A pushy boss forces her young assistant to marry her in order to keep her visa status in the U.S. and avoid deportation to Canada.A pushy boss forces her young assistant to marry her in order to keep her visa status in the U.S. and avoid deportation to Canada.A pushy boss forces her young assistant to marry her in order to keep her visa status in the U.S. and avoid deportation to Canada.
The completely different tone in the second half, I surmise, could only be attributed to the studios/producers stepping in and stating that the film must appeal to a wider audience. We, then, get lots of family characters thrown in, with a great reduction of Bullock and Reynolds mutual screen time. And when they do share time in the second half, it's more about slapstick/physical humor (cue studios/producers needing appeal to wider, a.k.a, younger audience). Maudlin music comes in on the soundtrack, letting us know that this part of the movie is supposed to tug on our heartstrings.
I don't buy the inevitable resolution either. I don't believe that it is supported well or justified by what came before it.
The 1st 45 minutes is WELL worth seeing. I wish the filmmakers could have pushed and maintained the pace and feel for the entire movie. Reynolds and Bullock are so good, they could be this generation's Tracy and Hepburn. I'd like to see them in another project that follows through all the way.
BTW, this film was actually shot in Boston and (the Alaska scenes) in Manchester by the Sea and Rockport on the North Shore with digital effects adding snow capped mountains. You might even recognize Motif No.1, a famous small building on a wharf in Rockport which has been the subject of many famous painters' and photographers' work. It was also fun seeing some of my local Boston area acting colleagues doing background work in the film.
- Jun 29, 2009