The Boys

Although I've been a movie buff most of my life, for my first few decades I didn't pay much attention to the people behind the movies, other than the actors. So, when I began studying the silver screen in earnest several years ago, I was surprised at the list of accomplishments of the Sherman Brothers. Then, I recently watched a newer DVD of "Mary Poppins," which I hadn't watched for many years. It had some bonus video short subjects, including background on the music. That peaked my interest more and I bought the DVD of the Sherman Brothers' story, "The Boys." I was further surprised to learn of their personality clashes over time. While they never broke out in angry turmoil, it became too stressful for Robert, who then moved away.

That their different interests, personalities and characters should be a source of creative conflict is amazing. But, they both testify to that in the numerous interview snippets included in this biographical documentary. The separation of their families for nearly four decades – when they lived just houses away from each other while the kids were growing up – that was tragic. All the more reason to congratulate their sons Gregory and Jeffrey for meeting to bury the hatchets they didn't even know they had, and make this biodoc as a way to tell the story of the Sherman Brothers and their accomplishments. And, in the process, to hopefully get their dads back together.

The documentary is first-rate in all aspects. It is excellent work, with excellent material that they researched and put together from the past. The interviews with others who worked with The Boys were spot on. And, this DVD too has some bonus material that gives even more information.

I'm sure that the people interviewed are right – that many of the Sherman Brothers' songs will live on for generations. The most popular and well known are "Chim Chim Cher-ee," "A Spoonful of Sugar," "Supercalifragilisticexpialidocious," "Winnie the Pooh," "The Wonderful Thing About Tiggers," "Chitty Chitty Bang Bang," "It's a Small World," and "Anything Can Happen." The brothers had great praise and admiration for Walt Disney. It was he who made them the resident music creators for all of the Disney ventures. Besides the two Oscars they won, they had dozens of nominations for major awards over the years and won a number.

They wrote 31 major movie scores, live action and animated, for Disney and others. They wrote dozens of songs for the Disney theme parks and for the Disney TV programs. Several became pop hits over the years – in addition to the above songs from their shows.

One thing that I found especially interesting about Bob, was his experience toward the end of World War II. He had just turned 17 and got permission form his parents to enlist in the Army in 1943. In this film, Bob says he and his squad were the first Americans to enter the Dachau prison camp. He said the sight of the corpses and ovens would be "nightmares for the rest of my life."

The film has a number of interviews with A.J. Carothers. He was a long- time playwright and TV writer with Disney, and a close friend of both Bob and Richard. He said that the positive songs of the boys were uplifting to everyone who worked around them. He described their musical output as joyful, fun and romantic. They didn't create sentimental music, but romantic songs. He quoted author F. Scott Fitzgerald for his definition. "A sentimental person thinks things will last, and a romantic hopes against hope they will not." That's from Fitzgerald's first novel, "This Side of Paradise."

Bob tells a story about how they came up with the word, "supercalifragilisticexpialidocious." "When we were really young kids, we went to summer camp. And, they had a contest. Who could make a longer word than antidisestablishmentarianism. That was a very famous word. And, we messed around. We came up with an idea for a word."

The Boys and others have asked how many people can say "supercalifragilisticexpialidocious" backwards. Richard said he could, and he rattled off a word. Unfortunately, the IMDb review won't accept my giving these examples with syllable breaks. The Web site says that my review contains too many spelling mistakes. So, I will just finish this with general references here. Julie Andrews said it the same way, but she admitted it as the syllables in reverse order – not the full word actually spelled and pronounced backwards. But even that wasn't the case, because in their example they recited six of the seven syllable breaks in reverse order but then said super backwards as well. So, their rendition is a mixed bag of some of the syllables backwards and in reverse order. For fun, I then spelled the word in reverse with syllable breaks for those who might want to take a crack at it. With this, it's obvious why the songwriters chose to try for just saying the syllables in reverse.

For trivia fans, the one-word song title has 34 letters and uses 15 of the 26 letters of the alphabet. Of those, 16 are vowels and 18 are consonants. The vowel used most is the letter "i," which appears seven times. I offer this all in the spirit of the Sherman Brothers and Walt Disney who brought us so much laughter and many smiles in their music, movies and stories.

"The Boys: The Sherman Brothers Story" is a terrific documentary produced by the sons of the famous composing team of Robert and Richard Sherman ("Mary Poppins," "The Jungle Book," "Chitty Chitty Bang Bang") about their fathers and their complex relationship.

Robert, for example, the older brother and "poet," who wrote so beautifully of sweetness and optimism, was in the very first group of GIs to liberate the Dachau concentration camp, which had a profound impact on him and his relationships, especially with his brother.

And how do these famous songs come about? When one of the composers' sons came home and said he had some sort of anti-polio treatment at school, the father assumed it was a shot and said, "That must have hurt." The son replied, no it was medicine he swallowed after they gave him a lump of sugar to take beforehand. Voila! The birth of the famous "Mary Poppins" tune, "A Spoonful of Sugar (Helps the Medicine Go Down)."

Fascinating stuff on so many levels, it will interest music aficionados, Disney fans, students of Hollywood history and even those who really know very little of these particular gentlemen.

Well worth your time.

And, Hollywood, if you're listening -- how about a movie telling their story? Terrific stuff.

Their music is unforgettable. Their name is legend. Immerse yourself in the lives and film legacy of the prolific songwriting duo whose music was featured in classic films such as Mary Poppins (1964) and Mowgli, the Wolf Boy (1967).

Watching Disney documentaries and being delighted with the tributes it has paid to the professionals behind the great works, simultaneously watching Frank and Ollie (two more than fraternal friends, excellent designers) and the Sherman brothers (two musically talented brothers, but not they got along well, they separated for years) wonderful masterpieces, well-deserved tributes, sincere, transparent, necessary and passionate works... This troubled union generated great successes...

We were fortunate to see this film here in Toronto last night in advance of its (I think only) theatrical release. Even more fortunate was the fact that the two directors/sons and Dick Sherman were in attendance and did Q&A afterwards. Dick even had a piano and played some of the brothers' songs, explaining, among other things, how the music of "Spoonful of Sugar" was written as a reflection of the character of Mary Poppins. I'm a bit of a curmudgeon and attended with my 18-year old daughter. We both had tears in our eyes on several occasions during the film and afterwards. How two brothers who are so different can work so successfully together for so many decades and yet never see one another outside their working hours is a remarkable story, simply and lovingly told. The film also provides some interesting insights into the Disney studio during its heyday.

I'm always interested in movies about songwriters, being a huge fan of the Great American Songbook. This is the story of Bob and Dick Sherman who were in-house songwriters for Disney for a couple of decades. We have these guys to thank for the earworm "It's a Small World" along with the hit songs written for the grown-up mouseketeer Annette. Need I say more? I found the documentary engaging, mostly because I'm interested in the process of songwriting, and also for the human interest. These brothers, who worked closely together on the music, really had nothing at all in common, went their separate ways in their private life, so much so that their kids did not know their cousins. I don't find that hard to believe at all - plenty of brothers share very little of their lives. These two happened to be in business together, and they made it work.

Most interesting was the insight into the inner workings of Walt Disney studios and the profile of Walt. I enjoyed the story about when Walt Disney went to New York to see Julie Andrews in Camelot to check out whether she would be suitable for Mary Poppins. The rest is history.

Long story short, this is a doc that's worth seeing for audiences that are interested in songwriting and movie history, and perhaps for those for whom Supercalifragalisitc.... is a treasured part of their childhood. Myself, I'm not a fan of the Disney brand of musical of that era.