Middle of Nowhere (2008)

R   |    |  Comedy, Drama, Romance


Middle of Nowhere (2008) Poster

An irresponsible mother blows her eldest daughter's college fund on her youngest daughter's modeling campaign.

TIP
Add this title to your Watchlist
Save movies and shows to keep track of what you want to watch.

6.5/10
3,362

Videos


Photos

  • Eva Amurri Martino and Anton Yelchin in Middle of Nowhere (2008)
  • Anton Yelchin and Willa Holland in Middle of Nowhere (2008)
  • Anton Yelchin in Middle of Nowhere (2008)
  • Middle of Nowhere (2008)
  • On the set of Middle of Nowhere with Anton Yelchin.
  • Middle of Nowhere

See all photos

More of What You Love

Find what you're looking for even quicker with the IMDb app on your smartphone or tablet.

Get the IMDb app

Reviews & Commentary

Add a Review


User Reviews


17 July 2010 | gradyharp
9
| Learning Love Without Parental Model
MIDDLE OF NOWHERE is one of those surprise films that appear to have gone direct to DVD - not because they are unworthy of theater showing but because they are thinking films rather than explosively entertaining/CGI/3D extravaganzas. The script (Michelle Morgan) is smart, the concepts are viable and refreshingly not overdone, the direction (John Stockwell) shows great respect for the talents of the actors, and the cast is as solid as could be assembled for a film about touchy subjects. The theme that is born at the beginning of this film and grows in importance right to the end is the parent/child conundrum: when is parenting adequate and what are the drivers for dysfunctional family units.

Grace Berry (Eva Amurri, in a very natural and focused tough role) explains to a college scholarship counselor (Sharon London) that she needs financial aid to begin her higher education to become a doctor, but though she is a brilliant student, the counselor refuses to award a scholarship because of Grace's exceptionally bad credit rating. Distraught, Grace challenges her mother Rhonda (Susan Sarandon) when she discovers Rhonda has used Grace's name to open credit cards and has spent them to the limit. Grace needs big money to attend college and her summer job at the water park in town is minimum wage only. Also working at the water park is the happy-go-lucky Dorian (Anton Yelchin) who flirts with disaster, having found an 'extra job' selling weed to the rich folks of the city. After a lot of patter Dorian gently coerces Grace into being his driver (Dorian has no car, having been grounded for misbehavior by his grumpy uncle who is serving as relief for Dorian's adoptive parents), and the two begin a quality friendship that fills emotional and financial gaps in each of their lives.

But the truth about Grace and Dorian's parents surfaces: Dorian was given up by his 15-year- old mother for religious reasons and has been placed with quasi-appropriate wealthy parents; Grace lives with the knowledge that her father committed suicide only to come to discover that the suicide was the result of discovering that Rhonda was (and still is) having an affair with his brother Bob (William Haze). Grace's discovery comes through a conversation with her Aunt Polly (Karen Bramen, in an excellent role for this new actress) and Grace's mother-favored younger sister Taylor (Willa Holland), and the revelation sets off a series of events that propels the story to an end. Yes, there are sidebars expected in stories of teenagers: Grace falls in lust with rich kid Ben (Justin Chatwin); Taylor rebels against her mother by cutting her hair thus ending her mother's obsession with Taylor's becoming a model and Taylor seduces Dorian; Dorian confronts his birth mother; there are fights where Dorian is injured and finds himself alone without family support. But without a sugarcoated finale, the film ends quietly, affirming the importance of friends - a kind of love than can replace gaping holes in family relationships.

The movie truly belongs to Eva Amurri who proves she is becoming as fine an actress as her mother, Susan Sarandon. The film also allows Anton Yelchin to demonstrate a much broader range to his acting than he has been given before. The entire cast is excellent. This is a coming of age story - with far more attention being paid to the adult end of the developmental spectrum.

Grady Harp

Critic Reviews



Why Ricky Whittle Really Needs to Use His Imagination

"American Gods" star Ricky Whittle shares how he brings Shadow Moon to life, with some help from producer Neil Gaiman, a wild imagination, and some impressive CGI.

Watch now

Featured on IMDb

Check out our guide to the SXSW 2019, what to watch on TV, and a look back at the 2018-2019 awards season.

Around The Web

 | 

Powered by ZergNet

More To Explore

Search on Amazon.com