fuckin' hand in friendship.

      Albie Cianflone: Philly, ya had a heart attack.

      Phil Leotardo: Listen to me. They make anybody and everybody over there. And the way that they do it, it's all fucked up. Guys don't get their finger pricked. There's no sword and gun on the table...

      Albie Cianflone: Phil...

      Phil Leotardo: No, Alb, either it has meaning or no meaning. And the Vito thing, the man harbors a faggot.

      Albie Cianflone: It's true.

      Phil Leotardo: Five fuckin' Families and we got this other pygmy thing over in Jersey... There's no scraps in my scrapbook... Make it happen.

    • Connections
      Featured in The 59th Annual Primetime Emmy Awards (2007)
    • Soundtracks
      We Belong Together
      (uncredited)

      Performed by Robert & Johnny

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    Details

    Edit
    • Release date
      • June 3, 2007 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Languages
      • English
      • Italian
      • Ukrainian
    • Filming locations
      • Linden, New Jersey, USA("Drive Safely" storage cylinder)
    • Production companies
      • Chase Films
      • Home Box Office (HBO)
      • Brad Grey Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      53 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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