Mirageman

This movie would've been bad in the 70's where it belongs. It is exponentially bad for 2007. It was so obviously bad that I just went with it, like clearly this movie is going for ludicrous. The fight choreography was amateurish, the cinematography was high school level, and the plot was paltry.

"Mirageman" is "Kick-Ass" minus the novelty. "Meteor Man" minus the superpowers. "Blankman" minus the laughs. "Batman" minus everything. It was a 70's, low-budget, American-made, kung-fu movie in Spanish.

A masked man named Maco Guttierez (Marko Zaror), who barely speaks the entire movie, decides to fight crime in Chile in a cartoonish fashion. He even runs like a Japanese anime character. He fights crime in a place where people in groups attack him one at a time, and he has a thing for a pretty news reporter named Carol Valdivieso (Maria Elena Swett). If he was younger with a shell he could be a teenage mutant ninja turtle.

Maybe in Chile this movie was a hit, and even still they'd had to have been devoid of U. S. cinematic entertainment for years. This movie was neither creative, entertaining, or good.

This is rational and perspective review:

If created in US, this movie would be laughable, ridiculed by all, and reduced to its own special place on a shelf in your local video store. The main actor would receive invitation to be an extra in a movie directed by Dolf Lundgren, and from there he would slowly grow as an actor, until the highlight of his career will be playing a bodyguard for a villain in a movie directed by Uwe Boll.

But since it's not, since this was created in Chile and has this special exotic smell, it goes to film festivals and gets screenings at the theaters. The main actor will still receive invitation to be in a Dolf Lundgren's movie, but that is not the point.

The movie looks like an amateur action/martial arts movie, but actually has a little more to offer.

The martial arts are good, and although it's not Tony Jaa good, the important thing is that it looks and feels very real. That is a first achievement. There are some funny scenes, sort of self humor, that have this WTF? potential and will make you laugh. Like when the Mirageman jumps from height to land bad on the hard asphalt, and then he rubs his foot, like it really hurt him. This small self humor is another achievement.

The story is rubbish, of course, full with melodramatic moments and silly situations. The production value is very poor, some of the street scenes were filmed with hidden camera and the reaction of people is real.

The Mirageman is not bold thematically, and mainly uses primitive and stereotypical tearful situations to awake some emotions in the viewer and create an empathy toward the heroic protagonist. You will find just a little complexity in this movie.

But Mirageman explores some difficult issues too, like what people are capable of in order to get famous, the price of fame and what is it mean to be a hero and what are the reasons to be one.

Overall the watching experience is very decent, and it even gets some big reinforcement by the ending, which is surprisingly good. The ending puts all the movie in the correct proportions, tights properly the plot, and delivers the movie as a good and solid product. The ending is the final and the biggest achievement.

I really really really enjoyed this movie. It carried an emotional & self effacing quality to it. From his love for his tragic brother to his meager attempts at heroic acts. This story tells a literally realistic way, in a comic book style of course, how one could be become a comic book vigilante. There were many levels & details to this film, his comical attempt to design his costume (with homage doodles) and the build up of the final design by his institutional brother's own nightmarish drawings that then ascend to the dream of a hero. I mean the intensity of it really worked for me. I fell for the feelings, the tragedy, the loss and hope.

And it was funny! He had to stop, pull of his mask, and wipe the fog off the lenses! Subtle but awesome! Realistic setup as opposed to over written contrived setup comedy, you know, the kind you laugh it because it makes sense, not because it was setup via caricatures and over acted 2ndary characters.

If not Tony Jaa, then gosh darn close! I could easily go from Tony to Marko and enjoy both thoroughly. And I'd take both over big Hollywood comic book heroes! Though I'd enjoy all just the same.

Excellent film, very good storyline and awesome action sequences. All the fights in this movie are in real time (no slow-motion then speed-up technique) and are done by the main actor Marko Zaror (Maco). All this makes it very realistic, honest and really fun to watch. I'm glad that this kind of films are made in Chile. I think the movie is great, it keeps you entertained all the time with vivacious action and a solid plot. I'm from Chile and I happen to know Marko from school (I was friends with his brother) and he always was influenced by the martial arts so I'm happy that he is doing what he most likes. I highly recommend this movie, you are in for a great treat!!

Full review on my blog max4movies: Mirageman is a low-budget action movie that focuses on a more or less realistic story of a bouncer turned vigilante. The independent production lacks in cinematography and the plot and the comedic undertones may not always work as effectively as they should. However, this doesn't mean that Mirageman is simply a cheap copy of similarly themed movies like Kick-Ass with a considerably higher budget and well-known actors. The stunt work and choreography are impressive and the gritty performances make the movie feel realistic and compelling. The movie also never takes itself too seriously, which makes for some light-hearted and funny bits - that are also accompanied by some more serious discussions about the morality of vigilante actions in general. In total, Mirageman is a convincing and entertaining action movie package.