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  • I don't know about the previous reviewer, but what possibly could have been done better than this superb documentary? Lifeless it isn't, clumsy it isn't. It's touching, and filled with many fascinating insights. The use of seeing parallel home movies by the brothers during their estrangement was an inspired one. It's very well done, people. It does exactly what it sets out to do, and then some. I hope people will seek out this film and see for themselves just how good it is.

    For a Disney release, it's also interesting to see non-Disney films incorporated to give a more balanced look at the brothers' film scores. For baby boomers, this film will be an added pleasure, since so much of this music here most likely was a strong presence during their growing years. Don't miss this one!
  • We were fortunate to see this film here in Toronto last night in advance of its (I think only) theatrical release. Even more fortunate was the fact that the two directors/sons and Dick Sherman were in attendance and did Q&A afterwards. Dick even had a piano and played some of the brothers' songs, explaining, among other things, how the music of "Spoonful of Sugar" was written as a reflection of the character of Mary Poppins. I'm a bit of a curmudgeon and attended with my 18-year old daughter. We both had tears in our eyes on several occasions during the film and afterwards. How two brothers who are so different can work so successfully together for so many decades and yet never see one another outside their working hours is a remarkable story, simply and lovingly told. The film also provides some interesting insights into the Disney studio during its heyday.
  • This little shown intimate portrait of the Sherman Brothers seems to have been largely overlooked in favor of the more broadly drawn "Waking Sleeping Beauty". That is most unfortunate because this is much more profound both as a peek into the creative functioning of the Disney empire...and as a fascinating unvarnished love letter to the astonishingly prolific and inspired team that gave the studio product so much of it's sparkle...

    This is an exquisite film with the interviews and clips arranged for maximum impact...(the DVD is even more of a treasure trove...the out-takes and extended scenes being just as valuable as the material that made the final cut). The tear jerking moments depicting "The Boys'" relationship with Walt Disney...and his love for "Feed the Birds" has been hinted at before...but this film brings it into a clear focus that makes it a must see for everyone who ever loved one of the studio's films...or ever hummed along to one of the teams immortal creations.

    There will be some people upset that this ends up being less of a happily ever after fairy tale than they would expect. This documentary lovingly depicts the somewhat strained relationship between two brothers who were very different people and how they were able to come together in one glorious project...the creation of songs that will live as long as there are children to re-discover them.

    Co-directed by the sons of "The Boys" this is also a delicious portrait of the lives of two families...and of Hollywood Magic in the mid 20th century...

    The moving reminiscences and archival clips are alone worth the price of the Disc!
  • Starting in 1961 with an inauspicious tune called "Strummin' Song" from Walt Disney's live-action "The Horsemasters", brothers Robert B. And Richard M. Sherman, sons of Russian-Jewish immigrants, became the in-house, go-to songwriters for the Disney Company. They turned out one melodious, deceptively simple ditty after another until they eventually hit upon Oscar gold with their score for "Mary Poppins". As it turns out, the fabulously talented Shermans are not unlike most siblings: there are rivalries between the two, personality differences which cause them to clash, and they're not really the best of friends. This incredibly moving documentary, directed by the duo's sons, Gregory and Jeff Sherman, was a valiant attempt to get Robert and Richard to reconcile their feelings for one another--and to acknowledge their extensive body of work, which is often unfairly criticized as being sappy or sugary. Indeed, it may seem a bit of a stretch to compare the Shermans to John Lennon and Paul McCartney...but after hearing such wonderful songs as "Feed the Birds" (Walt's personal favorite), "On the Front Porch" (Robert's favorite), "A Spoonful of Sugar", "Winnie the Pooh", and "It's a Small World", among others, their resume becomes a virtual collection of childhood memories. The Shermans deserved this valentine to their talents as sentimental and romantic songwriters par excellence, and the family story which plays out behind-the-scenes underscores their sunshiny output with realistic melancholy. It is quite an achievement. ***1/2 from ****
  • "The Boys: The Sherman Brothers Story" is a terrific documentary produced by the sons of the famous composing team of Robert and Richard Sherman ("Mary Poppins," "The Jungle Book," "Chitty Chitty Bang Bang") about their fathers and their complex relationship.

    Robert, for example, the older brother and "poet," who wrote so beautifully of sweetness and optimism, was in the very first group of GIs to liberate the Dachau concentration camp, which had a profound impact on him and his relationships, especially with his brother.

    And how do these famous songs come about? When one of the composers' sons came home and said he had some sort of anti-polio treatment at school, the father assumed it was a shot and said, "That must have hurt." The son replied, no it was medicine he swallowed after they gave him a lump of sugar to take beforehand. Voila! The birth of the famous "Mary Poppins" tune, "A Spoonful of Sugar (Helps the Medicine Go Down)."

    Fascinating stuff on so many levels, it will interest music aficionados, Disney fans, students of Hollywood history and even those who really know very little of these particular gentlemen.

    Well worth your time.

    And, Hollywood, if you're listening -- how about a movie telling their story? Terrific stuff.
  • "The Boys: The Sherman Brothers' Story" is a documentary about Robert and Richard Sherman, the legendary songwriting brothers who composed the music for such films as "The Jungle Book," "Chitty Chitty Bang Bang," "Bednobs and Broomsticks" and their indisputable masterpiece "Mary Poppins," which features one of the finest scores ever written for an original movie musical.

    Though "The Boys" was produced and distributed by The Disney Studios - for whom the duo worked for many years – and was written and directed by their sons, Gregory V. and Jeff Sherman, this is no hagiography designed to provide a whitewashed account of its subject. On the contrary, it provides us with a warts-and-all look at the siblings who, while they could make great music together on a professional level, found it virtually impossible to harmonize on a personal one. In fact, their relationship was so strained that they essentially raised their families in isolation from one another (they even attended separate funeral receptions when their parents passed away) - and still today, the two men, even in the twilight of their lives, have yet to heal the breach that separates them.

    What's interesting – and, frankly a little maddening - about the film is that we're never quite sure what it is that caused this rupture, mainly because the boys themselves seem unable to account for it (half the time they seem to be unaware it even exists). All we know is that, for decades in public, they were able to put on a happy face and maintain the fiction that they were every bit as close as brothers as they were as songwriters, while out of the limelight and to the awareness of those who knew them, they had drifted irrevocably apart.

    Through interviews with their children, co-workers and admirers over the years, as well as with Bob and Dick themselves, the movie chronicles their childhood growing up in New York City, then Beverly Hills; their devotion and indebtedness to their songwriting father, Al Sherman; Robert's injury in World War II and the trauma of helping to liberate Dachau; their early years writing pop songs together and with others; their entry into composing for the movies with a song for "The Parent Trap." Then it's on to their years as the only songwriters lucky enough to be under contract to Disney; their close personal relationship with Walt himself; their Oscar-winning triumph with "Mary Poppins;" their eventual split with the studio after the death of Walt; their later work through the '70s and beyond; and their reunion at the London premiere of the stage version of "Poppins" in 2006.

    Despite the fact that the rift between the two is never adequately explained, the movie provides a treasure-trove of information, clips and snippets from that period in which they produced their work. There are moments of ribald humor and wistful nostalgia as we relive the memories the Sherman boys have provided for those of us fortunate enough to have grown up on their songs (they were even responsible for that most maddeningly memorable of ditties, "It's a Small World"). Indeed, in the face of all the personal animosity between the two men, it's the music and the memories that ultimately "help the medicine go down" while watching "The Boys: The Sherman Brothers' Story."
  • I'm always interested in movies about songwriters, being a huge fan of the Great American Songbook. This is the story of Bob and Dick Sherman who were in-house songwriters for Disney for a couple of decades. We have these guys to thank for the earworm "It's a Small World" along with the hit songs written for the grown-up mouseketeer Annette. Need I say more? I found the documentary engaging, mostly because I'm interested in the process of songwriting, and also for the human interest. These brothers, who worked closely together on the music, really had nothing at all in common, went their separate ways in their private life, so much so that their kids did not know their cousins. I don't find that hard to believe at all - plenty of brothers share very little of their lives. These two happened to be in business together, and they made it work.

    Most interesting was the insight into the inner workings of Walt Disney studios and the profile of Walt. I enjoyed the story about when Walt Disney went to New York to see Julie Andrews in Camelot to check out whether she would be suitable for Mary Poppins. The rest is history.

    Long story short, this is a doc that's worth seeing for audiences that are interested in songwriting and movie history, and perhaps for those for whom Supercalifragalisitc.... is a treasured part of their childhood. Myself, I'm not a fan of the Disney brand of musical of that era.
  • Warning: Spoilers
    This film is the perfect companion to the two CD set "The Sherman Brothers Songbook," which I listened to before I watched the DVD of this film.

    Let's start with what I already knew. I knew that the Sharman's had written the vast majority of the songs used in Disney's films of the 60s and early 70s. I likewise knew that they had written some of the songs used at the theme parks. But they wrote so much more.

    They wrote songs for albums by former Mouseketeer Annette, such as "Tall Paul," which topped the pop charts, and "Pineapple Princess." They wrote "Sweet Sixteen," which became a number one hit for Ringo Starr. They wrote songs for the film musical "Chitty Chitty Bang Bang." I knew that they had written "It's a Small World." But they contributed even more that I hadn't even remotely been aware of.

    If you've ever been to a Disney theme park, their footprints are everywhere. "The Tiki, Tiki, Tiki Room." "Magic Journeys" at Epcot. "Meet the World," used at Tokyo Disneyland. "There's a Great Big Beautiful Tomorrow," the song used at The Magic Kingdom's Carousel of Progress." The real treat of the CD is "Makin' Memories," at "Journey Into Imagination" at Epcot. Disney edited a slew of photos ranging from touching to cute to funny to this song. It's was replaced years ago, but I've always loved that song.

    What shocked me is that they had written several songs for "Winnie the Pooh," and the Charlie Brown animated films.

    Their are some people that they interviewed for the film that were complete surprises, such as Turner Classic Movies host Robert Osborn, and director John Landis. It was also cool to see Pink Floyd covering one of the Sherman's classics.

    Some other nice touches include one of the Sherman's singing and playing the piano for "Feed the Birds." During this song they inter-cut Walt Disney feeding birds on the Disney lot.

    Highly recommended.
  • matthewssilverhammer23 January 2020
    As a movie? Meh. It too often veers off course to tell us something that doesn't seem pertinent to the compelling central story. However, as a capture of two truly incredible men's work? Priceless.
  • planktonrules27 February 2011
    This is the third Disney documentary I've seen in the last couple months (this includes this film, "Walt and El Groupo" and "Waking Sleeping Beauty") and all three were enjoyable bits of nostalgia. However, unlike these other two films, the Shermans were most famous for their work but they wrote music for a wide variety of projects--not just ones for that studio.

    The film begins in a way that took my by surprise. Apparently it was made by one of Bob Sherman's sons and one of Dick Sherman's sons. Neither knew each other and their families never really interacted--despite their fathers being brothers and long-time writing partners! Now that is weird and caught my attention, as it seems that over the years the two became more and more estranged from each other and were so unalike. What follows is a nice nostalgic look at these men and their lives and shows the many ways in which their music has shaped films and our culture.

    The film is well made, fascinating and great for Disney fans and non-fans. While not as amazingly good as "Waking Sleeping Beauty", it is some documentary.
  • At the risk of sounding blasphemous, I kinda find most of the songs discussed here really annoying, and so hearing all the music get praised throughout was never something I could get on board with. I was sort of told rather than shown why other people love their music so much, so that whole aspect didn't really work for me.

    But it's competently made and well polished, and whenever it discussed how the brothers disliked each other while also working so efficiently together, I found that whole dynamic interesting.

    A mixed bag, and not as good as the documentary Howard on Disney+ (also Howard Ashman's music was just straight up better) but still overall not bad.
  • Although I've been a movie buff most of my life, for my first few decades I didn't pay much attention to the people behind the movies, other than the actors. So, when I began studying the silver screen in earnest several years ago, I was surprised at the list of accomplishments of the Sherman Brothers. Then, I recently watched a newer DVD of "Mary Poppins," which I hadn't watched for many years. It had some bonus video short subjects, including background on the music. That peaked my interest more and I bought the DVD of the Sherman Brothers' story, "The Boys." I was further surprised to learn of their personality clashes over time. While they never broke out in angry turmoil, it became too stressful for Robert, who then moved away.

    That their different interests, personalities and characters should be a source of creative conflict is amazing. But, they both testify to that in the numerous interview snippets included in this biographical documentary. The separation of their families for nearly four decades – when they lived just houses away from each other while the kids were growing up – that was tragic. All the more reason to congratulate their sons Gregory and Jeffrey for meeting to bury the hatchets they didn't even know they had, and make this biodoc as a way to tell the story of the Sherman Brothers and their accomplishments. And, in the process, to hopefully get their dads back together.

    The documentary is first-rate in all aspects. It is excellent work, with excellent material that they researched and put together from the past. The interviews with others who worked with The Boys were spot on. And, this DVD too has some bonus material that gives even more information.

    I'm sure that the people interviewed are right – that many of the Sherman Brothers' songs will live on for generations. The most popular and well known are "Chim Chim Cher-ee," "A Spoonful of Sugar," "Supercalifragilisticexpialidocious," "Winnie the Pooh," "The Wonderful Thing About Tiggers," "Chitty Chitty Bang Bang," "It's a Small World," and "Anything Can Happen." The brothers had great praise and admiration for Walt Disney. It was he who made them the resident music creators for all of the Disney ventures. Besides the two Oscars they won, they had dozens of nominations for major awards over the years and won a number.

    They wrote 31 major movie scores, live action and animated, for Disney and others. They wrote dozens of songs for the Disney theme parks and for the Disney TV programs. Several became pop hits over the years – in addition to the above songs from their shows.

    One thing that I found especially interesting about Bob, was his experience toward the end of World War II. He had just turned 17 and got permission form his parents to enlist in the Army in 1943. In this film, Bob says he and his squad were the first Americans to enter the Dachau prison camp. He said the sight of the corpses and ovens would be "nightmares for the rest of my life."

    The film has a number of interviews with A.J. Carothers. He was a long- time playwright and TV writer with Disney, and a close friend of both Bob and Richard. He said that the positive songs of the boys were uplifting to everyone who worked around them. He described their musical output as joyful, fun and romantic. They didn't create sentimental music, but romantic songs. He quoted author F. Scott Fitzgerald for his definition. "A sentimental person thinks things will last, and a romantic hopes against hope they will not." That's from Fitzgerald's first novel, "This Side of Paradise."

    Bob tells a story about how they came up with the word, "supercalifragilisticexpialidocious." "When we were really young kids, we went to summer camp. And, they had a contest. Who could make a longer word than antidisestablishmentarianism. That was a very famous word. And, we messed around. We came up with an idea for a word."

    The Boys and others have asked how many people can say "supercalifragilisticexpialidocious" backwards. Richard said he could, and he rattled off a word. Unfortunately, the IMDb review won't accept my giving these examples with syllable breaks. The Web site says that my review contains too many spelling mistakes. So, I will just finish this with general references here. Julie Andrews said it the same way, but she admitted it as the syllables in reverse order – not the full word actually spelled and pronounced backwards. But even that wasn't the case, because in their example they recited six of the seven syllable breaks in reverse order but then said super backwards as well. So, their rendition is a mixed bag of some of the syllables backwards and in reverse order. For fun, I then spelled the word in reverse with syllable breaks for those who might want to take a crack at it. With this, it's obvious why the songwriters chose to try for just saying the syllables in reverse.

    For trivia fans, the one-word song title has 34 letters and uses 15 of the 26 letters of the alphabet. Of those, 16 are vowels and 18 are consonants. The vowel used most is the letter "i," which appears seven times. I offer this all in the spirit of the Sherman Brothers and Walt Disney who brought us so much laughter and many smiles in their music, movies and stories.
  • NJMoon4 December 2010
    There are some things that I wish I didn't know. That the famous brothers Sherman don't really get along or like each other all that much is one of those things. It's sad. And it is ironic, considering most of their music and lyrics seem a match made in Tin Pan Alley heaven. I am glad, however, that this somewhat disjointed and clumsy documentary about their lives reminds us of the many songs they have created: from the theme to the Tiki Room in the Disney theme parks to fun throw-away songs for Annette's surf movies of the 60's. Truly, their output for the better part of three decades was astounding. It is a shame that their sons couldn't have cobbled together a better, more compelling tribute to the pair. This film is cinematically lifeless and adds little understanding to their polar personalities. Try as they might "The Boys" just come off as one dimensional and rather dull. Thank goodness their tunes will speak for them for eternity instead of this well-meaning but awkward film.
  • Warning: Spoilers
    this, for me personally, was really absorbing and fascinating subject matter for a celebrity profile documentary. i'll have to admit i'm one of those persons whose life was profoundly effected by the Sherman Bros. music. not only did i grow up with it practically from the cradle, i sort of majored in it as a quasi-pupil of sorts. i probably am more familiar with pretty much all of the Sherman Bros. works more than anybody i've ever met. i used to listen to their soundtracks over and over and over...get the picture?

    i remember knowing the difference between their Disney and non-Disney musical scores when i was very young and others hadn't the slightest. i even revered the scores to Disney films like 'Family Band' and 'Happiest Millionaire' when others had long forgotten those movies. 'Family Band' and 'Millionare' were my first soundtracks ever. even before i had the original soundtrack to 'Mary Poppins' i had those. i was probably around eight at the time. so you can imagine the influence these two men have had on my life.

    funny thing is, i really know little or nothing about their personal life or about who they were. i am familiar somewhat with the chronology of their work and of the various songs and melodies, and i am familiar with the many photographic images, but that's about it. most of the stuff i discovered here in this documentary was news to me and i wasn't sure i liked everything i heard.

    i was somewhat shocked to learn that the musical duo that gave us so many happy, happy, joy, joy, children's ditties, were so petty, dysfunctional and cranky with each other. i have a brother, and we are close enough, but i know how this sort of thing goes. i guess i just expected more mature behavior from these two. knowing what i do know about personality types, i venture to say the problem might have lay mostly with Robert, God rest his soul, because he is more withdrawn and less communicative. these types are often moody and are often silent because they are secretive and judgmental. he is also the older sibling, and according to Rank, has the whole dethroned king complex. dunno. just guessing. it was sad, but very revealing to know this about them. i mean it really makes you feel like you kind of got to know them.

    there were some sweet, but overly brief interviews with Lesely Ann Warren and John Davidson. and it was interesting, for me, to hear 'Bedknobs and Broomsticks' star Angela Lansbury, talk about Robert and his service in World War II and how it effected his treatment on that film score. it was also of interest to hear that their father was a well known songwriter and a immigrant. never knew any of that.

    for true aficionados of the Disney classics, this film should be a real treasure. it is done with fondness and warmth without being overtly sentimentalized. for those that don't really respect or truly love the films of Walt Disney himself, this whole thing might not mean much at all.

    the Sherman Bros. are my favorite song writers for musical theater of the last century. true, a lot of musical theater doesn't always appeal to me, i find a vast majority of it overrated, but musicals are my favorite genre never the less. the Bros. have never gotten the respect of say a Rodgers and Hammerstein, Lerner and Lowe or even a Rodgers and Hart, i think it's time. their scores are truly whimsical and delightful treasure. even if the creators were grounded and mired in their own spiteful, crabbiness.
  • lilbby42021 November 2021
    I loved every single minute of this. Im currently in my early 20s and the impact these two had on my life is incredible. From marry poppins to the carousel of progress, they've brought so much joy to kids and adults everywhere! It was really cool to learn about how they got introduced to Walt as well as getting to see a lot of behind the scenes footage of mary poppins. These two men shaped my childhood and im forever grateful! RIP Robert <3.
  • Their music is unforgettable. Their name is legend. Immerse yourself in the lives and film legacy of the prolific songwriting duo whose music was featured in classic films such as Mary Poppins (1964) and Mowgli, the Wolf Boy (1967).

    Watching Disney documentaries and being delighted with the tributes it has paid to the professionals behind the great works, simultaneously watching Frank and Ollie (two more than fraternal friends, excellent designers) and the Sherman brothers (two musically talented brothers, but not they got along well, they separated for years) wonderful masterpieces, well-deserved tributes, sincere, transparent, necessary and passionate works... This troubled union generated great successes...
  • Warning: Spoilers
    Never heard of this movie? That's because it's not very good. For over an hour, it makes the fatal mistake of assuming that the audience is already interested in its topic. It doesn't draw you in or build. And the makers are unfamiliar with the concept of "getting to the point." After 45 minutes all we know is that the two famous song-writing brothers of countless Disney songs don't talk to each other. It teases this forever. We are going back in history and revisiting their childhood home; at a point it still hasn't conveyed anything beyond "they don't like each other." I lost patience waiting for them to get on with it and began to jump over portions. Bobby, a very sympathetic figure, is so difficult to understand they should've put sub-titles on screen when he talks.

    The aspect of Sherman songs that the movie doesn't acknowledge is that they are delightful to kids, and excruciating to adults. The Sherman brothers didn't write some of the most irritating songs ever written, they appear to have written ALL of them.(Supercalifragilisticexpialadocious, Chitty Chitty Bang Bang, It's a small world, Let's go fly a kite, Feed the Birds, Chim chim Chiree, Winnie the Pooh, Hushabye mountain, me ole Bamboo, Toot Sweets) Songs that get stuck in your head in the bad way. The movie is really just an excuse to parade these songs past you.