The Settlers

Tierra del Fuego early in the twentieth century. A rich Chilean landowner finds that the land can be exploited most profitably by turning it over to vast numbers of sheep. His problem is that the indigenous population aren't too keen on being elbowed aside. His solution is to hire armed guards.

Three of these - a former British soldier, an American hired gun and a. Mestizo chosen because he can shoot straight - are sent to find "A route to the Atlantic." Off they set, through awe-inspiring scenery wonderfully photographed ... and that's it.

They have three encounters. First with an Argentinian survey team, second with a group of indigenous people, third with a group headed by another former British soldier, whose motives are unclear. The first encounter is comedic, the second and third brutal.

The problem is that there's no resolution, no coherent story-arc. We cut from three riders on a beach to "Seven years later" when it's revealed that one of the original trio went on to commit other brutal acts on a larger scale, but is no longer living. These acts would've been powerful if shown on screen, but have much less impact when blandly recounted. Nor are the circumstances of the perpetrator's death disclosed. Then the film just ends.

There's much to like here, but the overwhelming feeling is that it could've been so much more.

The Settlers is an aesthetically gorgeous looking movie with beautiful camerawork, colorful production, and interesting themes about colonialism and the brutality between people. Unfortunately, despite the good intentions of what the filmmaker is seeking, the movie doesn't offer anything new with it's themes and struggles with a lacking narrative.

The production and colorful aspects help set the tone and environment and the soundtrack and sound designs are good. The narrative tries to bring some interesting territories but the underdeveloped characters and cartoonish violence and style causes the movie to feel quite off. The performances are a mix of some pretty good and some pretty bad. The performances from the Chilean actors were pretty good but the performances from the English characters are pretty poor with some being a bit laughable.

The direction is solid. There have been movies that have explored the issues of colonialism but unfortunately The Settlers didn't really offer anything special or new to the table. I was quite disappointing to say.

This revisionist western from Chile is a bleak and alarming tale which is based on the very real racism of colonialism, which targeted the indigenous people of that area circa 1900. The story is pretty simple and has a land baron send three men to clear the way for him, an ex-Army Brit, an American mercenary and a Mestizo, who is roped in somewhat uneasily due to his shooting skills. There are a minimal number of set-pieces which are based around the over-riding scenario of a genocide of a people whose misfortune was to live in a place landmarked for sheep.

It's mostly an ugly and brutal film, with a particularly depressing encounter where a group of natives are murdered and a woman raped. But the point is to show the horrors of colonialism in this land and what crimes were committed in its name. The story latterly also looks at how the authorities, under the guise of good intentions, buried the grim truth and promoted an idealistic myth. All-in-all, a pretty interesting and disquieting film, which also benefits from some great cinematography of some stunning Patagonian vistas.

Well, difficult to decide. We have been to Chile, a magnificent country, so beautiful and savage at the same time.

This film purports to tell the story of the foundation, or attempted foundation of Chile, at the start of the 20th century. I say "purports" because certain elements don't quite fit.

If you see it, can you divine how or why the half cast character decides to eliminate the indigenous peoples? He pretends to shoot them, he refuses to do what he is told by his supposed boss, a British ex soldier, and other oddities.

It can certainly be interpreted as a sideways view of the abuses of the colonisers, presuming on the well known terrible history of their invasion, but perhaps little else.

The presentation is unusual, but may be an interpretation of the horrors. Filmed mostly in the dark of winter, it is certainly not a tourist advertisement.

Interesting? Yes, but only as a viewpoint.

Watching The Settlers is a grueling, almost physical challenge. Some of the scenes are so disturbing, and presented with such unflinching realism, that it is impossible not to look away at times.

The presentation of the horror of the genocide in Chile, and the appalling treatment of the indigenous people, at the turn of the last century is depicted in a way that is moving in a all of the ways that Killing of the Flower Amon wanted to be (and simply wasn't).

All of the performances are fantastic, especially the Indian natives, whose traumatized and quiet demeanors seems to drive home the atrocities being inflicted on them.

The Horror!