John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that tur... Read allJohn Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.
- Director
- Writers
- Stars
- Awards
- 38 wins & 53 nominations total
Aimée Kwan
- Mia
- (as Aimee Kwan)
Julia Asuka Riedl
- Operator
- (as Asuka Riedl)
Milena Rendón
- Operator
- (as Milena Rendon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'John Wick: Chapter 4' is lauded for its intense action, impressive stunts, and Keanu Reeves' performance. The film's high-octane action, stunning visuals, and expanded universe are highlighted. However, criticisms include its lengthy runtime, lack of plot development, and repetitive action scenes. Story inconsistencies and character motivations are also noted. Despite these issues, many find the film enjoyable for its thrilling action and engaging performances.
Featured reviews
Most American action flicks released these days have poor screenplays and overuse computer-generated imagery. The John Wick franchise is one of the few exceptions, along with Mission Impossible. These franchises keep getting better with every entry. Hollywood can make action masterpieces, but Marvel has greater demand, so that's what we get most of. It's a shame.
The stunts and choreography are beyond impressive. Every artist involved does their job to perfection. Donnie Yen's performance is unbelievable. Not only does he fight great, but he also has to move like a blind man. Keanu Reeves is also very impressive. Keanu IS John Wick. Although there are a few scenes where his enemies stand by and wait for their turn to attack, it's easy to overlook because everything else is so great.
I can't fathom how anyone could choose to watch Ant-Man over John Wick. It's so fast-paced, and the choreography and stunts are mesmerizing and brutal. When the action breaks out, it's unbelievable. It's hard to explain -- you have to see it! Why watch a computer-generated "superhero" fly around when you can witness Reeves and Yen engage in a genuine and thrilling fight?
The stunts and choreography are beyond impressive. Every artist involved does their job to perfection. Donnie Yen's performance is unbelievable. Not only does he fight great, but he also has to move like a blind man. Keanu Reeves is also very impressive. Keanu IS John Wick. Although there are a few scenes where his enemies stand by and wait for their turn to attack, it's easy to overlook because everything else is so great.
I can't fathom how anyone could choose to watch Ant-Man over John Wick. It's so fast-paced, and the choreography and stunts are mesmerizing and brutal. When the action breaks out, it's unbelievable. It's hard to explain -- you have to see it! Why watch a computer-generated "superhero" fly around when you can witness Reeves and Yen engage in a genuine and thrilling fight?
Previous movies had a better story with more dialogues to make it interesting. Just felt like the movie was running out of ideas for the story and dialogues. But the action scenes were amazing shooting & fight scenes were taken to another level. Filming one shooting scene from above to see what is going on the other side of the room was awesome and interesting.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
By now you know what to expect from a John Wick movie. I thought the franchise was losing a little momentum in chapter 3 so I was worried this could be disappointing. It's not. It's even more on steroids than any Wick before! Even close to 3 hours it doesn't feel to long which is very special for a action movie. This franchise has set new standards. If anybody says a movie is good like John Wick, it better f'n be! The set pieces as everyone mentioned before are really insane this time. The Tokyo sceney with illuminated cherry blossoms was beautiful. The only super illogical thing that bothered me was that nobody flinched at the nightclub, eventually they did but after a whole 10 minute beatdown through the whole club, but then again it's a shady nightclub for high table people. If you liked the first three movies, get your ass to the cinema. Yeah.
Stuntman turned writer/director Chad Stahelski struck gold with his 2014 surprise hit John Wick. It was somewhat of a comeback for the legendary Keanu Reeves and reinvigorated the action genre. Since then it's become THE action juggernaut franchise. Now we are on number 4 and while usually things get redone with that amount of sequels, this film innovates and thrills to new heights in an absolute epic.
One of the most surprising aspects of this particular entry, is the story being written as well as it is. Something that is hard to come by in the genre at times. Not saying the others in the franchise weren't but this is easily the best story diving deeper in the high table aspects as well as John Wick's true emotions . The rich characterization is also at its best with outstanding additions like Skaarsgard, and even more screen time for supporting greats like Fishburne to compliment the magnificent Reeves. RIP Lance Reddick. It's nice to have such substance amongst the endless high octane ballistic visuals.
Speaking of ballistic, this movie goes more all out than any I've seen for insanely well crafted choreographed shootout and fight scenes. Just when you thought you've seen it all, Stahelski/Reeves prove their action minds are ever evolving. These guys were born to make action movies together.
The extremely vibrant colors and plethora of locations is also a feast for the eyes. The sharp atmospheric imagery creates the ultimate backdrop for not only the action but also just the dialogue. The sound is also top notch and perfectly compliments the intensity. It's just an absolute sensory journey that you don't get in too many action films aside from the Wick genre.
Overall the limitless and outrageous action alone is nothing like we've seen before for the genre or just cinema in general . But also this rich unique story may only build Wick's timeless character for more films in the future which at this momentum will be welcomed.
One of the most surprising aspects of this particular entry, is the story being written as well as it is. Something that is hard to come by in the genre at times. Not saying the others in the franchise weren't but this is easily the best story diving deeper in the high table aspects as well as John Wick's true emotions . The rich characterization is also at its best with outstanding additions like Skaarsgard, and even more screen time for supporting greats like Fishburne to compliment the magnificent Reeves. RIP Lance Reddick. It's nice to have such substance amongst the endless high octane ballistic visuals.
Speaking of ballistic, this movie goes more all out than any I've seen for insanely well crafted choreographed shootout and fight scenes. Just when you thought you've seen it all, Stahelski/Reeves prove their action minds are ever evolving. These guys were born to make action movies together.
The extremely vibrant colors and plethora of locations is also a feast for the eyes. The sharp atmospheric imagery creates the ultimate backdrop for not only the action but also just the dialogue. The sound is also top notch and perfectly compliments the intensity. It's just an absolute sensory journey that you don't get in too many action films aside from the Wick genre.
Overall the limitless and outrageous action alone is nothing like we've seen before for the genre or just cinema in general . But also this rich unique story may only build Wick's timeless character for more films in the future which at this momentum will be welcomed.
That lasted 169 minutes? I had no idea. The time just flew right by.
Chad Stahelski does not pull any punches (or engage the safety) at any time in this gun-fu epic. Combat scenes are not moments so much as they are entire acts. The amount of stunt choreography that everybody had to synchronize to was rather incredible, and they continue to find more ways to entertain us with kills, kill types, use of weapons, locations, teamwork, etc. I caught myself smiling for minutes on end several times while watching it.
Of course though, as I said, they really lean into it. I'm sure this has been true of previous films as well, but it is very apparent that John Wick should virtually die in every scene that he is in. Whether it is how he is attacked or how they fail to attack him at the right times, he goes at every foe like the bear in The Revenant with full adrenaline and no signs of slowing down no matter what he is hit by. And again, I think if you look hard enough you will find enemies who have clear shots and choose not to take them because of plot armor, but you can forgive it enough if you're rewarded with a longer take or overall longer action sequence. What I really loved was how many of these scenes took place at night with dazzlingly lit environments all around, and the music in every scene kicks as much *** as what you see on screen. I had pondered over why John Wick doesn't have a video game yet, but if they ever make one I have decided I'd like one of those top-down shooter games (similar to The Hong Kong Massacre, and if not maybe like the GTA:SA MP rampage style).
I acknowledge this franchise for what it is now, but I still pine for some of the missing components that I don't know if it'll ever be able to bring back. After watching John Wick, fun as it was, I found myself interested in seeing a prequel when he was the Baba Yaga in his prime, taking missions rather than being hunted. Even still, at least in that movie he was absolutely feared. In Chapter 2, I still found him heavily respected, but it was in that movie that I realized there would probably be a repetitive formula to the narrative and movie/action structure (which still has yet to break). In Chapter 3, there only lived assassins and they would go after him without hesitation, which did is not how I felt the world breathed the first time around. They continue down this path in Chapter 4, while opening the universe more to different characters breeding their own kind of loyalty. They are all insanely fun to watch, and you see the cogwheels of the John Wick universe spinning with the future Continental television show and the Ballerina movie spinoff. Where they remain faulty though is even with the existence of civilians during fight scenes, they act as droning NPC's like nothing is happening around them, or they aren't there whatsoever. It is clear that this is not our world that this movie takes place in, but rather a parallel one.
I mentioned the introduction of new characters in this world, and you can't not bring up Donnie Yen when talking about them. He steals each and every scene that he is in, and it's crazy because you wonder how a character like his could thrive in such a world but you absolutely believe it when you watch it. I will absolutely take more of him and Rina Sawayama. She isn't featured as much, but she makes use of every second that she is in front of the camera. There are plenty of others (such as the great Hiroyuki Sanada), but the point remains that Wick is relegated to this greater universe with characters who-good, bad, or for themselves-are ones we can actually root for in any fight. Keanu Reeves is understandably less nimble at his age than the others (and it's either bad acting or he really has taken on this John Wick role in his line delivery to hilarious new heights), but he and Stahelski have found a groove that still makes him the most impenetrable force around, to the point that I go back and watch the action scenes in The Matrix Resurrections and wonder what happened there. I didn't love one particular character in their big fighting moment(s), but they go for versatility and I have to give them that much.
March has had an incredible run of theatrical films, and John Wick: Chapter 4 is no different. You will lean forward during the action which there is plenty, and if I'm one to go off of you will not feel the runtime. There is an end credits scene as well if you're able to stay for a moment longer. I would love to go back and see this one again.
Chad Stahelski does not pull any punches (or engage the safety) at any time in this gun-fu epic. Combat scenes are not moments so much as they are entire acts. The amount of stunt choreography that everybody had to synchronize to was rather incredible, and they continue to find more ways to entertain us with kills, kill types, use of weapons, locations, teamwork, etc. I caught myself smiling for minutes on end several times while watching it.
Of course though, as I said, they really lean into it. I'm sure this has been true of previous films as well, but it is very apparent that John Wick should virtually die in every scene that he is in. Whether it is how he is attacked or how they fail to attack him at the right times, he goes at every foe like the bear in The Revenant with full adrenaline and no signs of slowing down no matter what he is hit by. And again, I think if you look hard enough you will find enemies who have clear shots and choose not to take them because of plot armor, but you can forgive it enough if you're rewarded with a longer take or overall longer action sequence. What I really loved was how many of these scenes took place at night with dazzlingly lit environments all around, and the music in every scene kicks as much *** as what you see on screen. I had pondered over why John Wick doesn't have a video game yet, but if they ever make one I have decided I'd like one of those top-down shooter games (similar to The Hong Kong Massacre, and if not maybe like the GTA:SA MP rampage style).
I acknowledge this franchise for what it is now, but I still pine for some of the missing components that I don't know if it'll ever be able to bring back. After watching John Wick, fun as it was, I found myself interested in seeing a prequel when he was the Baba Yaga in his prime, taking missions rather than being hunted. Even still, at least in that movie he was absolutely feared. In Chapter 2, I still found him heavily respected, but it was in that movie that I realized there would probably be a repetitive formula to the narrative and movie/action structure (which still has yet to break). In Chapter 3, there only lived assassins and they would go after him without hesitation, which did is not how I felt the world breathed the first time around. They continue down this path in Chapter 4, while opening the universe more to different characters breeding their own kind of loyalty. They are all insanely fun to watch, and you see the cogwheels of the John Wick universe spinning with the future Continental television show and the Ballerina movie spinoff. Where they remain faulty though is even with the existence of civilians during fight scenes, they act as droning NPC's like nothing is happening around them, or they aren't there whatsoever. It is clear that this is not our world that this movie takes place in, but rather a parallel one.
I mentioned the introduction of new characters in this world, and you can't not bring up Donnie Yen when talking about them. He steals each and every scene that he is in, and it's crazy because you wonder how a character like his could thrive in such a world but you absolutely believe it when you watch it. I will absolutely take more of him and Rina Sawayama. She isn't featured as much, but she makes use of every second that she is in front of the camera. There are plenty of others (such as the great Hiroyuki Sanada), but the point remains that Wick is relegated to this greater universe with characters who-good, bad, or for themselves-are ones we can actually root for in any fight. Keanu Reeves is understandably less nimble at his age than the others (and it's either bad acting or he really has taken on this John Wick role in his line delivery to hilarious new heights), but he and Stahelski have found a groove that still makes him the most impenetrable force around, to the point that I go back and watch the action scenes in The Matrix Resurrections and wonder what happened there. I didn't love one particular character in their big fighting moment(s), but they go for versatility and I have to give them that much.
March has had an incredible run of theatrical films, and John Wick: Chapter 4 is no different. You will lean forward during the action which there is plenty, and if I'm one to go off of you will not feel the runtime. There is an end credits scene as well if you're able to stay for a moment longer. I would love to go back and see this one again.
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and the John Wick: Chapter 4 stars break down the impact of wardrobe on character and weigh the meaning behind the multitude of monikers assigned to the franchise's infamous assassin.
Did you know
- Trivia(at around 1h 45 mins) The Paris subway station where John Wick meets the Bowery King and Winston is "Porte des Lilas". It's often seen in films, as this particular station has a disused platform that's still kept fully functional, so it can be rented to filmmakers who wish to shoot in the Paris subway without having to disrupt regular traffic.
- Goofs(at around 2h) The Arc de Triomphe is missing the eternal flame which crowns France's Tomb of the Unknown Soldier. As its name suggests, it is never ever allowed to go out.
- Crazy creditsThere is a small scene after the credits have finished where you can see Caine on the way to his daughter encountering Akira.
- Alternate versionsThe end title for the theatrical version shows "John Wick Baba Yaga" while in home media version shows "John Wick Chapter 4".
- ConnectionsFeatured in WatchMojo: Top 10 Most Anticipated Franchises Returning in 2023 (2023)
- SoundtracksNocturne No. 20 in C-Sharp Minor, Op. Posth.
Written by Frédéric Chopin
Arranged by Joel J. Richard
Performed by Lola Bates (as Lola Colette) and Mark Robertson
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- John Wick 4
- Filming locations
- Wadi Rum Desert, Jordan(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $187,131,806
- Opening weekend US & Canada
- $73,817,950
- Mar 26, 2023
- Gross worldwide
- $440,180,275
- Runtime2 hours 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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