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  • If you are a Star Trek fan, you will find something endearing is missing from this series, and that is the vision of Gene Roddenberry.

    The characters, the serial plot line and even the script targets a broader audience, which will probably disappoint Trek fans.

    Disappointments aside, it was still a good watch. I am hoping season 2 steps back a little to the way Gene Roddenberry would have told the story.
  • tom99227 March 2020
    I have just one thing to say, this episode was an absolute masterpiece! So intense, ready for next season!
  • .or had some elements, some aspiration to what made Star Trek kind of magic to me back in the day. It's not the action or any of that, that's just for relaxation and amusement. Sweetens it up and makes it go down easy.

    It's the whole philosophical context, and the literary explorations on issues like purpose, beauty, meaning, morality and so on that were the truly intriguing parts. And of course how some of the unique characters evolved, along the journey. Not to mention that invigoration idealism! I suppose you could call it pluralism, but then in a much more fundamental and truly open minded way. The concept of traveling endlessly throughout unknown space with your trusted crew, on that amazing star ship, open to explore whatever is there. It is the most beautiful escapist fantasy I can think of to this day.

    Needless to point out that to me, anything after "The Next Generation" was burdened with sky-high expectations, followed by staggering disappointment. So I was ambivalent to even start watching this series. But yeah. It did kind of pick up on that old stuff, at least to some extent. Especially in this last episode, with a nice twist to that classic scene, of turning down the conscious machine. This time as an act of mercy. Actually, to give meaning to the life lived. Maybe it was all a bit fast and fuzzy, lacking truly developed characters and such, But, as for the underlying theme, it did get pretty close!
  • As we are all told, this is a golden age of television, where the medium has the clout, money, and audience, to attract names and budgets that previously were not available to them in the same way as it was for cinema. There are many examples of quality shows, of experimental shows, but there are also plenty of examples of big budget shows that feel like they have been made because the math made sense to the investors - a statement that very much can be made of any media that needs to sell and make money of course. From the trailers Picard didn't look like it would be that; it looked like it would be a return of a very popular character, delivered by a very good actor, in a big-budget show that appeared to lean into the adult darkness more than Next Generation did. Unfortunately what we get is not so clear as to what it wants to be, and too much of it seems to have not gotten beyond the headlines of the original pitch.

    The core elements are good, but the core plot is messy and a little too functional. There are attempts at character development and complexity, but they are isolated efforts and often focus on new supporting characters that we don't have any investment in. Picard himself has times of reflection and drama, but too often he is being used as the driver for the plot and there is not enough to flesh him out. This is similar in the other main character (Soji) - she goes through a lot of exploring into her own character, but it is done in a way that serves the plot rather than makes for a deeper or darker drama. In terms of story, it is fine, and it is played out with a budget big enough to look good while doing it - but I was never really sucked into it or felt like it knew what it wanted to do.

    The cameos don't help this. The show feels like it is trying to be different from 'normal' Star Trek in tone, but then it regularly throws in nostalgic elements whether they add to the show or not; the brief appearance of franchise characters add less than they detract by the way they tend to have their parts feel like a "stop" in the show, where the show wants to have the show step to one side for a bit of fan service. The performances for some of these cameos feel too "cheerful" for the tone of the show. Performances generally are decent but not great. Stewart is a great presence, but doesn't have enough of substance to work with. Briones does well with what the show asks of her, although at times I felt it was asking her to do too much. Pill is good but her time limited. Hurd is a bit obvious in her character and isn't able to lift it beyond the basics. Treadaway is mostly a good villain once he settles in - alongside him List looks good but it feels like she is pushing the "sexy villain" too much (although at least her performance is bang on what she is there to do). Mostly everyone is doing good work, it is the material that doesn't give them more.

    Technically the production design is good; lots of money spent, good sets and costumes, with special effects convincing. The delivery of the whole feels a bit safe and lacking in ambition, but this fits with the whole construct, because it very much feels like a 'product' designed to sell Amazon Prime - which of course it is, but it becomes a problem when it can't make you forget that for very long.
  • Don't listen to the naysayers, the finale is pure unadulterated Star Trek. Star Trek is entirely about philosophical questions and what it means to be "human" - this nails that. No spoilers, but it essentially boils down to the dangers of fear. And the characters are all great. Star Trek needs literally nothing else to be good; things like being consistent with the overall timeline or explaining every single detail are such insipid things to worry about (City on the Edge of Forever has plenty of inconsistencies; you bashing it for them?)

    Some other notes: each character gets enough screen time to give them a satisfying conclusion to the season; there are no stupid never-would-have-seen-that-coming twists like pretty much every other streaming show; the tone/style of the episode really capture the atmosphere of TOS/TNG well

    For those who say it violates the utopian vision of Trek: sure it dims humanity's prospects a bit, but something a lot of reviewers seem to gloss over is that this is the first Star Trek series where every race we see is working to accomplish a greater good (however misguided their understanding of what that means); literally no other Trek show to this point has done that

    As for the so called unresolved details... why do you care? Star Trek is not a suspense-driven mystery thriller where every detail needs to be wrapped in a bow. Every plot-relevant point was addressed, the others are just world building and spending time on them would have taken away from more important parts. Some reviewers act like they won't be satisfied until they get Soong's detailed notes on how to construct an android from scratch.

    I think there is some validity in wishing the new characters got more time to develop, but this is just season one and there's plenty of time for them to do so. In fact my complaint here is that we got a little too much backstory on some of them (think about it, we know more about Rios' history prior to this show than we really do of most major characters, like Geordi prior to Next Gen)
  • This is not TOS. Nor TNG. This is a new story, moving forward in time. Just as you are not the same as you were in 1993, these characters grow and change! So does their world! This is a great, gritty, more realistic story of the universe at this time. Yes, gay people exist. Yes, bad things happen. The heart is the story is still true blue trek. I thought this story was great. And I was happy to see closure for Data, hope for the Federation, and a new path for both Picard and Seven to go down next season. This was very well done and a great finale for the season.

    For all you upset folks that it's not the g-rated happy place last series were, grow up or watch a rerun. This is taking trek to a place more grounded in reality. Enjoy the ride for what it is and quit expecting it to be a replica of what once was!
  • One's personal opinion about a series and one's review meant to be helpful to others do not necessarily need to coincide. If one has more years behind than ahead, and was there to watch the first episode of TOS and has watched every single Trek episode or movie made since, like myself, they will write a different review than someone trained in what's entertaining and good by the formulaic executive boardroom decisions of the last couple of decades..

    After watching the season finale of Star Trek Picard I'm glad to say that my personal opinion and the review I would write today for others coincide. In the balance of everything Trek done since 2002, and with the pre-2002 legacy in mind, this was a truly fitting tribute as well as a Renaissance of the social commentary via science fiction that Star Trek was always meant to be. The Trek to the Stars is what Gene envisioned as our destiny and kept trying to remind us of it through entertainment. That's exactly what this series and this season finale achieved, to a "T".

    Whether you will like this season finale and this new series or not depends on how old you are and what you expect of entertainment. Unless you have reasons to be really angry with life today, my bet is that if you clean your slate and watch this series and this finale you will come away a fuller, happier person.

    I was blown away by it, and I'd like to think I wasn't born yesterday.

    PS. I feel sympathy and sadness for those folk who are seriously telling us here that they "saw" carnal desire in that simple gesture of solace and closeness between an ex-Borg who has lived a life of mostly solitude and a loner whose son rejected her a few episodes ago.
  • Loves the season finale, it wasn't over the top space battles like every other star trek these days, really starting to get the adventurous feeling of TNG back. Foundations for a solid show have been set.
  • Warning: Spoilers
    I don't know why people keep saying this is not star trek. It is ver much so. From the graphics to the acting to the fights to the teachings. One of the teachings from star trek is to understand that death is something unavoidable for human beings and that has always been there. In next generation when Lt. Tasha yard died and Data was sad but didn't understand why and Picard saw that Data had a hologram of her, and then explained to Data that humans have finally understood that death is something unavoidable and have stopped trying to live forever. And this is again here when Data wants to be switched off because live for him, a droid, has to be finite and this is what Picard taught him. For me the series is great, I give it a 10 because all the feelings it raised on me. From the memories of my childhood watching next generation to the great acting of Picard and Data and even the new ones like Rios and Soji. I don't know about a next season. I would leave it at this but that is just my opinion.
  • Warning: Spoilers
    Spoilers ahead....so many awful plot holes in the finale.

    1. Soji is supposedly the daughter of Data. Yet they had no conversation together about her upcoming choices and actions and her legacy? Super disappointing. Data's character could of given Soji clarity...Data could of told her that his first daughter died, his android brother was evil, and Soji would be his legacy to the universe. A synthetic with feelings and emotions that he always thrived for.

    2. Very cool seeing Will Riker come in with the fleet but wow couldn't a ton of this of been taken care of if Picard originally reached out to Riker for assistance ? Riker sure got back on the active list fast.

    3. The actors were great which is why I am giving this a 6 but my gosh the writers just got really lazy with this finale. I knew it was in trouble when they landed in Part 1 and Picards team walked in on a colony of synths.
  • AzSumTuk27 March 2020
    Warning: Spoilers
    OK. Three of the four stars you see above my review are for the visual effects and the remaining one is for the acting and the music. In short, this episode was a horrible conclusion to an otherwise watchable season. In long... There will be spoilers.

    Where do I even begin? Perhaps the ending is a nice thing to start my review with. The ending, where, after Picard has died, we see his crew mourn him, we're force-fed the emotions from the death of the main character, and then we find out that he's still alive and his crew knew about this. What were they crying about then? They knew that Picard not only lived, but was also cured of his brain tumor or whatever that was... Also, although the scene with Data was almost nice, one question kept bugging me - why didn't Data speak with his daughter? I mean... Why? The technology was there. She was his daughter, she was what he'd dreamed of, and she spent the whole season discovering herself. Why didn't they have a conversation?

    And if they could just bring Picard back from the dead, why didn't they bring Data back a long time ago?

    Why was there a very strong hint that Raffi and Seven of Nine were suddenly in a romantic relationship? Not only were they both established as straight within the show, but even if they weren't, they barely knew each other.

    Why did Dr. Jurati get away with murder? (OK, that's almost understandable, but still...)

    Why was that catfight in the cube choreographed so horribly? The previous episodes showed some good martial arts choreography. Why was the climactic fight scene so bad?

    Why was that magical device introduced? You want something done? Just imagine it... The device can do anything - from repairing machines to creating holograms... Uh...

    Why? Why? Why?

    Why?
  • Warning: Spoilers
    I truly loved this season finale to ST:P Great story and loved seeing Commander Data and Riker again! Truly a heart moving season finale to an amazing first season! I am not sure what is driving the pure bile hatred of a lot of the so called "Star Trek Fans" out there! This is Star Trek for the 2020s not the 60s! IDIC at it's finest! Loved seeing the Federation warp in in force at the end! Brought a tear to my eyes! :-) High hopes for season 2! Hope the haters take a break and rethink their very un-Star Trek hate and join us on the Trek of a Lifetime! LLAP Fellow fans!
  • Ancient machine race hellbent on destroying organics.

    Ancient machine race can only be contacted via some signal into deep space.

    Deep space signal leaves people with scrambled minds and suicidal after showing snapshots of imminent death/destruction.

    Ancient machine race hate organic lifeforms because they see them as inferior.

    Ancient machine race eradicated their creators, leaving only the trace of their existence spare a few vague solar bodies...

    I can go on, but I'll be spoiling not Picard but anyone who hasn't played the Mass Effect video games. I'm surprised the writers of Picard went down this route. Did they really believe no one would spot the difference? It's so blatantly obvious that it's almost plagiarism.

    I love Star Trek, but Picard has a lot of missed opportunities that could have made this show great.
  • In its best moments, the finale of Picard is a 10. At its worst, it's unbelievably bad. I believe that the second half of the season should have been expanded a few more episodes. Bad pacing contributes to the viewer having to suspend disbelief with major plot holes; it also places poor emphasis on what could have been far more emotional or believable scenes. In Picard, sometimes things just happen and we are expected to go with it when it isn't necessarily in the service of the plot. Narek, for example, is a narrative train-wreck, and many facets of the android plot either don't make sense or were robbed of emotional resonance. However, dialogue and writing in key fan-service moments make this show worth watching. When these scenes take place, it's almost as though all the problems with the show seem to go away. For season 2, if they can construct a narrative that knows its boundaries and shows focus while maintaining a more consistent level of quality, this show may yet be redeemed.
  • karosenberger26 March 2020
    The inaugural season finale still had some flaws, but the closure Picard finally got with Data more than made up for that. And a story that explores the real emotions between the characters is just as compelling as any action sequence ever could be. Very well done, and very excited for the next season! (PS. BRING BACK ICHEB!!!!!)
  • paulchambliss26 March 2020
    Warning: Spoilers
    I cried watching the first episode and I cried watching the end of this episode. Great ending to Picard and Data's story.
  • Amazing first series, and ending.. cant wait for season 2.
  • Warning: Spoilers
    A satisfying end to the beginning of what can be called Picard's character arc.

    He is going to have one more adventure out there. "Engage."

    I liked how we saw his faith in the Federation/Starfleet somewhat restored.

    This is the most Star Trek series, I have seen in a long while. I look forward to season two.
  • Some androids are just plain bad. The trick is figuring out which ones.

    And it turns out that the Romulans were actually right, in part, but not about all Androids. Just about one particular android. But it wasn't Soji. And, just like people, one bad person doesn't make all people bad. But how do you try to explain this to Romulans who have had generations of paranoid prophecy?

    It seems a lot of this was about choice. Narek makes a choice, he could have been lobbing molecular solvent grenades at Rios' ship. But instead he threw rocks, and subjected himself to abuse from Raffi and Rios. And he chose not to die by Elnor's Sword.

    Just like Narek's sister chose to be a grade-a Da'oghlaHneSchugh nga'chuq tugh, and chose to reap her just desserts at 7's hand. "For Hugh".

    Everybody had been so paranoid about what would happen "should artificial life be allowed to exist", and this paranoia became a bloated, festering wound. when it never really was about an entire race of synthetics. Well? Data was alive for a certain number of years without anything really diresome happening. And obviously this planet with the android colony has been there for a while as well, also with no bad after effects.

    if bad guys show up when a certain signal is sent...

    If your elbow hurts when you move it "that way", don't move it "that way".

    In this season finale, Picard gets to give back to Data what Data gave him at the end of "Nemesis". Data has always said that he was comfortable with the idea of death, because it made his journey toward humanity complete, he could be comforted with a limited existence just like people have. And because of that, things like love, peace, joy, friendship, all have more meaning, simply because they are temporary. This sounds so much like Data.

    In fact much of this series appears to be closure for the events at the end of "Nemesis", which only happened because at the time, Brent Spiner wanted to bow out of being typecast as Mr. Data. Eventually he regretted that choice.

    And I had been waiting, hoping to see if Picard actually got to see Data face to face one more time, in this series.

    Well, kind of.

    "Nothing is as it seems", including this season finale. There is much more here than the action depicted, or the Romulan mythology, and even the intersection of all of these disparate characters. Here, it appears that both the Romulans and the Federation learn something, and they have synthetics to thank for it.

    And even Picard goes through significant changes. In a way, he becomes what he has always protected.

    In the end, this is Picard's new ship and his new crew. But nothing will ever be the same after this point. But they very inconveniently wrapped up all of the loose ends of the season in this episode. So, where to next?
  • So, let me say first that this review is in no way meant to be biased because of my preference to the oldskool Roddenberry Star Trek, nor is it automatically a critique based on me not liking KurtzmanTrek. I'm a huge ST fan, especially TNG and Voyager, though I learned to like DS9, OS and Enterprise over time. Now, that does in no way mean I like all the episodes of every series. There are some average and sure, absolutely bad episodes. But what I have come to realize over time is that it's hard to write every episode with a new plot and storyline, and make it work every time. It takes a lot of creativity, imagination and writing ability. Not every writer pulled it off.

    Which brings me to new Star Trek. I'm perfectly open to innovation, change, improvement and controversial solutions IF they're well supported and if there's a good reason for them. While there are some good moments in STP, intreaguing situations and quality visualisations, there are a number of issues with the series.

    What this show is missing, is the subtle way in which all the controversial issues were done in Roddenberry ST. Everything feels forced, from women literally controling all aspects of Starfleet, Romulan Empire and the series itself really, to 7 of 9 being deemed unnecesserily as a bisexual (or homosexual, depending on wether you take her past with Chakotay into consideration). This - "in your face" approach is fine by me if it's not done for the sake of doing it. Unfortunately, this is not the case here. You had only 10 episodes with only one main plot. You had a decent ( if not original and overly inspiring) story. You had Patrick Stewart. Ther rest is on writers and directors. Too bad they were average at best.

    Again- some good, even great moments. But overall, not very good episodes. Bad writers can do only so much.

    Think about this: they had 10 episodes, yet most of them feel like filler episodes. They had to resort to "cheap" tricks to keep you entertained, like forced swearing, killing, overall darkness and CGI action all over the place. The dialogues are just terrible at times, and it's so hard to connect with any character apart from those we know from past series.

    Unlike in other Star Trek series where there are some bad, but also some of the best episodes ever written for a TV show, here we don't have a single really good or great episode (just like in Discovery). Now, if there's only one main storyline, less chance of hit or miss, why is that?

    It's really simple. It's the writing. It's just limited. You can only get so much from Kurtzman & Co., and even that is mostly borrowed from other shows.

    In conclusion, Stewart deserved better. Picard deserved better. Seven deserved better.

    Ultimately, true fans of Star Trek who may have had differences in opinion about past shows but never could complain about the very essence and feel of Roddenberry Star Trek deserve better.
  • Warning: Spoilers
    So, the final episode featured...

    1) a magical toy that makes all your wishes come true: An illusion of hundreds of ships that fools the Romulans, but also that instant repair of the entire ship considered impossible seconds earlier. *facepalm*

    2) A fleet of 218 Romulan warships (these guys who recently lost their homeworld) stopped by an even stronger Riker (=retired captain) fleet popping out of nowhere. Incredible logistic performance, and Riker's persuasion skills must be amazing. Like "could I quickly have a few hundred war ships, that retired admiral you starfleet guys don't like anymore just called me for help" amazing. *double facepalm*

    (here you may add: some synthetic deadly monster just about to appear through some sort of wormhole, but then not)

    3) Picard dying, everybody crying, and moments later his reboot as a mortal golem. *tripple faceplam*

    Yeah, I also wouldn't believe that. So go ahead and watch.
  • Our brave showriting heroes are done ripping off Mass Effect and H.P.Lovecraft!

    Whom will they ripoff next?!

    What established and beloved character will they turn gay next?!

    Want to know?

    Than stay till Star Trek: Picard season 2 to find out! What a wild ride!!!
  • This season as a whole has been one of the best Star Trek series ever made.

    This episode was as Trek as could have been, and absolutely beautifully written, acted, scored and directed! Watch it for yourself.
  • Warning: Spoilers
    The first season of "Picard" ends on what I thought was rather a high note, bringing to an end a series that was perhaps a bit too patchy and lacking in terms of story to be considered as a success.

    Captured by Sutra (Isa Briones), Picard (Patrick Stewart) makes an emotional appeal to Soji (Isa Briones) not to call forth the apocalyptic artificial intelligence. The rest of the crew though join forces with Narek (Harry Treadaway) to attempt a more violent method of stopping her. All the while, the Romulan warbirds draw closer and closer and it appears that the Federation haven't heeded the advice of their former Admiral.

    So, taking this final episode in isolation. I thought it was alright. Visually it was pretty good, the scenes with Picard piloting La Serena looked great. It's nice, plotwise, that ultimately it all rests on Picard's ability to reach Soji and convince her not to proceed, supported by the actions in space. Giving Data a better send-off was agreeable, though frankly I feel that the progression with Picard's character was a little forced to keep the series going. I'm struck again by everyone's lack of commitment to their beliefs. Spoilers - The Romulan captain has dedicated her life to the idea that the robot overlords will come and kill us all, she's infiltrated Starfleet, risen up the ranks and now attacks the planet with an overwhelming force. Then gives up at the pivotally point, literally the whole reason for her life, because Riker and Starfleet arrive. Her belief is that organics are all going to die anyway, why not fight on?

    Taking the season as a whole, I feel like it was lacking in coherent vision. Rather than planning how each aspect of the show would feed back into the full narrative, this feels more like writers were asked to write their episodes in isolation. So plot points are created and then not paid off and at other points, scenes occurred without the back story to explain when that happened. My primary example of this would be the relationship between Jurati and Rios. It comes out of nowhere, disappears and then doesn't prove necessary for the rest of the show.

    I feel, looking back on it - that this would have made a better movie - or maybe miniseries, than as much of this as we got. Act 1. Dahj death, Picard puts crew together to find her sister. Act 2. Borg Ship, rescue. Act 3. Robot Planet. Sacrifice. The world building and fleshing out of the characters around that just confused matters.

    I'll be back for Season two, but I'd really appreciate it if the story was tighter and less "Illogical, Captain"
  • A perfect line from the episode to encapsulate a tremendously poorly written season.

    Quite disappointing with the main plot back-drop directly ripped off from the "Mass Effect" game series.

    Totally unnecessary and dull scenes featuring Data through-out... had my friend laughing at how silly everything was.

    Worst Star Trek series so far and likely end of watching it for me.
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