Clockwise from left: The Big Lebowski (Working Title Films/Gramercy Pictures), Barber (Fubar Films), Stars At Noon (Canal+)Image: The A.V. Club
For the first full month of spring, Hulu adds some fan-favorite films as well as some recent indie movies before the summer movie season begins and we turn our attention to big-budget blockbusters.
For the first full month of spring, Hulu adds some fan-favorite films as well as some recent indie movies before the summer movie season begins and we turn our attention to big-budget blockbusters.
- 4/2/2024
- by Robert DeSalvo
- avclub.com
Women’s History Month may be over, but that doesn’t mean that women aren’t leading many of Hulu’s top picks for April. The month begins with the premiere of Vanderpump Villa, a Hulu Original reality series that follows Lisa Vanderpump and the hand-selected staff members employed at her lavish French estate, Chateau Rosabelle. This next chapter in the Vanderpump saga is sure to be full of drama, decadence, and debauchery as the staff caters to Vanderpump, her wealthy guests, and their own desires.
Hulu Original Under the Bridge, based on the 1997 true-crime novel of the same name, also premieres this month. This limited series follows the investigation of Reena Virk’s disappearance –the fourteen-year-old left to meet some friends and never returned home. Starring Riley Keough and Academy Award nominee Lily Gladstone, Under the Bridge has all the makings of a true-crime hit. Rounding out this month,...
Hulu Original Under the Bridge, based on the 1997 true-crime novel of the same name, also premieres this month. This limited series follows the investigation of Reena Virk’s disappearance –the fourteen-year-old left to meet some friends and never returned home. Starring Riley Keough and Academy Award nominee Lily Gladstone, Under the Bridge has all the makings of a true-crime hit. Rounding out this month,...
- 4/1/2024
- by Brynnaarens
- Den of Geek
Claire Denis is gearing up to shoot her next film The Fence [working title], an Africa-set feature that has a completed script.
Speaking to Screen at the Qumra event in Doha, Qatar, Denis said, “The script is finished; I have to do some corrections because I’m not sure about locations until today. One person is missing in the cast, so I might have to rewrite some parts.”
Denis sparsely described the project as “a film with four main characters, three men and a woman.” Three of the four cast members are attached, although Denis would not confirm names.
“It takes place in Africa,...
Speaking to Screen at the Qumra event in Doha, Qatar, Denis said, “The script is finished; I have to do some corrections because I’m not sure about locations until today. One person is missing in the cast, so I might have to rewrite some parts.”
Denis sparsely described the project as “a film with four main characters, three men and a woman.” Three of the four cast members are attached, although Denis would not confirm names.
“It takes place in Africa,...
- 3/5/2024
- ScreenDaily
‘Train Dreams’: Joel Edgerton & Felicity Jones To Star In Adaptation Of Denis Johnson’s 2011 Novella
It looks like Joel Edgerton has another drama in the vein of “The Boys In The Boat” and “Thirteen Lives” up next. The actor will co-star with Felicity Jones in “Train Dreams,” Black Bear‘s adaptation of Denis Johnson‘s 2011 novella. It’ll be the third adaptation of Johnson’s literary work for the big screen, after 1999’s “Jesus’ Son” and Claire Denis‘ recent outing, “The Stars At Noon.”
Read More: The 100 Most Anticipated Films Of 2024
Clint Bentley will direct “Train Dreams” from an adapted script he co-writes with his “Sing Sing” co-writer Greg Kwedar.
Continue reading ‘Train Dreams’: Joel Edgerton & Felicity Jones To Star In Adaptation Of Denis Johnson’s 2011 Novella at The Playlist.
Read More: The 100 Most Anticipated Films Of 2024
Clint Bentley will direct “Train Dreams” from an adapted script he co-writes with his “Sing Sing” co-writer Greg Kwedar.
Continue reading ‘Train Dreams’: Joel Edgerton & Felicity Jones To Star In Adaptation Of Denis Johnson’s 2011 Novella at The Playlist.
- 2/8/2024
- by Ned Booth
- The Playlist
Buckle up and get ready to hit the road with two young women who’ve stumbled upon a mysterious briefcase full of trouble! A new Drive-Away Dolls trailer is barreling down the information highway today, with plenty of kooky characters hitchhiking aboard the new comedy co-written by husband and wife duo Ethan Coen and Tricia Cooke.
The Ethan Coen-directed comedy revolves around Jamie (Margaret Qualley), an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her timid friend Marian (Geraldine Viswanathan), who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Beanie Feldstein, Pedro Pascal, Colman Domingo, Bill Camp, and Matt Damon join Qualley and Viswanathan for Coen and Cooke’s unique crime caper, with Focus Features handling domestic distribution.
The Ethan Coen-directed comedy revolves around Jamie (Margaret Qualley), an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her timid friend Marian (Geraldine Viswanathan), who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Beanie Feldstein, Pedro Pascal, Colman Domingo, Bill Camp, and Matt Damon join Qualley and Viswanathan for Coen and Cooke’s unique crime caper, with Focus Features handling domestic distribution.
- 2/6/2024
- by Steve Seigh
- JoBlo.com
Qatar’s Doha Film Institute (Dfi) has announced that Leos Carax, Claire Denis, Atom Egoyan, Martín Hernández and Jim Sheridan will serve as Qumra Masters at the 10th edition of its respected talent incubator event, running from March 1 to 6.
They join a long list of top professionals to have participated in the Qumra meeting since its launch in 2014, which has included James Schamus, Naomi Kawase, Asghar Farhadi, Gael Garcia Bernal and Tilda Swinton.
Under the Qumra format, a select group of Mena and international filmmakers and producers of projects supported by the Dfi’s grants program attend the six-day talent and project incubator meeting in Doha.
The Qumra Masters give a masterclass and then provide one-on-one mentorship to the partipants alongside a host of other industry professionals in attendance.
French director Carax is currently working on post-production for his personal work It’s Not Me, which follows his award-winning pop-rock melodrama Annette,...
They join a long list of top professionals to have participated in the Qumra meeting since its launch in 2014, which has included James Schamus, Naomi Kawase, Asghar Farhadi, Gael Garcia Bernal and Tilda Swinton.
Under the Qumra format, a select group of Mena and international filmmakers and producers of projects supported by the Dfi’s grants program attend the six-day talent and project incubator meeting in Doha.
The Qumra Masters give a masterclass and then provide one-on-one mentorship to the partipants alongside a host of other industry professionals in attendance.
French director Carax is currently working on post-production for his personal work It’s Not Me, which follows his award-winning pop-rock melodrama Annette,...
- 2/5/2024
- by Melanie Goodfellow
- Deadline Film + TV
Claire Denis, Leox Carax, Jim Sheridan, Atom Egoyan and Martin Hernandez will be the Masters for the 10th edition of Qumra, the Doha Film Institute’s annual incubator event.
The four directors plus sound designer and editor Hernandez will discuss their careers in individual talks with the Qumra delegates.
This year’s Qumra will run from March 1-6, with the 10th edition a key milestone for a Middle Eastern film event.
“As the Arab world’s first-of-its-kind talent incubator, Qumra has served as the preeminent platform for emerging talents to give their projects a distinct advantage through invaluable networking sessions with leading industry professionals,...
The four directors plus sound designer and editor Hernandez will discuss their careers in individual talks with the Qumra delegates.
This year’s Qumra will run from March 1-6, with the 10th edition a key milestone for a Middle Eastern film event.
“As the Arab world’s first-of-its-kind talent incubator, Qumra has served as the preeminent platform for emerging talents to give their projects a distinct advantage through invaluable networking sessions with leading industry professionals,...
- 2/5/2024
- ScreenDaily
Benny Safdie talks about his split from brother and partner-in-film Josh — and reveals he doesn’t know if and when the Uncut Gems duo will reunite — in a new interview.
Since the release of the Safdies’ Adam Sandler-starring hit in 2019, the brothers have collaborated to produce docuseries like Telemarketers and Love Has Won: The Cult of Mother God, but they haven’t returned to film directing. (The bros last co-directed Forget’s “100 Seats” music video back in late 2022.)
Instead, Benny — two years younger than Josh — has focused on his...
Since the release of the Safdies’ Adam Sandler-starring hit in 2019, the brothers have collaborated to produce docuseries like Telemarketers and Love Has Won: The Cult of Mother God, but they haven’t returned to film directing. (The bros last co-directed Forget’s “100 Seats” music video back in late 2022.)
Instead, Benny — two years younger than Josh — has focused on his...
- 1/4/2024
- by Daniel Kreps
- Rollingstone.com
Every year, we here at IndieWire take on the daunting and potentially insane task of plowing through seemingly endless lists of potential Sundance entrants to pick out the films that not only could make their way onto the annual festival’s slate, but the ones we’d most like to actually land in Park City in January. As ever, there’s no shortage of possibilities for the upcoming festival, including a wide variety of films shot under various Covid protocols, a slew of holdovers from the before times, and some long-gestating films we’ve been expecting and hoping to see for entire years.
And while we don’t yet know how the twin strikes will have impacted the overall lineup — as this article is published, the SAG-AFTRA strike has been over for barely 12 hours — and who will be on hand to attend this year to tout their work, we do know that,...
And while we don’t yet know how the twin strikes will have impacted the overall lineup — as this article is published, the SAG-AFTRA strike has been over for barely 12 hours — and who will be on hand to attend this year to tout their work, we do know that,...
- 11/9/2023
- by Kate Erbland, David Ehrlich, Ryan Lattanzio and Anne Thompson
- Indiewire
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSubscribe to Notebook magazine before November 1 to receive Issue 4, which explores cinematic soundscapes in their diverse sonic forms and includes contributions from filmmakers like Pedro Costa, Garrett Bradley, and Dominga Sotomayor, pop musician Julia Holter, plus a wide range of artists, writers, and scholars. Subscribers will also receive with this issue a very special gift, a seven-inch record featuring a song by filmmaker Gus Van Sant and a field recording by sound designer Leslie Shatz.This week brought the sad, shocking news that the legendary Taiwanese director Hou Hsiao-hsien has retired from filmmaking due to illness. Hou's family confirmed in a statement that he is battling Alzheimer's, and the effects of long Covid have forced him to stop making films; they requested privacy during this time, adding that he is healthy overall, in the presence of family.
- 10/25/2023
- MUBI
Having already proven their bona fides with both 1986’s Evol and 1987’s Sister, Sonic Youth delivered their most cohesive, accessible album to date with their 1988 opus Daydream Nation. Originally inspired by the ferocity of hardcore punk, the cerebral art rock of acts like the Velvet Underground and Public Image Ltd., and the avant-garde compositions of Glenn Branca, the album saw the four New York bohos sweeten their no-wave edge with anthemic songwriting.
Thurston Moore and Lee Ranaldo’s detuned guitars strum plaintively and hypnotically as Daydream Nation slowly shakes itself awake on “Teen Age Riot.” Bassist-singer Kim Gordon channels the Stooges’s eerie chants on 1969’s “We Will Fall” and even cribs from its lyrics: “Spirit, desire/We will fall,” she mumbles before the song’s dual-guitar riff tears the track apart.
“Teen Age Riot” is an articulation of the alternative nation—which saw Dinosaur Jr.’s lead noisemaker, J Mascis,...
Thurston Moore and Lee Ranaldo’s detuned guitars strum plaintively and hypnotically as Daydream Nation slowly shakes itself awake on “Teen Age Riot.” Bassist-singer Kim Gordon channels the Stooges’s eerie chants on 1969’s “We Will Fall” and even cribs from its lyrics: “Spirit, desire/We will fall,” she mumbles before the song’s dual-guitar riff tears the track apart.
“Teen Age Riot” is an articulation of the alternative nation—which saw Dinosaur Jr.’s lead noisemaker, J Mascis,...
- 10/17/2023
- by Fred Barrett
- Slant Magazine
Mysius is a Cannes regular whose credits include ‘Ava’ and ‘The Five Devils’.
French writer-director Lea Mysius is set to write and direct her third feature, an adaptation of Laurent Mauvignier’s best-selling French thriller The Birthday Party (Histoires De La Nuit).
It is being produced by Marie-Ange Luciani’s Les Films de Pierre, whose credits include the Palme d’Or winning Anatomy Of A Fall, alongside Jean-Louis Livi’s F Comme Film, which produced Florian Zeller’sThe Father.
Set in a hamlet in rural France, the story follows a man and his wife, their daughter and an artist neighbour.
French writer-director Lea Mysius is set to write and direct her third feature, an adaptation of Laurent Mauvignier’s best-selling French thriller The Birthday Party (Histoires De La Nuit).
It is being produced by Marie-Ange Luciani’s Les Films de Pierre, whose credits include the Palme d’Or winning Anatomy Of A Fall, alongside Jean-Louis Livi’s F Comme Film, which produced Florian Zeller’sThe Father.
Set in a hamlet in rural France, the story follows a man and his wife, their daughter and an artist neighbour.
- 10/13/2023
- by Rebecca Leffler
- ScreenDaily
As one door opens, another one closes, and although Hulu will be adding plenty of titles to keep you busy through October, once the month wraps up, the streamer will be eliminating over 100 series and movies from the platform.
If you’re planning on doing your Halloween binge-watching via Huluween, don’t expect to extend your holiday: many of the horror titles Hulu will be adding for October will be removed from the platform on October 31. All the more reason to celebrate Halloween all month long.
Check out The Streamable’s can’t-miss list of what’s leaving and cross them off your watchlist by the end of the month!
30-Day Free Trial $7.99+ / month hulu.com What are the 5 Best Shows and Movies Leaving Hulu in October 2023? “Evil Dead” | Tuesday, Oct. 31
What’s lost in camp is made up for in horror and gore in 2013’s entry into the “Evil Dead” franchise.
If you’re planning on doing your Halloween binge-watching via Huluween, don’t expect to extend your holiday: many of the horror titles Hulu will be adding for October will be removed from the platform on October 31. All the more reason to celebrate Halloween all month long.
Check out The Streamable’s can’t-miss list of what’s leaving and cross them off your watchlist by the end of the month!
30-Day Free Trial $7.99+ / month hulu.com What are the 5 Best Shows and Movies Leaving Hulu in October 2023? “Evil Dead” | Tuesday, Oct. 31
What’s lost in camp is made up for in horror and gore in 2013’s entry into the “Evil Dead” franchise.
- 9/29/2023
- by Ashley Steves
- The Streamable
Belgium has selected Omen, the debut feature from rapper-turned-filmmaker Baloji, as its entry for the Best International Feature Film category at the 2024 Oscars.
The pic, which debuted in the Un Certain Regard sidebar at Cannes 2023, follows Koffi, a young Congolese man who — after spending years living in Belgium — returns to his birthplace of Kinshasa to confront the intricacies of his family and culture.
A Belgian-Dutch-Congolese-French-South African co-production, Omen picked up the New Vision Award at Cannes. Starring is Marc Zinga, best known for his work with the Dardenne brothers alongside Lucie Debay, Eliane Umuhire, Yves-Marina Gnahoua, and Marcel Otete Kabeya.
The film is set for a theatrical release in Belgium on November 15. Pan Distribution is the French distributor, while Memento International is handling world sales. Production companies are Special Touch Studios, Wrong Men, New Amsterdam Film Company, Tosala Films, RadicalMedia, Serendipity Films, and Big World Cinema.
Belgium’s Oscar pick...
The pic, which debuted in the Un Certain Regard sidebar at Cannes 2023, follows Koffi, a young Congolese man who — after spending years living in Belgium — returns to his birthplace of Kinshasa to confront the intricacies of his family and culture.
A Belgian-Dutch-Congolese-French-South African co-production, Omen picked up the New Vision Award at Cannes. Starring is Marc Zinga, best known for his work with the Dardenne brothers alongside Lucie Debay, Eliane Umuhire, Yves-Marina Gnahoua, and Marcel Otete Kabeya.
The film is set for a theatrical release in Belgium on November 15. Pan Distribution is the French distributor, while Memento International is handling world sales. Production companies are Special Touch Studios, Wrong Men, New Amsterdam Film Company, Tosala Films, RadicalMedia, Serendipity Films, and Big World Cinema.
Belgium’s Oscar pick...
- 9/14/2023
- by Zac Ntim
- Deadline Film + TV
The festival is set to open with Miyazaki’s ‘The Boy And The Heron’ on September 22.
French filmmaker Claire Denis will chair the official selection jury for the 71st San Sebastian International Film Festival.
The director of Beau Travail and Stars At Noon will be joined by Chinese actress Fan Bingbing; Colombian producer, moviemaker and writer Cristina Gallego; French photographer Brigitte Lacombe; Hungarian producer Robert Lantos; Spanish actress Vicky Luengo; and German director Christian Petzold.
They will decide the winners of the Golden Shell for best film and Silver Shell for best director, leading performance and supporting performance, and will...
French filmmaker Claire Denis will chair the official selection jury for the 71st San Sebastian International Film Festival.
The director of Beau Travail and Stars At Noon will be joined by Chinese actress Fan Bingbing; Colombian producer, moviemaker and writer Cristina Gallego; French photographer Brigitte Lacombe; Hungarian producer Robert Lantos; Spanish actress Vicky Luengo; and German director Christian Petzold.
They will decide the winners of the Golden Shell for best film and Silver Shell for best director, leading performance and supporting performance, and will...
- 9/8/2023
- by Michael Rosser
- ScreenDaily
Exclusive: Two time Emmy-nominated actor Margaret Qualley has signed with CAA for representation.
Qualley, who was previously at UTA, received major awards recognition for her performance in the title role of Netflix’s well reviewed and very popular limited series Maid with Emmy, Golden Globe, SAG, and Critics’ Choice Award nominations. She previously earned Emmy and Critics’ Choice nominations for the FX limited series Fosse/Verdon.
This fall, Qualley will appear opposite Emma Stone and Mark Ruffalo in Yorgos Lanthimos’ Poor Things, which is set to premiere at the Venice Film Festival. Upcoming films also include Yorgos Lanthimos’ And, with Jesse Plemons and Emma Stone; Ethan Coen’s film Drive-Away Dolls; and Coralie Fargeat’s The Substance, in which she stars opposite Demi Moore.
Qualley most recently starred opposite Christopher Abbott in Zachary Wigon’s feature Sanctuary, which premiered at the 2022 Toronto International Film Festival and was released in May. Her...
Qualley, who was previously at UTA, received major awards recognition for her performance in the title role of Netflix’s well reviewed and very popular limited series Maid with Emmy, Golden Globe, SAG, and Critics’ Choice Award nominations. She previously earned Emmy and Critics’ Choice nominations for the FX limited series Fosse/Verdon.
This fall, Qualley will appear opposite Emma Stone and Mark Ruffalo in Yorgos Lanthimos’ Poor Things, which is set to premiere at the Venice Film Festival. Upcoming films also include Yorgos Lanthimos’ And, with Jesse Plemons and Emma Stone; Ethan Coen’s film Drive-Away Dolls; and Coralie Fargeat’s The Substance, in which she stars opposite Demi Moore.
Qualley most recently starred opposite Christopher Abbott in Zachary Wigon’s feature Sanctuary, which premiered at the 2022 Toronto International Film Festival and was released in May. Her...
- 8/28/2023
- by Nellie Andreeva
- Deadline Film + TV
Los Angeles, Aug 20 (Ians) Rockstar Jack Antonoff, the lead singer of rock band Bleachers, has now got hitched with his fiancee, actress Margaret Qualley, as the couple tied the knot amid a grand reception in New Jersey.
As reported by People magazine, the celebrity couple got hitched on a night star studded bash in New Jersey which was attended by various Hollywood A-listers such as Channing Tatum, Zoe Kravitz and musicians Taylor Swift and Lana Del Ray.
Qualley (28) was photographed holding hands with her new husband Antonoff (39), and later arriving at a post-wedding party, wearing a simple white halter dress and matching white Mary Jane flats. Her hair was styled in a short bob. Antonoff sported a classic black suit and tie for the occasion which was made to impress.
After the intimate ceremony, the newlyweds as well as the numerous guests, made their way to the low-key reception. Both...
As reported by People magazine, the celebrity couple got hitched on a night star studded bash in New Jersey which was attended by various Hollywood A-listers such as Channing Tatum, Zoe Kravitz and musicians Taylor Swift and Lana Del Ray.
Qualley (28) was photographed holding hands with her new husband Antonoff (39), and later arriving at a post-wedding party, wearing a simple white halter dress and matching white Mary Jane flats. Her hair was styled in a short bob. Antonoff sported a classic black suit and tie for the occasion which was made to impress.
After the intimate ceremony, the newlyweds as well as the numerous guests, made their way to the low-key reception. Both...
- 8/20/2023
- by Agency News Desk
- GlamSham
Once the "Oppenheimer" hype dies down, you'll likely hear more of that nagging criticism of the movie being about men talking in offices and classrooms. There's no doubt large chunks of the film's three-hour runtime focus on Cillian Murphy's J. Robert Oppenheimer conversing with political leaders and his colleagues as they work their way towards creating the atom bomb. But by his own admission, Christopher Nolan's approach to filmmaking almost necessitates this kind of verbosity. As the filmmaker previously told BAFTA:
"I chose to take the path of incorporating that desire for a layered approach into the narrative itself, into the story. And so I've made films that have some ambiguity to them, or some layering to them narratively, so that if you see them a second time you're going to watch them a slightly different way. And that was my approach. There are other filmmakers who approached...
"I chose to take the path of incorporating that desire for a layered approach into the narrative itself, into the story. And so I've made films that have some ambiguity to them, or some layering to them narratively, so that if you see them a second time you're going to watch them a slightly different way. And that was my approach. There are other filmmakers who approached...
- 8/5/2023
- by Joe Roberts
- Slash Film
Claire Denis does not define herself as anyone’s protégé.
The “Both Sides of the Blade” director shut down a question posed by The Guardian asking what it was like to be a “protégé” of Jim Jarmusch, Wim Wenders, and Jacques Rivette, among Denis’ previous collaborators.
“Protégé! It’s insulting,” Denis replied. “What a vision of women you have. It’s so disgusting to say things like that. Would you use that word for a man?”
She continued, “I was working as an assistant director. I made my own way and was paying my own rent. They chose me because I was good at my job.”
Denis made her feature directorial debut with 1988’s “Chocolat.” Despite her decades in the film industry, the French auteur admitted she is still fearful of filmmaking “all the time.”
“Everything about filmmaking is frightening,” Denis said. “I’m scared before about making a bad movie,...
The “Both Sides of the Blade” director shut down a question posed by The Guardian asking what it was like to be a “protégé” of Jim Jarmusch, Wim Wenders, and Jacques Rivette, among Denis’ previous collaborators.
“Protégé! It’s insulting,” Denis replied. “What a vision of women you have. It’s so disgusting to say things like that. Would you use that word for a man?”
She continued, “I was working as an assistant director. I made my own way and was paying my own rent. They chose me because I was good at my job.”
Denis made her feature directorial debut with 1988’s “Chocolat.” Despite her decades in the film industry, the French auteur admitted she is still fearful of filmmaking “all the time.”
“Everything about filmmaking is frightening,” Denis said. “I’m scared before about making a bad movie,...
- 6/9/2023
- by Samantha Bergeson
- Indiewire
Choose your words carefully with France’s most brilliant – and formidable – film director, as she discusses being bourgeois, Harvey Weinstein, and her latest movie, Stars at Noon
My first glimpse of Claire Denis is of a slight, elegant figure dressed in white slipping out of a black limousine that fills the narrow street outside the hotel where our rendezvous is scheduled. For an instant, I feel as if I have been sucked into the menacing world of her latest film. I have just travelled to Paris to interview her, and have arrived early because I am anxious not to waste a minute of the 45 I have been granted to investigate the extraordinary career of a French director idolised by peers such as Barry Jenkins, Charlotte Wells, Andrea Arnold and Pedro Almodóvar and whose work is a fixture of critics’ lists of the best movies ever made.
At 77, Denis is a formidable presence.
My first glimpse of Claire Denis is of a slight, elegant figure dressed in white slipping out of a black limousine that fills the narrow street outside the hotel where our rendezvous is scheduled. For an instant, I feel as if I have been sucked into the menacing world of her latest film. I have just travelled to Paris to interview her, and have arrived early because I am anxious not to waste a minute of the 45 I have been granted to investigate the extraordinary career of a French director idolised by peers such as Barry Jenkins, Charlotte Wells, Andrea Arnold and Pedro Almodóvar and whose work is a fixture of critics’ lists of the best movies ever made.
At 77, Denis is a formidable presence.
- 6/9/2023
- by Claire Armitstead
- The Guardian - Film News
“The Pot Au Feu” from French-Vietnamese director Trần Anh Hùng may be one of the most radical films competing for a Palme d’Or at this year’s Cannes. The sensorial movie, set in late-19th century France, opens with a mouthwatering cooking sequence that runs nearly 40 minutes and portrays a slow-burning romance with a minimalist plot. Yet, Hùng, best known for his Cannes’ Golden Camera-winning “The Scent of Green Papaya” and Venice Golden Lion-winning “Cyclo,” tells Variety he’s always been confident “The Pot Au Feu” would strike a chord beyond the foodie niche, and it has. The movie earned some of the competition’s strongest reviews on the heels of its world premiere and a U.S. deal is currently being negotiated by Gaumont. Variety‘s Guy Lodge praised the film for holding its audience “entirely on the pleasures of beauty, vicarious indulgence and, eventually, the human care inherent in haute cuisine.
- 5/27/2023
- by Elsa Keslassy
- Variety Film + TV
The film is Picturehouse Entertainment’s third acquisition at the Cannes Film Festival.
Picturehouse Entertainment has acquired UK and Ireland rights to Tran Anh Hung’s Cannes Competition title The Pot-Au-Feu from France’s Gaumont.
Set in the world of French gastronomy in 1885, the film stars Juliette Binoche as an esteemed cook who has a long-term relationship with a gourmet, played by Benoit Magimel.
It marks the latest feature from Vietnam-born Hung, who won the Caméra d’Or at Cannes in 1993 with The Scent Of Green Papaya, and returned to the festival with The Vertical Ray Of The Sun in...
Picturehouse Entertainment has acquired UK and Ireland rights to Tran Anh Hung’s Cannes Competition title The Pot-Au-Feu from France’s Gaumont.
Set in the world of French gastronomy in 1885, the film stars Juliette Binoche as an esteemed cook who has a long-term relationship with a gourmet, played by Benoit Magimel.
It marks the latest feature from Vietnam-born Hung, who won the Caméra d’Or at Cannes in 1993 with The Scent Of Green Papaya, and returned to the festival with The Vertical Ray Of The Sun in...
- 5/25/2023
- by Michael Rosser
- ScreenDaily
The romance rumours between Taylor Swift and Matty Healy continue to intensify.
The 1975 frontman, 34, was caught sneaking into Swift’s, 33, New York City apartment on Thursday night.
Caught on TikTok, a video shared by @brandeegaar captures the moment the musician sprints up the stairs and into Taylor Swift’s apartment building’s main lobby, with someone holding the door open for him.
Read More: Taylor Swift And Matty Healy Spotted Leaving A New York City Recording Studio Together
Not Matty caught walking into Taylor’s apartment Omg pic.twitter.com/oRf4UnJsDW
— esra (@vibessesra) May 19, 2023
With a duffle bag in tow, the “Love It If We Made It” singer donned a stylish ensemble of a dark sweater, dark jeans, and crisp white sneakers, setting the stage for a late-night meetup.
Healy’s visit to Swift’s NYC apartment follows reports of her ex, Joe Alwyn, feeling “slighted and distraught” over...
The 1975 frontman, 34, was caught sneaking into Swift’s, 33, New York City apartment on Thursday night.
Caught on TikTok, a video shared by @brandeegaar captures the moment the musician sprints up the stairs and into Taylor Swift’s apartment building’s main lobby, with someone holding the door open for him.
Read More: Taylor Swift And Matty Healy Spotted Leaving A New York City Recording Studio Together
Not Matty caught walking into Taylor’s apartment Omg pic.twitter.com/oRf4UnJsDW
— esra (@vibessesra) May 19, 2023
With a duffle bag in tow, the “Love It If We Made It” singer donned a stylish ensemble of a dark sweater, dark jeans, and crisp white sneakers, setting the stage for a late-night meetup.
Healy’s visit to Swift’s NYC apartment follows reports of her ex, Joe Alwyn, feeling “slighted and distraught” over...
- 5/20/2023
- by Emerson Pearson
- ET Canada
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSNon-Fiction.The Writers Guild of America went on strike Tuesday; this is the first major Hollywood strike since 2007. Michael Schulman of the New Yorker speaks with several screenwriters about the conditions they are advocating to change, highlighting the ways in which streaming has transformed their livelihoods.Olivier Assayas is cooking up a new project with his current muse Vincent Macaigne, titled Hors du temps, per the actor’s Instagram. Macaigne wonderfully held the center of Assayas’s limited-series rewiring of Irma Vep (2022), and brought a similarly melancholy pathos to Non-Fiction (2018).The Cannes Film Festival has announced that John C. Reilly will preside over the Un Certain Regard jury—a worthy recognition of his Mvp status in Claire Denis’s Stars at Noon (2022). Alongside...
- 5/3/2023
- MUBI
U.S. actor John C. Reilly will serve as president of the jury of the Un Certain Regard section at Cannes Film Festival. “Salem,” directed by Jean-Bernard Marlin, has been added to the lineup.
The other members of the jury will be French director and screenwriter Alice Winocour, German actor Paula Beer, French-Cambodian director and producer Davy Chou, and Belgian actor Émilie Dequenne.
The Un Certain Regard section showcases art and discovery films by young auteurs.
In a statement, Reilly said: “I have had so many life changing moments at the Festival de Cannes (from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage!) so to be chosen as the president of Un Certain Regard jury is truly such an incredible honor.”
Reilly’s movie credits include Paul Thomas Anderson’s “Hard Eight” (1996), “Boogie Nights” (1997), and “Magnolia” (1999), Terrence Malick’s “The Thin Red Line...
The other members of the jury will be French director and screenwriter Alice Winocour, German actor Paula Beer, French-Cambodian director and producer Davy Chou, and Belgian actor Émilie Dequenne.
The Un Certain Regard section showcases art and discovery films by young auteurs.
In a statement, Reilly said: “I have had so many life changing moments at the Festival de Cannes (from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage!) so to be chosen as the president of Un Certain Regard jury is truly such an incredible honor.”
Reilly’s movie credits include Paul Thomas Anderson’s “Hard Eight” (1996), “Boogie Nights” (1997), and “Magnolia” (1999), Terrence Malick’s “The Thin Red Line...
- 5/2/2023
- by Leo Barraclough
- Variety Film + TV
John C. Reilly will now help pick which film will have its own winning time at the 2023 Cannes Film Festival.
The “Winning Time” star and “Chicago” Oscar nominee has officially been selected as the president of the Un Certain Regard jury for the 76th Cannes Film Festival. Reilly’s previous films ranging from Lynne Ramsay’s “We Need to Talk About Kevin” to Roman Polanski’s “Carnage” and Yórgos Lánthimos’ “The Lobster” have formerly debuted at the festival. Reilly most recently appeared briefly in the Cannes Competition-selected “Stars at Noon” helmed by Claire Denis.
“I experienced so many unforgettable moments at the Cannes Film Festival, from my unexpected first visit with Paul Thomas Anderson to my 50th birthday, celebrated on the stage at the Palais!” Reilly said in a press statement. “It is therefore an incredible honor for me to be chosen as President of the Un Certain Regard Jury.
The “Winning Time” star and “Chicago” Oscar nominee has officially been selected as the president of the Un Certain Regard jury for the 76th Cannes Film Festival. Reilly’s previous films ranging from Lynne Ramsay’s “We Need to Talk About Kevin” to Roman Polanski’s “Carnage” and Yórgos Lánthimos’ “The Lobster” have formerly debuted at the festival. Reilly most recently appeared briefly in the Cannes Competition-selected “Stars at Noon” helmed by Claire Denis.
“I experienced so many unforgettable moments at the Cannes Film Festival, from my unexpected first visit with Paul Thomas Anderson to my 50th birthday, celebrated on the stage at the Palais!” Reilly said in a press statement. “It is therefore an incredible honor for me to be chosen as President of the Un Certain Regard Jury.
- 5/2/2023
- by Samantha Bergeson
- Indiewire
John C. Reilly will preside over the Un Certain Regard Jury at the upcoming Cannes Film Festival, running May 16-27.
He will be joined by French director and screenwriter Alice Winocour, German actress Paula Beer, French-Cambodian director and producer Davy Chou and Belgian actress Émilie Dequenne.
“I have had so many life changing moments at the Festival de Cannes, from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage! So to be chosen as the President of Un Certain Regard Jury is truly such an incredible honor,” said Reilly.
“Many of the films I have been lucky to appear in have been selected by the Festival over these many years and nothing feels as special as being invited to this amazing annual gathering of the very best cinema has to offer the world. I look forward to helping launch another generation of...
He will be joined by French director and screenwriter Alice Winocour, German actress Paula Beer, French-Cambodian director and producer Davy Chou and Belgian actress Émilie Dequenne.
“I have had so many life changing moments at the Festival de Cannes, from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage! So to be chosen as the President of Un Certain Regard Jury is truly such an incredible honor,” said Reilly.
“Many of the films I have been lucky to appear in have been selected by the Festival over these many years and nothing feels as special as being invited to this amazing annual gathering of the very best cinema has to offer the world. I look forward to helping launch another generation of...
- 5/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
Focus Features and Working Title have settled on a release date for Ethan Coen and Tricia Cooke’s Drive-Away Dolls, a comedy caper starring Margaret Qualley and Geraldine Viswanathan. Coen directs from a script he co-wrote and produced with Tricia Cooke. Drive-Away Dolls will open in theaters on September 22, 2023.
Coen’s Drive-Away Dolls revolves around Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Beanie Feldstein, Pedro Pascal, Colman Domingo, Bill Camp, and Matt Damon join Qualley and Viswanathan for Coen and Cooke’s unique crime caper, with Focus handling domestic distribution. Meanwhile, Universal Pictures will bring the film overseas. Robert Graf,...
Coen’s Drive-Away Dolls revolves around Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Beanie Feldstein, Pedro Pascal, Colman Domingo, Bill Camp, and Matt Damon join Qualley and Viswanathan for Coen and Cooke’s unique crime caper, with Focus handling domestic distribution. Meanwhile, Universal Pictures will bring the film overseas. Robert Graf,...
- 4/17/2023
- by Steve Seigh
- JoBlo.com
Cinema, as an art form, relies on two tools — sight and sound — to fool us into believing that all five of our senses are being stimulated. That makes Léa Mysius’ more-intriguing-than-successful supernatural thriller, “The Five Devils,” a very curious animal indeed, since it focuses on a young girl with an exceptionally strong sense of smell, a phenomenon its director can show but never properly reproduce.
Eight-year-old Vicky (Sally Dramé) would be right at home as one of the young mutants in an “X-Men” movie, so hypersensitive are her olfactory skills. A future perfume designer perhaps, the frizzy-haired kid spends her free time collecting odoriferous scraps from her life and environment and storing them in neatly labeled jars. When her mother, Joanne (Adèle Exarchopoulos), discovers Vicky’s gift during a walk in the woods, she blindfolds her daughter and tries to hide under a pile of wet leaves. Sniffing the air,...
Eight-year-old Vicky (Sally Dramé) would be right at home as one of the young mutants in an “X-Men” movie, so hypersensitive are her olfactory skills. A future perfume designer perhaps, the frizzy-haired kid spends her free time collecting odoriferous scraps from her life and environment and storing them in neatly labeled jars. When her mother, Joanne (Adèle Exarchopoulos), discovers Vicky’s gift during a walk in the woods, she blindfolds her daughter and tries to hide under a pile of wet leaves. Sniffing the air,...
- 4/1/2023
- by Peter Debruge
- Variety Film + TV
Mubi starts Cannes prizewinner ‘Close’ in 74 sites.
Warner Bros’ Creed III will look to improve on the strong performances of the first two films in the boxing series, when opening in 637 UK-Ireland cinemas this weekend.
The film is the directorial debut of Michael Jordan who also stars in the film series as Adonis Creed, son of former heavyweight champion Apollo Creed. In this third instalment, Adonis’ thriving career and family life are disrupted by the resurfacing of a childhood friend and former boxing prodigy, played by Jonathan Majors.
Creed III is written by Ryan Coogler, who directed the first film...
Warner Bros’ Creed III will look to improve on the strong performances of the first two films in the boxing series, when opening in 637 UK-Ireland cinemas this weekend.
The film is the directorial debut of Michael Jordan who also stars in the film series as Adonis Creed, son of former heavyweight champion Apollo Creed. In this third instalment, Adonis’ thriving career and family life are disrupted by the resurfacing of a childhood friend and former boxing prodigy, played by Jonathan Majors.
Creed III is written by Ryan Coogler, who directed the first film...
- 3/3/2023
- by Ben Dalton
- ScreenDaily
Dominik Moll’s brooding procedural thriller “The Night of the 12th” won big at the 48th Cesar Awards Friday night in Paris.
Out of 10 nominations, “The Night of the 12th” picked up best film, director, male newcomer for Bastien Bouillon, supporting actor for Bouli Lanners, adapted screenplay and sound. Bouillon and Lanners star as two cops trying to solve the gruesome murder of a young woman. The film opened at Cannes in the Premieres section.
Caroline Benjo, who produced “The Night of the 12th” with Carole Scotta and Simon Arnal at Haut et Court, made a searing speech denouncing the violence against women. “When Dominic and Gilles came to us to make this film it was obvious that we (needed to address this issue) and that the perspective of men on this matter was crucial, and that filmmakers had to tell this story,” said Benjo. “A few days ago, Dominic...
Out of 10 nominations, “The Night of the 12th” picked up best film, director, male newcomer for Bastien Bouillon, supporting actor for Bouli Lanners, adapted screenplay and sound. Bouillon and Lanners star as two cops trying to solve the gruesome murder of a young woman. The film opened at Cannes in the Premieres section.
Caroline Benjo, who produced “The Night of the 12th” with Carole Scotta and Simon Arnal at Haut et Court, made a searing speech denouncing the violence against women. “When Dominic and Gilles came to us to make this film it was obvious that we (needed to address this issue) and that the perspective of men on this matter was crucial, and that filmmakers had to tell this story,” said Benjo. “A few days ago, Dominic...
- 2/24/2023
- by Elsa Keslassy
- Variety Film + TV
Scott Waugh whose credits include “Act of Valor” and the upcoming “The Expendables 4,” is attached to direct the upcoming documentary “Escape to Atlantis,” based on the findings of Seattle native Dr. Jason Rubin who has used deductive reasoning, the writings of philosopher Plato and cutting-edge satellite sonar imagery to pinpoint the location of the fabled lost island of Atlantis.
Said Waugh: “Every story, whether fact or fable, has a character we believe in and hope they prevail. Wouldn’t it be great to be part of a story where our protagonist wins and redefines the world’s truth?” “If Dr. Rubin has found Atlantis, not only does he continually save lives in the ER room, but he will have risen the dead of those lost in Plato’s fable and will redefine our history. That is a story I want to be a part of,” he added.
The documentary is being produced by Rubin,...
Said Waugh: “Every story, whether fact or fable, has a character we believe in and hope they prevail. Wouldn’t it be great to be part of a story where our protagonist wins and redefines the world’s truth?” “If Dr. Rubin has found Atlantis, not only does he continually save lives in the ER room, but he will have risen the dead of those lost in Plato’s fable and will redefine our history. That is a story I want to be a part of,” he added.
The documentary is being produced by Rubin,...
- 2/23/2023
- by Anna Marie de la Fuente
- Variety Film + TV
The César Awards are characterized as France’s answer to the Oscars. And just like their awards show cousin halfway across the world, the Césars are embroiled in controversy after failing to nominate any women directors.
This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale,...
This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale,...
- 2/17/2023
- by Elsa Keslassy
- Variety Film + TV
Joe Alwyn is keeping some important things private.
In an interview with WSJ. Magazine, the “Stars at Noon” actor was asked about persistent rumours that he and girlfriend Taylor Swift are engaged.
Read More: Taylor Swift And Joe Alwyn’s Relationship Is ‘Super Strong,’ Source Says
“If I had a pound for every time I think I’ve been told I’ve been engaged, then I’d have a lot of pound coins,” the 31-year-old joked.
“I mean, the truth is, if the answer was yes, I wouldn’t say, and if the answer was no, I wouldn’t say,” he added.
Asked about his decision to keep his relationship with Swift as private as possible, Alwyn said, “We live in a culture that people expect so much to be given. So that if you’re not posting all the time about what you’re doing, how you’re spending...
In an interview with WSJ. Magazine, the “Stars at Noon” actor was asked about persistent rumours that he and girlfriend Taylor Swift are engaged.
Read More: Taylor Swift And Joe Alwyn’s Relationship Is ‘Super Strong,’ Source Says
“If I had a pound for every time I think I’ve been told I’ve been engaged, then I’d have a lot of pound coins,” the 31-year-old joked.
“I mean, the truth is, if the answer was yes, I wouldn’t say, and if the answer was no, I wouldn’t say,” he added.
Asked about his decision to keep his relationship with Swift as private as possible, Alwyn said, “We live in a culture that people expect so much to be given. So that if you’re not posting all the time about what you’re doing, how you’re spending...
- 1/25/2023
- by Corey Atad
- ET Canada
Louis Garrel’s “The Innocent” and Dominik Moll’s thriller “The Night of the 12th” are leading the race at the 48th Cesar Awards, France’s equivalent to the Oscars.
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
- 1/25/2023
- by Elsa Keslassy
- Variety Film + TV
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Just hours prior a friend asked what’s on my best-of-2022 list. (This sounds made-up; I promise it actually happened.) I could run it down with exacting detail, each entry signaling a postmark—personal, temporal, geographic, formal—in the year before one escaped me. Absolutely, entirely, gone as if never seen. Consulting my Notes app let all attendant thoughts and feelings rush back—where and when seen, fulfilled or complicated desires, fruitful conversations (including with its director) and strong recommendations all the time since.
It is a great film. Have I thought about it more than Tár (stylized as TÁR), which but minutes prior I’d asked if my companion saw? Clearly not. Tár (stylized as TÁR) also doesn’t appear here. Much as I liked Todd Field...
Just hours prior a friend asked what’s on my best-of-2022 list. (This sounds made-up; I promise it actually happened.) I could run it down with exacting detail, each entry signaling a postmark—personal, temporal, geographic, formal—in the year before one escaped me. Absolutely, entirely, gone as if never seen. Consulting my Notes app let all attendant thoughts and feelings rush back—where and when seen, fulfilled or complicated desires, fruitful conversations (including with its director) and strong recommendations all the time since.
It is a great film. Have I thought about it more than Tár (stylized as TÁR), which but minutes prior I’d asked if my companion saw? Clearly not. Tár (stylized as TÁR) also doesn’t appear here. Much as I liked Todd Field...
- 1/12/2023
- by Nick Newman
- The Film Stage
Rodéo
Not to be confused with last year’s Un Certain Regard title about street smarts and dirt bikes from Lola Quivoron, Delphine Deloget‘s Rodéo is all drama and sees Virginie Efira and Arieh Worthalter topline. A directorial debut that went into production in January of ’22 in the region of Brittany, Curiosa Films’ Oliver Delbosc (Stars at Noon) produced the film and Julia Kowalski and Pierre Chosson co-wrote the film along with Deloget. After working mostly in the docu-world, Deloget gradually moved into fiction — so we’re expecting this to borrow from certain realism to portray a truly fractured family in.…...
Not to be confused with last year’s Un Certain Regard title about street smarts and dirt bikes from Lola Quivoron, Delphine Deloget‘s Rodéo is all drama and sees Virginie Efira and Arieh Worthalter topline. A directorial debut that went into production in January of ’22 in the region of Brittany, Curiosa Films’ Oliver Delbosc (Stars at Noon) produced the film and Julia Kowalski and Pierre Chosson co-wrote the film along with Deloget. After working mostly in the docu-world, Deloget gradually moved into fiction — so we’re expecting this to borrow from certain realism to portray a truly fractured family in.…...
- 1/11/2023
- by Eric Lavallée
- IONCINEMA.com
Comedies such as “Serial (Bad) Weddings 3” and family fare, including “Pil’s Adventures” and “The Wolf and the Lion,” helped the overseas box office for French movies climb back in 2022.
While international ticket sales for French movies were still 32.5 down compared with pre-pandemic times, admissions grossed €167.4 million (180 million) from 27 million admissions in 2022 – a 51.8 year-on increase.
Figures highlighting the performance of French movies in theaters at festivals and on streaming services were unveiled by Unifrance, the French film and TV promotion org, during the Export Day, which took place on Tuesday in Paris.
“Youth and family audiences were the first to return to theaters (when they reopened), and so films targeted at these demographics performed best,” said Unifrance in its study. Theaters in most countries around the world were indeed shut down for several months in 2021.
The org’s co-managing director Gilles Renouard also noted that there was a “concentration of...
While international ticket sales for French movies were still 32.5 down compared with pre-pandemic times, admissions grossed €167.4 million (180 million) from 27 million admissions in 2022 – a 51.8 year-on increase.
Figures highlighting the performance of French movies in theaters at festivals and on streaming services were unveiled by Unifrance, the French film and TV promotion org, during the Export Day, which took place on Tuesday in Paris.
“Youth and family audiences were the first to return to theaters (when they reopened), and so films targeted at these demographics performed best,” said Unifrance in its study. Theaters in most countries around the world were indeed shut down for several months in 2021.
The org’s co-managing director Gilles Renouard also noted that there was a “concentration of...
- 1/10/2023
- by Elsa Keslassy
- Variety Film + TV
Newen Connect, the film and TV distribution arm of the French media group Newen Studios, is launching a raft of comedies at the Unifrance Rendez-Vous event in Paris this week.
New titles include “Mr. Putifar’s Wacky Plan,” based on the book “Comedy.” It’s produced by Ugc and Romain Rotjman’s Les Films du 24, the team behind “Serial (Bad) Weddings.”
Directed by Pierre-François Martin-Laval (“Serial Teachers”), the movie stars Christian Clavier and Isabelle Nanty. Clavier stars as a retired school teacher plotting a revenge on the kids who made his life hell twenty years ago and destroyed his one chance at love.
“Open Season,” produced by Starman Films and Curiosa Films (“Stars at Noon”), is directed by Frédéric Forestier and Antonin Fourlon. The film stars Didier Bourdon (“Alibi.com 2”), Camille Lou (“Spoiled Brats”), Hakim Jemili (“A Good Doctor”), Thierry Lhermitte (“Just Retired”) and Chantal Ladesou.
The film follows Adelaide,...
New titles include “Mr. Putifar’s Wacky Plan,” based on the book “Comedy.” It’s produced by Ugc and Romain Rotjman’s Les Films du 24, the team behind “Serial (Bad) Weddings.”
Directed by Pierre-François Martin-Laval (“Serial Teachers”), the movie stars Christian Clavier and Isabelle Nanty. Clavier stars as a retired school teacher plotting a revenge on the kids who made his life hell twenty years ago and destroyed his one chance at love.
“Open Season,” produced by Starman Films and Curiosa Films (“Stars at Noon”), is directed by Frédéric Forestier and Antonin Fourlon. The film stars Didier Bourdon (“Alibi.com 2”), Camille Lou (“Spoiled Brats”), Hakim Jemili (“A Good Doctor”), Thierry Lhermitte (“Just Retired”) and Chantal Ladesou.
The film follows Adelaide,...
- 1/10/2023
- by Elsa Keslassy
- Variety Film + TV
But admissions still struggling to reach pre-pandemic highs.
French films gained momentum at the international box office in 2022 compared to 2021, garnering 27 million admissions in global markets, according to Unifrance. This was up 51.8 from 2021 but down 32.5 on average compared to the pre-Covid years.
According to Unifrance, French films grossed €167.4m outside France in 2022, up 47.7 compared to 2021; More than 900 French films were released in international theatres, of which 27 were each released in more than 20 territories.
Majority French productions hit 17 million admissions, up 78.9 from 2021. 19.6 million admissions were for films in the French language, an impressive 139.2 jump from the year before.
Feel-good films fare...
French films gained momentum at the international box office in 2022 compared to 2021, garnering 27 million admissions in global markets, according to Unifrance. This was up 51.8 from 2021 but down 32.5 on average compared to the pre-Covid years.
According to Unifrance, French films grossed €167.4m outside France in 2022, up 47.7 compared to 2021; More than 900 French films were released in international theatres, of which 27 were each released in more than 20 territories.
Majority French productions hit 17 million admissions, up 78.9 from 2021. 19.6 million admissions were for films in the French language, an impressive 139.2 jump from the year before.
Feel-good films fare...
- 1/10/2023
- by Rebecca Leffler
- ScreenDaily
But admissions still struggling to reach pre-pandemic highs.
French films continue to gain momentum at the international box office with 27 million admissions in foreign markets in 2022, up 51.8 from 2021, according to a study from state film promotion organisation Unifrance.
However, French films are still struggling to reach their pre-pandemic highs, with international admissions running on average 32.5 lower than in the years before Covid-19.
The Unifrance figures show that French films earned €167.4m abroad throughout 2022, up 47.7 compared to 2021.
More than 900 French films were released in foreign theatres, of which 27 were released in more than 20 territories each.
Majority French productions hit 17 million admissions,...
French films continue to gain momentum at the international box office with 27 million admissions in foreign markets in 2022, up 51.8 from 2021, according to a study from state film promotion organisation Unifrance.
However, French films are still struggling to reach their pre-pandemic highs, with international admissions running on average 32.5 lower than in the years before Covid-19.
The Unifrance figures show that French films earned €167.4m abroad throughout 2022, up 47.7 compared to 2021.
More than 900 French films were released in foreign theatres, of which 27 were released in more than 20 territories each.
Majority French productions hit 17 million admissions,...
- 1/10/2023
- by Rebecca Leffler
- ScreenDaily
Yvan Attal, the popular French actor-turned-director, has directed “Breaking Point,” a seductive thriller in which he will star opposite Guillaume Canet, Marie-Josée Croze, Maïwenn and Alma Jodorowsky.
Snd, the film arm of French commercial network M6 Group, has landed French distribution rights and worldwide sales to the film. The company will introduce the project to buyers at the Unifrance Rendez-Vous, which kicks off Jan. 10.
Currently in post-production, “Breaking Point” is produced by Curiosa Films, the well-established banner behind Claire Denis’ “Stars at Noon” and Xavier Gianolli’s “Lost Illusions,” with the outfit Films Sous Influence.
The movie revolves around two best friends, Vincent and Mathieu, who lead very different lives. Vincent is constantly having affairs that Mathieu, a convenient alibi, is always there to cover up. Mathieu, a rather loyal husband who leads a tranquil life with his wife, feels obligated to protect Vincent because he saved his life years ago.
Snd, the film arm of French commercial network M6 Group, has landed French distribution rights and worldwide sales to the film. The company will introduce the project to buyers at the Unifrance Rendez-Vous, which kicks off Jan. 10.
Currently in post-production, “Breaking Point” is produced by Curiosa Films, the well-established banner behind Claire Denis’ “Stars at Noon” and Xavier Gianolli’s “Lost Illusions,” with the outfit Films Sous Influence.
The movie revolves around two best friends, Vincent and Mathieu, who lead very different lives. Vincent is constantly having affairs that Mathieu, a convenient alibi, is always there to cover up. Mathieu, a rather loyal husband who leads a tranquil life with his wife, feels obligated to protect Vincent because he saved his life years ago.
- 1/6/2023
- by Elsa Keslassy
- Variety Film + TV
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
As with every year, 2022 began with me catching up with an exceptional film I’d missed before I submitted my previous “best of” list, and ended with me belatedly seeing another excellent work that was more than worthy of inclusion. My apologies to Davy Chou, whose Return to Seoul would have been a fixture here if I’d have gotten round to it sooner.
Although not quite the embarrassment of cinematic riches that 2021 was, my honorable mentions all show that the art form is still in rude health following the pandemic, with several legendary filmmakers producing some of their most rewarding works in recent memory, many of which narrowly missed inclusion in my personal top 10. David Cronenberg recontextualized his older body horror work for an eco-parable concerned...
As with every year, 2022 began with me catching up with an exceptional film I’d missed before I submitted my previous “best of” list, and ended with me belatedly seeing another excellent work that was more than worthy of inclusion. My apologies to Davy Chou, whose Return to Seoul would have been a fixture here if I’d have gotten round to it sooner.
Although not quite the embarrassment of cinematic riches that 2021 was, my honorable mentions all show that the art form is still in rude health following the pandemic, with several legendary filmmakers producing some of their most rewarding works in recent memory, many of which narrowly missed inclusion in my personal top 10. David Cronenberg recontextualized his older body horror work for an eco-parable concerned...
- 1/4/2023
- by Alistair Ryder
- The Film Stage
As Martin Scorsese once said, “Music and cinema fit together naturally. Because there’s a kind of intrinsic musicality to the way moving images work when they’re put together. It’s been said that cinema and music are very close as art forms, and I think that’s true.” Indeed, the right piece of music–whether it’s an original score or a carefully selected song–can do wonders for a sequence, and today we’re looking at the 25 films that best expressed this notion this year.
From seasoned composers to accomplished musicians, as well as a smattering of soundtracks, each musical example perfectly transported us to the world of the film. Check out our rundown of the top 25, which includes streams to each soundtrack in full.
25. Dark Glasses (Arnaud Rebotini)
24. Catch the Fair One (Nathan Halpern)
23. Barbarian (Anna Drubich)
22. Return to Seoul (Various)
21. Babylon (Justin Hurwitz)
20. Mad God...
From seasoned composers to accomplished musicians, as well as a smattering of soundtracks, each musical example perfectly transported us to the world of the film. Check out our rundown of the top 25, which includes streams to each soundtrack in full.
25. Dark Glasses (Arnaud Rebotini)
24. Catch the Fair One (Nathan Halpern)
23. Barbarian (Anna Drubich)
22. Return to Seoul (Various)
21. Babylon (Justin Hurwitz)
20. Mad God...
- 1/3/2023
- by Jordan Raup
- The Film Stage
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
2022 has been one of those fascinating years where in the gauntlet of catching up on all of the lauded awards players that have been racking up the most placements on Best of Year lists, I’ve oddly been finding myself at quite a distance from the large majority of them. I won’t bemoan any specific titles (you can probably guess some of them from their lack of appearance here), but there’s been an odd feeling of disconnect for me with the ones people are talking about the most, the ones that will be vaunted on awards stages in the coming months.
Rather than seeing this as a symbol of me being “out of touch” or having crossed over into some Armond White contrarian territory, however,...
2022 has been one of those fascinating years where in the gauntlet of catching up on all of the lauded awards players that have been racking up the most placements on Best of Year lists, I’ve oddly been finding myself at quite a distance from the large majority of them. I won’t bemoan any specific titles (you can probably guess some of them from their lack of appearance here), but there’s been an odd feeling of disconnect for me with the ones people are talking about the most, the ones that will be vaunted on awards stages in the coming months.
Rather than seeing this as a symbol of me being “out of touch” or having crossed over into some Armond White contrarian territory, however,...
- 1/1/2023
- by Mitchell Beaupre
- The Film Stage
For our most comprehensive year-end feature we’re providing a cumulative look at The Film Stage’s favorite films of 2022. We’ve asked contributors to compile ten-best lists with five honorable mentions—a selection of those personal lists will be shared in coming days—and from tallied votes has a top 50 been assembled.
Without further ado, check out our rundown of 2022 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2023.
50. A Night of Knowing Nothing (Payal Kapadia)
Payal Kapadia’s breakthrough work is a quasi-documentary with something of Chris Marker’s postmodern essay films, following a young film school student, “L,” who experiences a romantic and political coming-of-age amidst the anti-democratic changes wrought in Modi’s India. Yet it boldly eschews the informational and concrete approach of many political documentaries, allowing us a filmic...
Without further ado, check out our rundown of 2022 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2023.
50. A Night of Knowing Nothing (Payal Kapadia)
Payal Kapadia’s breakthrough work is a quasi-documentary with something of Chris Marker’s postmodern essay films, following a young film school student, “L,” who experiences a romantic and political coming-of-age amidst the anti-democratic changes wrought in Modi’s India. Yet it boldly eschews the informational and concrete approach of many political documentaries, allowing us a filmic...
- 12/22/2022
- by The Film Stage
- The Film Stage
My roundup of the year in cinematic soundtracks is a sonic collage of emotion and sensations, mixed together with both pop and orchestral flourishes.We start off with music from Tár, Todd Field’s return to filmmaking and the story of the renowned conductor of the Berlin Philharmonic (Cate Blanchett). Hildur Guðnadóttir’s concept album features music from within the film and inspired by it, with original pieces alongside beloved works by Elgar and Mahler.Experiencing Memoria at the cinema turned my senses upside down. Here Apichatpong Weerasethakul is in full force, offering a cinematic experience of the sensory. If one were to critique a film based solely on its sonic sensibilities, Memoria achieves the highest embodiment of altered states possible through the marriage of sound and visuals. The realms of human consciousness are Apichatpong's focus and it is through sound design and music that we fall into his world.
- 12/20/2022
- MUBI
Belgium’s Oscar© 2023 Submission for Best International Feature: ‘Close’ by Lukas DhontTipped for a top spot on the Oscar Nominated Best International Feature, ‘Close’, the second feature directed by the young Belgian filmmaker Lukas Dhont brings the innocence of youth into a confrontation with uneasy societal agreements about what is and what is not acceptable. Young boys are especially sensitive to their peers’ opinions and these two boys, friends forever, are suddenly put into a situation demanding a sense of oneself that they are still too young to have developed fully. When it premiered in Competition at Cannes, it received a 12-minute standing ovation, and shared the festival’s Grand Prix with Claire Denis’ ‘Stars At Noon’.
The intense friendship between two thirteen-year old boys suddenly gets disrupted. Close stars Eden Dambrine and Gustav De Waele as two thirteen year old boys, Léo and Rémi, whose tender friendship is tragically broken. Struggling to understand what has happened, Léo approaches Sophie, Rémi’s mother. The delicacy with which the two young actors are handled speaks highly of the director Lucas Dhont.
The fragile bud of sexual awakening is a suject explored as well in his previous film, his 2018 debut, about a young transgender dancer. Girl was also handled with such gentle honesty that the subject to reveals itself to our eyes without destroying its integrity. Girl went on to win the Cannes Camera d’Or in Un Certain Regard in 2018. It also won Cannes’ Fipresci Prize and Un Certain Regard’s Best Actor award for Victor Polster as well as the Queer Palm.
Dhont is quoted as saying, “There are definitely echoes of Girl in Close, recurring themes, especially the violence involved in conforming to a certain norm, not being able to be oneself, being subjected to a certain vision of masculinity, and not being able to assert our fragility…I also wanted to talk about brutality. How it can wipe out such fragile, tender things, both in the world but also inside of us; how we cut flowers, how colours disappear, inside of us.” (Cineuropa.org)
Tangential to this blog, but relevent to the 2023 Oscar contenders, this dancer, in Girl, a female, could easily have been the male ballet dancer we meet in the Norwegian Oscar contender War Sailor. I will write more about that other tipped for the top film, but here I want to point out that both ballet dancers are confronted with the ignorance of others and are handled by their respective directors in a fashion that gives us a feeling of completion and satisfaction.
The screenplays for both were cowritten with Angelo Tijssens. “The film says a lot, but in few words; it’s more about gestures, looks and silences.
I find it’s a really complicated thing, writing dialogue! We try just as hard to convey what the character wants to say as what the viewer needs to understand. As a teen, I was pretty good at mime! I copied others’ movements and behaviours. I get a lot of inspiration from dance and the work of choreographers and dancers, who manage to express their emotions through their bodies and their movements. I decided very quickly that this was the language I wanted to use to launch myself into film: body language. Before wanting to become a director, I wanted to be a dancer. I feel like I’m trying to make some of this dancing dream come true through my cinematic language. Expressing what I want to express, without words.” (Cineuropa.org)
The Match Factory previously handled Girl as well as the film Close. During Cannes this year of Close, The Match Factory sold over 100 territories to Close, including North America to A24; Australia/ Nz to Madman; Baltics-a-One; Benelux-Lumiere; Czech Republic and Slovakia-Artcam; Ex-Yugo-mcf; France-Diaphana, Germany and Austria-Pandora; Greece-Ama; Israel-Lev; Italy-Lucky Red and Bim; Netherlands-Cassestte for theatrical, Vedette for TV; Poland-New Horizons; Romania-Bad Unicorn; Scandinavia-Future; So. Korea-Challan; Spain-Vertigo; Switzerland-Filmcoopi; Taiwan-Filmware; Thailand-Sahamangkolfilm; Turkey, UK, Ireland, Latam, Turkey, India-mubi.
Producers are Michiel Dhont and Dirk Impens for Menuet and co-producers are France’s Diaphana who is also the French distributor, the Netherlands’ Topkapi Films and Belgium’s Versus Productions.
The intense friendship between two thirteen-year old boys suddenly gets disrupted. Close stars Eden Dambrine and Gustav De Waele as two thirteen year old boys, Léo and Rémi, whose tender friendship is tragically broken. Struggling to understand what has happened, Léo approaches Sophie, Rémi’s mother. The delicacy with which the two young actors are handled speaks highly of the director Lucas Dhont.
The fragile bud of sexual awakening is a suject explored as well in his previous film, his 2018 debut, about a young transgender dancer. Girl was also handled with such gentle honesty that the subject to reveals itself to our eyes without destroying its integrity. Girl went on to win the Cannes Camera d’Or in Un Certain Regard in 2018. It also won Cannes’ Fipresci Prize and Un Certain Regard’s Best Actor award for Victor Polster as well as the Queer Palm.
Dhont is quoted as saying, “There are definitely echoes of Girl in Close, recurring themes, especially the violence involved in conforming to a certain norm, not being able to be oneself, being subjected to a certain vision of masculinity, and not being able to assert our fragility…I also wanted to talk about brutality. How it can wipe out such fragile, tender things, both in the world but also inside of us; how we cut flowers, how colours disappear, inside of us.” (Cineuropa.org)
Tangential to this blog, but relevent to the 2023 Oscar contenders, this dancer, in Girl, a female, could easily have been the male ballet dancer we meet in the Norwegian Oscar contender War Sailor. I will write more about that other tipped for the top film, but here I want to point out that both ballet dancers are confronted with the ignorance of others and are handled by their respective directors in a fashion that gives us a feeling of completion and satisfaction.
The screenplays for both were cowritten with Angelo Tijssens. “The film says a lot, but in few words; it’s more about gestures, looks and silences.
I find it’s a really complicated thing, writing dialogue! We try just as hard to convey what the character wants to say as what the viewer needs to understand. As a teen, I was pretty good at mime! I copied others’ movements and behaviours. I get a lot of inspiration from dance and the work of choreographers and dancers, who manage to express their emotions through their bodies and their movements. I decided very quickly that this was the language I wanted to use to launch myself into film: body language. Before wanting to become a director, I wanted to be a dancer. I feel like I’m trying to make some of this dancing dream come true through my cinematic language. Expressing what I want to express, without words.” (Cineuropa.org)
The Match Factory previously handled Girl as well as the film Close. During Cannes this year of Close, The Match Factory sold over 100 territories to Close, including North America to A24; Australia/ Nz to Madman; Baltics-a-One; Benelux-Lumiere; Czech Republic and Slovakia-Artcam; Ex-Yugo-mcf; France-Diaphana, Germany and Austria-Pandora; Greece-Ama; Israel-Lev; Italy-Lucky Red and Bim; Netherlands-Cassestte for theatrical, Vedette for TV; Poland-New Horizons; Romania-Bad Unicorn; Scandinavia-Future; So. Korea-Challan; Spain-Vertigo; Switzerland-Filmcoopi; Taiwan-Filmware; Thailand-Sahamangkolfilm; Turkey, UK, Ireland, Latam, Turkey, India-mubi.
Producers are Michiel Dhont and Dirk Impens for Menuet and co-producers are France’s Diaphana who is also the French distributor, the Netherlands’ Topkapi Films and Belgium’s Versus Productions.
- 12/18/2022
- by Sydney
- Sydney's Buzz
Joe Alwyn and Paul Mescal are getting honest about sex scenes and actor’s anxiety.
The two UK-born heartthrobs sat down for a conversation with each other for Variety in which they traversed over topics like the safety of on-set sex scenes and the anxiety that comes with acting in a major film.
The two actors had very successful and busy years. Alwyn traveled the festival circuit, playing a mysterious Englishman in “Stars at Noon” and a medieval uncle in Lena Dunham’s “Catherine Called Birdy”. Mezcal starred in “Aftersun,” the directorial debut for first-time filmmaker Charlotte Wells.
Read More: Taylor Swift And Joe Alwyn’s Relationship Is ‘Super Strong,’ Source Says
Along the conversation, Mescal brought up the topic of sex scenes: “[…] I’d like to get into that a bit, because obviously I think it’s fair to say we’ve done our share of intimate scenes. How...
The two UK-born heartthrobs sat down for a conversation with each other for Variety in which they traversed over topics like the safety of on-set sex scenes and the anxiety that comes with acting in a major film.
The two actors had very successful and busy years. Alwyn traveled the festival circuit, playing a mysterious Englishman in “Stars at Noon” and a medieval uncle in Lena Dunham’s “Catherine Called Birdy”. Mezcal starred in “Aftersun,” the directorial debut for first-time filmmaker Charlotte Wells.
Read More: Taylor Swift And Joe Alwyn’s Relationship Is ‘Super Strong,’ Source Says
Along the conversation, Mescal brought up the topic of sex scenes: “[…] I’d like to get into that a bit, because obviously I think it’s fair to say we’ve done our share of intimate scenes. How...
- 12/15/2022
- by Emerson Pearson
- ET Canada
Some of our favorite filmmakers are working at an insane pace right now. Claire Denis released two films in 2022, Yorgos Lanthimos could probably release two films in 2023 if he wanted (“Poor Things” is definitely coming next year and “And” has already been shot), and Wes Anderson’s moving at a clip too.
Continue reading Wes Anderson’s ‘Asteroid City’ With Scarlett Johansson, Tom Hanks & More Dated For June 2023 at The Playlist.
Continue reading Wes Anderson’s ‘Asteroid City’ With Scarlett Johansson, Tom Hanks & More Dated For June 2023 at The Playlist.
- 12/7/2022
- by Rodrigo Perez
- The Playlist
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