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  • Caste n communal politics by the fascists in India is responsible for the deterioration of my beloved India.

    The film is beautifully-shot, superbly-acted and has a plot that is very very disturbing.

    Fans of Marshland, Memories of Murder n True Detective S1 will definitely like this.

    In rural North India, two underage girls r raped n hanged on a tree while a third one is missing. An honest cop investigates the heinous crime but comes face to face with the brutal realities of caste discrimination.

    The investigation leads us thru the desolated fields, filthy swamps, tall weeds, thick tress and abandoned tannery n ultimately we come face to face with the ugly n harsh realities.

    Schindler's List's pit scene wher the kids hide in the excreta pit, made me cry. And in this movie, the scene of the girls' bodies hanging on the tree made me very sad n disturbed.

    The film is beautifully-shot, superbly-acted and has a plot that is disturbing but a reality still existing in 21st century.

    Ayushman gave a restrained but terrific performance.

    Director Anubhav Sinha (Mulk) shud be applauded for making Mulk n Article 15. He has dealt with relevant issues which is plaguing India which unfounately no other filmmakers in India is bothered about.

    The cinematography by Ewan Mulligan enhances the viewing experience, with the rural landscapes feeling appropriately desolated as if the fields n trees r disturbed too.

    There are some high overhead shots that add to the sense of vastness.

    Zeeshan Ayyub gave a memorable performance, a scholar turned into a rebel.

    His lines before the climax is heart wrenching.

    He says in the film that men martyred at the border r outnumbered by those who die cleaning the sewers n no one mourns for them.

    Very disturbing that India is the only place where manual scavenging still exists, where poor fellas clean human excreta by their bare hands.

    This movie is a must for fans of Mississippi Burning n Devgan's Aakrosh which itself is an unofficial remake of Mississippi Burning.
  • Anubhav Sinha is back with this crime drama, starring Ayushmann Khurrana in the lead. June is going superb for Hindi Film Indutsry. Kabir Singh is still running houseful. Now, this has come.

    Ayushmann is an IPS officer. He has been posted in a small village in UP. However, the next day itself, the police get two bodies of minor girls hanging on the tree. They were raped multiple times. The story gets its pace. And this crime drama continues with the subtext of casteism.

    Anubhav Sinha has tried to cover as many incidents of Dalits and other backward class people as possible which happened in our country in last few years. The motto is just to aware people on how this things work. From whatsapp messages to arrangement of strikes and rallys, this is how we are dividing us into groups. Also, this is 2019, not just 19! Justice should prevail for everyone without considering his/her caste. And there comes the title, Article 15, which gives each Indian basic rights.

    Ayushmann has given a splendid performances. He is too good for this role. Isha Talwar gives a needful support to him. Sayami Gupta shines in her effective role. Best of her was crying with Kumud Mishra in this film. Kumud Mishra is terrific. He has played this role like no one can. His slap scene is clap worthy. Manoj Pahwa again delivers wonderful performance. Mohd Zeeshan Ayyub has a special appearance. The time he comes in the story, the film picks up very high. Fantabulous performance by him.

    Movie has no songs in it. Just a satire song at the starting. And a rap song at the end credits.

    Dialogues are absolutely fantastic. 'Power ki alag hi jaat hoti hai!' Hard hitting one liners will blow your mind. Entire speech by Zeeshan Ayyub in the jeep is perfectly written. Audience were clapping on the last line of that dialogue by him. While my most favorite one has been spoken by Ayushmann to his officer, that 'Jab Aag Lagi Hui Ho Aur Aap Neutral Rahen, To Iska Matlab Hai Ki Aap Unn Logon Ke Side Hain Jo Aag Laga Rahe Hain!'

    This is going to be a hit in Anubhav Sinha's kitty. While in first half, I was not sure whether this one is more good or that Mulk! But I got clear answer in second half. Film picks up very high. There is a greatest twist too. Public were stunned in that scene. Film is superbly written by Sinha and Gaurav Solanki.

    There is scene of bodies of rape victims hanging on the tree, and a kid passes by. It gave me goosebumps. Another one is a man coming out of the gutter. One at the interval point, nd one at the last line of a long dialogue by Mohd Zeeshan. Also, it is not a serious film. This year's the most comic scene is in this one. Ayushmann discussing castes with his team.

    Overall, Article 15 a is very much needful film in this time. It may not be linked with metro cities, but India is a nation of villages and small towns. Kudos to Anubhav Sinha and team for choosing this subject. Police were there in the theater for safety purpose. But there is nothing wrong in the film for any community or caste. This film will run with mouth publicity. So go and watch this entertaining crime drama. And ask yourself a question that Kaun Hain Aap! Bahujan, Harijan.. Ke Jan Gan Man me aate sirf Jan. #FarqAayega
  • First things first, this is a very important movie. This is a movie about something that we almost everyday read about in news or our Facebook feed but choose to scroll past. It talks about issues that our politicians pick up at slight popularity and turn it into vote machines. Some of us even join the band. Some of us leave thoughts and prayers and move on.

    In a country that on paper and figures is a fastest developing nation, the citizens certainly don't act like it. Article 15 doesn't pull it's punches when it comes to baring these harsh realities. Problem is, instead of focussing on one, it tries to over reach and takes on several issues but only satisfies us with the two main plot, while other things we have been following are kept open. While I understand that writers don't want to give us a happy ending, or make us feel all is well in the end , these sub plots certainly didn't deserve to be wrapped so quickly to reach the climax. It felt like they shot a long movie but had to let go of important scenes to cut down the run time.

    Other than that, the writers do a great job setting the characters and the director understands how to tackle this heavy subject. The director and DP work together to shoot every frame with grit and the environment is foggy with low visibility, just as the mindset of people living there.

    Ayushman does a great job as usual but this time he is not the best part of the movie. Supporting actors Kumud Mishra, Manoj Pahwa and Sayani Gupta give towering performance. Mohammad Zeeshan Ayyub is credited as guest appearance but with limited screen time he leaves lasting impact. It's a shame his character and storyline was cut short.

    Background score is superb. Last but not the least, the casting director has handpicked each character nicely.

    In the end, this movie deserves to be screened everywhere all around the country. I am enjoying the reviews by trolls who are triggered and claiming this 'work of fiction' a Propaganda.
  • vipul_ohri17 July 2019
    This movie is a perfect example of a team of artists taking accountability of the social issues in India. I completely understand that revenue and profit cannot be overlooked in any professional industry, however, social responsibility is critical as well. Artists need to be honest and direct with their audience. I think this movie should be a lesson for those high paid actors who need to be less greedy and utilize their stature to help develop India.
  • No words. The film boldly engages all the parties involved in the social justice system. The story could have satisfied viewers even with limited domain, but instead of narrow approach of pin pointing, it chooses to broaden.

    Ayushmann is reaching new heights in every other film and other actors also nailed it. And some shots are spine chilling.
  • Anubhav Sinha's 'Article 15' is designed like a crime thriller. And what works for the film is that it's thought provoking, hard hitting while unflinchingly bringing to light burning social issues.

    The film is heavy on atmospherics, with the top notch cinematography (Ewan Mulligan) and background score adding to the mood. The feel is grim, gritty and grey often bringing a chill to the bone with palpable tension in the air. The images - some provocative and uncomfortable stand out, like the one where a man goes deep into a drain to unclog it and emerges soaked in the filth or the top shot of a group of policemen conducting a search in a swamp with their torchlights. The dialogues leave an impact. And the director brings out subtle nuances through his characters and setting which add to the essence of the narrative. The film's storyline, interspersed with powerful and poignant moments leaves you with goose-bumps. The narrative definitely keeps you on the edge, but there are times when it feels a tad overstuffed as the layers, political intricacies and a multitude of characters seep in. And at times the pace dips.

    But certainly, the performances by an ace set of actors is one of the high points of the film. Ayushmann Khurana has you hooked instantly, belting out a riveting performance as the sincere, determined police officer. It's an intense, gripping act as he gets under the skin of his character. Other noteworthy scene stealers include actors Manoj Pahwa, Kumud Mishra and Mohammed Zeeshan Ayub, in a short but impactful role as Nishad.

    'Article 15' is not a light watch, but it is definitely relevant, compelling and a film that will spark conversation.
  • The caste discrimination is a reality if you say it does not exist in modern times then why dalit is killed because of intercaste marriage. there is many who is saying that it is false story but cruelty is real and no one can deny the cruelty against dalit by caste Hindu. Many don't like this movie because they can not face this movie actually, they do cruelty and caste discriminate against Dalits. After watching this movie if one person's heart will be melt down that will be the victory of cinema and art. However, cinema is a emotions not science nobody make cinema on facts rather emotions.
  • This is an excellent film. The question of caste has been handled by very few film makers. This movie is a direct intervention in the question of caste system in India and atrocities and humiliation based on it. Everyone should watch this film. Though a drama has been created in the film, however it's attempt to deal with caste question is commendable.
  • If you think this is just another crime drama film dont be in that state whatta movie touches every aspect of the caste system and shows what Indian Constituency has mentioned in the books. Ayushmaan Khurana as always nails it with his script selection and the kind of acting he does is just brilliant, give him any role he will win it like a king. Supporting actors is the wrong word for the other actors who worked in this film because this film doesn't have supporting actors it has leads and everyone in this film is impeccable with their particular scenes and last but not the least Director Anubhav Sinha has given a gem in the form of a lesson that must be learnt.
  • wasimk797912 July 2019
    I normally dont write Reviews but after watching this movie i felt i should do it. Wonderful script and Amazing performance from all. Dont miss this One
  • Ayyushman Khuranna (Ayan)

    One of the burning issues of the country is the caste system.

    Despite relevant laws and provisions, one can't deny that the discrimination of various communities is there in our Country.

    The political class takes advantage of these conflicts and it further creates a divide. Very few films in Bollywood have plots that actually revolves around caste, shockingly.

    ARTICLE 15 is the story of a good cop trying to solve a caste-related crime.

    Ayan Ranjan (Ayushmann Khurrana) is an IPS officer from Delhi who has been transferred to a village named Lalgaon in Uttar Pradesh as punishment posting.

    As soon as he joins duty, he comes to know about a case involving three missing girls from the Dalit community in the village.

    the missing girls - Shalu and Mamta - is found hanging on a tree. The third girl, Pooja, is missing.

    it ws clear that Shalu and Mamta had been repeatedly gang raped and then hung on the tree. Ayan attempts to solve the case and find Pooja....What happens next forms the rest of the film.

    Story is very hard-hitting and deserves to be told. It is loosely inspired by events like the Badaun rape case and Una flogging incident.

    screenplay is engaging and keeps one hooked from start to finish.

    1 half is good & In the second hour however, the film gets quite complicated...The climax is quite impressive and the film ends on a fantastic note.

    ARTICLE 15 is a hard-hitting film that raises some important issues related to complex caste system of our Country.

    'Article 15' is not a light watch, but it is definitely relevant, powerful.
  • The perfect movie! Who highlights how worse Caste-system is.
  • ARTICLE 15 REVIEW :-



    It's been almost 70 years that India accepted the Constitution and all the articles of it but do we really see Right to Equality lense clear? Especially in rural areas? NO. Article 15 was created by Dr. Babasaheb Ambedkar on one of the Most important and sensitive issue of our traditional society, giving everyone the Right to Equality regardless of what cast, state or religion person it is. Rarely any Filmmaker tried to focus on this subject, don't know why, may be because of fear of controversies or some other threats. Just forget it, we can't say it anymore as Article 15 has just become the Pioneer Film on that subject.

    The Plot of Article 15 is realistic as we see 2 Lower Cast underage girls are raped & hanged for the sake of 3 rupees and the 3rd girl is missing. An honest IPS officer Ayan (Ayushmann Khurana) gets his 1st posting in Lalgaon, exactly a day after the Girls are missing. He tries to find the rapist and murderers but the conflicts doesn't let him catch them that easily. Later on predictable things like Political pressure, resistance in investigation, suspension and ofcourse conspiracy takes over the scenes. It is very important to have diffrent things in screenplay and quality in execution when it comes to a predictable plot where we already know that Protagonist gonna win at the end, and fortunately that something different and Quality is Found here. Anubhav Sinha had tried gutsy script before, he might have missed that quality with Mulk but he improvised himself as a Storyteller this time. Watch out for the Realistic execution, Ayan's intelligent explaination against CBI officer and the Ending scene when the Truck passes and that Frame, that Voice note is used with Excellent direction skill. Without any doubt Mr. Anubhav Sinha, Article 15 is your Best Work till date.

    Talking about Ayushmann Khurana, this guy is in different league altogether now. The Kind of films he chose in last couple of years has put him in different league and Article 15 adds another good work in his pocket. Manoj Pahwa and Kumud Mishra have shined equally good in the film. Sayani Gupta and Mohammad Zeeshan Ayyub were there for little time yet both of them managed to leave an impact. The screenplay has something new to offer and the runtime never make it look boring. Although couple of moments looked unnecessary for this hard-hitting narrative, ot is still okay, those are forgiven for that tight convincing climax. Let's keep minuses aside, because we have majority of plus points such as Strong Script, Brilliant Performance, Engaging Narrative, Excellent Direction and last but not the least, That Socially Important Content.

    As a whole, Article 15 breaks the silence on Very Sensitive issue in Loudest and Bravest Cinematic Shout. At one moment it looks like Bimal Roy kind of cinema but Bimal Roy was more focused towards connecting Human emotions rather than using Law books. Although Anubhav Sinha made it more regional, more Filmy and used Constitution at his Level Best, the perspective of both of the cinematic minds remains same. Article 15 will go down in Memory lane as One of those Socially Important films which we don't see oftenly whereas it stands as one of the finest made in 2019 so far. If you are that Quality Cinema lover who is always ready to watch Content Driven Film with less or no Entertaining elements then you can't really afford to miss Article 15.

    RATING- 7/10*
  • Film starts off with a bang but fizzes out towards the end. Full of cliches. If you have not watched this movie, then save your money. Waste of time.
  • Article 15 as formed by the Indian Constitution of India prohibits discrimination on grounds of religion, race, caste, sex or place of birth. Unfortunately, this is not case on the records in the real India.

    Article 15 tells the story of IPS officer, Ayan Ranjan (played by Ayushmann Khurrana), who has been posted in a small village, Laal Gaon, Uttar Pradesh. The day he takes up duty, he is welcomed with the murder case of three girls which leads to the "real" issues of the caste system which is very much prevalent in the "real" India.

    Last year Anubhav Sinha proved that he is more than just making candyfloss film,Tum Bin, or forgettable Cash with Mulk. This year, he goes one step ahead with Article 15 which is based on true life event of the 2014 Badaun gang rape case where two Dalit girls were gang raped continuously for two days, murdered and hung from a tree. There are no songs in this 2 hours 10 minutes film as Anubhav Sinha takes the audience right into the the truth which is harsh but was never elaborated. There are couple of questions raised by Ayushmann Khurrana to his peers relating to the different levels of caste and to his dismay, he gets the answer that there are different levels of caste and even sub-caste below. The scene is funny yet exposes the harsh truth existing in the few parts of rural India. Two scenes stands out - a lower caste worker coming out of a pit full of waste, his face smeared with sludge and goes back again to complete manual removal of untreated human excreta. The second scene is where a factory owner proudly admits to hitting the three girls who demanded a pay-hike of just Rs 3 and the reason he gives for beating these girls "Unko Aukat Unki Dikhane ke Liye"

    Article 15 details out the struggles and challenges faced by the cops mentally and physically. The crime-drama boast off some strong technical support. I should start with an outstanding editing work. The background score is haunting and yet mesmerizing. The cinematography is brilliant, portraying a real-life crime with aplomb. Screenplay is fantastic, though it becomes little sluggish towards the second half.

    Coming to the performances, it is Ayushmann Khurrana who will make you believe with enduring transformation from uninformed IPS officer into a angry man who stands for the righteous act. Ayushmann Khurrana lives and breathes the character of Ayan Ranjan and is complimented by Kumd Mishra, Manoj Pahwa, Sayani Gupta and the dependable Mohammed Zeeshan Ayyub (who shines in a small role).

    Article 15 is not easy watch but it will expose the harsh reality of what happened on that fateful night and it will definitely make you angry. Go for it ...MIND-BLOWING 4/5
  • A movie with great story and meaningful. Starting from it's cinematography to it's acting, it's all fantastic which shows the great work of the director.

    The story itself and delivering many meaningful messages to the viewers is the best thing in the movie. System corruption, people's acceptance to unfairness, poor being victims, dividing people into categories all these cases are shown in this wonderful movie.
  • romired728 June 2019
    Article 15, as the name suggests is based on age old caste based discrimination that exists in our society. Ayushman Khuranna is an IPS officer who gets his first posting in the village of Lalgaon,UP. Only a couple of days before the date of joining, a gangrape followed by murder takes place where the two vicitms turn out to be of the lower caste. The film majorly highlights the plight of the lower caste people who live in villages like Lalgaon, where they face a prejudice by not only the upper caste but by the state institutions also.

    Anubhav Sinha has created a masterpiece, the film gives a feeling of a documentary and it feels nothing like a conventional Bollywood film based out of a small village of UP. Strangely, the film has no song nor does it have any dance sequence( which is a good thing). The film has used good humour which is evident from the fact that the viewers can be seen giggling at caste based jokes which goes on to show that the director has pulled the humour part beautifully without hurting the sentiments of the general public. In my opinion, Ayushman deserves a national award for this film since he has played his part beautifully. Thus, the viewers can expect themselves to be glued to their seats for the most part and can also expect a nail biting end.
  • Don't go with the false propaganda.

    No caste is blamed or targeted in this movie nethier this movie is based on a single incident.

    It's all about "Mansikta" of Society or you can say mirror to society.

    A must watch Movie.
  • It is a very important film. A film that tells a truth about our so called developing india. We are so busy admiring the bubble created by media, politicians, film industry...that i caused a blindness. A blindness of ignorance. We ignored the major part of our society. We ingored their identity, their rights. We so needed this film. thank you so much to the director producer for article 15

    I was going to give full 10 stars.... But cutting two stars because of the production partner ZEE... Because this company is a major player of the game of hate and Aknowledgement credit to UP CM yogi adityanath.. Who is feeding of this social difference and he is a hatemonger!!
  • I am pakistani and So glad to see an Indian movie raised to the hollywood standard. It takes a massive amount of courage and sleepless nights to create a work of genius such as this movie.

    Social issues of india and Pakistan are quite similar but unfortunately Pakistan has not yet achieved the maturity level that India has. This movie reveals how mature Indian censorship has become and how mature the film making has become. I always wished to watch such a movie. No overacting no fake stories. truly Based on facts and shows some real tiring home work. the direction, acting and storyline are all falling in place perfectly. I felt like witnessing a real story not a movie.

    Simply and utterly Love this movie please make more movies on such issues. I Would rate you 20 But ten is the max here.
  • It's a amazing work fiction with parts of several real stories mixed up. The actors are all amazing in their own and subtle ways. I hope the director make the movie again on actual story as Article 19(1)(a) freedom to right of expression. And reflect the vicious nature of press and media starting with interference in investigation, misrepresentation of facts, hiding facts and evidence etc., just to get cheap TRP.
  • Its a movie based on real story and reflects the hidden truth prevealent in periphery (not in big cities where people are more educated).

    People often likes movies and tv series which dont really makes sense (like GOT which is purely fictional story away from reality) but when it comes to reality acceptance bcomes the real problem.

    No one can say if the movie truely based on real story or not, but even if 1% of story is true then it is not acceptable.

    Go and watch this movie with ur family and u wont regret it. Dont judge this movie. Think that u r watching a fictional crime movie.
  • One of the greatest movie in bollywood i 've ever watched. No words to describe this movie. Ayushmann role is very very incredible.
  • I mean no disrespect but why is this movie so overhyped, i went to watch this movie after reading the reviews but came out with only one question 'why'?. I know the content is very serious and very delicate but we have already watched a movie similar to this named 'Aakrosh' starrer Ajay Devgan and Akshay Khanna, but that movie performed averagely on box office but this movie is doing so great because of the overhyped reviews, this could have been a very good web series but this kind of script is not that good for silver screen, i know if someone reads my review after reading other reviews will judge me for being non harmonious for the content but i am just reviewing it as a watcher not as an responsible citizen.
  • Warning: Spoilers
    This movie has loopholes larger than the potholes shown in it. It is wrong in so many levels. 1. The policemen ignored the villager's complaint since beginning gave an impact that it's all because the villagers were dalit & poor. At the end, it boils down the police was itself the criminal. That kills the entire plot because it's obvious a criminal will try to cover up. 2. Max dialogues & scenes are about casteism but none gives any speech about the major uncomfortable minor rape by mid-aged grown up adults. 3. Ayushman every now & then talks about casteism & indifference but roams the entire village in top class suits!! 4. Casteism & indifference is spoken about but nothing the undeveloped conditions of the poor after 70 years of independence! It's not the caste but the living standards which make differences but he speaks nothing about it. 5. The SC ST rebels - don't know what they do. They're not searching for the poor girl nor about the rape cases. They're just against a rally. Imagine! And they are shown heroes! 6. Unnecessary characters, zero impact, average dialogues & very bad direction. Please don't focus on casteism but development. This movie is misleading on so many levels!!
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