A Miami, Florida businesswoman adjusts to her new life in a small Minnesota town.A Miami, Florida businesswoman adjusts to her new life in a small Minnesota town.A Miami, Florida businesswoman adjusts to her new life in a small Minnesota town.
- Director
- Writers
- Stars
Nancy Jane Drake
- Flo
- (as Nancy Drake)
Stewart J. Zully
- Wallace Miller
- (as Stewart Zully)
Ordena Stephens
- Leslie
- (as Ordena Stephens-Thompson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"do you want me to go over the fireplace?"
"no, i'm a city girl but i know how to light a fire. . . . where's the uh the switch?"
I enjoyed this movie and i usually detest romcoms.
this is well written, well acted, well edited and well directed. it has its charming moments and of course a few formulaic ones but all-in-all the cast and writing are so strong it works. great filming too. the music was fitting and the perfect punctuation to some scenes, especially that 10-second tune played as she raises the creative distress flag on her snow-wrecked car antenna. hilarious.
zellweger portrays a believable decisive corporate leader and brings great comedic timing and delivery to the role. i really enjoyed her in this -- she's a very strong lead and her humorous reactions at times reminded me of diaz in The Holiday. despite her corporate trained demeanor you sense a warmer spirit underneath if only it could be thawed, like keaton in Baby Boom.
connick, jr. delivers as always and the easy chemistry between the two makes their interactions relatable and interesting not cringey.
there are laugh out loud moments and only a spare amount of the sentimental romance stuff. and for a union girl like me this movie put the human back in human resources.
a delight.
6.5/10
I enjoyed this movie and i usually detest romcoms.
this is well written, well acted, well edited and well directed. it has its charming moments and of course a few formulaic ones but all-in-all the cast and writing are so strong it works. great filming too. the music was fitting and the perfect punctuation to some scenes, especially that 10-second tune played as she raises the creative distress flag on her snow-wrecked car antenna. hilarious.
zellweger portrays a believable decisive corporate leader and brings great comedic timing and delivery to the role. i really enjoyed her in this -- she's a very strong lead and her humorous reactions at times reminded me of diaz in The Holiday. despite her corporate trained demeanor you sense a warmer spirit underneath if only it could be thawed, like keaton in Baby Boom.
connick, jr. delivers as always and the easy chemistry between the two makes their interactions relatable and interesting not cringey.
there are laugh out loud moments and only a spare amount of the sentimental romance stuff. and for a union girl like me this movie put the human back in human resources.
a delight.
6.5/10
In 1953 Richard Bissel wrote a novel titled "7&1/2 Cents." In 1955 his novel became the book for a Broadway Musical titled "The Pajama Game." Then George Abbott had Bissel write the screenplay for a musical film version of the play. In that movie, as in the book, a female Iowa pajama factory worker who is head of the union at the factory falls in love with a male superintendent who has been hired by the factory's boss to help oppose the workers' demand for a pay rise (7 & 1/2 cents.) Take this book and change the male role into the union rep and make the female role to be an executive from a corporation who want to downsize the candy factory or close it down. Then move it from the Sunny South to the frozen north (Minnesota,) remove the music, and you have this film. I just simply could not get the "The Pajama Game" or "7&1/2 Cents" out of my mind as I watched this film. And the ending was exactly the same.
Though its payoff scenes are as predictable as could be, this entertaining romantic comedy is an effective vehicle sure to please Renee Zelweger fans. Well-timed to a winter release (the film's heartwarming Xmas scene occurs early in the story as an intended anticlimax preceding the plot complications to come), this modern fable set in a small town in frozen Minnesota is well-photographed on atmospheric Manitoba locations. Zellweger top lines as the fish out of water, volunteering in her high-profile Miami based conglomerate to head north to makeover a tiny food plant, cut its workforce by half and retool for an automated new product launch. She's the typical jargon-laden, fast-track advancement type, dreaming of CEO-hood and sorely lacking in empathy or any recognizable people-to-people skills. Strutting around in inappropriate high heels (closeups of which are a bit overdone by Danish director Jonas Elmer making his Hollywood debut), she quickly alienates every Minnesotan in sight and looks to be headed for disaster in a hopeless hatchet-woman assignment. Led by a warm & funny supporting turn by Siobhan Fallon Hogan (who channels the local persona even better than Frances McDormand's Oscar-winning stint in Fargo), as her local assistant, a tapioca pudding whiz who spends equal time on scrapping (making scrapbooks) and religiosity, the very cute cast of hayseeds play off hard-bitten Zellweger quite well in a time-honored clash of city smarts vs. folksy wisdom. Sure it's very, very corny, but fun all the same. Harry Connick Jr. plays the area union chief who is always in view as Renee's romantic interest, and there is also a dynamite turn by J.K. Simmons (fresh from his triumph in Juno) as the plant foreman who runs afoul of Renee's plans. New in Town is not in the league of the great old movies of Riskin and Capra, but is genuinely amusing and a fine platform for Zellweger to display both physical & romantic comedy skills. The spectre of layoffs and disappearing companies we are currently living through was probably not in mind when this light feature was scripted and shot, but it resonates as a timely, escapist treatment of all-too-painful realities.
This film is about a business woman from a big city who got transferred to a small town. She encounters much trouble adjusting to the small town life.
"New In Town" is another romantic comedy with Renee Zellweger as a person who achieves despite her mischievousness. She is already heavily typecast, but then she really is adorable and likable so it is OK. The plot is very predictable, but is enjoyable mainly due to the small town warmth. Seeing acquaintances and colleagues help each other out, and giving hand made gifts is refreshing. It enhances the positive spirit of the film, and makes the characters more engaging.
"New In Town" is a heartwarming comedy, I enjoyed watching it.
"New In Town" is another romantic comedy with Renee Zellweger as a person who achieves despite her mischievousness. She is already heavily typecast, but then she really is adorable and likable so it is OK. The plot is very predictable, but is enjoyable mainly due to the small town warmth. Seeing acquaintances and colleagues help each other out, and giving hand made gifts is refreshing. It enhances the positive spirit of the film, and makes the characters more engaging.
"New In Town" is a heartwarming comedy, I enjoyed watching it.
My daughter and I really enjoyed this film. We weren't expecting much, but were pleasantly surprised by the humorous take on Minnesota life. Yes, the accents are overdone and no, it isn't really 10 degrees below zero from November thru April here in Minnesota, but those exaggerations aside, it did hit on many "traditions" like meatloaf, polka music, hunting, blizzards, and ice fishing. If you are from Minnesota, Wisconsin or North Dakota, you will most likely understand all of the one-liners and euphemisms. If you haven't experienced life in the frozen tundra of the upper Midwest, this movie will probably not make sense to you. Also, the actors in this film seemed to be genuinely enjoying themselves. I can't recall ever noticing that in any other movie I've seen. It just seemed very genuine and sincere to me.
Storyline
Did you know
- TriviaJ.K. Simmons didn't wear a fat suit for his role as Stu Kopenhafer. He gained more than forty pounds.
- GoofsOpening shots of New Ulm include Manitoba highway signs. Manitoba is over 300 miles from New Ulm.
- Quotes
Ted Mitchell: I want you to remember something. Whatever you do to my daughter, I do to you.
- Crazy creditsDuring the closing credits, we're shown what is supposed to be the completed version of the scrapper book that Siobhan Hogan's character gives to Renee' Zellweger's. Various stills from the movie are shown as pictures 'pasted' into the scrapbook, along with humorous tag lines on each (page).
- ConnectionsFeatured in Rachael Ray: Episode #3.100 (2009)
- SoundtracksSteer
Written by Missy Higgins (as Melissa Higgins)
Performed by Missy Higgins
Courtesy of Warner Bros. Records, Inc.
By Arrangement with Warner Music Group Film And TV Licensing
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $16,734,283
- Opening weekend US & Canada
- $6,741,530
- Feb 1, 2009
- Gross worldwide
- $29,010,817
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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