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  • Warning: Spoilers
    This nutjob kidnaps a small boy to be a kind of mute companion / trainee / witness to his bloody murders. He kidnaps a screamy teenage girl (one of many, this one is particularly screamy, though), but her family (all people who have never seen a horror film before) come to rescue her one by one, and don't notice that the nutjob is creeping up behind them as he despatches them in unpleasant ways (except for Uncle Jonathan who he murders quite nicely with a shotgun). But the nutjob gets killed and the teenage screamy girl escapes, except she doesn't because the small boy knifes her multiple times, the end.

    This generic mad killer / slasher horror is slightly below average of its type, but gives the impression it thinks it is actually rather good, which it isn't. Michael Biehn and John Savage, a couple of decent actors, are both in it: this doesn't help. Brett Rickaby (of whom it has been said, "Who?") plays the nutjob. He is not very good (this is me being kind about his performance). Alexandra Daddario plays the main protagonist / victim. You will notice her very very blue eyes, her constant ear-splitting screaming and her impressively proportioned and vigorously nippled bosom. And not necessarily in that order.
  • SPOILER: In 1989, the boy Martin Bristol (Spencer List) has congenital insensitivity to pain with anhidrosis (CIPA), a rare neural disorder, in which the patient does not feel pain, heat or cold. He is abducted by the deranged serial-killer Graham Sutter (Brett Rickaby) and brought to the Sutter Meat & Poultry, an abandoned meat-packing plant in Minersville, Pennsylvania, where Graham slaughters young women that he kidnaps.

    Five years later, the stubborn seventeen year-old teenager Allison Miller (Alexandra Daddario) loses her parents and moves to the house of her uncle Jonathan Miller (Michael Biehn) that is located near to the decrepit plant. Jonathan, his wife Karen (Kathryn Meisle) and their little daughter Wendy (Peyton List) welcome Allison, but the teenager does not give much attention to her new family. Allison likes to run alone on the road and she passes by the meat-packing plant and then she meets the mechanic William "Billy" (Nolan Gerard Funk) and has a crush on him. Jonathan advises Allison to avoid running near the old factory and Billy, who is a problematic teenager. Allison does not listen to her uncle and brings tragedy to the Miller family.

    "Bereavement" is a bleak, brutal and gruesome slasher film with a brainless heroine by Stevan Mena. The storyline is cruel with children and most of the directors of horror movies avoid this approach to make the film more commercial. Allison is the key character, but she is too stupid to make the movie work. Her attitude toward her guardians is awkward for an orphan without resources. She is an athlete with big breasts that runs without brassiere, which is unusual. But he worst is to follow an unknown boy through the underground and gruesome basement of an abandoned building seeing jars with blood and weird chains (imagine the smell) without any fear of being raped or attacked by a stranger. Last but not the least, this unpleasant movie is recommended for very specific audiences only. My vote is six.

    Title (Brazil): Not Available
  • Warning: Spoilers
    Have its moments but suffers from leaden pace and a serial killer straight from the handbook of clichéd psychos. The latter played by Brett Rickaby who kidnaps six years old Martin Bristol (Spencer List) in rural Pennsylvania circa 1989. Martin has CIPA - a disorder where afflicted individual is insensitive to any physical pain. Five years later and countless young women dead in hideous manner at his hands, Graham sets his sight on new kid in the small farming town Allison Miller (Alexandra Daddario). Standing between her impending dire fate and the deranged lunatic is very reluctant and traumatized protégé Martin. Pointless, unpleasant and overlong prequel to Malevolence (2004) is first in three-part planned trilogy. Multi-tasker Steven Mena (writer-director-music-editing-producer) bites off more than he can chew.
  • melissa-1831 September 2011
    Warning: Spoilers
    Bereavement is about some crazy guy who talks to cow skulls and kidnaps young girls to torture and kill.

    It's hard to like the girl, Allison, in the leading part cause her acting is so awful. That also applies for the crazy guy. The movie drags along and the scenes where the crazy guy talks to his skulls are boring and hollow.

    Reactions from captured girls, including Allison, are often implausible and annoying (hardly fighting back, making extreme loud noise while trying to escape, etc). On top of that Allison is telling a young girl to stay in her room while the house is on fire. Not the sharpest tool in the shed. The makers must also believe you can create a real scary scene by making girls scream their lungs out for quite a while. Well, it's not scary, it's annoying.

    Overall, lousy story, extreme bad acting, not scary and predictable. Makes me wonder who wrote all the reviews and high votes.

    1/10
  • "Brought home a boy from the valley. He's young enough to learn the business my way."

    This recent entry in the "small town psychopathic serial killer" genre isn't exactly a game-changer and it doesn't try to be that scary, but it is a tense, nasty affair that will probably appeal to some horror fans. 

    We've got out deranged killer that preys on young women, a young boy he kidnaps to "assist" him, and a new arrival from out of town (Alexandra Dadarrio) that enjoys taking long runs alone that just happen to pass by a sinister looking and isolated rundown meat-packing plant. If you're guessing that's a recipe for blood, brutality and death, then you're right.

    Bereavement is fine for what it is, but I doubt I'll be compelled to watch it more than once. There's nothing really exceptional about it, though some of the outdoor cinematography is beautiful, there's a concentrated effort to give depth and a back-story to most of the main characters, and Alexandra is undoubtedly nice eye candy (if there was an Academy Award for filling out a halter top, she'd have it in the bag). The bottom line, though, is that this is such a thoroughly bleak movie that it's almost too realistically grim and hopeless to find entertainment in. That's not necessarily a "flaw", but it's definitely something some viewers will respond less favorably to than others. 

    Oh, and I don't think I've heard this much screaming in a film in quite a while. Have your ears prepared to be assaulted.
  • Warning: Spoilers
    I saw 'Bereavement' at a late-night showing, after which the director was available for a Q&A. I really wish I had asked Mena the many questions I had about his film, but, honestly, by that time, I just wanted to get out of there and go home. Although the movie had some brilliant moments (great cinematography, terrific use of sound and very gory scenes) for the most part, it all-too-quickly slips into the realm of "We've seen this before." Examples: A lonely psychopath who lives in a slaughterhouse, a mute child, a big-breasted, small-brained heroine, an ending that involves a fire. Yup. It's all there. Oh, there's also a lot of bad acting and characters who do the most BRAINLESS, RIDICULOUS THINGS POSSIBLE! It's sad, really, because Mena is clearly a passionate, talented man who wore several hats while making 'Bereavement.' Maybe he should have saved some time to give the movie a real, hard, serious look.
  • Bereavement is a slasher movie with some strong points - good acting (Michael Biehn, Alexandra Daddario and the rest of the cast) and a good cinematography and production value. The weakest point: the behavior of the victims is so dumb like they never heard any news of serial killers and maniacs or never watched some horror movies. So watching them killed I always thought - well , that's survival of the fittest, baby ;)

    In a teenie-slasher with some elements of comedy such "behavior" of course is part of the deal, in a "serious" slasher like Bereavement it is not. On top, there are some implausibility and issues with the story: many girls disappear but nobody checks on the weird guy living in a old slaughterhouse, is just one of them. Also the "twist" (no, I won't spoil) I saw miles ahead coming and is just a cliche that wants to shock but can't, at least not the "serious" horror audience.

    Well, with a more refine and plausible plot this movie could be easy a really good slasher. So it is a solid one, that is in the end not in every aspect convincing.
  • It's been a few days now since I watched "Bereavement", and the more I contemplate about it, the more I have to reckon that it was a unique viewing experience for me! It's a really good horror movie, and simultaneously it's a very bad horror movie. Usually you spot a couple of strong aspects in an overall bad film, or you find a few things disappointing in an overall good film, but "Bereavement" is quite different. The good aspects are truly great, whereas the bad aspects are incredibly bad and, in the end, I can't decide what to think of it! Therefore, and for the first time in IMDb history, I'll be writing a schizophrenic/Dr. Jekyll & Mr. Hyde review!

    Dr. Jekyll says: "Bereavement" is a downright fantastic experience that you simply must watch in case you're a seeker of genuine and unhinged horror! For the first time in decades, we are faced with an atmosphere that is authentically grim and petrifying, and a screenplay that is vile, shocking and completely devoid of taboos or political correctness. Stevan Mena is the guy who finally dared to write a film about subjects that really scare people! Sick individuals prowling around in their eerie old cars and abducting defenseless young children, endlessly exposing fragile & undeveloped young minds to extreme violence, honest and good-hearted people getting slaughtered in front of their loved ones without reason, etc. "Bereavement" is one of the bleakest and nihilistically primitive stories ever and even the most experienced horror fanatics with strong stomachs and steel nerves are likely to be astounded by the brutality of this film. The remote locations (like the ramshackle meat & poultry abattoir) and set-pieces (like Sutter's van) are shivering and the total absence of comic relief makes the tense ambiance even more unbearable. The killings are relentlessly mean-spirited and there is a lot of graphic and uncompromising gore on display. It's always excellent to see Michael Biehn in a thriller/horror film, and his performance is reliably forceful as usual. Young heroine Alexandra Daddario is a stunning beauty with one of the brightest pairs of blue eyes I have ever seen, but with a breast size like hers, I would advise her to wear a sport bra when jogging. You're going to get back problems, girl!

    Mr. Hyde says: how far does writer/director Stevan Mena expect us to push our suspension of disbelief? The screenplay of "Bereavement" is utterly ridicule and implausible. I reckon there aren't any policemen in Pennsylvania, because the least inconspicuous child abductor/serial killer in history can carelessly remain at large for a period of at least five years! This guy slowly drives near schools and playgrounds with an eye-catching pervert van that even has his actual name written in bright white letters on the side. Stranger danger, anyone? Five years later, he's still driving the same damn piece of wreckage, even though you can clearly read in newspaper clipping that an old black van got spotted at the house where the quiet kid was kidnapped. His liar, a narrowly demolished family company abattoir, also isn't exactly a secure hideout. It's located right next to the main road, and practically all the widows are broken, so at some point, please tell me that someone must heard the screams of tortured girls or smelled the stench of rotting corpses? Apparently, nobody in this godforsaken hole bothers to call the authorities or search for missing persons, like the waitress, and even cool dudes like Michael Biehn make dumb decisions. The teenage girl (and also her boyfriend) is the dumbest of the bunch, since she solely ventures into the cellars and corridors of a nasty slaughterhouse that is full of blood puddles, body parts and torture devices. Without once looking over her shoulder! Oh well, what do you expect from a chick with a D-cup size who doesn't wear a sports bra when she goes jogging? I could raise several more examples to point out the characters' stupidity, but the message is clear: the script of "Bereavement" is an insult to the intellect of every self-respecting horror fan!

    Eventually, Dr. Jekyll narrowly wins the mental battle (hence the 6/10 rating) because I still principally respect the fact that Stevan Mena has the courage to bring a cruel and unrelenting fright-story.
  • Warning: Spoilers
    i have never felt the urge to review a film before but this just needed one that reflects the actual film ! i have no idea how it rates how it does ! I was expecting a lot more than this poor effort good production but suffers from any decent storyline. let alone some poor acting on behalf of the main female ! its so bad you have to see it , because you will find yourself screaming out the obvious thing to do ! Micheal biehn must have needed the paycheck to be in this ! stupid things like a broken down meat packing plant that still has a gas supply and electricity ! ** Spoilers **

    when the kid is trying to break the lock on the freezer why cant the dipstick girl point properly to warn him? why doesn't she use the meat hook you can clearly see to break the glass and why does she only see that rod to open the door after a nap ? what is the symbolism of the steer skull? why does it take so long for the fire to start burning and why would she tell the little girl to stay upstairs in her room when the house is on fire ? their are so many more holes in this film it should be watched just to spot them !
  • Warning: Spoilers
    Just like in Sci-Fi there are two types of people who watch them: those who want the human race to prevail, against ALL odds, and those who want something that makes sense. I am not saying that those are mutually exclusive, but the same fan exists in the horror genre as well.

    In this movie, if what you expect is good to triumph over evil and to sleep well at night, then don't watch it. It has more twists and turns then a very famous street in San Fransico, CA (Lombard St.). This movie is surprising and will keep you on the edge of your seat and just when you think you know what's going to happen, the wheels fall off the wagon and you're careening downhill with no control. A great movie for any real Horror movie fan.
  • Kudos to writer/director Stevan Mena for making Bereavement, his prequel to the impressive Malevolence, such a downbeat, mean-spirited and bloody little psycho flick, and also for casting delicious Alexandra Daddario in the lead, an actress who deservedly finds a place in my 'Big Breasted Babe In A Small Vest' Horror Hall of Fame. No such praise, however for Mena's woeful script, which is both incredibly clichéd at times and deeply flawed, making the film frustratingly mediocre as a whole.

    First and foremost, why did Mena have his serial killer drive around in a truck that reveals his identity on the side? Loitering outside schools, driving slowly down suburban streets, and prowling round parking lots for victims are the kind of thing best done in an unmarked vehicle (or so I am lead to believe—ahem!); nut-job Sutter has his name painted on the door of his distinctive rusty heap and would surely have been the prime suspect for any local disappearance. Amazingly, though, he continues to abduct and kill with no interference from the police. And then there's the little matter of Sutter's lair, a dilapidated meat packing factory which sits next to a main highway and yet has never aroused the suspicion of anyone passing by, despite screams clearly being audible from the road; incredibly, the place even has power and a fully functional furnace!!!

    Considering the sheer stupidity of this basic set-up, it shouldn't come as much of a surprise to learn that the characters act as though they have sawdust for brains. Track star Alison (Daddario) has obviously never seen a horror film in her life, since she is happy to continue exploring the creepy meat factory even after finding pools of blood and a scrapbook full of newspaper cuttings about missing local women. Alison's boyfriend William suffers the ultimate price for displaying a similar lack of self preservation, as does a waitress who makes so much noise while attempting to escape from Sutter that it's not long before she's hanging from a meat-hook. Hell, it's almost as though people actually want to be killed by this guy.

    Unfortunately, that's just the tip of the iceberg when it comes to the idiocy on display in this film, with moments that will make you want to scream at the screen in frustration coming thick and fast, right up to the bleak and bloody finale that could have been avoided if only someone had just displayed a little common sense.
  • Did ANY of you prior reviewers realize this movie doesn't need an explanation because it IS an explanation? This movie is a prequel for the movie Malevolence. And a good one. The acting wasn't top billing actors (take a look at the budget), but it wasn't the worst I've seen by far. Not sure how anyone could say there's no plot. It won't replace my favorite horror movie, but I did enjoy it. Either watch Malevolence first, or watch it knowing what it is. I can see how confusing and open ended it would seem not knowing that, especially since, as far as I saw, IMDb didn't bother to mention it, either.

    This movie does a great job telling the background story of how Martin became the psychopath he was in Malevolence. There were still surprises along the way. It would be nice for it to be more obvious what this movie is, because it really is not a stand alone movie like some other prequels and sequels are.
  • In 1989 rural Pennsylvania, young Martin Bristol was kidnapped by sadistic killer Graham Sutter (Brett Rickaby) from his backyard. He suffers from CIPA which prevents him from feeling pain and other sensations. He is forced to witness the torture and killing of women. Five years later, Allison Miller (Alexandra Daddario) arrives to live with her uncle Jonathan Miller (Michael Biehn) and his family after the death of her parents. She connects with neighbor boy Billy who has a trouble family life of his own. Graham lives in the nearby shutdown family meat packing plant where he does his killings.

    This is a function slasher horror movie. Alexandra Daddario is a good scream queen. She has many assets including her screaming. It's always nice to see Michael Biehn but he has little to do in this movie. Brett Rickaby is more of a minor secondary actor and is not a compelling enough villain. The damsel almost never holds on to a weapon which gets a bit annoying. Also I don't know why she tells the little girl to stay when the house is burning around them. Actually I do know why but there has to be a better way. This is by no means great or special. It'll do for a late night viewing.
  • cabartha10 September 2011
    One word: Rubbish! The reviews are telling great lies about this one and all you will have is a time waste. The reviewers should be the parents of the director or someone else who has involved in this picture!

    I have seen better bad ones but when you match with the reviews, this was the worst one.

    Thanks to God, I did not watch this one in the theater!

    I even could not understand the genre of the movie, drama or thriller??? There are lots of good pictures out there! Do a favor for yourself and stay away from this one!
  • Where to start.... Well I read the reviews and as always went in with an open mind since I frequently like films with bad reviews (I obviously ignored the amazing reviews from cast and crew)

    I was expecting a B-Movie slasher I guess. What I got was a film trying to punch far too much above it's weight. It wanted to be taken seriously but when the leading lady has obviously been picked for her ample bosoms and permanently larger than life nipples over her acting it just ain't gonna happen!

    Then there's the blood.... Lots of it obviously but could they really not get the colour right? I think the effects dept must have popped to Asda for some cheap ketchup. Very poor effort.

    I think F- Movie sums it up really. AVOID.
  • I heard radio ads for a week saying Bereavement is the Scariest movies of 2011. I can only agree with that statement because it is the only scary movie of 2011 thus far. If Toy Story 3 came out this year, it would have been scarier. I got to see a primary on March 3, 2011. Hundreds of tickets were given out, 30 people showed up. Of those 30 I was confident that some of the girls were screamers... However I was disappointed again. Not a single scream or jump during the entire movie. And I'll be honest, I'm a guy who will jump at anything during a scary movie. But not even the sensation to being scared entered my mind for this movie. The quote from the movie, "If they have not feelings, they can't know fear. But if they can't know fear, why do they run?" pretty well sums it up. You run to get as far away from this horrible film.
  • Apparently BEREAVEMENT is the prequel to another slasher flick, MALEVOLENCE, although I haven't seen that film. Not that I'm missing much, as this turns out to be the most routine horror film ever. The story tells of a guy in a 'creep van' who rides around abducting young women and murdering them in an abandoned slaughterhouse. There's a twist involving the killer's abduction of a small boy who he plans to make his apprentice, but it's hardly much of a twist; the ending is predictable from a mile off. So what do we have in a film devoid of originality, interesting characters, and entertainment value?

    The answer is Michael Biehn. The TERMINATOR star plays the supporting role of the heroine's uncle, proving solid amongst a mix of humdrum acting turns. Although, I have to say, that Alexandra Daddario stands out (for a couple of prominent reasons) as a modern-day scream queen, playing virtually the same role here as her later one in Texas CHAINSAW 3D. The actor playing the villain is weak, though, and the kill scenes are vicious, mean-spirited and unappetising, with little of merit for anyone who's seen anything even halfway similar.
  • 'BEREAVEMENT': Two and a Half Stars (Out of Five)

    Director Steven Mena wrote, directed, produced and did the music for this horror prequel to the cult slasher film that got him his start 'MALEVOLENCE'. This film shows the origins of the main villain of 'MALEVOLENCE', as a child, when he himself was abducted by a psychopath and held captive in a farmhouse, where he was forced to not only witness but take part in the madman's brutal killings. The filmmaker says this film was intended to be more of a psychological character study horror film than the more routine slasher film that the original was. I don't see a difference; in my opinion this is a pretty standard B horror film. I haven't seen the original to compare it to but this one is mediocre at best.

    The film begins with it's central character Martin Bristol (Spencer List) swinging alone on a swing in his front yard when he's kidnapped by a man named Graham Sutter (Brett Rickaby). It's explained that Martin has no physical feelings in his body, by his mother right before he's taken, so the killer continues to cut and abuse him, as he feels no pain, while also making him bare witness to the killings of other innocent victims he kidnaps. He's held captive in a farmhouse for quite some time while the movie changes focus to a family in the same town where a young woman named Allison (Alexandra Daddario) comes to live with her aunt and uncle after her parents die. Her uncle Jonathan (Michale Biehn, one of my old favorite actors) made a promise to his brother that he'd watch over her if anything happened to him. While dealing with her new situation Allison meets a young man in the area named William (Nolan Gerard Funk) who she develops feelings for. Of course her path eventually crosses with that of the killer and the young boy and things get complicated.

    I've read that the original cut was 3 hours long and Mena wanted the film to be an epic horror film. Even at 103 minutes the movie could have used some better editing and I think a longer cut would be excruciatingly dull and unnecessary. The film as it is is barely worth it's time to watch. It does have a nice 80's feel to it though and fans of gore will definitely get what they're looking for. I also love seeing Michael Biehn in anything (especially the sci-fi/horror genres) so getting to see him in action again was a treat in itself (he is underused though). As a whole I'd say the film is pretty average, nothing more and nothing less, just you're average routine horror film; which is not of course how the filmmaker describes it but that's what it is.

    Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=wGWqCYOhcJs
  • gab-675999 September 2022
    Warning: Spoilers
    The sad thing is I loved the cast and the lead was believable until she could not even tell someone to "TURN AROUND"!!. So many times I caught myself yelling at the screen for them to run, fight back harder, or just to anything other than what they did! This movie was frustrating and not worth the time. Everyone dies and not even at least one good actor left alive by the end.

    I really though little Martin would take the little girl and make her like him, or wife her. At least then she would have lived and it would have made this movie slightly better. Like lover/ grow up child killers. Also at the end (1:46:00) it shows 5 years later but there was no point because it just showed how stupid the directors was in making all the actors dumb! Like anyone with a brain would just walk into a creepy farm house (knocking and then just walking in like that's a thing you do *Eye Roll*) on their own.

    I also loved how the police could tell the family was in a fire but at least the bones would have been left to see stab wounds and shotgun fragments. Not like they were incinerated! This movie was just all around stupid decision after another! Avoid this movie if you want a movie with logical actions. It was good as far as slashers go, plenty of blood but not much of showing the contact with knife and body. Just blood splashing on the walls then showing a still breathing actor with blood all over them. All my stars go to the actors that died in this movie. They all did their best with this stupid scrip! One star goes to the movie itself.
  • A little boy is abducted from his home by a crazy guy in a creepy van. It's not just any normal boy but one that suffers from a condition that causes him to not feel any physical pain.

    Five years later, we find the boy in some dark cellar witnessing girls being tortured and killed. The kidnapper is trying to train him. The boy should be suited for this work since presumably his condition should make him fearless. He appears to be anything but fearless.

    Meanwhile, the lovely Allison arrives from Chicago to live with her uncle, aunt and little cousin. Her parents died from an accident and the uncle promised the dad to take care of her if anything happened to him. She's of course not at all happy to end up somewhere out in the country in Pennsylvania. She runs into some kid with an alcoholic dad in a wheelchair. They become closer but the uncle is trying to keep them apart. On her morning runs she sees a boy in an abandoned building. It's a former meat-packaging plant. One day she decides to follow him into the building and she's taken by the crazy guy.

    The uncle and boyfriend go looking for her but run into the crazy guy. He, by the way, has conversations with and visions about someone with a cow skull who presumably makes demands of the crazy guy and to appease him he kills and tortures all these girls over the years. There's also some pseudo-religious talk of redemption and the such. Allison's fate will provide a neat little twist.

    Bereavement is a competently made horror flick that benefits from the acting skills of the entire cast and the beauty of Daddario. It has some original ideas but it doesn't do enough with them. The worst part of the movie was how dark most of it was filmed. Of course the key parts have to take place at night, how could it possibly be otherwise? And the killings take place in a cellar with no light and the crazy guy doesn't seem to be in the least troubled by the fact that he can't see anything. And neither can we. If you're going to bother doing a torture horror flick, why the sudden reluctance to show the bloody parts? The killer is also a bit too crazy and little is explained about him. Of course he keeps a book with newspaper clippings of his work. It's time for younger filmmakers to dispose of all this lame predictable stuff. More emphasis should have been placed on the development of the boy as well and his relationship with the crazy guy.
  • As a dedicated horror fan, this is truly the barrel scrape of the genre.

    The entire premise of the film is completely without any merit. The synopsis is a complete misnomer. It's not about the boy being abducted at all. It's about a semi-attractive girl in a new town whose life is already tinged with tragedy being stalked by the weird guy who lives in an old meat processing factory.

    He drives the quintessential "scary truck" and is suitably unattractive.

    Lots of torture/killing ensues by Weirdo McStabby as the young boy he abducted watches.

    The writer/director/producer is clearly trying to get in a few weak allegories here (with the whole boy feels no pain BS) but the whole film is an unrequited snore fest.

    You never care about the characters - as there are no characters.

    The acting is simply atrocious, main guy not scary or creepy, no sense of tension.

    Before this gets ranty - I'll just say to avoid it.
  • I've been watching horror films for 50 years and have seen almost everything. Slasher films have left me almost completely bored the last few years. With the exception of The Collector there really hasn't been a decent slasher film since Texas Chainsaw Massacre, Halloween and the Nightmare films (well, most of them).

    Almost all current slasher films are the same. 6 kids (5,8... name your number) all go out to a party (the woods, a haunted house...etc.) and get killed in unusual ways by an unknown attacker. Boring. Bereavement changes all that. Without going into any detail here's a movie that will literally keep you glued to your screen from beginning to end. I've liked Michael Biehn since I first saw him in the original Terminator movie and, for the most part, he's never let me down with his acting. He gives another great performance here. Brett Rickaby is perfect as the tormented killer. He's scary, anguished, and ruthless and should be put up there along with Meyers, Vorhees and Krueger. Alexandra Daddario shows her best acting in any movie she's been in to date and Spencer List is perfect as the kid who's put through everything imaginable and makes his own future.

    Unlike most horror films today there's no comedy in this one. It's flat out ruthless from beginning to end. Again, except for The Collector, this is the first slasher film I've seen in years where I truly hope they make a sequel.

    I've never written a review before and joined IMDb today just so I could write about this one. If horror is your thing you certainly won't have wasted your time viewing this one. Hell, you might even want to watch it a second time right away. When was the last time you could say that about any of these?
  • Warning: Spoilers
    This prequel to Malevolence (2004) explains how that film's killer came to be. It opens in 1989 with 6-year-old Martin Bristol being kidnapped by serial killer Graham Sutter (Brett Rickaby) and forced to watch him kill and clean up the aftermath. Cut to 1994 with the 11-year-old apprentice (Spencer List) still in the killer's grasp but getting peeks at the outside world, mostly via glimpses of Allison Miller (Alexandra Daddario). Allison has moved in with her uncle (Michael Biehn) and his family in rural Pennsylvania after her parents were killed in a car wreck.

    Writer-director Stevan Mena's first film must have done quite well for Anchor Bay as this sequel is a much more handsomely mounted production. Filming in the same locations, this captures them even better in the gorgeous camera work of DP Marco Cappetta. The problem with the film is if you've seen the first one, you'll know certain things and correctly predict the sequences of events. SPOILERS The first film ends with a monster of a exposition scene, which lets audiences know Britsol eventually kills his captor and becomes the new serial killer; additionally, if he is killing freely and undetected as an adult, we know no one will survive this one. END SPOILERS That said, I'd say this is superior to the original in every way. It doesn't mimic its slasher influences as much and stands on its own. Mena was also able to get better actors this time around (in addition to Biehn, look for veteran John Savage in a small role). The kid playing the 11-year-old Martin is also very good. The film also attempts to explore the "nature vs. Nurture" idea, but is a bit too on the nose at times (Mena has a high school teacher giving a speech on it). It also gets a bit too torture porn-y in spots, but I'd say it is worth a watch and would probably say watch this first and Malevolence (2004) after if you are inclined.
  • Nadia_229 August 2022
    Nothing to say about this one, it's a stupid movie with a stupid plot and a very bad acting. Skip this one , there are way better slasher movies that you can find and watch, unless you really love bad movies or you don't trust the reviews. 0/10.
  • Warning: Spoilers
    I don't know if i will SPOIL anything in this review, I guess watch ANY OTHER slasher and you will spoil it anyway.

    The movie wasn't quite OK. The *3* star rating I gave was only because it WAS a slasher. Otherwise, as others have pointed out, the actors were annoying, ALL of them. They were all cliché' and they all had the same tragic pasts. I was surprised that Michael B was in a movie this cheesy.

    The girls screamed WAY TOO MUCH, and you really didn't know what was going on after it all ended. I figured the guy was a cattle activist, lol. But why did the boy all of a sudden turn and start killing, why did the killer go back and kill everyone else? None of it made any sense.

    Anyway, I would not recommend this film. IMHO ** Are all of you giving such high ratings WITH the movie company??? I don't get how you can make such a good review ...
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