The Sweet, The Bitter And The Whole DamnThing
As an American who lived in Italy for longer than I care to admit who's married to an Italian and has Italian children, who's been in love with the Italian cinema since the discovery of Rossellini, Germi, De Sica, Visconti, Monicelli and some other Italian pillars of the 7th art, it is with a heavy heart that I have to confess that I'm sick and tired of this insane obsession the Italian cinema has with this bloody subject. Even if in "Il Dolce e l'Amaro" there is kind of twist in as much as the central character is a "pentito" - a man who turns against his mafia people - the story and the telling of it feels so old, so uninspired. I'm longing for something that could open a door to something new. This kind of story will continue to be told and probably it deserves to, but what I'm complaining about is the repetition in the treatment of the story. No surprises at all - emotionally or otherwise. It is in a way like the Bollywood musicals, always the same. I was, as a foreigner born Italian, a bit intimidated to talk because I thought, maybe it's me, maybe I don't get the subtle differences. I discovered that it's not just me, most Italians feel the same. Luigi Lo Cascio is a fine actor. He's confirmed that point repeatedly, but he's also a rather opaque presence on the screen. I'm dying for cinematic faces telling Italian stories in a way we've never seen before. Is that too much to ask?
- Sep 5, 2007
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