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  • Warning: Spoilers
    It's 1983. Korean immigrant Yi family moves from California to rural Arkansas where the father dreams of growing Korean vegetables and grab a piece of the American dream. His wife has massive doubts. The couple works hard sexing chicks. Their son has heart problems. The wife's mother arrives to take care of the kids. The family is befriended by religious fanatic Paul. It's a struggle on many fronts.

    It's the classic immigrant struggle and it's as compelling as ever. It feels real. It feels personal. It just feels. It's a movie with all the feelings. It's funny, sad, intense, and light-hearted. All the performances are great and they all feel real.
  • I like this movie and it's funny to watch, good acting and well developed characters. But when the movie ends, you feel that some things are not resolved. It ends and that's all.
  • Minari brings us into the lives of a Korean family living in Arkansas. They live a simple life, but are faced with all the challenges that come with trying to live a simple life. The screenplay and performance of the cast fill this movie with emotion. But it's hardly ever anything grand or amazing. The film reminds us of the importance of our family, hard work, and faith. All this with a great score make it a delightful viewing.
  • Most films that score high on my personal rating system include a moment where I'm compelled to pay attention. A moment where I say, "I'm in, let's go". One of the first scenes in Minari is of Jacob telling his young son that a man needs to find his place in the world where he can be useful. This is said as they watch the ashes of young roosters rising from an incinerator at a chicken farm. "I'm in."

    Minari told a story I hadn't heard before. This is likely because it was written and directed by Lee Isaac Chung, whose own life was loosely portrayed in David- the young boy who watched the chickens burn with his dad. It's a story about a young Korean family who moves to Arkansas to start over. After a bumpy start, Grandma moves in. I won't say anything more about the plot, as not to spoil its uniqueness. More than most films about the American immigrant experience, this story is not just about the resilience of the immigrant, but the resilience of family. This is shown through its titular image, the Korean herb minari, an herb that is distinctly Korean and is able to thrive wherever it is planted.

    It's an immigrant story through and through. I was excited to see that the film was done mostly in Korean, with only maybe 25% in English, further challenging western audiences to explore non-English films. The score, composed by Emile Mosseri (the same guy who composed the heartbreaking score for The Last Black Man in San Fransisco) captured this same theme with skill. The score was incredibly stylized, featuring an unmistakably western and eastern blend of musicality that I had never heard before. The music in Minari was a feature in itself, adding its own feeling to the story that could not be expressed in a screenplay alone. The screenplay, by the way, was a masterpiece that worked seamlessly with the score.

    Perhaps my favorite part of the film was that I had no idea where it was going, and that's a good thing. I was able to pick up on key themes of the story, but not once did I find myself waiting for the next checkpoint of a cookie cutter narrative. Nor did I feel lost at any point. Rather, Chung had early on in the film earned my trust as a story teller.

    Of all of the performances in the film, the standout was Yuh-Jung Youn who played Soonja the Grandmother. This is certainly the kind of performance I would anticipate being nominated for an Oscar. Hopefully we won't see another snub like we saw with Shuzhen Zhao last year in The Farewell. What made her performance so memorable was that most of her screen time was opposite seven-year-old Alan Kim. Kim was another of the brightest spots in the film. When the movie opened on Kim in the back seat of the car, the audience response was immediate affection. Kim was a natural. Stephen Yeun and Yeri Han also gave outstanding performances, making this one of the strongest cast ensembles I've seen in a very long time.

    I hope Minari goes on to receive the critical attention it deserves, after winning the two biggest awards at Sundance. I'll be campaigning for it all the way up to award season next year.
  • Warning: Spoilers
    A Korean family relocate to Arkansas in the 1980's, and hope to establish a farm, bringing in the grandmother to help look after the two young children.

    I very nearly hit the menu button, ten minutes in I was a little bored by it, I am genuinely so pleased that I stuck with it, and gave it a chance. You could argue it's slow moving, and compared to many films, it is, but it's beautifully observed, and just a story of family life, a family trying to get by in a totally different place.

    It's quite an engrossing watch, what I got was a very strong sense of reality, I truly did believe in a family trying hard to adjust to a new life, with a new set of people and cultures, it was quite well realised. That ending.....talk about sad.

    I absolutely loved the grandmother, she wasn't how I was expecting a Korean grandmother from the time to be, she was a riot, providing laughs, and some of the films more serious moments, Youn Yuh-jung was just awesome, as we're the whole cast.

    Absorbing viewing, 8/10.
  • carlos37andre25 March 2021
    Well, I won't write a bunch, the movie is pretty good. It has a really really slow pace, so that might be a problem to some. The story takes its time, and over all, it's a movie were the cinematography stands out, the image on screen is always impactful in some way.

    The acting is great, all of the cast really, even the kids, I think did an awesome job, and they are just immersed in the characters. The story is touching, and you can relate to most of the characters. The grandma and the kid's relationship are probably the one that evolves the most throughout. The kid actually is the heart and soul of the movie, and he manages to emote a lot, even without speaking much.

    There isn't much else to say I think, I believe the story has some rhymes withing itself, for sure, that I probably haven't realized because I only saw the movie once.

    To sum up, the movie is good, the acting is great, and the cinematography is gorgeous, it just feels a lot longer than it actually is.

    7,5/10
  • kosmasp17 July 2021
    Korean dramas generally revolve around families. And this one is no different. Even if it plays in America - the majority of the movie is in Korean. You do get quite a bit of english in this too. If you are or know of people who migrated to the country you live in, you will be familiar (no pun intended) with the fact that especially the kids will mix their native language with the language/land they live in.

    So while the movie does not make a big deal out of it, this and many other things are just there. Subtle and really well woven into the story. The ground work - you could call it that. Overall the family drama works well and it seems like someone knows what a family like this had to go through. A lot of drama, a lot of pain ... and a lot of obstacles to overcome ... but the roots remain ...
  • A Korean family of 4 moving to rural Arkansas to fulfil the wish of the stubborn father to becoming a farmer during the 80's. The film is beautifully made with good acting from most of the actors, young and old. I suppose there's only so much autobiographical story to tell about the farmer father and the struggling mother so the large portion of the film focuses on the two children and their visiting maternal grandmother. A well executed two hour family movie but failed to leave much impression to this viewer.
  • boratsgdiyev31 December 2020
    Slice of life movie from A24. Very Nice!

    Although Korean Immigrant family story, it is universal.

    Even in 1980s a small farmer have to struggle make ends meet and no rewards after so much labor. There is a reference in movie of how old owner of farm blew his brains out. Too real in 3rd world countries like India where on average 20000 farmer do same every year

    Grandma should be nominated for Oscar. Very Nice.
  • Prismark108 April 2021
    Warning: Spoilers
    In many ways Minari is a throwback to the farming dramas of the mid 1980s. Films such as Country, The River and Places in the Heart showing the harsh realities of rural life.

    Minari has for its protagonists a Korean immigrant family.

    Set in the 1980s. Jacob (Steven Yeun) has brought his family from California to Arkansas.

    Sick and tired of his menial job that will lead him to nowhere. He dreams of growing Korean vegetables for the expanding Korean market.

    His wife Monica (Yeri Han) though is horrified by the move. She liked California and now finds herself living in a mobile home. Their son David has a heart murmur and the closest hospital is a hour's drive away.

    The children settle down and even make friends. However this new life brings tensions between Jacob and the increasingly unhappy Monica.

    Pretty soon Monica's mother Soonja comes to live with them as she could look after the kids. It is Soonja who takes the kids to plant some Minari seeds near the creek. It is a type of herb.

    Monica gets a job in a local chicken factory which is similar to the job she was doing in California.

    Jacob finds that farming life is not easy. Especially the water he needs to grow his plants which has eaten up his money.

    Minari is mainly in Korean. The few English speaking characters include Paul (Will Patton) a devout Christian who works on the farm and has his own cross to bear.

    The success of the Korean film Parasite has helped garner Minari critical success. Director Lee Isaac Chung has been nominated for a best director and screenwriting Oscar for his semi autobiographical story.

    It explores the immigrant dreams of a better life and hard work. Jacob and Monica seem to integrate with the local Arkansas community as they are Christians who regularly go to church.

    The presence of the children allows Chung to bring humour and playfulness to the film. Grandma Soonja likes the mountain water that the kids like to drink. It is Mountain Dew.

    Minari is an understated and poignant film. It does not go for easy histrionics to create false drama. The performances feel natural.

    However Chung leaves the film a little too open ended. Despite all the tribulations it is grandmother's Minari to the rescue.
  • This will be a film talked about for a long time. The story is very powerful portrayed by fantastic acting. I could tell this story was written from the heart and was made with lots of passion. It was very easy to connect with many of the characters.

    No major negatives, which means everybody needs to see this film.
  • This movie was a general let down. It wasn't bad by any means, but it certainly wasn't a great movie. I found it to drag on and on. The acting was fine but there just wasn't much of a story. Very slow progression to really result in not much at all throughout the movie.

    At the end, like, sure something happened but it just felt cheap and unrelated to the character progression we had seen. I am not with the other reviewers who have rated it 9 or 10, but I'm not going to try to claim this movie was a 1, 2 or 3. In summary it's a very average film that I just didn't find interesting. Probably wouldn't recommend it.
  • Many stories about the "American dream" are constructed around families from different social backgrounds in big urban areas, so it's very refreshing to see the hard work and the will to survive from a Korean family in the middle of rural America.

    Funny, beautiful, impactful, "Minari" is a great story about a man's determination of creating the best possible life in a very difficult time. And the score is *chef's kiss*
  • Warning: Spoilers
    Brilliant acting by Steven Yeun (Jacob Yi) and Yuh-Jung Youn (Grandma Soonja) make Minari a delightful film to watch. Their performances are completely natural and draw you into the family without effort. My major complaint is the film is boring. With so much great material to work with why can't we be treated to a faster paced and more exciting experience? One of the kids has a hole in his heart and could drop dead any second; the Yi family is on the verge on bankruptcy and could break apart any second; the creepy hillbilly neighbors could decide to run them out of town any second. Yet, due to the glacial timing, we are left with a film that delivers you into a world of crushing boredom. You know you are in for a slow ride when the most exciting thing to happen in the first hour is the family's water is turned off for non-payment. At that point in the film it seems like a hugely exciting event, oh my, what will they do? The answer is they coped with it and hauled water from the nearby creek until they could get it turned back on, end of drama.

    I was also disappointed in the ending. What happened to the Yi family? Did they cope with their misfortune or did they go back to California or even Korea? No resolution was even hinted at, much less delivered. Good performances and a good film if you love to watch good actors do their thing, otherwise booooring!
  • Minari is such a heartwarming story. The cast is great, especially Youn Yuh-jung who steals every scene she's in. The cool, funny and smart grandmother I've always wanted to have. I hope her performance would be recognized by the Academy because she is brilliant!
  • Warning: Spoilers
    This is a poignant tale of a Korean family pursuing the American dream by working a large tract of farmland in the state of Arkansas by way of California. The life of the parents on the West Coast was hampered by work as chicken sexers, something I never heard of before but makes sense if you think about it. The females are separated to lay eggs, while the males are sorted for meat, though in the story it sounds like the males are discarded as being useless. More on this later.

    The most unusual and entertaining character here is the old grandma (Yuh-Jung Youn) who joins her daughter's family once they've settled into their trailer. It takes some time for the young son David (Alan S. Kim) to warm up to his grandmother, who takes pleasure in drinking water from the mountains (Mountain Dew!) and watching pro wrestlers pound each other on TV. David's offer of a cup of mountain water to grandma is the film's best humorous moment.

    The dichotomy in the marriage between Jacob (Steven Yeun) and Monica (Yeri Han) Yi is quite evident. Jacob is the eternal optimist in regard to establishing himself as a successful farmer of Korean vegetables, while Monica is a fatalist, not only regarding the outcome with the farm, but also relative to son David's health. I thought it somewhat fatalistic for her to suggest her son to pray to see heaven; it felt like she was preparing him for his death because of a heart condition. Fortunately grandma stepped in with sage advice to help David reorient his thinking on that. The local doctor the Yi's take David to offers further good news by stating that his heart is mending, with guidance that said "Whatever it is you're doing, don't change a thing". That almost felt like a rejection of Monica's negativity toward living the life of a chicken sexer and farmer's wife.

    Unfortunately, a tragedy that occurs due to the grandma's own infirmity, causes a near total loss of the farm's first crop. The closing scene of Jacob discovering the location of the minari patch that grandma started with a few seeds suggests the rebuilding of their family life all over again, though that outcome is left to the imagination of the viewer. One must weigh Jacob's positive, forward looking attitude against his wife's tendency toward inevitable failure. My own sense is that they stay and make a go of it all over again.

    Now, as to the job of chicken sexing. As often happens, when confronted with something new and odd, I'll do some research, and it turns out you can go on line and take a free test to find out if chicken sexer is one of your top career matches. A not too shabby sixty thousand dollars a year is possible, but on the flip side, it would be hard to come up with a more boring and tedious job than standing all day and separating baby chicks into different colored containers. The world record for a chicken sexer currently stands at 1,682 in an hour, though personally, I don't think that's possible myself, but I've never done it. By this time you probably think I'm making all this up, but you can check it out for yourself with an internet search. Watch the movie first though.
  • I guess Korean and Asian movie is a thing now thanks to Bong Joon-Ho and Parasite. This movie isn't anywhere close to the level of Parasite. Just saying this so people would have lower expectation.

    The plot itself is something all immigrant can relate. But the actual execution of the movie... I don't know who it's being presented to. American audience would have very little they can relate and it's subtitled. Koreans would find that the acting other than Youn Yeo-Jung are not convincing enough. In fact, Steven Yeon's accent is distinctively 2nd generation Korean. His English is too good and Korean is too bad to be 1st gen Korean. He should've studied and trained harder. And then the director can't tell the difference either as he is also 2nd generation Korean.

    Will Patton however was excellent. He needs to teach Steven Yeun on how to prepare for a character.

    And there's difference between open ended movie and movies that just leaves you hanging. This is the latter.

    The movie had potential to be much better. But in the end, falls short of what it could've been.
  • This new film from A24 centers around a Korean family that immigrates to Arkansas in the 1980s to start a farm and have a new life. As can be expected from A24, it's excellent. The film largely centers around the immediate family (including their young son) and their grandmother trying to adapt to the cultural changes of both a Western and an agricultural lifestyle. Lee Isaac Chung's direction is very strong, using elegant and lush cinematography of the American heartland and a potent yet calming score.

    Chung's characters are likable yet complex and multi-dimensional, attempting to adapt to drastic changes in their life while still using humor and compassion. The grandmother character is especially a standout and may remind viewers of the grandmother in "The Farewell." The screenplay is very well-written, combining raw emotion with a lot of humor and heart. Even simple moments, such as going for walks outside, are paired with didactic yet endearing dialogue that establishes clear relationships and trust between the major characters. You really feel affection and great empathy for these characters in a way that genuinely transcends cultural lines. The screenplay's primary emphasis on the characters and their day-to-day lives rather than a view of the American Dream as a whole makes the story seem remarkably personal and slightly idiosyncratic, in the best way possible. Yet the film still serves as a powerful commentary on how immigrants are impacted by cultural perceptions of American life. One can tell that this was a very personal film for Chung, but it would also be relatable among many different audience groups. Its cultural universality will impact views around the world and endear them to the characters. Its inherent warmth creates genuine emotional power as well. The film could have used some slightly stronger coherence between the events that proceed over the course of the story, but is otherwise extremely well-made. As a poignant yet original tribute to the immigrant experience that can simultaneously charm and inform viewers, I undoubtedly and highly recommend this film. 9/10
  • Warning: Spoilers
    I enjoyed the performances in this film, and it had a interesting story that kept my attention, with likeable characters. This tension of the story was built around whether the family could make a success financially of a small farm, and with learning to fit into the local culture. However, I didn't like the way that the Mother seemed to change her attitude at the end of the film, for seemingly no reason. It seemed that they were going to squeak by and sell their produce, after finding out that their son was improving physically, when there produce was ironically burnt up in a fire, just as they arrived back home to see their plans go up in smoke. The mother had been pessimistic through the whole film about their ability to be a success, and had even told the father that she was going to leave. So why then, at the end when all was lost, was she out in the field holding hands with her husband, while they were divining for water? This seemed like an out of character, feel good, tacked on ending. It didn't seem to fit with her attitude in the rest of the film , and left me with a unsatisfied feeling.
  • I can't see how people rated this film badly. The acting was superb, and the cinematography creative and subtle, with touches of a beautiful score.

    I felt incredibly moved by the plot even though I can't fully empathise with the immigrant story - I really felt the pull to achieve what might better the lives of our family and risks we feel we have to take in the name of progress. I recognised a lot of themes, and also really identified the works of John Steinbeck and his themes of naturalism, uncertainty for the future, economic injustice, migration in search of dreams and hopes, and the overwhelming power of nature.

    People complained not a lot happened, but it wasn't that sort of film. It was a poem, a reflection of experiences. People find it hard not to be blown away by drama and action now. Enjoy this lyrical gem and the experience of the lives of others.
  • Have to admit I was hoping for more from this acclaimed and Oscar-winning film.

    It's like the Academy had the chance to recognize an Asian-driven film in last year's "The Farewell," botched it, and then decided that it would lavish praise on whatever the next Asian-driven movie was, no matter whether or not it deserved it. And it's not like "Minari" is lacking in merits. It's just that it feels formulaic in a way "The Farewell" didn't, and it doesn't feel as urgent as that other movie.

    The movie is largely autobiographical, so the director and screenwriter, Lee Isaac Chung, was mostly sticking to what he knows first hand. Fine with me. But that means a film set decades ago that lacks substantial dramatic conflict. It positions itself early on as a film about the immigrant experience and what it feels like to be a stranger in a strange land. But the Korean family at the film's center is pretty much accepted by the rural Arkansas community they choose as their adopted home and the main conflict transitions into a domestic drama revolving around a wife who gets frustrated at her husband's dogged pursuit of a dream that leaves the family scrounging. True to life events, maybe, but less interesting. Throw in the young child who's pampered and needs to learn that he's tougher than he thinks he is and the irascible grandma who teaches him that lesson, and you've got something it feels like we've seen many times before.

    The grandmother is played by Yuh Jung Youn, who won a Best Supporting Actress Oscar for her performance. The film also scored nominations for Best Picture, Best Director, Best Actor (Steven Yeun as the dreamer), Best Original Screenplay, and Best Original Score.

    "Minari" is a solidly enough crafted film, but I found myself to be -- and I usually hate using this word -- a little bit bored by it.

    Grade: B+
  • This movie once again proves that A24 is the most consistent studio in making great movies in Hollywood. Minari shows all ranges of emotion and one of the few films where kids act like kids, have a family that feels authentic, especially the grandma, superbly played by Youn Yuh-jung. It further depicts how the western way of living affects people who are not born in it. It's easily one of the best movies from 2020.
  • Warning: Spoilers
    Minari ("C", which I equate here to 6/10 stars)

    Nice gutsy concept for portraying Asians moving to rural USA, after apparently immigrating from South Korea to the West coast a handful of years before. And the boy is cute. But otherwise, a thoroughly underwhelming movie and a "D" the rest of the way around. Just a thoroughly underwhelming film for way too many reasons. I personally don't think it deserves to win any major awards at the Oscars.

    SPOILERS AHEAD

    Basically, I felt very little for any of the characters. The wife seems spoiled, the husband seems self-absorbed in his mission, the kids are also fairly spoiled, the grandma is a pushover.

    The characters are all a bit sedated, aside from a slightly fiery argument between mother and father.

    Some of the scenes are useless -- i.e. the scene where Will Patton's character is carrying the cross, or the scene where David is staying at his friend's house.

    I don't know any Asian family that would leave their stroke-stricken grandma at home alone by herself, in order to take a multi-hour road trip to the hospital.

    The conflict between the wife and husband at the end of the movie is a bit overdramatic, in the sense that both characters have little ability to empathize with the other.

    I'm Asian-American, born and raised in the midwest USA (1977), and although I'm not Korean, I felt very little emotional commitment to the film's characters. (I imagine that Koreans may feel a bit more sentimental about the movie.) Somehow it's two hours of my life that I wish I could take back.
  • I'd say that I had relatively good expectations for this film. It was a let down. The main reason is because the film was just so boring. I think this is probably because it didn't make me really care for many of the characters in the film. However, I at least cared about Steven Yuen's character's ambitions, which is something I can't say about the other characters. I'd say that the acting was good but not Oscar worthy and the directing was nothing to special. But the boring script is the main reason I didn't enjoy this film like I thought I would've.
  • Minari offers an encouraging and engaging view of the immigrant experience while also recognising the hardships that go alongside. Chung's naunced portrait of Family figuring out their place in the world is both small snd somehow rather grand, after it continues to win over the remaining crowds here, it'll soon be winning you over as Well.
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